Late July 2016 bopping fortnight’s favorites, and the “Daydreamin'” saga!

This fortnight’s favorites feature will be separated in two sections. First we will be wandering between some artists of various importance. Second we will hook up on a familiar theme in 1954-55, that of « Daydreamin’ »…

First comes the very unknown from the early days, WALLY MOORE & His Tennesseans. He cut seemingly first for the R&B indie Acorn (a subsidiary of N.J. giant Savoy label), which had its Hillbilly serie : « A dream lives on » (# 317-B) in 1951. A sweet little jumping bopper with good voice from Moore. The steel is uninspired, but the guitar takes a fresh short solo. Earlier he had been on the big concern Savoy – again in its 3000 Hillbilly serie – for the proto-Rockabilly « Down at the picture show » (# 3025). He had also a good disc on # 3023, “Tie a little string around your finger” (announced by 7th Jan. 1950 Billboard issue); I include the reverse side, “A vision of yesterday“, a weeping ballad for a change, because of the mandolin accompaniment and the Hawaii style steel (which sounds like Jerry Byrd, according to the provider of this 78rpm, Ronald Keppner). Finally Moore had another record on Regent 170 [unheard] then he disappeared from my researching antennas.

acorn Moore dream

A dream lives on

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Down at the picture show

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Tie a little string around your finger

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A vision of yesterday

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Galen Gart’s ARLD gives the date of Savoy 3024 (wedged in between the two Wally Moore issues) as issued in January 1950, and Acorn 316 on March 1951.


savoy moore show
savoy moore string savoy moore ision

 

BB 18-2-50 Wally Moore

Billboard Feb. 18, 1950

 

 

curley sanders

Curley Sanders

 

 

 

 

 

 

 

 

 

 

The name CURLEY SANDERS surely rings a bell to many. He had first waxed for Dallas’ Star Talent label (« Last on your list », # 749), then he came to Imperial in 1951, Concept later, finally on Jamboree. That’s when in 1956 he cut his most famous track « Brand new Rock’n’Roll », a fiery slice of wild Rockabilly (# 590). I’ve chosen his second issue on Jamboree (# 1833A) « Heartsick and blue », again with the Kentucky Rangers : backing of piano, a rockabilly picking guitar solo, a good steel solo and a welcome mandolin solo over a urgent vocal. Sanders story was told in this site in March 2013.jamboree sanders heartsick

 

 

Heartsick and blue

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From West Monroe, La. comes the back-to-back Dos record by AL DOSS (# 944). Fine uptempo of « That’s my baby ». Quieter is the double-voiced flipside « Everytime you waltz again ». A nice little record. Doss had another good record on Dos # 945 with two boppers: “Why do dont” and “Everytime you waltz“.

DOS a

courtesy Some Local Loser

DOS b

Both sides have a “GS” written in wax; so a Gold Star recording location (Houston) is probable.

 

That’s my baby

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Everytime you waltz again

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doss doss why

Why do don’t”

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dos doss -everytime

 

Everytime you waltz

all doss BB 5-5-56

Billboard May 56. Thanks to SomeLocalLoser

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thanks to Ronald Keppner who had posted the  78 issue of AL DOSS in 78rpm-world. The disc was released in May 1956.

 

 

Then we enter the « Daydreamin’» saga.daydreamers pic

In 1954 on Meteor # 5014 BUD DECKLEMAN had a mammoth hit with « Daydreamin’ », the quintessential Hillbilly bop heard even in New Orleans [n° 2 in Cashbox charts], or Des Moines (Iowa), not to say Memphis [n° 1] of course. Sam Phillips had previously turned down Deckleman and was bitterly biting his fingers..Les Bihari (Meteor label’s boss), who had renamed Daydreamers the label’s house-band (for Jess Hooper, Barney Burcham and Jimmy Haggett), was very cutup when Deckleman agreed to the offer made by M-G-M, still in the hunt for another Hank Williams. Bud Deckleman waxed a dozen sides [all were released] between 1955 and 1956, and athough he had a small success with « No one dear but you » (M-G-M 11952, March 1955), his style really out of date at the time being eluded him the renewal of his contract with M-G-M. Here it is « I gotta find a way », the very last song he cut for M-G-M on October 18, 1956 (# 12419), and the penultimate issue (before # 12552, « I done fell too fer/As long as I can dream », a prophetically title !). Good, excellent bopper, very confident and driving. The story of Bud Deckleman can be found in this site, as it has been told in May deckleman2009. Unfortunately Deckleman’s career gradually came at its end in 1957, because he was out of date and, according to Q. Claunch « You’d never be quite sure you could rely on him ». Final record in 1961 on Stompertime # 1400, « I’ll be the one/I’m sorry now », a fine swansong in the M-G-M days mould. Deckleman died in February 1998.

mgm deckleman -way

I gotta find a waystomper-time deckleman sorry

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I’m sorry now

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And that’s when the story of « Daydreamin’ » begins, thanks to its writers, Mrrs. Bill Cantrell and Quinton Claunch. (respectively guitarist and fiddler on the  « Daydreamin’ » session) : led by Sam Phillips in astray, they wrote the follow-up,   « Daydreams come true » for Maggie Sue Wimberly at Sun (# 229) and Buddy Bain, Kay Wayne and Merle (Red) Taylor at Meteor (# 5027). Note that both of them played on the two sessions!

maggie sue wimberly pic

sun wimberly daydreams

 

