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Early November 2015 fortnight’s favorites: a majority of unknown artists
nov 1st, 2015 by xavier

EARL MONTGOMERY (backed by Shorty Underwood) delivers first « You played me for a fool » on the Slim Willet owned Edmoral label (# 954). It’s an uptempo hillbilly bop, with assured vocal. Backing consist of piano, steel and fiddle, each one having a short solo.

-edmoral 954 eal montgomery - you played me for a fololearl montgomery pic

« You played me for a fool«  download

 

 

On the microscopic Marshall label (no #) probably from Atlanta, Ga. we find now PERCY MARSHALL and the double-sider « Leaving town/Give me my guitar and traveling shoes ». A GREAT lazy vocal Country-blues from the late ’50s or early ’60s. It reminds me of Harmonica Frank Floyd, and even has words to the traditional « Matchbox ». The faithful Drunken Hobo adds this: « rite pressing 16481/2 = 1966 Marshall 45- # ». So now we have a probable date of issue.
« Leaving town« download

« Give me my guitar and traveling shoes« download

marshall percy marshall - leaving town
marshall 2 percy marshall - give me my guitar and traveling shoes
« For wrongs you done« download

In a previous Fortnight I had posted HAL ANDREWS and his famous « Brown-eyed girl » on Choctaw. Now here is, with a nice mid-paced shuffler (steel, piano), « For wrongs you done » on the Escambia label ( 0502) from 1959. Indeed he had had earlier at least one record on Rich-R’Tone.

Escambia b hal andrews - for wrongs you done (1959)

e

 

 

columbia 21259 jimmy littlejohn - no parkin' hereNext artist is not familiar, although he offers a fine bopper (complete with sound effects) with « No parkin’ here » on Columbia 21259 (not apparently to be confused with the Bobby Grove song on King – posted early in this site). JIMMY LITTLEJOHN had another (maybe for a future fortnight) great «Haunted blues » (# 21320).

« No parkin’ here« download

« Devil or an angel« download

A-B-S 118 jimmy avants - devilor an angel

 

 

 

On JIMMY AVANTS (A-B-S label # 118), « Devil or an angel » (some crackings, sorry), I could find nothing, even a location for the label. A fast bopper with a nice steel solo. Value: $ 50-60. You can find many informations on the A-B-S label on: http://anorakrockabilly45rpm.blogspot.co.uk/2014/06/a-b-s-de-45rpm-american-best-sellers.html (Dean C. Morris site)

From Kalamazoo, Michigan comes WAYNE ROBERTS on the Key label (# 15305) for the fine « Do blonds have more fun ? » : great interplay between steel and lead guitar. A short rockabilly solo. A nice awesome find.

Finally from Tampa, Fla. « My world keeps rolling on and on » by CLYDE GUTHRIE on the Nugget label (# 1005). A fast number, an husky voice and a short steel solo.

key 15305 wayne roberts - do blonds have more fun?

nugget 1008 clyde guthrie - my world keeps rolling on

« Do blonds have more fun?« download

« My world keeps keeps rolling on and on« download

 

 

 

 

 

 

 

All selections taken from the net. 

The polished yet stomping hillbilly of JOE CARSON (1954-1963), « I’m not allergic to love » to « Time lock »
oct 31st, 2015 by xavier

[I really don’t know where I picked this biography from (a great lack of tidiness on my part in my archives), but it’s so complete and living that I decided to publish it without changing an iota. If any way the pages below are copyrighted and/or authored, I’ll gladly credit it to the right person. My thanks to him/her. Now let’s go.]

« A few years ago an old friend gave me a wonderful gift. I was visiting him at home when, without warning, he suddenly produced a Swan 4 slice toaster box saying, « This is for you. » I insisted I didn’t need a toaster whereupon he laughingly invited me to look inside. I nervously opened the box and my eyes almost popped out of my head (actually they popped out, bounced off all four walls and popped back in again). The box was crammed full of 7 inch singles, all country, all 50s to 70s, rescued from American jukeboxes and included records by George Jones, Patsy Cline, Loretta Lynn, Ernest Tubb, Willie, Dolly, Tammy and a whole lot more.

