Late October 2019 bopping fortnight’s favorites

Hello, this is the late October 2019 favorites’ selection, and very different things this time.

These are two tracks of the nearest JIMMY MURPHY ever bordered to Rockabilly. A veteran (his 1951 sides on RCA-Victor) of Country bluesy sides, with an appeal to religious ones, like « Electricity ».(RCA 21-0447), and his two-sided November 1955 « Here Kitty Kitty »/ »I’m Looking For A Mustard Patch » (Columbia 21486) sounded (with Onie Wheeler on harmonica) as if they had been recorded in..1945. That was the main problem for Jimmy Murphy, always behind the times. Nevertheless great acoustic guitar and assured,vocal. A must for Rockabilly fans.

Next HANK CADWELL and the Saddle Kings on the West coast D’Oro label (# 103) do come with a Western swing tinged opus, « Alibi » from late ’40s : accordion solo, fiddle solo, lovely assured vocal and chorus.

Then ABE LINK, or A. BLINK (he went under both names) on the Ohio Canton label. « Skeleton Bookie », « and the Western Spotlighters » (S.T.R.C Canton 106) has beautiful steel effects for a Halloween (?) disc, while « Yodelin’ Blues » (Canton 107) is very different. A classic shuffling bopper from 1955. Lot of yodel of course, and a lot less steel.

We jump to 1961 for a male duet. A nice country-rocker by PHIL BEASLEY and CHARLEY BROWN on the Briar (# 111) label, from unknown location. « Good Gosh Gal » has loud drums, and a nice guitar throughout (a fine solo).

On the B.W. label (location unknown), here’s KENNY BIGGS (B.W. 615) for a nice Country-rocker « There’s No Excuse » (early ’60s). One expects in this very melodic tune some chorus (very unobstrusive if ever present).

Col. Tom Parker paid the Norfolk, Va. and Jacksonville, Fl. radio stations not to play PHIL GRAY’s disc on Rhythm 101, and even gathered the copies to destroy from a too Elvisy (Sun style) Rockabilly. He even had done to prevent Gene Vincent to be unplayed in vain. Gray was 15 years old when he cut « Pepper Hot Baby » and « Bluest Boy In Town ». Great guitar, Elvis-style hiccups (the song is like « Baby Let’s Play House »), a real success. This disc is so rare that a copy, when it comes on auction, may get as high as $ 3000 !

Finally a romper with AMOS MILBURN and his great rendition of the Don Raye’s classic, « Down The Road Apiece » (Aladdin 161, 1946-47). Great vocal, fabulous boogie piano.

Sources : YouTube ; 45cat, 78worlds, various compilations, W. Agenant « Columbia 20000 » serie, Gripsweat (A. Blink)

early January 2014 fortnight’s favorites

Howdy folks! First my seasonal greetings: the best Hillbilly bopping music for a happy new Year.

We begin this 2014 year with a rockabilly (stops-and-go) by NORIS MIMS and his energetic “Sweet sweet baby” on Arlington, alas very short. A nice guitar and a short piano solo to the fade-out end. TED NEWTON is less unknown. He’d been recording on the Bellwood label out of Richmond, VA, “Save me the label“, a cross between rockabilly and hillbilly bop.  Short guitar solo (lots of echo in there).

arlington  nims sweet
Noris Mims, “Sweet sweet baby

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Ted Newton, “Save me the label”

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bellwood newton  label

Then two tracks on the Cross-Country (#523/524) label, from “I don’t know where” by a HANK TROTTER. Perhaps he’s playing fiddle, as this is the dominant instrument for two ballads: “Because-because” (he’s doubled on vocal by a certain Billy (The Kid), and “I threw away a diamond”. Nice work.

cross-country trotter because

 

cross country trotter away
Hank Trotter, “Because, because

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Hank Trotter, “I threw away a diamond

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Same record on 78rpm(thanks to Ronald Keppner)

Cross Country trotter because78 Cross Country trotter because78

 

 

 

 

 

 

A call and response format for the following track, “Hot rod boogie” by HOWARD W. BRADY on a NJ Flagship label. Very good hillbilly boogie (accordion).(March 31rst, 2018. Is included the moderately interesting flipside “Weary Walkin’ Blues“)

flagship brady hot
Howard W. Brady, “Hot rod boogie

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“Howard W. Brady “Weary Walkin’ Blues”:

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Finally simply the Tommy Dorsey‘s classic “Boogie-woogie” from 1938, revived in 1948 by none other than AMOS MILBURN on Aladdin 3105.

aladdin milburn boogie
Amos Milburn, “Boogie-woogie

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