Howdy folks ! I sincerely wish you all a happy New Year full of good mood and bopping exciting music.
The first artist ends up the alphabet : REX ZARIO & the Country All Stars did release in 1968 for the Philly Arcade label (# 202) a very fine double-sider. « Blues Stay Away From Me » is sung in unison vocal, on a strong rhythm guitar and a discreet lead guitar (which has itus own solo). The flipside « I Saw You Cheatin’ Last Night », an uptempo is a good bopper, despite an electric bass. The lead plays its solo on the bass chords for good effect, and the vocal is relax. A good disc to begin the year.
Then the veteran well-known blind singer/songwriter (also as « Pat Patterson » on early Starday releases) LEON PAYNE for an all-time classic (even Hank W. had his version) from October 1948 on the Nashville’s Bullet label (# 670). « Lost Highway » is a very fine bopper, done as a shuffler : great steel and a fiddle solo. Singer is convincing to say the least.
Next records by RAMBLIN’ RED BAILEY on a Starday Custom from April 1957, Peach 653. Side A offers a mid-paced, very melodic « The Hardest Fall » ; good piano and vocal, a too-short guitar solo. Side B in complete contrast, is really very fast. The guitar player does a real showcase of his dexterity on « You’ve Always Got A Frown », in my mind an inferior track to side A. Bailey had also an EP on Peach, then turned out on Heap Big and Bethlehem labels between 1957 and 62 (untraced).
Cut in 1953, the already unknown LEE BELL releases « Beatin’ Out The Boogie (On The Mississipi Mud) » (RCA 20-5148). A fabulous gas ! What a romping piano ! A great boogie guitar (plus a fantastic solo) ; steel and fiddle have also their solos ! Bell also did « I Get The Biggest Thrill » (RCA 20-5024), also interesting, but less than the first side reviewed. He was also to have two issues on Imperial, 8000 serie (untraced).
« Quarter In The Juke Box » was sung on the Louisiana Hayride in 1958 by LONNIE SMITHSON. The original, a bit like Johnny Cash, was released earlier on Starday 359. The guitar player sounds consciensly like Luther Perkins !
Finally we get to Louisiana, with two latter tracks. In 1967 the BALFA BROTHERS (Dewey, lead vocal and fiddle) released on the « Earl Gibson Transport, Inc. » a good « Indian On A Stomp ». Good Cajun music (let’s get attention to the rhythm given by the ‘ti’fer’ (= small iron triangle).
And now the rollicking « Mowater Blues » (sung of course in French) by the multi-instrumentist ROBERT BERTRAND from 1971-72 on the Goldband label # 1221 (Lake Charles, La.) : “Cajun style” steel guitar, fiddle, el. bass, accordion and solid, impeccable/implacable drums + great vocal and fiddle by Bertrand .
That’s it, folks.
Sources : Gripsweat for Lee Bell second issue ; YouTube for Lonnie Smithson, Leon Payne and Rex Zario ; Starday project for Ramblin’ Red Bailey ; 45cat and 78-worlds ; my own archives
Very little is known about GORDON JENNINGS. He seems to have spent some time in Philly as well as West VA. , Tennessee and Missouri. He was for sure D.J. for certain stations in Saint-Louis, MO (KMOX and WEW), and Bluefield, W.Va. (WHIS and WKOY). He made between 1954 and 59 four records in a Hillbilly style and all four are very good boppers.
West Va. bordering Ky, Tn. and Pa.
Bluefield, Mercer Cty, bottom of the State of W. Va.
What follows is what « Johnn Maddy », seemingly from Arkansas, wrote about Jenning’s « I saw you cheatin’ last night » (Skyrocket) in his YouTube chain :(additions in  by bopping’s editor)
« A tune Gordon co-wrote with two other artists, and released on a Skyrocket single in 1959. He was born on Oct. 21st 1916 and came to a very serious Bluegrass group called The Lonesome Pine Fiddlers back around 1938-39. Together they really became popular on W.H.I.S Radio in Bluefield West Virginia [but they never recorded on discs at this time]. Jennings had several Radio shows out of St Louis as well, when is unknown, but we did find another single Gordon done in 1958 for another label in Philly called ”Arcade”, but that is the extent of what we learned of Gordon Jennings and his singing career, friends, but still looking for more. Enjoy it Folks, I’ve heard this one done by several artists [Rex Zario on Arcade 202 – other versions by Skeets Yaney and Marty Collins have different credits], but now hearing Gordon the lead composer do it, a good one it is.!!! »
His first record was done in Kingsport, Tennessee for the famous, although quite scarce now, tiny Kingsport label, primarily devoted to Bluegrass (Jimmy Gregg), with some advances towards Hillbilly bop (Reece Shipley, L. C. Smith). It’s the last record of the label, cut around 1954 (#112), and it combines a great bopper « Quit teasin’ me » (uptempo – a bluesy guitar led and a boogie piano – and a nice vocal) and « The telephone girl » (unheard, Allan Turner collection). How Jennings came to this Tennessee label is unknown: one can speculate a leasing of masters by Kingsport label due to radio relations. Anyone has got an idea ?
