This fortnight’s favorites selection begins with an old-time singer, JESSE ROGERS (1911-1973). He had a long stint of issues on Bluebird, Montgomery Ward and Sonora, among RCA-Victor, which label he cut records during the late ’40s for. I chose his energetic rendition of Bill Nettles‘ 1949 hit « Hadacol boogie »(# RCA 32-00001). See elsewhere in this website the story of Nettles. Rogers also recorded at the same time Hank Williams’ « Mind your own business » (RCA 33-00001). Later on he went to M-G-M for the good « Folding money« , « I got to live just what I like » and « Howlin’ and prowlin’« . Finally we find him on Arcade (Philly) for several issues, among them « Jump cats jump » (# 169) from 1961.
« Hadacol boogie«
« Mind your own business« http://www.bopping.org/wp-content/uploads/2016/01/Jesse-Rogers-Mind-Your-Own-Business.mp3download
« Jump cats jump« http://www.bopping.org/wp-content/uploads/2016/01/Jesse-Rogers-Jump-Cats-Jump.mp3download
Then STEVE LA RUE on the Hollywood Harmad label in 1955 for a back-to-back issue of Hillbilly boppers, one fast : « New Style of lovin’ » – good hillbilly vocal over fiddle and steel, and its slower, although equally good flipside «Your heartless heart » (# 103).
« New style of lovin’« http://www.bopping.org/wp-content/uploads/2016/01/harmad-103-Steve-La-Rue-New-Style-Of-Lovin-1955.mp3download
« Your heartless heart« http://www.bopping.org/wp-content/uploads/2016/01/harmad-103-Your-Heartless-Heart-Steve-Larue.mp3download
JIMMIE MINOR out of Flint, MI, did the fast bopper « So mebody rustled my sugar » on the Western Chuck Wagon label # 103 in 1955. He later had records on Mercury (# 71623 « So doggone lonesome » with Chet Atkins in 1960)
« Somebody rustled my sugar » http://www.bopping.org/wp-content/uploads/2016/01/wesr.-chuck-wagon-103-Jimmy-Minor-Somebody-Rustled-My-Sugar.mp3download
Then on the Chicago Cha Cha label from late ’59 (the very same had Ron Haydock & the Boppers), HAROLD STORIE, billed as « The Tennessee Kid » offers the solid although medium-paced « Have pity on me ». A thrilling vibrating guitar over a baritone vocal, as on the flip « Loved and lost », faster but same style, a bit Johnny Cash soundalike. (# 708)
« Have pity on me« http://www.bopping.org/wp-content/uploads/2016/01/cha-cha-708-storie-Have-Pity-On-Me.mp3download
« Loved and lost« http://www.bopping.org/wp-content/uploads/2016/01/cha-cha-708-Loved-And-Lost.mp3download
From 1964 and in Newbury, OH, CHUCK STACY on the Bryte label (# 9009) gave the fine modern country-rocker « Dog-gone these heartaches », with fine piano and steel.
« Dog-gone these heartaches« http://www.bopping.org/wp-content/uploads/2016/01/bryte-9909-chuck-stacy-.mp3download
Finally the veteran REX ALLEN for his version of the 1946 Buchanan Brothers’ hit « Atomic Power » (Mercury # 6008). Incidentally, one of the Buchanans said later in the ’60s how they hated this song. Here are the lyrics.
« Atomic power« http://www.bopping.org/wp-content/uploads/2016/01/mercury-6008-Atomic-Power-by-Rex-Allen.mp3download
Sources:Internet, 78rpm-world, my own archives.
This fortnight begins with a heck of wildness: MICHAEL RAYE & Judy Shaye (“two voices and four hands” on the label) do offer the storming “Rockin’ Jamboree” on Arcade (Philly) # 112. Boogie woogie pano, trombone and guitar combine for this from 1953.
« Rockin’ jamboree« http://www.bopping.org/wp-content/uploads/2016/01/arcade-113-michael-raye-judy-shaye-rockin-jamboree.mp3download
JOHNNY FOSTER (announced a month ago) from Alabama offers the perfect rock-a-ballad “Locked away from your heart” on the Sandy label (# 1028). Good steel and sincere vocal. 1958. He had an earlier issue (# 1014) on the same label, which sounds promising (alas untraced): « It’s a hard life/You gotta be good« . I don’t know if he’s the same artist who appeared later on Capa and Carma during the early ’60s. Anyone can confirm, or deny?
« Locked away from your heart« http://www.bopping.org/wp-content/uploads/2016/01/sandy-Johnny-Foster-Locked-away-from-your-heart.mp3download
Cope McDaniel and the Cimarron Valley Boys are backing EDDE LEE for a fine melodic ballad, “I can’t believe you mean it” on Indianapolis Sunset label # F70W-2603 (1955).