The amazing thing was that it also contained records by artists whose names I knew but had never heard before and it was a treat to hear them at last. One record, however, intrigued me most. It contained absolutely fantastic versions of two Willie Nelson songs « I Gotta Get Drunk » and « Who’ll Buy My Memories » performed by a guy called Joe Carson. I tried books, magazines, the internet, friends, everything I could think of in an effort to find out more about him but drew a blank every single time, despite the fact that the record was on Liberty, a major label. Who was this guy? Surely with a voice like his he made more than one record? How come no one knew who he was? I didn’t even know which part of the USA he was from, or even if he WAS American. I finally admitted defeat and contented myself with the one record I had. All corrections/additions in [...]joe carson

[I already knew Joe Carson for years, via several Mercury and Capitol songs taped on the fabulous Tom Sims cassettes, and wanted other stuff from him. I bought in 1982 the French reissue of his solitary Liberty album, but was a bit disappointed: it sounded more Country than hillbilly, nevertheless well done 1960's Honky tonk. Anyway I couldn't last finding everything Carson had recorded before. Then I found the D single from 1959: wonderful Hillbilly uptempo ballads. All in all, he had published 11 singles only during his short career.] Read the rest of this entry »

Bopping duets, last post (1947-1963)
oct 18th, 2015 by xavier

Howdy folks ! This is the last post on bopping duets. As surely you did notice it, my English is far from fluent ; actually I don’t dream neither think « in English », because it is not my natural language. I really hope you can understand it, and excuse me for writing such intricate phrases yet very common. But I LOVE this bopping music, and let’s keep it first ! My aim is to figure the music posted with record labels and odds and ends on the artists.

mccormick brothersThe McCORMICK BROTHERS were a Tennessee/Kentucky family affair. Lloyd and Kelly held the guitars, younger Haskel was on banjo, Hayden Clark on bass and Charlie Nixon on dobro. They cut for Hickory in Nashville between 1954 and 58 a fine line of Bluegrass and Rockabilly boppers, among them this « Big eyes » (1958, Hickory 1080). Strong strumming boogie electric guitar and vocals in unison. They even had a full album, « Songs for home folks » on Hickory 102 (1961) and still are playing today.

« Big eyes« download

hickory  1080 mccormick - big eyes

Hickory102 mcCormick - songs for home folks
Chester and Lester, the BUCHANAN BROTHERS were another duet group. They hit big in August 1946 with the pioneering « Atomic power » on RCA, and revived a similar theme in November 1947 with « (When you see) Those flying saucers ». (RCA-Victor 20-2385) « You’d better pray to the Lord when you see those flying saucers, it may be the coming of the Judgement Day ». Good vocal and guitar duet. The song was used in 2009 in the animated release of « Monsters VS. Aliens ».

« Those flying saucers« download

Buchanan_Brothers

Buchanan brothers

 

rca 20-2385 buchanan bros. those flying saucerspalford brady

« More lovin’« download

PAL (or Palford) BRADY (1922-1988) was a native of Tennessee ; himself relocated too in Michigan, where he had records on Lucky 013 (Cincinnati), Clix (Troy, MI), Bragg, among others (late ’50s to mid-60s). His « More lovin ’ » (Conteste 45-2) from 1961 has two voices for a good « city hillbilly bopper ».

conteste 45-2 pal brady more lovin'

 

 

 

Charlie & Wallace, the MERCER BROTHERS came from Metter, GA and began a professional career during the late ’30s. After the WWII they had their own radio show on WMAZ before joining in 1948 the prestigious « Louisiana Hayride ». From 1951 to 1954 they cut a dozen sides for Columbia in Dallas, with their Blue Ridge Boys (Clyde Baum on mandolin and Doyle Strickland (fiddle) + Wayne Raney (harmonica). I chose from their equally constant in quality output « No place to hang my hat » (Columbia 20927, 1952-53), very Delmore Brothers styled. After 1954 they settled in Macon, GA, and WIBB radio station before completely disappear.

