Howdy folks! Glad to meet you again. Just a note about the way I put in order those fortnight’s favorites selections. When a record out of my digital library appears to please me, be it Country boogie, Hillbilly hop or Rockabilly, I am hungry to find if the artist made another record in a similar style. Sometimes I am lucky, sometimes not: the disc was a one-off recording. Perhaps later, years later, I will put my hands on a second offering. At this stage the real research does begin: Internet is the main source for information on the record label, the artist, also books and magazines. Then I am doing the actual selection (7 to 10 records) and review every disc. This time you will be treated with 8 records.

Denny Turner

From Indiana between July and October 1955. Denny Turner cut “Deep Down In My Heart” on the Okie label (# 300). It’s a good uptempo bopper: steel solo, fiddle; an assured vocal. The reverse side of this record has a sacred vocal.

Tommy Nelson

From Shawnee, OK, in 1961 came Tommy Nelson on the Dixie label (main serie). “Dangling On A String” (# 919) is not his best record: it’s a slow rocker with rinky dink piano, and an uninventive guitar. His best sides can be found on Dixie 814: “Hobo Bop” and its flipside “Honey Moon Blues”are superior Rockabillies, valued at $ 800-1000, if you can afford a copy. “Dangling On A String” is even sold for $ 125-150.

Jimmy Wert & The Four Squirts

“Please Believe Me” was issued on the Chambersburg, PA. Skyline label # 752 in 1959. Possibly another Starday custom. It’s slow bopper crossing Rockabilly. A bluesy fine guitar is embroidering the vocal. The flipped “Bingo Blues” was reviewed in late December 2017 fortnight’s favorites.

Margaret (Maggie) Owens

“No Hard Times”, issued in 1973.

A great rendition of the old Jimmie Rodgers classic. Very nice guitar, an energetic vocal performance – even some yodels. And this one was released as late as 1973 in Cincinnati on the Rams label # 305129.

Billy Free

“I’ll Tear Your Playhouse Down” is a classic Hillbilly bopper (with a touch of Country rock: it dates from…1968!) by Billy Free on the Dianne label (# 407) out of Birmingham, AL. Great vocal, nice lead guitar (alas, a too short solo). This record is still affordable at $ 60-75.

Leon Stafford & his State Drifters

The recording location in not known for this record, neither the date of release; however aural evidence does place “Eight Ball” in the mid-’50s. A good ‘little’ bopper with nasal voice, a risky-dink piano, and a fiddle solo.

Harold Smith with Slim Glisson & the Trail Riders & Danny Clark

A call-and-response format for this uptempo “Listen To Me Baby” to be found on the Rondo label, out of Savannah, Ga., a predictable Starday custom). It was issued in 1956 and does feature a romping piano (nice solo), plus fiddle and a good steel solo.

Lindburg Deavers

The last disc of this selection do come from Mobile, Al. on the Shane label (# 11050), a subsidiary to Sandy Records. It’s hard to date such a record, I’d say late ’50s. Lindburg Deavers releases a fine Rockabilly, “Miss Me Now”: a very nice piano and guitar. No one could give a price yet, that’s how this record is so rare.

Sources: my own digital archives; Allan Turner for Dianne and Rondo records; YouTube for Lindburg Deavers per example.