The story of Frank Rice and Ernest W. Stokes goes back to 1933, when they were known as « Mustard and Gravy« . They came from Virginia, and discovered by Smiley Burnette, doing minstrel-shows. In 1950, they cut for Gotham the fine « Be Bop Boogie« , accompanied by a trombone!  The song found its way several years later in a Calypso style by Don Hager on the Oak label.  oak 357 don hager

Nothing is known on Les Willard, surely a Nashville singer, here backed by Hank Williams’ Drifting Cowboys, for the romper « Double Up And Catch Up » in 1955.

mgm 11537 willard

Red Mansel was from Texas, and had a contract with Dan Mechura‘s Allstar label ca. 1958 for the equally fine «  Johnny On The Spot« . He had already cut for Starday Custom (# 523) in 1955, the piano-led medium tempo « Broken Fickle Heart » (see elsewehere in this site for « Starday Custom serie (# 500-525).

From Texas came also on the T.N.T. (« Tanner’n’Texas ») label the duet The Jacoby Brothers (George, the uncle and Boy, the nephew), respectively on mandolin and guitar. They offer here the very fast « Bicycle Wreck« , with a fantastic mandolin solo.

jacoby brothers (boy and gene)

red woodward & red hawks pic

Red Woodward and his Red Hawks were familiar in the period 1945-1950 on WBAP radio from the Dallas-Fort Worth area. I’ve chosen his « Cowboy Boogie » from 1947, on Signature label. Relaxed vocal, fine backing, and a guitar solo which seems being acoustic one!

herald 465 l.hopkins had a gal called salFinally a R&B Rocker from 1954 by the great Lightning Hopkins. Hope you enjoy the selections. Don’t forget to have a look at my « contact Me » section, for records and books for sale from my collection. You could be amazed! Bye