late June 2013 fortnight’s favorites

Howdy folks! Let’s begin in Ohio with a native (Portsmouth, 1919), HOWARD PERKINS, early in 1960 on the Shawnee label (# 102) for the fine fast, energetic “It’s A Cryin’ Shame” – nice rhythm, welcome short guitar & steel solos. Shawnee 101 was Lucky Boggs‘ “Drillin’ Rig Boogie“. Later in 1964, “It’s A Cryin’ Shame” reappeared (re-recorded with a lovely fiddle well to the fore – long guitar solo) on Bob Mooney’s Rem (# 346) Lexington, Ky. label. Finally PERKINS had another goodie with “Under control” on the Indianapolis Juke label (# 2012, 1969).

 

 

 

 

 

 

 

 

 

 

 

Now a real stomper perfectly sung and played: that’s how a real honky tonk should sound in 1956. WYNN STEWART, fronting the Skeets McDonald Orchestra with the solid “Slowly But Surely” (Capitol 3515).

Very near to Rock’n’Roll, the Rockabilly tinged “I won’t be able to make it” by GLENN CANYON on the Cincinnati Adco label (# 781) from 1965. Stinging guitar, haunting riff.

Back to early ’50s with JACKIE DOLL and the topical “When They Drop The Atomic Bomb“. A fast classic honky tonk: piano, guirar, steel, even a landolin solo. It’s on the Mercury label # 6322 (1952)

Now an excellent fast atmospheric Hillbilly Rockaballad “Courtin’ Under The Moon” by RONDELL BARKER (Excellent 804). Great steel & guitar.

Finally on Philly’s Arcade 163, “It’s Nobody’s Fault But Your Own” by REX ZARIO. A medium steady rhythm over a firm baritone vocal. Zario deserves to be researched.

P.S. Thanks Drunken Hobo for sending me the second version (Rem) of Howard Perkins’ “It’s A Cryin’ Shame”.

late April 2013 fortnight’s favourites

Howdy folks!

This time a nice percentage will be made of records issued on major labels, beginning with Decca and the WILBURN BROTHERS (Ted &Doyle). They offer a nice version of the old ’30s Shelton Brothers’ standard “Deep Elem Blues“, recorded in Nashville (no doubt usual crew) in January 1956. (Decca 29887)

 

 

The second major will be Capitol and the uncommon in Bopping (because he’s too well-known) MERLE TRAVIS. Billy Liebert, an accomplished West coast session pianist, pounds the ivories for “Louisiana Boogie” from December 1952. Same evening session that produced “Bayou Baby“. (Capitol 2902). Happy hillbilly boogie!

 

 

 

 

 

We jump on a very smal label from Richmond, KY. Actually Burdette land had only two releases in 1960 and here it is the first by HUBERT BARNARD, “Boy She Has Gone“. Nice bopper.

 

 

Back to majors, on a subsidiary of Columbia. OKeh was maybe devoted to newcomers on the main label, although no one knows exactly why Columbia launched this short-lived serie (only 59 records issued) in 1953. In April of that year, recently signed JOE MAPHIS and his wife ROSE LEE (they were married 1952) recorded the future classic “Dim Lights, Thick Smoke (and Loud, Loud Music)” (OKeh 18013). This is what Honky tonk is all about!

TOMMY BOYLES had been cutting in 1959 “We’re Bugging Out” on the Murco label of Shreveport, La. Hear him with the “artist” button on the upper left. Here in 1960 he does another self-penned “Don’t Be Somebody Else’s Baby” on the N.J. Granite label (# 552). His story in his own words can be found on the Rockabilly Hall of Fame site.

Finally, from 1967 or 68, on the prolific Adco label (maybe a property of Hobo Jack Adkins) from Cincinnati, OH – mainly Bluegrass, Garage or Sacred tunes between 1960 and 1975, CUDDLES C. NEWSOME (rn. Corbet Newsome), born 1928, for both sides of his solitary ever 45 “So Long Baby/One Little Kiss” – nice guitar. This is Country-rock at its best.