Late January 2020 bopping fortnight’s favorites (10 records)

Hello everybody ! Here are ten more selections for this late January 2020 fortnight’s favorites. Very different ones, and they date from 1950 to early ’60s.

Texas Slim

TEXAS SLIM – I dare say we’ll never know who he actually was – cut in 1964 two superior sides for the Ark label (# 309) in Cincinnati. They do present a surprising and good combination of banjo and steel guitar : « Look What You Gone And Done To Me » and « When I’m Old And Gray » . This man has nothing to do with one Texas Guitar Slim (early ’60s La. blues) on Jin Records.

Chuck Manning and the Rhythm Ranch Boys

Now a late ’50’s (stylistically) Rockabilly out of Arcadia, California on the small Corby label (# 103 or 232) by CHUCK MANNING and the Rhythm Ranch Boys. « Let’s go », a train song, has a strong rhythm guitar, a cool vocal ; a good steel guitar all the track along, and a fabulous lead guitar : no less than 4 solos ! Excuse the somewhat ‘muddy’ sound, which was on original record. Value $ 200-250 for Tom Lincoln, $ 100-150 for Barry K. John.

CECIL CAMPBELL’s Tennessee Ramblers

The veteran CECIL CAMPBELL (backed by his Tennessee Ramblers), today unjustly neglected, cut his first records as vocalist, and most of all, as steel player, in 1934. Here is from December 1950 the « Spookie Boogie », as expected a ghost song. The story goes as to make rattling bones sounding, Cecil was looking for an “…unusual hollow type of rattling sound designed to send cold chills rushing down the spine.” He couldn’t find that sound on the musical instruments. But as fate would have it, one of the members of the Tennessee Ramblers had false teeth and that mysterious sound that appears on the tune “Spookie Boogie” was made by a pair of chattering false teeth. The tune has a nice steel, a loping bass and fiddle and a good piano (RCA-Victor 48-0409).

Later on, Campbell adapted well on new trends. He offered the instrumental « Go Man Go » in 1955, to be found on the Cactus comp’ « M-G-M Hillbilly » vol. 4 (not listed here, neither « Beaty Steel Boogie », issued on Super Disc 1004, reissued on YouTube). Here however I release his « Rock And Roll Fever » from 1957 issued on M-G-M 12482, a fine Rockabilly on its own.

DESSIE FAULKNER (1903-1993) cut at the tail end of the ’50s and early ’60s a nice string of Honky-tonk bopping songs, among them I chose her offering of « I Dare You Yo Love Me » on D 1159 (issued August 1960) : an assured vocal for a fast bopper with fiddle all along and a steel solo. The song was first reissued on U.K Cascade (1983) « 20 Country Great Recordings » that included George Jones and Joe Carson among others.
Second Dessie Faulkner selection is a good weeper on a stroller rhythm issued on Big 6 138 : « I Cried Again » is mid-paced and has a crying steel. Faulkner also had « You Can’t Stop A Heart From Lovin’ », a good Honky tonker from 1967 issued by Cincinnati’s Arvis (# 1) label (not selected.

The Bridge Brothers

More of late ’50s wih the BRIDGE BROTHERS and « Stick-A-By-You » on A-B-S 119 (which stands for « America’s Best Sellers ») : a good duet, nice bass chords played guitar, the whole is refreshing and ernergetic. Thanks CheeseBrew Wax Archive YouTube chain to unearth such fine songs.

Out of Shreveport, La. on the Ram label (# 101) and released in 1956, here’s CAROL WILLIAMS an her great, fast « Just For A While ». Has a fresh vocal, and a good guitar (solo).

Luke Gordon

Finally the superlative, and him also unjustly neglected (although he never did a bad record) LUKE GORDON on Blue Ridge 502. His usual style for « You May Be Someone (where You Come From) » – a great, great dobro (solo), fiddle and discreet mandolin + a good bass.

That’s all folks for this time. Research goes on many artists, such as Fairley Holden, Iry LeJeune, Johnny Foster, Bill Hutto, Jerry Irby, Cowboy Sam Nichols among others. Let’s keep plugged to bopping.org !

