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TOM JAMES (1954-1958) in Nashville – plus a foray into the ’70s
mai 15th, 2015 by xavier

tom james picTOM JAMES is completely unknown except in the Rockabilly/R&R circles for his Klix issue « Track down baby/Hey baby » from 1957. No whereabouts neither his birthday year are known. Is even still alive today ?

He already had come from Oklahoma when he got a recording contract with RCA-Victor. His only session with this major label came early 1954 in Nashville, Tennessee.

Tom James(vo,g) with Chet Atkins(el g) Louis Innis(rh g) Robert Foster(steel g) Dale Parker (bjo) Bob Moore(b).

(Thomas Radio Productions) Nashville,February 17,1954

 

E4VB-3624 Don’t lead me on RCA Victor 20/47-5790, Cactus 5052

E4VB-3625 Your kind of lovin’ RCA Victor 20/47-5695, Cactus RCA vol.2

E4VB-3626 Sample of your love RCA Victor 20/47-5695

E4VB-3627 I’m a pig about your lovin’ RCA Victor 20/47-5790

 

All four tracks are uptempos, the slowest being « Sample of your love ». They are nothing but pleasant hillbilly boppers (prominent bass) although a bit common.

« Dont lead me on«  download

« Your kind of lovin’« download

« Sample of your love« downoad


« I‘m a pig about your lovin‘ »
http://www.bopping.org/wp-content/uploads/2015/05/10-Tom-James-Im-A-Pig-About-Your-Lovin.mp3download Read the rest of this entry »

Late May 2015 fortnight’s favorites
mai 15th, 2015 by xavier

An important Texas artist of the ’30s and ’40s, (W.A.) SLUMBER NICHOL. He first cut records and had shows with the Sons of the Pioneers, then went after WWII to S&G label for the romping « Cotton pickin’ boogie » (# 3003)(vocal Andy Hallcom). He also had the first postwar version of « Cocaine blues », credited to T.J. Arnall. I never knew if this was actually Nichols disguising himself under a nom de plume. The song was reissued on Imperial, then covered by a lot of artists i.e. Roy Hogsed on Coast, later on Capitol, had the best-selling version ; Billy Hughes had his own version on King, among others. Later on Nichols had « Booger red blues » (unheard – sounds promising) on Imperial 8047, and now his track grows cold.

s&g 3003 slumber nichols - cotton pickin' boogie

« Cotton pickin’ boogie« download

 

slumber nichols

Slumber Nichol

 

 

 

On to Nashville on the M-G-M label by PAUL DAVIS, a nice bopper (great bass) with « Big money » (# 12357)(1956), complete with steel and piano accompaniment over a firm vocal.

 

 

« Big money« download

mgm 12357 big money

 

 

 

aldus roger seu

Aldus Roger

From Tennessee to Louisiana in Ville Platte : ALDUS ROGER & his Lafayette Playboys. He has « Cajun special » on Swallow 110, from 1959-60. Even for me, French-speaking being, it’s hard to understand all the lyrics !

« Cajun special »download
cajun special

From Texas on the Towne House (Sulphur Springs) label (# 11): EUEL HALL & the Rhythm Rockers for two nice bluesy country-rock sides, « Stand in line » and « Blue feeling » . Small but very efficient backing, a prominent lead guitar.

Euel Hall « Blue feeling« download

Euel Hall « Stand in line« download

twne house 11 blue feelingtowne house 11 stand in line

 

 

 

 

Finally probably her first ever record from 1960 on the Zero label (# 107) by LORETTA LYNN, « I’m a honky tonk girl ».
« I’m a honky tonk girl« download
zero 107 ht girl

early May 2015 fortnight’s favorites
mai 1st, 2015 by xavier

First I offer RED LEWIS on Kasko 1643 (Santa Claus, Indiana) for « I’ll move along ». Strong lead guitar and a melodic steel solo. DrunkenHobo, do you know something more about this record?

kasko 1643
« I’ll move along« download

 

 

 

 

Then we’ll turn to a talented artist who deserved much more fame than he’s got during his 2 or 3 years tenure at RCA-Victor Records. Born in 1925, he was noted, after his discharge from U.S. Marine, by A&R man Steve Sholes. So EDDIE MARSHALL cut 9 good singles between 1950 and 1952.
His first, « The Tom Cat blues » (RCA 48-0357), recorded in NYC in May 1950, had Tony Matola on lead guitar, a fiddle, a steel who does a fine job and a bass, and as waited, is a medium-paced bluesy number. An organ comes in the background for good effect.