Maggie Sue Wimberly, “Daydreams come true

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Buddy Bain, Kay Wayne & Merle (Red) Taylor, “Daydreams come true

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meteor bain - daydreams,

 

 

 

 

 

 

 

In the meantime « Daydreamin’ » had been covered at least 7 times, first by Jimmy Newman (Dot), who hit to # 7 in early 1955 with it; then by Wanda Jackson, Carl McVoy, and later by Tibby Edwards (on Todd) or Warren Storm. I include the version made very early by DOUG BRAGG on Coral (# 61364) – recorded January 1955, it’s a carbon copy of Deckleman’s, which went unsuccessful. He liked the theme, as he even had also his sequels to « Daydreamin’ » on Houston, Tx. D Records 3 years later : « Daydreaming again » (# 1018)[with little yodels..] and its reverse, « If I find my dream  girl » ! Of course Bragg also recorded for Dixie and Skippy. His story was told in this site in December 2012.

Doug Bragg, “Daydreamin'”

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Doug Bragg, “Daydreaming again

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Doug Bragg, “If I find my dream girl

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doug bragg pic

Doug Bragg

 

coral bragg - daydreamin' D bragg - dreamd bragg - daydreaming

 

 

 

 

 

 

 

 

 

Sources : my own archives ; notes by Martin Hawkins to Ace CD « The complete Meteor rockabilly and hillbilly recordings » ; 45cat and 78rpm-world. Michel Ruppli’s « The M-G-M label » (session details). As usual thanks to Ronald Keppner for his precious help on Wally Moore 78rpm. Thanks DrunkenHobo for the press snippet.

late July 2013 fortnight’s favorites

Howdy folks! Hot, hot summer over there (south of France). Lot of hot music once more time for this fortnight.

 

First not really a newcomer, although not so well known. RED GARRETT on Decca 29742 seems to use Hank Williams’ Drifting Cowboys for this fine fast hillbilly, “Papa Joe’s place“, which reminds me a lot of Hank’s “Jambalaya“. Strange guitar sound.

decca garrett papa

decca claud jungledecca claud baby'sThree tracks then by VERNON CLAUD. I don’t know where he came from, but his records were issued between 1957 and 1958 on Decca. First a medium bopper “Jungle of cement and stone“, an average hillbilly altho’. Then let’s embark for a Johnny Horton type (whom Claud wrote for) country song, “Daylight angel“. Last one is a minor classic, “Baby’s gone“, full-blooded rockabilly all along.

 

 

 

 

 

 

 

 

 

Michigan’s JIMMY WILLIAMS on the Drifter label for two issues (1955-56), I like the rural sounding voice of Williams on “Can you face yourself” and “If you could love me“.

Finally from Cincinnati on the Acorn label (not the Savoy blues sub-label) for another JIMMIE WILLIAMS and the fine uptempo “Hey, hey, little dreamboat“. Sawing fiddle and a nice guitar.acorn  williams dreamboatdrifter williams can

drifter williams if

early November 2011 fortnight’s favourites

For this new rendez-vous, I’ve chosen three tracks from the ’50s, then one from…1978, the remainder being from the ’30s.

First, JOHNNY NELMS on Azalea 015/016 (Houston label), “After Today” is his finest hour, raw, emotional honky tonk. The uncredited backing band here is Peck Touchton‘s Sunset Wranglers, which includes Doug Myers (fiddle), Herman McCoy (guitar), Hoyt Skidmore (steel guitar), and George Champion (piano). I add in the podcasts his Starday offering, “Everything Will Be Alright” (# 228) from 1956. He already had records on Gold Star, Freedom, and later (briefly) on Decca. Nothing but a plain Country boy, who never made it…

Johnny Nelms NelmsAzaleaBBJuly16,55

Then, from the Cincinnati area, one JIMMIE WILLIAMS, I know nothing about, except this little record on the Acorn label (# 153). Here it is his original “Hey, Hey Little Dreamboat“, a nice, uptempo Hillbilly bop. Apparently the man had nothing to do with later Arkansas rocker of “You’re Always Late” fame.

acorn williams  dreamboaternie chaffin

From Nashville TN, April 1954, when young ERNIE CHAFFIN entered the Hickory studios, nothing really happened with his four sides; I somehow find some freshness in his “I Can’t Lose The Blues”  (# 1024). Shortly after, he was to launch, with his steel player Pee Wee Maddux, the Fine label in Biloxi, MS. before moving in 1956 to Sun in Memphis.

That’s it for the ’50s! Now with a legend, ROSE MADDOX, taken live from Youtube (I just kept the sound track), for an old Jimmie Rodgers’ song, “Muleskinner Blues“. The Lady does it perfectly!

Onto the ’30s. First with ex-Governor of Louisiana (twice!) JIMMIE DAVIS. He sang Hillbilly as early as the late ’20s. Here you get his rendition of the traditional “When The Saints“, under the title “Down At The Old Country Church” (recorded Charlotte, NC, 1931), with Ed Shaffer on the lap-steel guitar. Full of emotion… jimmie davis 30-40

Finally, from 1936 comes a one-time associate to Davis, his Black bottleneck guitar player, OSCAR WOODS. Here he sings, on a funny cartoon, “Don’t Sell It – Give It Away“. The whole thing, recorded in New Orleans, sounds very much Western swing! Magic of internet to find those gems…

http://www.youtube.com/watch?v=3pjYT9RME80&feature=share