Sources : YouTube (Hillbilly Boogie1 for Carol Williams pic), 45cat and 78-worlds ; hillbilly-music.com for pic of Cecil Campbell and the story of the rattling bones ; an old Tom Sims’ cassette for Texas Slim Ark release (label scan from 45cat) ; my own archives.

Early December 2019 bopping fortnight’s favorites

Howdy, folks ! This is the latest batch of bopping goodies – and the penultimate 2019 selection. You will have to be comprehensive with label scans, that don’t match the usual bopping.org criteria : as a matter of fact I am experiencing the latest Photoshop version and not completely familiar with it. Anyway the music is still intact and ready for listening/downloading. So let’s go.

Ted Daffan’s Texans

TED DAFFAN (1912-1996) was a bandleader and prolific songwriter (and steel guitar player) since the mid-30s. Backed by his Texans, he wrote many hits and classics: just one among others, the abundantly revised later « Born To Lose » from 1941. Here he is with « Car Hop Blues », orginally published on Okeh 6452, then reissued in June 1947 on Columbia 37438 then 20165 : a fine shuffler, indeed adorned by Daffan’s steel, plus accordion and a bluesy guiar. The vocal is done by the disillusioned Chuck Keeshan. A short note : Daffan had his own label in ’55-’58, which released fine records by Jerry Irby « Clickety Clack »), Jerry Jericho (« These Hands »), Fidlo (« Triflin’ Heart ») or William Penix « Dig That Crazy Driver » .

Jimmie Ballard

As vocalist for Buffalo Johnson & His Herd on Kentucky 520 (1950, Cincinnati), JIMMIE BALLARD cut the two risqué « Tappin’ Boogie » and « T’ain’t Big Enough ». Great boppers, the fastest being the A-side – great walking bass for a combination of guitar and steel over a non-sense vocal. The B-side is slowier, although equally good.

Billboard Sept. 27th, 1952

Billboard, Dec. 20th, 1952

This time two years later on King, as JIMMY BALLARD, he once more had very fine records. The double-sided « I Want A Bow-Legged Woman » and « Shes Got Something » are both superior boppers, drums present – actually pre-rockabilly tunes. Nice steel and vocally fluent.(King 1118). His later amusing « The Creek’s Gone Muddy (And The Fish Won’t Bite ») (# 1143) is done in a similar style. The agile guitar player in these sides could be the great Al Myers, who adorned several days before a Bob Newman session (« Phht ! You Were Gone »).

Adam Colwell, Tex White & the Country Cousins

Less and less known are both next artists. ADAM COLWELL is delivering in 1962 (Cincinnati) the fast « Open the Door » (some chorus, but great steel) on Ark 219, while TEX WHITE — is doing a medium nice uptempo on Nayco 2526 (location and date unknown – do you have any clue, Drunken Hobo?) with « You’re Wasting Your Tears ».

“Little Willie” Littlefield

Finally we got fabulous piano walking basses and tremendous high-pitched notes by LITTLE WILLIE LITTLEFIELD : his first record from 1948 on Houston’s Eddie’s 1202, « Little Willie’s Boogie » is very reminiscent of Amos Milburn great Aladdin wildies like « My Baby’s boogeing » or « Amo’s Boogie » ; Littlefield’s « Jim Wilson Boogie » on Federal 12221 is done in the same style.

Sources : HBR « Kentucky label » ; Will Agenant « Columbia 20000 serie » for Ted Daffan ; King Hillbilly Project (Jimmy Ballard) ; Gripsweat (Tex White, Adam Colwell) ; my own archives.

Late January 2018 bopping fortnight’s favorites

Hi there, let’s begin this second fortnight for 2018 with a Louisiana platter, that « I blowed my top » by PAUL MIMS on the Shell label (# 121) ; nice call-and-response format shuffler, and the steel guitar is well to the fore. Barry K. John doesn’t ignore this record, but adds nothing else (location, date..) than its price : $ 50-60.

shell Mims blowed

I blowed my top

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Two selections do follow on the Debute label (# 0500) by DENNIS GOODRICH & the Music City Boys. Both were cut in Lorain, OH. They are two Bluegrass styled tunes, one medium, « All alone » where banjo and steel are battling each other. Second side is slowier, although equally good : « My love for you » (with a mandolin to the fore). The vocal here does remember Andy McRae on Ranger 823, and his song « Me and my love », published here in a fortnight dated…June 2011 !