« The Tom Cat blues« download
rca 48-0357 tom cat blues

eddie marshall pic
In December 1950, he cut the already little classic « Coffee, cigarettes and tears » (21-0413) known by Charlie « Peanut » Faircloth [see a recent Fortnight's favorites to hear the latter's version]. His version is jazzy and lot more faster than Faircloth’s. Very nice fiddle.
«  »Coffee, cigarettes and tears« download

In December 1951, he cut his teeth on Rodney Morris ’ « Mobilin baby of mine »(20-4661), with sound effects, with a very nasal voice and new : a piano backing. Same tune was revived January 1952 on the West coast for Capitol (#2075) by Gene O’Quin. I include Gene’s version for comparison.
rca 20-4661 mobilin baby of mine
download

Marshall retired from business afterwards to deal with his family.
Gene O’Quin « Mobilin’ baby of mine« download
bb 24-5-52

gene o'quin

Gene O’Quin

Finally from California on the Big State label (# 101), GRADY ROLLINS and the filthy « Spit-toon song », with steel effect and harmonica, as a sequel to « Chew tobacco rag ».
download
big state 101 - grady rollins
Enjoy the selections ! Some info was taken for Eddie Marshall from Paul Vidal’s BigVJamboree.blogspot site.

Pee Wee Maddux and Fine: Biloxi, MS, hillbilly (1955-56)
avr 29th, 2015 by xavier

Mississippi-biloxiGo to a map of the U.S., search « Biloxi », and you’ll find this small city in the Harrison county, down south of Mississipi. That’s where the Fine label story begins. But before that and its debuts, we must look at its founders. Professor Marion Carpenter had a recording studio open to local facilities in Biloxi and was associated with steel guitar player Murphy Monroe « Pee Wee » Maddux (born 1923). The latter’s name had over the years several changes : from « Pee Wee » to « Pee-Wee », even « PeWee ». He was also a songwriter (Kitty Wells in 1956 ; or « Fools like me » for Jerry Lee Lewis, or more « Rocky road of love » for Curtis Gordon, even Fats Domino : « What a price »), and his earliest efforts as recording artist (at least he is credited as such on the labels) are to be found in March 1952 on M-G-M records, cut in Nashville : « My hobo heart » and « Lover’s crime ». The vocals were done by a certain Al Britt for two average boppers. Maddux penned a good percentage of the songs on Fine, among them the Ernie Chaffin ones.

mgm 11224 hobo heart

mgm 11281B lover's crime

« My hobo heart« download

« Lover’s crime« download

 

 

In 1954 the pair Carpenter/Maddux launched a microscopic label, Gulf Coast, which they issued a certain DAN SEAL on : « You gotta walk that line » (# 1012) is a lively little opus, but nothing particular, and it sinked into obscurity. But SEAL reemerged next year on the new comperes’ label, FINE for two ballads, « I wake at dawn  (with you on my mind ) » being the best one (# 1003).

« You gotta walk that line« download gulf 1012B you gotta walk

billboard nov. 1955 dan seal:fine

1003 I wake at dawn

« I wake at dawn« download

 

 

JIM OWEN then came with the rollicking « Sie Simon shuffle » (# 1004) : it’s a jumping hillbilly rocker with a fiddle solo and one from Pee Wee Maddux on steel well to the fore. Owen had late ’50s his own Owe Man label where he issued « The key’s in the mail box » (see below). On to JOHNNY BOZEMAN and the good « She’s my bayou babe » (# 1006). Bozeman went afterwards in 1957 on Mobile, Alabama, Sandy label, which he co-founded with Paul Bose, and saw a classic horror rocker « Rockin’ in the graveyard » by Jackie Morningstar in 1959. Bozeman himself had « Blues and I » (# Sandy 1001)(alas, unheard) and what is described in a sale list as « doo wop rockabilly », « How many ».

