Howdy folks! Here is my new selection. First GEORGE KENT from Texas. He must have cut “Don’t Go Back Again” circa 1961-62: heavy bass, weeping steel and fiddle solo, on the Maverick label (# 1001). The whole has been influenced by Wynn Stewart and reminds me of the Bakersfield sound. Now from Kansas City and a real hillbilly boogie on the Red Barn label, “Bad Daddy Blues” by BOBBY COOK & BUDDY NELSON with the Texas Saddle Pals. Chorus on a guitar/fiddle/mandolin backing.
A pleasant hillbilly on the Ohio Esta label from 1956, “Within These Four Walls” by one SYBIL GIANI. 2 guitar solos, but nothing spectacular though. Esta from Hamilton was better known for its Rockabilly sides.
Then from Nashville, a veteran from the Bullet label, RAY BATTS. It’s on the Ernie Young’s R&B Excello label, a rare opportunity to hear bop music on a “black” label” (the other notable in this case being “I’m The Man” by Al Ferrier). Anyway, “Stealin’ Sugar” (# 2028) is a fast number, with nice guitar soloes on a solid piano backing.
On the big Carl Burkardt concern of low-budget labels, here Big 4 Hits, we find PRESTON WARD and “New Green Light“. I don’t know who cut the original version, anyway here is top class backing over a fine vocal.
Finally two Rocking blues wildies by GAR BACON. On Okeh first, he does the rasping Bo-Diddley-beat “Marshall, Marshall”. On the Baton label, “There’s Gonna Be Rockin’ Tonight” strangely sounds like a white singer. You’ve got to hear both to compare.
I will be out of town circa May 15, so next fortnight on June 1rst, ok?
arkansas 45s
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