Howdy Folks ! This is the early May 2017 bopping fortnight’s favorites selection.

First rank for a mid-tempo Western swing bopper : « Alone by the telephone » from 1947 by RALPH REYNOLDS & his Dude Ranch Wranglers (vocal Curley Burns). From California, it has a lazy vocal, a bit, as you say, disillusioned. Long guitar solo and piano, fiddle parts. The record was first (?) issued on Red Bird 102, then appeared on Globe 127. A very good example of bopping Swing of the ’40s.

« Alone by the telephone »

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Let’s jump to 1960 with our next artist, TOMMY FAILE and three country-rockers. First he comes on the seemingly N.Y.C. Lawn label 104 with a chorus for « That’s all right ». A shrilling guitar solo. Well-assured baritone vocal. A nice little rocker from December 1960.

« That’s all right »

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« You don’t love me like you used to do »

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« Big train »

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Then again in NYC on the Choice label (# 6504) [so, not the revered by Collectors Kansas City label] for a strong rocker: « You don’t love me like you used to do » from 1959. Loud drums, and a good duet between piano and guitar. Still a good side. Finally « Big train » (Choice 6508) from 1960, with a more folky approach (use of a prominent banjo in the backing). And again, a great record. Tommy Faile seemingly never failed ! He was reported as having worked with Arthur Smith too (« Bye bye black smoke choo choo » on M-G-M) and was having records as early as 1948 (Capitol, 40 000 serie) !

Tommy Faile

 

 

 

 

 

 

Back on the West coast on the Nielsen label (# 57-1-2) and WHITEY KNIGHT and « From an angel to a devil ». A very nice uptempo ballad, with steel to the fore. A touch of the Bakersfield sound.

« From an angel to a devil »

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On the West coast too was WAYNE « Red » YEAGER in 1960 on the Capo label (# 45-002). « Tears in my eyes » is a great sincere ballad, adorned by the steel of the immediately recongnizable Ralph Mooney.

« Tears in m eyes« 

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« The restless wind »

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PHIL BEASLEY on the Dayton, OH Jalyn label (# 349A) cut in as late as 1970 the fine « The restless wind » : the song is a bit folkish, and a fast ditty. Good guitar and vocal.

Finally in Hollywood, TOMMY SARGENT’s Range Boys do come with three tunes. First a good revamp of the old traditional « Frankie and Johnnie », a good jumping version, fiddle-led, on the Corax 1328B label from 1947-48 (vocal Gabe Hemingway). The steel guitar is played by Sargent , as noted on the next track sticker « featuring Tommy Sargent and his Steel Guitar » : « Steel guitar boogie » (# 1328A) is a quite good instrumental, a serious contender in this category. The third and final track by Sargent is also cut on Corax # 1084B (non consecutive serie, but same period!). It’s a prettily different affair : « Night train to Memphis » (vocal Gabe Hemingway) is a very fast call-and-response romper. The accordion imitates a train, we even have a solo of a seemingly welcome clarinet (or is a flute?). A fabulous Western bopper !

« Frankie and Johnnie »

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« Steel guitar boogie »

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« Night train to Memphis »

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Sources : YouTube for the most part, 45-cat and 78rpm-worlds as usual. Hillbilly-Music.com (Tommy Faile picture) ; T. Gordon’s Rockin’ Country Style site. Some help from Ronald Keppner for dating Red Bird/Globe issue.