Jim Owen, « Sie Simon shuffle« download

Johnny Bozeman, « She’s my bayou babe« do<nload

billboard 5 nov 55 fine

November 5, 1955

1004 simon
1006 she's my bayou baby
Other artists on the Fine label included ANN RAYE and his fine (co-sung with Jim Owen) bopper « Our wedding band » (# 1001). Raye had also had earlier 2 singles on Starday and 1 on Decca in 1956. Incidentally she was the daughter of local promoter Frank « Yankie » Barhanovich, and through her father’s activities, went on to share in 1955 some Elvis Presley shows in Biloxi. Moreover on Fine, HANNA FAYE had the ballad « It pays to be true » (# 1008). Other men : J. W. THOMPSON and the good honky-tonker « It’s your turn » (# 1007) – later he cut « When you’re honky tonkin’ » on the Toledo label (# 1003) out of Alexandria, Louisiana. Or B. F. JOHNSON : the fine bopper « I wish I could believe you » (# 1011)(great mandolin!).

Ann Raye & Jim Owen, « Our wedding band« download
1001 our wedding band

Hanna Faye « It pays to be true« download

hannah-fay-cars

Hanna Faye

J.W. Thompson « It’s your turn« download
J.W. Thompson« When you’re honky tonkin‘ »download

B.F. Johnson« I wish I could believe you« download

toledo 1003 j.W.Thompson

 

billboard 12 nov 55 j.w. thompson

J.W. Thompson. Nov. 12, 1955

 

 

 

 

 

 

 

 

 

chaffin

Pee Wee Maddux on steel guitar

 

 

 

 

The most important artist however was ERNIE CHAFFIN who made his recording beginnings on Fine with « The stop look and listen song »b/w « The heart of me » (1010), before Carpenter and Maddux went with him to Nashville to meet country promoter Jim Denny and A&R man Paul Cohen. A deal with Decca never concluded but Fred Rose took Chaffin on his burgeoning Hickory label. 4 sides were issued without success, then Chaffin came to Sun, and Maddux backed him on such a classic as « Feelin’ low » (Sun 262).

« The stop look and listen song« download

« The heart of me« download
fine 1010  stop look

hickory 1024 get me on your mind

Ernie Chaffin [Hickory]« Get me on your mind« download

Later on, Carpenter and Maddux helped a lot Jimmy Donley in his early career and got him his Decca contract in 1957.

Maddux cut « New red river valley » (instrumental) for Judd Phillips label Judd (#1010) in 1958. He died and is buried in Gulfport, MS, in 1993.

All in all, a short lived affair (Fine folded after 20 issues, in 1957), but a good starter for many an artist.

 

From the notes of Allan Turner on the BACM CD « A ‘Fine’ hillbilly song – Country music on the Fine label » # 392. Various researches to. Somelocalloser.blogspot for Jim Owen’s Owe Man sides.

 

 

bb 25-12-54 1016

December 25, 1954

Bobby Roberts: « I’m gonna comb you outta my hair » ! (1955), from pure Hank Williams-style honky-tonk to wild rock’n'roll..
avr 28th, 2015 by xavier

One of the newest members of the King country andEP sky

western roster is eighteen year old Bobby Roberts.

Young Bobby was born in Chattanooga, Tennessee on

September 12, 1937. Bobby always dreamed of becoming a

recording artist and he started getting his experience

young. He appeared in a musical show when only nine.

Both his mother and father encouraged Bobby in his

chosen career. Young Bobby Roberts did part time work

to help him through high school. He was graduated in

June 1953 and began going about the task of gaining

experience in the music world. His biggest thrill was

when over three thousand persons attended one of his

personal appearances. Roberts has worked as a grocery

clerk, car hop, shined shoes, polished cars and washed

dishes, always dreaming of becoming a professional

musician‘.(as written on the DJ bio copy of King 4868)

 

At least some factual data can now be gleaned on

Roberts’ origins. He recorded one session for King in August

1955 and I’m assuming that it is the same Bobby

Roberts that recorded for the Memphis based Hut label

in 1958. However, I’m not entirely convinced that the

Roberts on Sky is the same person. I base this

assumption on aural evidence (the vocalists on both

records contrast distinctly) and the fact that Sky was

based in Mississippi. Having said that, from a logical

point of view it most likely is the same Roberts on

all three labels, as Joe Griffith, a high school

friend of Roberts, covered both of Roberts’ Sky

recordings and both were apparently based in Memphis

at the time. Further, considering Roberts Tennessee

origins, it possibly is the same Roberts on all four

discs.

