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late July 2010 fortnight
juil 15th, 2010 by xavier

Hello folks! This is REALLY a hot summer over there in France, lot of heavy clouds but…no rain at all. Perfect time anyway to keep oneself well wet inside and stomp to that good ole’ Hillbilly beat. We begin with a very elusive artist from the Cumberland Valley/Cincinnati area. I’ve told before in this site about him, and did promise I should post everything I gathered for one year and a half. This could be later this year, so watch out for the fullest possible story on Mr. JIMMIE BALLARD. The first cut in this fortnite is Ballard’s own version of « Birthday Cake Boogie » (Kentucky 508)cake508ballard

of course, the same song was also recorded by, among others, BILLY HUGHES and SKEETS McDONALD, and stands out as a classic ‘risqué‘ or ‘double-entendre‘ song. Ballard was the front man then of BUFFALO JOHNSON’s Herd (who was active in the D.C. area, and a full story on him is on the line. Have you ever heard at least one of the THREE versions he did of the classic « Tapping That Thing« ?) and he keeps the vocal duties with the also ‘risqué‘ (Kentucky 520 ) « T’ain’t Big Enough« . Both songs are from 1953/1954, fine uptempo Boppers, altho’ just above average, except for lyrics.

taint big enoughBilly Briggs - norh pole boogie

Back to a Wildcat out of Texas, a very long career as steel guitar player as soon as 1936, then singer and front man of his band, the XYT Boys, BILLY BRIGGS. I will have some day a complete story on him. He was (maybe he’s still alive, I dunno) to have a sound on his own, and produced very strange ditties from his steel in 1951 for his greatest success (much covered) « Chew Tobacco Rag N° 2 » . Here I’ve chosen the amusing « North Pole Boogie » (Imperial 8131, late Forties), complete with icy wind effects (on steel), and Briggs’ own barytone voice imitating a sort of ‘polar bear’ .

Back to Cincinnati and BILL BROWNING. I’ve written about him elsewhere in the site with the story of the LUCKY label. Today I listen to his composition « Dark Hollow« , which was a hit in 1958 when picked up by JIMMIE SKINNER, before the very nice version on BLUE RIDGE by LUKE GORDON (watch out for his story later in 2010), then even by The Grateful Dead in 1973, among others. I particularly like the recent version made by FRED TRAVERS (90’s) which I’ve included in the podcasts; almost falsetto urgent vocal and great dobro.Bill Browning Island 7 - dark hollow

More from Cincinnati. BOBBY ROBERTS (I think there were at least 2, or 3 personas by the same name during he 50’s). Here he’s the great Hillbilly singer, who cut late 1955 4 sides for KING records. I cannot rememeber if I posted earlier his great « I’m Gonna Comb You Out Of My Hair » (what a title!). This time, I offer the second KING (4868, unverified – Ruppli’s book still stored) « I’m Pulling Stakes And Leaving You », same lyrics format. Great, great Hillbilly Bop. Later in 1956, Roberts (or one of his aliases) had « Big Sandy » or « Hop, Skip and Jump« , pure Rockabillies. I still wonder if it’s the same man; if so, he would have adapted very well and quickly (within some months) from pure Hillbilly vocal to almost Rock’n'Roll. By the way, he would not have been the first to do so: SKEETS McDONALD, GEORGE JONES, MARTY ROBBINS did very well the transition early in 1956.

Another elusive artist: guitar player/singer PETE PIKE. Recently deceased (2006) just after a CD ‘back to roots’ (Bluegrass) issued in 2005, he was active both in Virginia and D.C. areas from 1947 onwards, and associated several years with another interesting man, BUZZ BUSBY (Busbice). Pike had Hillbilly Bop records on FOUR STAR and CORAL in 1954-1955, among them I’ve chosen the superior ballad   »I’m Walking Alone« . Another future entry in www.bopping.org, research is well advanced.