« No place to hang my hat« download

 

columbia 20927 mercer bros. no place

JOHNNIE (Wright) and JACK (Anglin) were regulars on the ’50s charts, before Anglin was killed in a car crash in 1963. Their «Oh boy ! I love her »  (RCA 47-6932) from ’57 is an enjoyable jumping little opus. Earlier on they had cut the C&W classic « Ashes of love » (revived during the ’80s by the Desert Rose Band), and « Cryin’ heart blues » in 1951, supposed to have been recorded (but lost) by Elvis Presley on Sun Records.
rca 47-6932 johnnie & jack - oh boy I love her (57)
« Oh boy, I love her« download

pic Johnnie_Wright,_Kitty_Wells,_Jack_Anglin

dixiana 105 cliff gross hog pen hop

 

 

 

 

 

 

 

On the Kentucky Dixiana label # 105 from 1954, CLIFF GROSS offer a sort of fast talking blues (with the band chanting in unison) with « Hog pen hop », probably recorded in Dallas. Gross was a mountain type fiddler, and Dixiana emanated from Bowling Green, Wayne County.

« Hog pen hop« download

« Spring of love« download

PAUL & ROY, The Tennessee River Boys, already discussed in another « Duet » feature (they had a two-sider on Nashville Pace label), have recorded for Mercury in 1953 « Spring of love » (# 6374) : it’s a fast Bluegrass influenced ditty – lead vocal & backing vocal.

mercury 6374 paul & roy - spring of loveshamrock 717 golden state always dreaming

 

« Always dreaming« download

 

 

Next track GOLDEN STATE BOYS‘« Always dreaming » was already posted here in April 2013. But I like very much this tune with its urgent vocal, the dobro part of Leon Poindexter, the vocal/mandolin of Herb Rice, and the energetic banjo of Don Parmley [personnel give then by a visitor]. Date : early to mid-62, Shamrock 717, Artesia, California.

A solid rocker (with drums), « Good gosh gal » on the Nashville Briar label # 111 by PHIL BEASLEY & CHARLIE BROWN. Nice guitar and steel solo, 1961.

« Good gosh gal« download

 

briar 111 phil beasley - good gosh gal ((61)

 

 

It’s useless to present the YORK BROTHERS (their story is on this site). Here is one of their rarest issues on their own York Bros. Records # 600Y-100, from 1963, and the great « Monday morning blues ».

« Monday morning blues« download

york bros. 600Y-100 Monday morning blues

 

colonial 7000 franklin bros. so real (Chapel Hill, 6-59)More of a solid rocker on Chapel Hill, NC Colonial label (# 7000 from June 1959) by the FRANKLIN BROTHERS. « So real » is strong, that’s not Hillbilly bop, but a real Rocker for a change!

« So real« download

 

We are going to the end with FRANKIE SHORT & DEE GUNTER on the Balto, MD Wango label (# 201) : again a solid version of Don Reno‘s « Country boy rock’n'roll » . Remember L.C. Smith and « Radio boogie » (2nd version) on this label.

« Country boy rock’n'roll« download

wango 201 frankie short - country boy r&r

 

 

Used sources: Wikipedia, Youtube,ancestry.com (Pal Brady), hillbilly-music.com, Galen Gart’s ARLD, 45rpm.com

Late October 2015 fortnight’s favorites (1947-1964)
oct 16th, 2015 by xavier

First selection, « Afraid to love again » on the Rhythm Kings label (location unknown) # 1207 by WAYNE CROSS with Porter Fender (on guitar?) is a jumping little thing with fine guitar throughout. A short and uninspired solo – as my current notes of course ! Cross cut another very Cash-styled effort on Rhythm Kings 1208 « Put another dime in the juke box« .

« Afraid to love again« download
rhythm kings 1207 wayne cross afraid to love again
BOBBY HODGE second. Born 1932 in N.C. He was active during the ’50s and ’60s in Wisconsin. Here he delivers « Gonna take my guitar » on Rebel 819, it’s difficult to give a date of issue. Urgent vocal, hard lead guitar (2 soli) and a steel solo. In a very different manner, in 1964, he had on Golden Ring 3040 a new version of Jimmy C. Newman‘s « Alligator man ». Same guitar as on previous record. Add Hodge re-cut « ..guitar » as « Carolina bound » on Nashville 5014 (1960), perhaps in a next fortnight.
« Gonna take my guitar« download

« Alligator man« download

rebel 819A Bobby Hodge Gonna take my guitar

golden ring 3040 bobby hodge - alligator man

bobby hodge promo small

 

 

 

 

« I can’t (take the easy way out) » is a fine uptempo with good although too short steel solo, by JEANNE JOHNSON on the Maarc label # 1501 (Ohio origin). Sincere vocal.

