Howdy, folks! This is the early May 2019 fortnight’s favorites selection: 6 artists, most of them having their records issued between the late ’40s and the mid-50s, with a brief entry into the late ’50s.
First song, “Too Young To Get Married”, is a fast item – rural hick vocal, fiddle solo and steel. A gas! Released on Birmingham, AL. GG # 516 label.
Too Young To Get Married
The second Bill Lancaster selection, “It’s Saturday Night (And I’m Going To Town)” has a rinky dink piano. A pure heaven Hillbilly bopper from 1955, also on GG label # 519.
It's Saturday Night Now
Bill Lancaster’s Roving Gamblers
“Past Love” by Bill Lancaster (R.S. of # 519) is medium honky tonk – sincere vocal with steel. Lancaster had another record on his apparently own label, Bills-45 (untraced)
Fiddlin’ Willie & the Ozark Pals
Accordion was a very popular instrument in the late ’40s Country. It’s the main one in Fiddlin’ Willie’s “Knocking at Your Door” recorded on Saint Louis, MO Disco label # 1500. A fast number with of course a nice fiddle solo. Vocal is by Leon Key, one of the brothers Robert, Richard and Willie Key, respectively mandolin and/or guitar, and fiddle.
Knocking At Your Door
Fiddlin’ Willie & the Ozark Pals on Sarg
Gone was the accordion for this August 1956 item, “Our Secret Rendezvous”, a medium paced number with of course a nice fiddle solo. Accordion is replaced by a steel. Vocal is by Leon Key, one of the brothers Robert, Richard and Willie Key, respectively mandolin and/or guitar, and fiddle.A strong Louvin Brothers influence in the vocals. This record was cut in Saint Louis and offered by the Key Brothers’ manager to Charles Fitch (it’s the only non-Texas Sarg recording) who agreed to issue it.
Our Secret Rendezvous
From the West Coast on the Ludwig label (1958), owned by Rodney Morris (it has been reported that the label was named after his son’s name), one Leroy Dobson for “I Wanta Make Love” (# 1005). A fast and uptempo number, a lot of steel = almost Rockabilly. Last time it was sold, $ 314!
I Wanta Make Love
Roy Harris & his Happy Hillbillies
Roy Harris was touring in Mississippi. He was signed by Lilian McMurry on her Trumpet label in Jackson and released “No One Else” (# 134) accompanied by the Buzz Busby Orchestra [for a future fortnight). Here we find him in 1954 on the Johnny Vincent’s Champion label, which was eventually forerunner to Ace.”Too Much” (# 105) is a medium paced ditty, with piano and fiddle to the fore. Harris also released records on Flair and Modern.
Walter (Tex) Dixson & his Radio Ramblers
Tex (or Walter, or even Mason) Dixon hailed from Birmingham, AL. and released many records all along the ’50s. We at bopping are now trying to set up his entire story to be published in a near future. Here it’s his first one, backed by the same band as on “Birmingham Bounce” by Hardrock Gunter and on the same label (Bama 2200). “Honky Tonk Swing” is an energetic performance, with a romping piano. Guitar and steel are great. A very rare record.
Honky Tonk Swing
Once more a West coast record. Ebb was owned by Art Rupe and was an outlet for Southern artists. I release here Gene Wyatt and “Lover Boy” (# 123, from 1957). Fine rinky dink piano, two great guitar solos and heavy drums. “Lover Boy” is a nice Rockabilly rocker.
Sources : my own archives ; 45cat (Bill Lancaster; Mellow’s Log Cabin (Walter Dixson); YouTube for Fiddling’ Willie, Gene Wyatt and Roy Harris.”The Sarg Records Anthology,1954-1964″ (BF)