Finally, on the Rocking Blues side, you’re in for a treat with L.A. ‘black Jerry Lee Lewis’ (as the Englishmen call him when he visits their shores), WILLIE EGAN and « What A Shame » from 1957 (Vita label). Pounding piano, wild vocal, strong saxes, heavy drums, the whole affair rocks like mad, althoug relaxed. Enjoy, folks. Comments welcome. ‘Till then, bye-bye.

 
icon for podpress  Jimmie Ballard - Birthday Cake Boogie [3:06m]: Play Now | Play in Popup | Download

 
icon for podpress  Buffalo Johnson (Jimmie Ballard, vo) - T'ain't Big Enough [2:58m]: Play Now | Play in Popup | Download

 
icon for podpress  Billy Briggs - North Pole Boogie [2:46m]: Play Now | Play in Popup | Download

 
icon for podpress  Bill Browning - Dark Hollow [2:16m]: Play Now | Play in Popup | Download

 
icon for podpress  Fred Travers - Dark Hollow [2:43m]: Play Now | Play in Popup | Download

 
icon for podpress  Pete Pike - I'm Walking Alone [2:58m]: Play Now | Play in Popup | Download

 
icon for podpress  Bobby Roberts - I'm Pulling Stakes And Leaving You [2:31m]: Play Now | Play in Popup | Download

 
icon for podpress  Willie Egan - What A Shame [2:18m]: Play Now | Play in Popup | Download
Skeets McDonald
mar 18th, 2009 by xavier
Biographyskeets-inhabituel by Jason Ankeny
Best known for his self-penned chart-topper « Don’t Let the Stars Get in Your Eyes, » Skeets McDonald was a honky tonk singer and songwriter whose work helped serve to bridge the gap between country and rock & roll. The youngest of seven children, Enos William McDonald was born on October 1, 1915, in Greenway, AR, and earned his nickname after an incident involving a swarm of mosquitoes. He became interested in music at a young age and, according to McDonald family legend, even traded his hound dog for a guitar and six dollars. When his older brother moved to Michigan several years later, McDonald followed and joined his first band, the Lonesome Cowboys, in Detroit in 1935. He continued to perform on local radio stations until he was drafted to serve in World War II in 1943.skeets-detroit

After returning from battle, McDonald began performing on a Detroit-area television program and in 1950 cut his first records with fiddler Johnnie White & His Rough Riders. In 1951, McDonald and his family moved to Los Angeles, where he was signed to perform onCliffie Stone’s TV program Hometown Jamboree. Soon after, he joined Capitol Records and in 1952 released « Don’t Let the Stars Get in Your Eyes, » by far his biggest hit. McDonald remained with the label until 1959, the year he released the LP Goin’ Steady With The Blues, and while he scored few chart successes, his music’s evolution from honky tonk to straightforward rockabilly proved to be influential with other musicians.

In 1959, McDonald signed with Columbia, which mandated that he return to country music. In the early ’60s, he notched a handful of hits, including « Call Me Mr. Brown, » which reached the Top Ten in 1963. A year later, he issued the album Call Me Skeets!. As the decade wore on, he began branching out from the West Coast music scene, recording in Nashville and appearing on the Grand Ole Opry. Despite the country industry’s shift towards slicker, more pop-oriented productions, McDonald remained a purist throughout his career; he died on March 31, 1968, after suffering a massive heart attack.

Recommended listening: Heartbreakin’ mama (Bear Family)  skeets-bf-gonna-shakeDon’t Let The Stars Get In Your Eyes (6CD boxset Bear Family) skeets-coffretskeetswithhrosegro
smoke
babycheekslowly

 
icon for podpress  Skeets McDonald - The Tattoed Lady [3:10m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - Mean & evil blues [2:50m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - Ridin' WithThe Blues [2:15m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - Baby I'm Countin' [1:59m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - I Can't Stand It Any Longer [2:37m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - Don't Push Me Too Far [2:12m]: Play Now | Play in Popup | Download

 
icon for podpress  Skeets McDonald - You Better Not Go [2:39m]: Play Now | Play in Popup | Download
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