All alonedebute goodrich alone

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My love for you
debute Goorich  love

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More of a double-sider, by TOMMY MOONEY with Bob Mooney & his Automobile Babies on the Floto label (# 78002). Both « Bingo boogie » and « That’s my baby » are Hillbilly boogies from 1953: good guitar, and a real ‘hillbilly’ styled vocal. Bob Mooney was an artist in his own right, e.g. his « A sucker born everyday » on Kentucky 575. The band’s name came from Bob’s record, « Aubomobile baby » [sic] in 1953 on Cozy 317.

Bingo boogie

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That’s my baby”

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floto Mooney  boogie floto Mooney  baby

We remain in social games with « Bingo blues », which is a good medium Rockabilly by JIMMY WERT on the Skyline label (# 752), another Starday custom apparently cut in 1959 in Chambersburg, Pennsylvania.skylne Wert Bingo

Bingo blues

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At last a rocking chick ! This is ROXIE WILLIAMS on the Flint, MI Lucky 11 label (# 1112) : « Fifteen seconds » is a good Rockabilly ; unobstrusive chorus, some echo, and a long guitar solo, cut in 1961, and valued $ 50-60. Roxie had another disc on Lucky 11.  “Fifteen seconds”

downloadlucky 11 Williams  seconds

Yes by George

downloadg&j Hall George

A fast and cheerful Rockabilly comes next : « Yes by George » by GENE HALL, on the rare G&J label (was reissued on Ark 273). This was issued in Ohio. Fiddle and steel are taking each to turn.

 

Finally Thomas Johnson, aka The LONESOME DRIFTER. We finish with a Louisiana record, « Honey do you think of me » on Ram 1738. Great guitar by probably George Mercer, as on « Eager boy » on the ‘K’ label. Intense Rockabilly, lot of echo. Valued at $ 125-150.

ram Lonesome Drifter think

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Sources : mainly YouTube, also Ohio River 45rpm site.

Late December 2015 fortnight’s favorites: a merry bopping Xmas (thirteen selections, 1950-1963), y’all!

For this Xmas 2015, as a gift, you faithful visitors of bopping.org will get 13 (yes, thirteen) selections, instead of the usual only 6 ; although for several months I gradually posted more and more tunes. Merry bopping Xmas to y’all !

 

 

« Deep Elem blues » was first recorded by the SHELTON BROTHERS (Bob & Joe on vocals and mandolin/guitar) in February 1935 in Chicago (Decca 5422), before the Prairie Ramblers gave their own version in August of the same year. The song refers to the black quarter in Dallas, where you need 50 $ because of the red headed women there. It was an immediate success, revived by others over the years, namely by JERRY LEE LEWIS, whose 1957 version remained unissued in the Sun archives for 40 years ! Same year saw the WILBURN BROTHERS‘ version (Decca 29887) : Doyle & Ted do a fine job on this song. Later on Jerry Garcia (Grateful Dead) and Levon Helm had their versions too, outside the scope of this blog, as they say.

decca  shelton-brothers  deep

sun 78 logo

Shelton BrothersDeep Elem blues

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Jerry Lee LewisDeep Elem blues

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Wilburn Brothers (Teddy & Doyle)”Deep Elem blues

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late July 2012 fortnight’s favorites

Howdy, folks! Welcome to newcomers, hi! to returning ones. More features on the pipeline for your own pleasure: I’d begin to entirely rewrite the Skeets McDonald story once published but too short and not enough documented. Then, Connie Dycus, the Rodeo/Excel label, Ray Henderson, Black Jack Wayne, Bob Blum (of “Rompin’ Stompin’ Good Time” fame!), Jack Guthrie, George McCormick (of the highly acclaimed duet “George & Earl“), Lonnie Glosson, Eddie Dean and a lot more features to come…Just pay me a visit sometimes! Monty Deane, grandson to Wally Deane (see Trumpet story) did contact me, also the granddaughter to Kay Kellum. More infos from them to come. And I bet you didn’t miss the fascinating story of Dick Miller, who his son Roger helped me a lot for. A better search engine will be put on the site to help you find a particular artist. (more…)