From Lakeland, Florida comes LEFTY NICKS on the Nicktone label # 6019, « Always alone ». Steel and lead guitar interplay. Rite pressing from 1961.

 

« I can’t (take the easy way out« download

« Always alone« download

marc 1501A jeanne johnson - I can'tnicktone 6019 lefty nicks always alone

 

 

LAWRENCE WALKER on the La Louisiane 6019 label with the Cajun classic « Allons Rock and roll » from 1961-62, which could well have been cut 10 years earlier.

Lawrence-Walker

« Allons rock and roll« download

 

lalouisiane lawrence walker - allons rar

 

 

 

 

Finally Red (vocal, guitar) & Lige (vocal and mandolin), the TURNER BROS. Sometimes called the Kentucky Boys as their other competitors of the same name (Zeb & Zeke, on Bullet). They do here « When harvest days are over » (Radio Artist 235) and « Honky tonk mama » (243), both from 1947. Delmore Bros . Or York Bros. style. They also appeared on Imperial 8071 (« Boog-boog-boogie », from Radio Artist 234) and a half a dozen of singles on Mercury in 1949-50.

« When harvest days are over« download

« Honky tonk mama »download

radio artist 235 turner bros. -when harvest days are overradio artist 243 turner brps - honky-tonk mama

 

All selections taken from the net or (Turner Bros., Lawrence Walker) from my own collection.

turner brothers pic

Turner Bros.

 

 

More harmony duets in Bluegrass and Bop music (third serie)
oct 12th, 2015 by xavier

For this third feature specialized in bopping duets, we begin with the aptly named HARMONY BROTHERS. Their « Baby, tonight » fom 1959 was cut for St-Louis, MO label Bobbin 109, and it’s a very solid backed Everly Brothers styled opus. They had another one « Saturday night hop » on Bobbin 116 which sounds good (alas, untraced).

bobbin 109 harmony brothers - baby, tonight

 

Harmony Brothers « Baby, tonight« download

Houle Brothers « Dream night« download

Mike & Bob, Houle Brothers « I heard the bluebird sing« download

circle dot 1012 houle bros. dream nightbangar 642 mike & bob - I heard the bluebird sing
On the Minneapolis, MN Circle Dot label (# 1012) , again from the late ’50s, we chose « Dream night » by the HOULE BROTHERS. Again Everly Bros. influenced, it fetches up to $ 250-300. Mike & Bob, the Houle Brothers, had another record on Bangar 642 in 1965, « I heard the bluebird sing ».

 

 

Jimmy Lee & Wayne Walker   »Love me« download
chess 4863 (78) jimmy lee & wayne walker Love me (7769)
Now a great wild thing with the classic « Love me » (Chess 4863) from Spring 1955, cut at KWKH studio in Shreveport, La. by JIMMY LEE & WAYNE WALKER. It has urgent vocals and a ferocious steel (Sonny Harville), all propelled by the thuding bass of Tillman Franks and the jumping drums of D. J. Fontana.

capitol 3476 farmer boys my baby done left me

 

Farmer Boys « My baby done left me« download

 

 

 

Let’s go west with the FARMER BOYS, and the very special Western rockabilly style from the Capitol studio on « My baby done left me » (# 3476). The staff is composed by Bobby Adamson and Woody Murray (vocals), Roy Nichols on lead guitar, Fuzzy Owen on steel and Cliffie Stone on bass, and the tune was out May 31, 1956.. The story of the Farmer Boys is on this site.

 

An unusual duet of uncle and nephew were the JACOBY BROTHERS on TNT 1004, from San Antonio, TX. Great harmonies and backing (guitar and mandolin) for « Warmed over love ».

Jacoby Brothers « Warmed over love« download

tnt 1004 warmed over love détourée
Martin Brothers « Where have you been all night« download

 

West VA. and the Liberty label (not to be confused with the big pop company in L.A.) (# 107). The MARTIN BROTHERS offer the good bopper « Where have you been all night ». Value $ 50-60.

liberty 107 martin brosthers - where have you been all night

Church Bothers « Broken vows and a broken heart« download

blue ridge 209 cjurch brothers - broken vows & a broken heart

 

 

From N. Wilkesboro (S.C.) we turn now on the CHURCH BROTHERS and « Broken vows and a broken heart » (Blue Ridge 209), a typical 1953 bluegrass bopper: nice vocal and chorus in unison. I’ve read that the lead was Buffalo Johnson, an important figure not so well known today. Research goes on him.