« I can’t believe you mean it« http://www.bopping.org/wp-content/uploads/2016/01/sunset-2603-Eddie-Lee-I-Cant-Believe-You-Mean-It-Sunset-F7OW-2603.mp3download
« Ain’t got a nickel« http://www.bopping.org/wp-content/uploads/2016/01/waterfall-502-Aint-Got-A-Nickel-Aint-Got-A-Dime-Max-Lowe.mp3download
« Little Tom« http://www.bopping.org/wp-content/uploads/2016/01/J-F-K-L-701-Max-Lowe-Little-Tom-.mp3download
MAX LOWE enters for two issues, both came out from Morristown, TN. First “Ain’t got a nickel, ain’t got a dime”, a banjo led bluesy ballad, is to be found on Waterfall 502. More of the same on J-F-K-L 701 and “Little Lou”, from 1961 (thanx to Youtube Cheesebrew Wax Archive chain).
« I left the dance« http://www.bopping.org/wp-content/uploads/2016/01/ozark-1236-billy-glenn-I-Left-The-Dance.mp3download
« I’ll never cry again« http://www.bopping.org/wp-content/uploads/2016/01/ozark-1236-billy-glennIll-Never-Cry-Again.mp3download
That’s 1960 when BILLY GLENN issued on (California) Ozark label L30W-1236 a lovely mid-paced bopper with “I left the dance” (nice steel). The flipside is an uptempo ballad, “I’ll never cry again”. Curiously for a West coast label, the publishing house is “Mississipi Valley”. Glenn also appeared on Yucca 208 (“Bakersfield town”).
The “REAVES WHITE COUNTY RAMBLERS” go back to the late ‘20s on Vocalion 5218 for the romping “Ten cent piece”. It’s a fast raw hillbilly, showing prominent fiddle and a strong vocal. Courtesy 53jaybop on Youtube.
« Ten cent piece« http://www.bopping.org/wp-content/uploads/2016/01/vocalion-5218-Reaves-White-County-Ramblers-Ten-Cent-Piece-VOCALION-5218.mp3download
From Wichita, KS, emanate the Kanwic label on which OWEN McCARTY & His Troubadours cut “Key to my heart” (# 145), an uptempo ballad with nice steel, in 1968. McCarty was to have two other known records: on Show Land (produced by Benny Hess) and Air Cap.
« Key to my heart« http://www.bopping.org/wp-content/uploads/2016/01/karwick-145-owen-mc-carty-Key-To-My-Heart.mp3download
AL URBAN doesn’t need introduction. He cut the great Hillbilly bopper (1957) “Looking for money” (Sarg 148), and the fabulous twin-sider Rockabilly “Gonna be better times/Won’t tell you her name” (Sarg 158), without forgetting his two issues on Fang 1001 and 1003 (untraced). Here he appears on a “manufactured by Tanner ‘n’ Texas [T.N.T.]” A.P.U. 201, which shows two addresses: Gonzales (hometown to Urban) and San Antonio, TX. His “Run away” is similar to his Sarg sides, with a heavy Starday sound: a piano player sounding like Doc Lewis, a fiddle sounding like Red Hayes. Could it be that this record has actually been recorded in Houston?
»Run away« http://www.bopping.org/wp-content/uploads/2016/01/a.p.u.-201-Al-Urban-Run-Away.mp3download
Howdy folks, a happy and bopping New Year to everyone. As a seasonal gift, I will post no less than 15 selections, as on the Xmas fortnight.
First a mystery with GEORGE BOWE & the Travelers. It has proved impossible to find any detail on him neither even the location of the label, Eagle – a common label name during the ’50s/60s. A very small clue is to be detected in the deadwax, « Rimrock » – which leads one to Arkansas Wayne Raney‘s label of the ’60s. Anyway Bowe delivers a Rockabilly styled opus with « Big man » (Eagle 110A) – the whole thing is quiet and lazy. B-side (« Do you remember ») is a melodic ballad, a bit sentimental, over sympathetic backing.
« Big man« http://www.bopping.org/wp-content/uploads/2015/11/Big-Man.mp3download
« Do you remember« http://www.bopping.org/wp-content/uploads/2015/11/Do-You-Remember.mp3download
Note: Alexander Petrauskas did advise me that the Eagle label was definitely associated with Rimrock, the latter pressing the Eagle products.
