Hello, visitors ! Hi to old ones. The story goes on with a small dozen of tunes mostly issued during the ’50s (1950-59) with the odd item from 1965.

A short career (no more than 2 years) but a very prolific one : AL VAUGHN cut many records on 4 Star just the days before the 1948 Petrillo recording ban, and also some sides in 1950. Born Alton Faye Vaughn (1922, Arkansas), he later settled in Oklahoma, before eventually moving to California and got signed to Bill McCall’s whom he cut records for. Here’s the risqué « Right Key In The Wrong Keyhole » (# 1480) with fast pace, an agile steel which reminds one of Milton Brown’s steel-man, Bob Dunn. A tight little Western-tinged tune, of course ‘not suited for radio use’.

Next artist, HOMER LEE SEWELL, was a Southern one (Houston and Oklahoma). He first presents « She’s Mad At Me » on D 1067. A fast little country bopper, fiddle always present. From April 1959. Flipside equally good : « Whisper Your Name » is a lovely atmospheric ballad ; Willie Nelson holds the lead guitar. Sewell was also on Oakridge 104, « Country Boy Shuffle », a passable Country rocker , piano to the fore.

Mack and Gwen

We remain in Texas : Marshall. The duet of brother & sister MACK (Smith) and GWEN (Phillips) was active during 1959 and 60 and released records on their own Phil label. On # 1200 it’s their most famous track, backed by the Country Playboys, « Baby I Want Another Date With you » – fast number, good guitar and a bit of fiddle : the whole thing is energetic and moving. They recorded their production by Mira Smith’s studio (Ram Records), Shreveport, La. The flipside, « I Don’t Care What They Say About You » is a gentle bopper – loud bass, a steel solo and a welcome piano. Later they relocated to Dallas for their second issue (Phil 1201, the fast « If It Ain’t The Board Draft It’s My Baby », fine dobro) with another backing outfit (The Garlanders), finally on Phil 1203 they had « I’ll Be There With All Of You », a slow bopper, less interesting.

Ken Gabbard & the Hilltop Rangers

Nearer to us, here’s KEN GABBARD and the Hilltop Rangers for «Things Can’t Be As They Were » in 1965 on the Harp label # 15730 (a Trenton, OH label). A mid-pace opus, a weeping vocal and steel : an excellent ballad

From Oklahoma (where he’d begin with his own label Echo), JACK PADGETT went to Jesse Erickson Talent label, and released two discs between 1949 and 50. « Peppermint Sticks » (Talent 722) is a medium paced, typical late ’40s Texas bopper, good guitar and fiddle. On his second, faster issue, « Boogie Woogie Gal » (# 729), he is joined by the house pianist Aline McManus on romping piano. Great steel by the overshadowed Curley Cochran. Padgett’s base was KTMC in McAlester, South East of the State).

The Willis Brothers

The WILLIS BROTHERS (formerly the Oklahoma Wranglers) were a famous trio affiliated with KGFF in Shawnee, OK. They present an excellent instrumental – Vic Willis’ leading with his accordion – « Wrangler Boogie » on Mercury 6071, early ’50s. Then a shuffler with « Long Gone » on Coral 64175, 1953 ; this time led by the eldest of the Trio on guitar, GUY WILLS ; plus a welcome piano (solo) and steel. Later they went to Starday among other labels.

Billy Dee

Released in July 1954, here’s « I Can’t Get Enough Of You » by BILLY DEE (vocal, piano, steel) is a refreshing, joyful small bopping opus (Fabor 111B), while his other disc, « Drinking Tequila » is a bit disappointing : a good tune but average bopper – one ought to wait something better with such a title (Fabor 104)

Sources : YouTube ; 45cat ; Gripsweat ; HBR site (Talent) ; Ohio labels.