His second offering was cut in Pittsburg for the tiny Alba label (# 400), and coupled two good sides again, backed by a « String quartet » : the mid-paced « Drivin’ home » and the faster «Three day pass ».
Well-assured vocal fronting a solid backing. The Alan Schafer named in the credits could have been the label’s owner as well as co-writer of the songs. The short Billboard snippet is learning that the disc was going strong in the Pittsburg area.
We jump to 1958 for a third Jennings issue on the famous Philly label Arcade. « Is it yes or is it no » (# 146) is a fine bopper, and has, for the first time in a Gordon Jennings record, a steel guitar, while the lead plays on the bass chords for good effect. The flip side « I wonder if you miss me too » is unheard (Allan Turner collection = unavailable).
Next and final record is to be found again in Philadelphia on the new up-and-coming Skyrocket label, in 1959 [other good records are Rex Zario’s « Go man go, get gone »(# 1001) and Ray Coleman’s « Toodle-oo mambo » (# 1002)]. First side of the Jennings’ disc bears a very good version of Hank Williams’ « My sweet love ain’t around » (Skyrocket 1003), and the flipside is an original, written by Jennings, aided by Tex Zario (himself being an artist and owner of the label) and the unknown to me Lucky Taylor. The song « I saw you cheatin’ last night » is a nice country-rocker (insistant drums) backed by a good embroidering steel guitar, the lead guitar is fine too over a wave of fiddle.
So popular must this song have been that in 1968 on Arcade 202 it was revived by Rex Zario (it’s unclear if Rex and Tex are the same person) in a more rocking style: drums are louder, the steel is more discreet (a short solo), the vocal is a bit smooth. Rex Zario, “I saw you cheatin’ last night”
Sources : YouTube (Johnn Maddy, CheesebrewWax Archives) ; Hillbilly Researcher (Alba) ; 78rpm-worlds (Kingsport) ; 45rpm-cat (Arcade and Skyrocket) ; my own record (Rex Zario) ; Hillbilly-music.com for radio stations and Gordon Jenning’s picture; Billboard archives for personal data.
Note (Jan. 22nd, 2020). Adam Komorowsky points out a second Alba issue (# 411): “Monday Morning Blues”/”Strolling’ Home With Mary”. Anyone has got this record? An mp3 recording would be fine. Just let me know in the Comment section. Thanks beforehand! Xavier, bopping.org editor.
First two selections for this late February 2017 fortnight do come from Florida. Absolutely nothing is known from the vocalist/bandleader JOE ASHER. Apparently unknown on the Net, and not associated to another of the same name, he was a one-off record man. His record was first issued at Rockin’ # 515 in 1953, then reissued by DeLuxe ( # 2001) for a perfect Bopper, « Photograph of you », a fast, fantastic tune : very assured vocal, great solos – fiddle, guitar and steel. The flipside, « Daddy dear », a mid-paced opus, is just as good (steel is prominent). I wonder why this guy never recorded more, at least under his name.
Then to early ’60s in Birmingham, AL. with OTHELL SULLIVAN& the Southern All-Stars (are they the house band of the label?) on Reed 1053. The song is written by Leon Bowman, a prolific songster and singer in is own right. « There’s sure to be goodbyes » is a jumping tune, sympathetic backing (steel and discreet drums) over a good vocal : a nice tune for 1961. Sullivan had had already « Call me, baby » on Wonder (unheard) in 1958 ; later he joined the Longhorn stable (# 513).