 

My query here is, can anyone confirm that the Bobby

Roberts on King, Sky and Hut is the same person? Or

can anyone else shed any light at all on this? It has to

be noted Roberts wrote all his material.

 

Using a number of different sources, I managed to

compile the following Bobby Roberts discography,

 

19 August 1955. Cincinnati, Ohio

Bobby Roberts And The Ozark Drifters.

Bobby Roberts – vcl, other personnel unknown : steel, fiddle,st-bass.

 

K3995 ‘Her And My Best Friend’ King 4868

K3996 ‘I’m Gonna Comb You Outta My Hair’ King 4837

4868 her

king 4837I'm gonna comb you
« Her and my best friend« download

« I’m gonna comb you outta my hair« download

bb 5 nov 55 B. Roberts

billboard Nov. 5, 1955

« My undecided heart« download

« I’m pulllin’ stakes and leavin’ you« download

king 4837 my undecided heartking 4868 45 I'm pulllin' stakes and leavin' you

bb 21 jan 56 king 4868

billboard Jan. 21, 1956

 

 

 

K3997 ‘My Undecided Heart’ King 4837

K3998 ‘I’m Pullin’ Stakes And Leavin’ You’ King 4868

 

 

 

 

 

 

 

1956.

Bobby Roberts with Highpockets Delta Rockets. Mississippi labelsky 101 sandy

Bobby Roberts – vcl, other personnel unknown : ld-g, b, d .sky 101 woman

 

45-S-34 ‘Big Sandy’ Sky 56-101

45-S-33 ‘She’s My Woman’ Sky 56-101

« Big Sandy« download

« She’s my woman« download

 

 

 

 

 

1958.

Bobby Roberts with Bad Habits. Memphis, TN, label.

Bobby Roberts – vcl, other personnel unknown : ld-g,b,d.

« Hop, skip and jump« download
« Cravin« 
http://www.bopping.org/wp-content/uploads/2015/04/Bobby-Roberts-Cravin.mp3download
4706 ‘Hop Skip And Jump’ Hut 881

4707 ‘Cravin » Hut 881

hut 881 hophut 881cravin

 

from the notes of Shane Hughes, « Yahoo » « rockin’ records» group.

 

This Roberts has obviously nothing to do with the one on U.S.A. label and the other on Cameo, who came later early ’60s, and drastically change in style.

 

Bobby Roberts’ music, from editor’s point of view.

 

It is hard to imagine such a change in so little time in style between the King session and the Sky one.

All 4 sides cut at King (« with the Ozark Drifters ») are pure dreamed hillbilly a la Hank Williams. All medium paced tracks, they feature a strong string-bass, and a weird steel-guitar, both propelled by a crisp fiddle. Vocal is a dream, Roberts has a firm voice, even some semi-yodelling vocalizing over nice lyrics.

In complete contrast, the Sky sides are out-and-out rockers. « Big Sandy » is a screamer, and the whole thing is a gas. « She’s my woman », a bit slower, fetches to Rockabilly. Note on the reissue the presence of the Jennings Brothers.

« Cravin’ » is a routinely rocker, while « Hop skip and jump » (not the Collins Kids’ number, neither the York Brothers’ on Bullet ) is an average rocker – even a sax – which Billy Riley could have cut this style. Actually it bears a little similarity with « Pearly Lee »..

The son to Bobby Roberts once posted in « bopping » that his father was the same man on King, Sky and Hut ; so I asked for some details and a picture, if available – no answer..

With thanks to Uncle Gil (King 4868 sound file) and Dave Cruse (King 4868 label scan). Internet research.