From N. Charleston, (S.C.) and July 1954 BILLIE AND GORDON HAMRICK, a sacred tune on Rangeland 504 (one of the very first Starday customs). « He’s gonna take his children out » has a lead vocal male) and a chorus, plus a good banjo solo.

Billie & Gordon Hamrick « He’s gonna take his children out« download

506b refait

Paul & Roy « Free, twenty one & ambitious« download

Paul & Roy « I wish you were a country girl« download

PAUL (Boswell) & ROY (Pryor) out of Nashville on the Pace label (# 1004) had previously cut a dozen sides for Mercury.The Pace issue date from late ’50s, and offer two medium tunes, « Free, twenty one and ambitious » and « I wish you’d be a country girl ». Good, a bit above average boppers.

Pace 1004a

Pace 1004b

 

 

 

 

Finally the terrific sacred « I’m a millionaire » by the Tennessee Harmony Boys (Dillard Anderson & Solon Maynard) on the Fortune label out of Detroit (# 209). A great, great mandolin solo, and a lot of excitement.. They had previously cut on their own « Tennessee Harmony Boys » label, and even had an E.P. on Fortune (# 1334).

Tennessee Harmony Boys « I’m a millionaire« download

fortune 209 tenn harmony boys I'm a millionaire

Harmony duets in Hillbilly bop songs
oct 8th, 2015 by xavier

 

More of these Hillbilly bop duets, even a foray into Rock’n'Roll (country overtones)

 

It’s useless to present the DELMORE Brohers (Rabon & Alton). They began their career in 1931 ! When they stopped at King studio in Cincinnati in 1946, they cut many, many Hillblly boogies, either as vocal duet, or with spare instrumentation (Wayne Raney and Lonnie Glosson on harmonica). It’s been a real task to choose « Down home boogie » (King 784AA) : the Brothers sing in harmony for this romper cut in November 1947 in Cincinnati. Lead electric guitar player could be Roy Lanham or Zeke Turner.

king 784AA delmore - down town boogie

 

« Down home boogie« download

 

A dozen years later or so, a man led a typical Hillbilly combo : JERRY DOVE (instrument unknown). He had already put a minor rockabilly classic in 1956, « Pink bow tie » on T.N.T. Label (# 144), but he was more a producer and musician than a singer. Here he gathers the duet (male/female) of Ray Stone and Dove’s wife, Peggy. First side is bluesy, and very atmospheric : « Losin’ the blues » (# 173), paired with an uptempo « Why don’t you love me ».

« Losin’ the blues« download

« Why don’t you love me« download

 

 

Let’s get back to December 1947 with the Arkansas born real ARMSTRONG TWINS. They recorded for 4* a serie of boogies showing the prowesses of Lloyd on mandolin, Floyd backing on guitar, especially on « Mandolin boogie » (4* 1231), a fast and furious piece of Bluegrass.

 

« Mandolin boogie« download4* 1231 armstrong twns - mandolin boogie

 

 

 

 

On the Cincinnati, OH based label Jalyn (# 208) JOHN & FRANCIS REEDY have « Quit kicking my dog around » : fine uptempo tune,  amusing lyrics. This record goes back to ’64.

jalyn 209 john & francis reedy - qui kicking my dog around

 

« Quit kicking my dog around« download

 

 

More of the same with RUFUS SHOFFNER & JOYCE SONGER, clearly billed « Vocal duet » although both join on chorus only, with the powerful « It always happens to me » on the Detroit’s Hi-Q label (# 17) from 1962. Awesome and driving guitar playing by Earl Songer’s ex-wife. Both seem unlucky in the song.

 

Next is « Truck driver’s boogie » by the MILO TWINS (Edwin and Edward), originally from Arkansas. Their style is pretty close to that of the DELMORE, the CALLAHAN, the SHELTON or the YORK Brothers. Released December 947 on Capitol 40138: fine harmony vocals over a good harmonica playing.