JIMMIE STONE (acc. by Coy McDaniel guitarist) had on the New Jersey Cross Country label 45-22 a great Country rocker, « Found » in April ’56. Strong lead guitar and good backing over an assured vocal (lot of echo). The disc must have had a certain impact under chart-angle, because the big N.Y. concern Gone reissued it next year as it was on Gone # 5001. The flipside « Mine » is an insipid slowie, largely forgettable.
From Indiana on a rather devoted to Blues/R&B label, Falcon, here’s to be found the Hillbilly bopper/Rockabilly of CURLEY SHELTON (# 609) « with Doug Oldham & his Dixie 6 ». « Have you seen my baby » is a medium bluesy tune, assured vocal and an embroidering very good guitar.
Finally a song, « Hillbilly wolf », wrongly attributed to Dave Dudley on a low-bdget album cover, is actually sung and played by LINK WRAY. A medium uptempo, good vocal but rather uninspired guitar. This tune may come from the late ’50s or even the early ’60s.
This is the first fortnight’s favorites section for 2017, and we begin with a curious record : by CLIFF FERRÉ, « A cocky cowboy » on the Kem label (California). It’s a fast Western swing flavored number.
RAY WHITLEY (1901-1979) seemingly on the East coast is present with two tracks : « Jukebox cannonball » on Cowboy # 301 from 1947 : a lovely piece of Bop, which reminds me of Hank Williams‘ early sides. One composer name, that of Rusty Keefer, brings to Philadelphia and Bill Haley’s version on Essex 311 (January 1952). A long biography of Ray Whitley is to be found on YouTube: Johnn Maddy chain.
I added a reference version : JESSE ROGERS (cousin to Jimmie) released « Jukebox cannonball » too on Arcade 147 in January 1957. Ray Whitley “Jukebox cannonball”
Whitley also had in 1949 another great number, « You’re barkin’ up the wrong tree now », on Apollo 195. An insistant crazy fiddle rivalling with an excellent guitar over a warm voice. This was a Hank Willams/Fred Rose compostion. At least the title was renewed in December 1956 in the hands of DON WOODY (Decca 30277) who takes his song at a brisk speed for a true Rockabilly classic, full of amusing barks. Great guitar of Grady Martin.
Ray Whitley “You’re barkin’ up the wrong tree now”
On the West coast now with JIMMIE LAWSON. He does a fine shuffler, « Tennessee blues » (Columbia 20477) from July 1947. Much later on the Fable label, in 1957 (# 584) he had « Ole Jack Hammer blues », a strong medium paced rocker with great guitar (Sandy Stanton, owner of Fable records?).
This fortnight’s favorites selection begins with an old-time singer, JESSE ROGERS (1911-1973). He had a long stint of issues on Bluebird, Montgomery Ward and Sonora, among RCA-Victor, which label he cut records during the late ’40s for. I chose his energetic rendition of Bill Nettles‘ 1949 hit « Hadacol boogie »(# RCA 32-00001). See elsewhere in this website the story of Nettles. Rogers also recorded at the same time Hank Williams’ « Mind your own business » (RCA 33-00001). Later on he went to M-G-M for the good “Folding money“, “I got to live just what I like” and “Howlin’ and prowlin’“. Finally we find him on Arcade (Philly) for several issues, among them “Jump cats jump” (# 169) from 1961.
Then STEVE LA RUE on the Hollywood Harmad label in 1955 for a back-to-back issue of Hillbilly boppers, one fast : « New Style of lovin’ » – good hillbilly vocal over fiddle and steel, and its slower, although equally good flipside «Your heartless heart » (# 103).
JIMMIE MINOR out of Flint, MI, did the fast bopper « Somebody rustled my sugar » on the Western Chuck Wagon label # 103 in 1955. He later had records on Mercury (# 71623 “So doggone lonesome” with Chet Atkins in 1960)
Then on the Chicago Cha Cha label from May 1960 (the very same had Ron Haydock & the Boppers), HAROLD STORIE, billed as « The Tennessee Kid » offers the solid although medium-paced « Have pity on me ». A thrilling vibrating guitar over a baritone vocal, as on the flip « Loved and lost », faster but same style, a bit Johnny Cash soundalike. (# 708)
Finally the veteran REX ALLEN for his version of the 1946 Buchanan Brothers’ hit « Atomic Power » (Mercury # 6008). Incidentally, one of the Buchanans said later in the ’60s how they hated this song. Here are the lyrics.