Joe Griffith « Big Sandy » (Reelfoot unissued)download

Joe Griffith « She’s my woman« (Reelfoot unissued)download

Late April 2015 fortnight’s favorites
avr 15th, 2015 by xavier

WADE HOLMES to begin comes from the East coast and was managed by Ben Adelman from Wahington, D.C. He is particular having records released only on (leased masters) Four Star, and budget Spin-O-Rama, Mount Vernon Music and Crown labels LPs, before during the Sixties on several issues on Adelman’s other labels : Sutton and Empire. I’ve chosen first his great rendition of Carl Smith‘s « Go boy go » from 1954 on Blue Ribbon 35-49. It’s pure Hillbilly rock, near Rockabilly. Second we have, from February 1954, the fast honky-tonker « You’re too tired (for me) » (4 * 1656), when Holmes had his own show on WPGC (Washington?). Finally here he comes once more with the superior (a great , great crisp lead guitar) « I’ll just pretend » from 1960 on the Almanac label (# 809), also backed by a fine fiddle (solo), and billed as « The singing truck driver ». No evidence at all he’s had converted himself as such with more truckers’ songs.

wade holmes WPGC 1954

4* 1656 wade holmes

almanac 809B Ill just pretend

« Go boy go« download

« You’re too tired (for me)« download

« I’ll just pretend« download

 

 

From Kansas City , 1950 or 1951 on the copious Red Barn label (# RH 1166)(see Allan Turner’s Hillbilly Researcher‘s blogsite for more info on this label), BOBBY COOK & BUDDY NELSON, « The Texas Saddle Pals » have a brisk duet, with fine fiddle, a guitar solo and even a mandolin in « Big daddy blues ». A very lively track.

« Big daddy blues« download

red barn 1166A big daddy blues

 

 

 

 

From West coast in California in 1954/55, a well-known band leader on the Salinas area (radio stations KDON and KSBW), BASHFUL BOBBY WOOTEN on the Four Star (special serie) P 102, with one high-voiced MARTHA LOU GACHES for « Peeping Tom ». Gaches had also one issue on Pep (Bakersfield) and was at one time associated as vocalist with Big Jim DeNoone.Wooten had also one famous rocker « Goin’ deer huntin’ » in 1960 on the G.R.C. label and had two other issues on this 4* P serie.

« Peeping Tom« download

bobby wooten

Bobby Wooten

 

martha lou gaches

Martha Lou Gaches

 

 

 

 

From Santa Claus, Indiana, in 1965 or 66, a great country rocker « Snuffy Smith » by JOHNNY ACTON on the Kasko label (# 1644). It has a weird steel solo (too short), good guitar and indeed drums. Acton was also, with the Acton Sisters, on his own (?) label in 1968 (# 703), for a solitary issue (« Just between you and I », a country record), from Indianapolis.

kasko 1644B johnny acton

« Snuffy Smith« download

That’s all folks for this time. Enjoy the selections !

Louisiana Lannis, rockabilly (« Tongue twister boogie »)
avr 8th, 2015 by xavier

Lannis Trahan, born in 1923, hailed from Louisiana, hence his artist name « Louisiana Lannis », and was also a songwriter: he wrote his 6 sides. He had three singles in 1956 before disappearing. The one on Starday is pure hillbilly rock : « Muscadine eyes » is a fast ditty opus, with a furious fiddle, apparently cut at Goldstar in Houston, Texas while its flipside « Much too much » (Starday 268, actually A-side) has more than a Latin appeal with its hopping rhythm. « Muscadine eyes » is not a common track, only being revived moons ago on the U.K. Ace album « Stars of Texas honky tonk » # 703 (1987)

starday 268 muscadine

« Muscadine eyes« download

« Much too much« download

starday 268 much

 

 

 

 

Lannis will however be best remembered today for his second offering, this time on Snowcap 1215/1216 : « Tongue twister boogie » has a great wild steel guitar and is a really fast rockabilly rocker, not dissimilar to Jimmy Lee & Wayne Walker « Love me ». A demented piano player comes for a short solo. « Walking out » is no less good, and just a little less furious. Both sides prefixed « GS » surely were cut at Goldstar. As fiddle is the main instrument on the 4 previous sides, one can wonder if it’s Lannis playing ? The Snowcap issue fetches $ 700-800, and is only currently available on collectors’ reissues.