« It always happens to me« download

 

Milo Twins » « Truck driver’s boogie »downloadmilo 1949

hi-q 17 **it always happens to me

 

capitol 40138 milo twins truck driver's boogie

 

 

 

 

 

 

 

 

 

 

Finally GENE PARSON’S BAND, who’s backing Kimble and Wanda Janes on vocals in a classic, « Night club Rock’n'roll » from March 1959 on Southland label (# 4501) from lllinois. Parson was the owner of this small label. He already had cut for Chicago’s Eko label. I’m pretty sure this Gene Parson has nothing to do with the member of Byrds or Flying Burrito Brothers bands of the ’60s. The Southland issue falls into a collector’s hands for $ 400-500.

« Nightclub rock’roll« download

 

 

southfield 450 gene parson - night club R&R

 

Sources: various compilations and reissues for the most part, the odd record from my collection.

Harmony vocals: some bopping Bluegrass duets
oct 7th, 2015 by xavier

This first batch of duets will concentrate on bopping Bluegrass tunes. Indeed the choice of tunes is entirely mine, and I post the ones I like very much. The main instruments, as expected, are fiddle and banjo or mandolin, all pushing often an urgent vocal.

The DIXIE DRIFTERS were a small Bluegrass group from Houston, TX ; actually they were the first one to make Bluegrass music so far from Kentucky or Tennessee. Hank Wilson (guitar/vocal & composer) was the leader when they cut « Lies, lies and alibis », a fast ditty on the Minor label (# 112). Enjoy the dobro part! (According to ARLD, this record came out in October 1958). No label scan available, sorry: I’ve just got the music from a Tom Sims’ cassette. Earlier on the boys had another issue on Azalea 110, same style (« Gone forever »). Hank Wilson, as « Slim Wilson » recorded probably one more single for Minor (# 117) »The ring around your finger/Bring a wall around Texas« . And I really don’t know if Hank Wilson and Leon Russell are the same person.

azalea 110 dixie drifters - gone forever

« Lies, lies and alibis« download

« Gone forever« download

BB 22-6-59 dixie drifters

Billboard June 22, 1959

 

 

Way up north with the THOMAS BROTHERS (Melvin and Erwin) for an oustanding « Way high, way low » on the Hammond, IN. Mar-Vel’ label (# 355 from 1956). Each voice (3 actually) compete strongly : the highpitched, then the bass man, finally the medium singing « Right in the middle, that’s where I want to be ». A pity they never had another issue.

 

 

« Way high, way low« download

mar-vel 355a thomas brothers - way high, way low

 

 

Third we have a decisive ‘Vocal duet’ on the label : Rena 803 from Ripley, WV by RALPH & RUTH. « Hard hearted girl», great rhythm guitar. It’s difficult to assume a date for the issue, maybe late ’50s, or even 1961, as suggested by HillbillyCountry45 (Youtube).

« Hard hearted girl« download

rena 103 ralph & ruth - hard hearted girl

 

 

 

 

 

 

From Pico, California on the Sundown label # 106 : TOMMY GUESS & BILL LOWE do give a lot of energy in their « My foolish heart ». Mandolin solo. They disappeared afterwards 1958.

A beautiful harmony with the NASH BROTHERS, probably from Georgia on the Peach label (# 569) : « My prescription refilled » from March 1959.

« My foolish heart »download

« My prescription refilled« download

sundown 106A Tommy Guess & bill love foolish heartpeach 569 nash brothers - my prescripton refilled

early October 2015 fortnight’s favorites: « Record spinning boogie » or « Hi de ho boogie »?
oct 1st, 2015 by xavier

DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.

« My shining star« download

nugget OP190 dusty taylor

 

« The hillbilly hop« download

leo 1824 curly gibson hillbilly hop

 

 

 

 

 

« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.

With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
nit star 007A doug davis
« All by myself« download

 

Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King.

As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.

Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.