« Tongue twister boogie« download

« Walking out« download

snowcap 1125 tongue

snowcap 1126 walking

 

 

 

 

BB 16-2-56

Billboard Feb. 16, 1956, « a good country novelty »

 

 

 

 

 

 

 

 

 

Alas « Fido/Doomed to love » (Snowcap 101) are, according to Pascal Perrault, pop songs to escape (weepers), and of no interest at all. Strange that a man capable of such songs as « Tongue twister boogie » could do pop songs in the same period. Trahan, whose name is common among Cajun area (see Cornelius « Pee Wee Trahan« , who made a career also as Jericho Jones and Johnny Rebel), died in February 1983 (age 59, cause of death unknown), and was buried in the Marine’s veteran branch of the Houston National Cemetery. The Trahans had came from France, maybe Burgundy during the XVI° or XVII° century.
snowcap 101A fido
snowcap 101B doomedSources: various and Internet thing!

small and bopping « Little » Jimmy Dickens
avr 5th, 2015 by xavier

little jimmy dickens

Born in Bolt, W. Va, Jimmy Dickens began his musical career in the late ’30s, performing on WJLS radio station in Beckley, W.a. While attending West Va. University. He soon quit school to pursue a full-time music career, and traveled the country performing on various local radio stations under the name « Jimmy the Kid ».

 

In 1948 Dickens was heard performing on WKNX, a radio station in Saginaw, Michigan, by Roy Acuff, who introduced him to Art Satherley at Columbia Records and officials from the Grand Ole Opry. Dickens signed with Columbia in September and joined the Opry in August. Around this time, he began using his nickname, Little Jimmy Dickens, inspired by his short stature (4  »11, 150 cm).

 

Dickens recorded many novelty songs for Columbia, including « Country boy », « A-sleeping at the foot of the bed » and « I’m little but I’m loud ». One day, after having told Jimmy he needed a hit, Hank Williams wrote « Hey, good lookin’ » in only 20 minutes while on a plane with Dickens, Minnie Pearl and her husband. A week later Williams cut the song himself, jokingly telling Dickens « That song’s too good for you ! »

 

In 1950, Dickens formed the Country Boys with musicians Jabbo Arrington, Grady Martin, Bob Moore and Thumbs Carlile. It was during this time that he discovered future Country Music Hall of famer Marty Robbins at a Phoenix, AZ television station while on tour with the Grand Ole Opry road show. In 1957 he left the Opry to tour with the Philip Morris Country Music Show.

 

Dickens was active in music until nearly his death on January 2nd, 2015.

 

Good solid early ’50s Honky tonk music as shown in the several examples below :

 

« F-o-o-l-i-s-h me, me » (Columbia 20692), a nice honky-tonker, was cut in February 1950, and covered the same year by Charlie ‘Peanut’ Faircloth [see a previous fortnight's favorites section for the latter's version). It has definitely the crisp guitar sound of Grady Martin.

"F-o-o-l-i-s-h me, me"download

« Rock me« download

columbia 20692 L. Jimmy dickens - f-o-o-l-i-s-h me, me

columbia 21206 l. jimmy dickens - rock me

 

 

« Rock me » (Columbia 21206), also known as « She sure can rock me », was an old Willie Perryman R&B belter, well adapted here by Dickens, obviously conscious of the « double-entendre » of the lyrics. As intended, piano is prominent instrument.

 

 

 

 

« Hillbilly fever », cut at the same session as « F-o-o-l-i-s-h me, me », was initially a Kenny Roberts song (Coral). Here Dickens is doubled on vocal by his rhythm guitar player. Note the rare label scan of a Japanese issue (« American folk music ») !
« Hillbilly fever« download
columbia jp j.dickens - hillbilly fever

« Salty boogie » (Columbia 21384) is almost rockabilly. Fiddle is still present, but lead guitar is well to the fore as in « Hey worm (you wanna wiggle) » (Columbia 21491), and indeed there are drums.

« Salty boogie« download

« Hey worm !(You wanna wiggle) »download

columbia 21384 78 l. jimmy dickens - salty boogiecolumbia 21491 dj l. jimmy dickens - hey worm!
Final foray in pure Rock’n'roll comes with the dynamite of « I got a hole in my pocket » (Columbia 41173) from 1958, and its furious Buddy Emmons licks on steel guitar.