« Walking with the blues« download

« Hi de ho boogie« download

« Diddy wah boogie« download

king 884A al dexter walking with the bluesking 884AA al dexter -hi de ho boogieking 913AA al dexter - diddy wah boogie

We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
« Record spinning boogie« download

meritone 1001 bill huskey record spinning boogie

al dexter pic

Al Dexter

Eddie Hill, lot of Hillbilly novelties (1947-1959): Steamboat stomp and other shufflers
sept 29th, 2015 by xavier

Tennessean Eddie Hill (James Edward Hill) was born on July 21, 1921, in either McMinn County or Polk County. Being from a family with a rich musical tradition, Eddie already started singing and playing the guitar at very young age and he formed his first band while still in his teens. His first experience with radio work came while living in Knoxville, Tennessee, where his family had moved because of Eddie’s father’s work. Eddie first started working for local radio station WROL but in the early 1940s, he and his band moved to WNOX to work at the “Mid-Day-Merry-Go-Round” show, as “Smilin’ Eddie Hill and the Mountain Boys”. Some time later, Eddie moved to Cincinnati, Ohio where he joined WKRC, but in 1943 Johnny Wright convinced him to return to Knoxville to join the Tennessee Hillbillies, a group build around Johnny & Jack and Kitty Wells. In 1945, Eddie quit the Tennessee Hillbillies to try his luck in Hollywood’s movie business, but he soon moved back to Knoxville to return to WNOX, together with his Mountain Boys that now consisted of Leonard Dabney (guitar), Johnny Gallagher (bass), Billy Bowman (electric guitar) and Bob Sumner (fiddle). It was around this time that Eddie got married to his wife Jacqueline Adkins. Read the rest of this entry »

Late September 2015 fortnight’s favorites
sept 16th, 2015 by xavier

This favorites section begins with NEAL JONES. Born in the small community of Tywhop, TN, in 1922, he began his career with the Johnson Brothers on Kingsport and Chattanooga radio stations as lead guitarist as soon as 1940. He then moved to Montana, then back to Tennessee. 1953 saw him guitarist for Eddie Hill and Sonny James in Dallas, TX. That’s where he gained a contract with Columbia, and followed a long string (6) of releases with this major until mid-1955. I chose one of his earliest efforts, « Foolin’ women », (# 21292) and the double-sider nearest to Rockabilly, (# 21415) « High steppin’ baby » and « I’m playing it cool », both cut at Jim Beck’s studio in Dallas with WFAA staff musicians. Later on, Jones had his own T.V. show, and was more and more involved in a D.J. work . He finally had one record on « D ».

columbia 21292 neal jones - foolin' women

columbia 21415 neal jones jigh ste^în' baby

columbia 21415 neal jones - I'm playing it cool

 

 

 

 

 

 

 

 

 

 

 

« Foolin’ women »download

« High stepping baby« download

« I’m playing it cool« download

AL OSTER was apparently a Yukon native, who cut a nice Country rocker on the Tundra label (# 101), « Midnight sun rock », paired with « Next boat », in 1960.
« Midnight sun rock« download

« Next boat« download
tundra 101 al oseter - midnight sun rock

al oster

Today and yesterday

 

 

Next we find the former lead guitar player for the Maddox Bros. CAL MADDOX on the Flat-Git-It (# 700) label from California. I suspect the label was his own label. « Hey Bill » is a fast Hillbilly rock from 1960 : strong guitar as expected, sawing fiddle. Shortly before that, Cal and his sister Rose had cut « Gotta travel on » on the Black Jack label.

 

flat-git-it 700 cal maddox hey bill

cal maddox

 

« Hey Bill« download

 

 

 

 

 

From Columbus, OH, comes the next record, « Hobo baby » by JOE & RAY SHANNON on the Shenandoah label # 246. Obviously brothers – it’s Joe singing -, they offer a strong guitar rockabilly tune, surprisingly good for 1964.

« Hobo baby« download

shenandoah joe & ray shannon pic

Joe and Ray Shannon

On one of the many Dixie labels that flourished everywhere in the U.S., there’s this shenandoah 246 joe & ray - hobo babyone « I guess I’m wise » (# 833) by MALCOLM NASH (with the Putman County Play Boys). Probably issued 1960. An harmonica is the prominent instrument, over a powerful rhythm guitar, while the band (2 voices) sings in unison. This record reminds me much of the Delmore Bros. On the label however there is no clue as to where do come the artist neither the label from, except it’s a Rite pressing, so probably from the Cincinnati area.

dixie 833-A malcolm nash - I guess I'm wise
« I guess I’m wise« download

Addition (Nov.1rst, 2015). There is a « Putman County » in Georgia. So that’s possibly where the recording occurred.

Putnam_County_Georgia_Incorporated_and_Unincorporated_areas_Eatonton_Highlighted copie

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