 

« I got a a hole in my pocket« download

columbia 41173 dj l. jimmy dickens - I got a hole in my pocket

Little_Jimmy_Dickens_1955

1955

Early April 2015 fortnight’s favorites
avr 1st, 2015 by xavier

En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).

LarryBRomonaKerry

 

ram 104 larry bamberg

« Cheating on me« download
 

 

Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).

f.a.f. 26282 floyd fletcher daddy sing the blues « Daddy sings the blues« download
« Move on down the track« download
F.A.F. 26253 floyd fletcher move

f.a.f. 28281 fletcher you're telling me goodby
« You’re telling me goodby » download

 

 

 

RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).

« It’s a little late« download

atomic 703 walker it's a little late

Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
« Itchin’ to love you« download b-w 624 phil beasley

« There’s no excuse« download
b-w 615 kenny biggs %22there's no excuse%22

b-w 615 kenny biggs there's no excuse

That’s all for this time, folks. Comments as usual are welcome.

HIGH GEARED DADDY
mar 20th, 2015 by xavier

decca 5349 jimmie davisFirst version of the song was cut by JIMMIE DAVIS in February 1937, backed by Milton Brown (actually deceased a year before) Musical Brownies. Out of them Lefty Perkins takes two solos on the steel, Papa Calhoun is at the piano and the fiddle duties are taken by Buck Buchanan. It’s a medium paced blues ditty typical of Davis’ work. It was issued on Decca 5349.
Jimmie Davis, « High geared daddy » download

 

 

 

In August 1949 WEBB PIERCE, after having obviously heard Davis’ tune, revived it (taking the credit to him). Nice honky-tonker (Buddy Attaway on steel?). The lyrics were a bit different from Davis’. Here they are Pierce’s ones:

Come on here girls and hear my song

I’ll tell you my troubles as I step along

I’m a high geared daddy and there’s nothing I won’t do

I’m a two time papa when you leave me at home

I’ll call another momma on the telephone

I’m a high geared daddy that’s never been made blue

If you leave me at home well that’s allright

I’ll take a new momma with me tonight

[continued this style] this perfect example of honky tonk machism was issued on 4 Star 1413, and many times reissued (e.g. 4* 1601), then was the model for other versions.
4* 1413 webb pierceartistic 224-B webb pierce

 

Webb Pierce « High geared daddy« download

 

 

 

 

TOMMY LITTLE & the Sunrise Rangers, from Durham, N.C. recorded the song, although actually it’s a completely different one same time as Pierce’s and Davis’, because it is an old warhorse of the Thirties, frequently known as « Sweet mama put him in low », first recorded by KARL & HARTY (Karl Davis/Hartford Taylor) in Chicago, January 1941 (Okeh 06066). Not surprisingly the song was credited to « Davis »! Fairley Holden had his own version on King 771 in 1947. Tommy Little’s version, first issued on Tommy’s personal label, Tommy’s, was picked up by Colonial, a sub-label to Hollywood giant Modern diskery. Little gives the song a superbly energetic treatment with the mandolin giving it a wonderful old-time flavour.

OK 6066 karl & harty - sweet mama
Karl & Harty « Sweet mama put him in low« download

 

Fairley Holden « Sweet mama put him in low »

download

Tommy Little « High geared daddy« download
king 771 failey holden - sweet mama put him in low

colonial 116A tommy little

 

 

 

Returning to Webb Pierce’s « HIGH GEARED DADDY‘, the song found a new life in the hands of JIMMY WALKER on the West coast Intro label # 6025 in July 1951. He was backed on this occasion by Joe Maphis and Noel Boggs, augmented by George « Crazy » Tracy on harmonica and did offer an fine, relaxed although energetic version. Finally in a novelty style it was revived as a RCA LP track in 1956 by HOMER & JETHRO.
Jimmy Walker « High geared daddy« download

Homer & Jethro « High geared daddy« http://www.bopping.org/wp-content/uploads/2015/03/HOMER.mp3download
intro 6025 high-geared daddyjasmine CD Homer & jethro

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