DON WHITNEY (incomplete bio statistics – he died in 1985) was a D.J. associated with Arkansas radio stations KLCN in Blytheville, then KOSE in Osceola (1957) ; he’s been too on WELO in Tupelo (MS), and cut a whole string of boppers for 4*. Where he cut them ? Probably Nashville. I chose from 1950 « Red hot boogie » (# 1471), call-and-response format (girl chorus). Steel and piano are barely audible, while the guitar player does a too short but wild solo. « Move on blues » (# 1588) from 1951 is a fine bluesy tune over a boogie guitar. Discreet steel and piano.
« Red hot boogie« http://www.bopping.org/wp-content/uploads/2015/11/4-1471-don-whitney-red-hot-boogie.mp3download
« Move on blues« http://www.bopping.org/wp-content/uploads/2015/11/4-1568-MOVE-ON-BLUES-by-Don-Whitney.mp3download
On Adco records (# 781), cut in Cincinnati, OH, next comes GLEN CANYON and a rocker from 1965, « I won’t be able to make it » : a shrilling guitar thoughout, and the disk is valued $ 50 to 100. I couldn’t locate the flipside « Still in love with you », reputedly a bopper. Canyon appeared also on Acorn and Boone (Kentucky).
« I won’t be able to make it« http://www.bopping.org/wp-content/uploads/2015/11/adco-781-Glenn-Canyon-I-Wont-Be-Able-To-Make-It-.mp3download
The Sandy label out of Mobile,AL. is interesting for many records issued between 1957 and 1962 and highly revered by Rockabilly/Rock’n'roll buffs : do Ronny Keenan, Happy Wainwright, Jackie Morningstar (« Rockin’ in the graveyard »), Ray Sawyer (« Rockin’ satellite ») or Darryl Vincent (« Wild wild party ») ring each a bell to you ? Well, the label also had its hillbilly boppers, like Johnny Foster (more on him next fortnight, late January 2016) or WADE JERNIGAN. Both his sides (# 1010) are high quality boppers penned by label bossman Johnny Bozeman in 1958. « Road of love », medium paced, has a very « hillbilly » type vocal (high pitched at moments), over a prominent fiddle and good steel, while its flip « So tired » uses the same format, just a little bit slower. A good record for Hillbilly lovers.
« Road of love« http://www.bopping.org/wp-content/uploads/2015/11/sandy-1010-Road-Of-Love.mp3download
« So tired« http://www.bopping.org/wp-content/uploads/2015/11/sandy-1010-So-Tired.mp3download
Now on to Louisiana. The Khoury’s label began activities in 1951 to cease them in 1955 (last known is # 647, « Lu Lu boogie » by Nathan Abshire, which I owned moons ago before selling it – I am biting my fingers now..). We find here on # 700B (not in numerical order, this one is from 1954) a fabulous Cajun wildie « Louisiana stomp » by LEBLANC’S FRENCH BAND (an unidentified singer yells and encourages by his yells the whole fiddle led orchestra). Reverse is by Eddie Shuler, the founder of Goldband. Second La. selection : by GENE RODRIGUE, who had other releases on Folk-Star, Houma and Rod (the Cajun Rockabilly « Little cajun girl » from 1959). Here is his « Jole fille » (Meladee 101, cut in New Orleans), full of energy and « joie de vivre », Cajun style. Nice fiddle, steel and piano. This comes from the late ’50s apparently.
« Louisiana stomp« http://www.bopping.org/wp-content/uploads/2015/11/khourys-700-Leblancs-French-band-Louisiana-stomp.mp3download
« Jole fille« http://www.bopping.org/wp-content/uploads/2015/11/mel-a-dee-101B-Gene-Rodrigue-Jolie-fille.mp3download
More from Louisiana with PAL THIBODEAUX (also known as Little Pal Hardy on Imperial) and « Port Arthur boogie » (Sky Line OP-154). Call-and-response, sung in French and English. Fiddle solo, sympathetic backing, two good guitar solos encouraged by the singer a la Bob Wills.
« Port Arthur boogie« http://www.bopping.org/wp-content/uploads/2015/11/skyline-Pal-Thibodeaux-Port-Arthur-boogie.mp3download
You ask for yodeling ? Here it’s ROBERT LUNN (billed as « The Talking Blues Boy ») in late 1947. He cut I don’t know where (I suspect North of the States) the marvelous « Yodeling blues », slow’n'easy – fiddle, ‘blues’ lyrics, guitars, and spoken vocals, a dream…On Mercury 6104.
« Yodeling blues« http://www.bopping.org/wp-content/uploads/2015/11/mercury-6104-robert-lunn-yodeling-blues.mp3download
GEORGE GREEN & The Missouri Ranch Boys comes next with a good 2-sider on Zeylon . The medium paced « I don’t love you anymore » is backed by a welcome accordion, and sounds its late ’40s recording, although its prefix (J80W, an RCA pressing, dates from..1958). The flip « Be a little angel » is a jumping little thing, which grows on you at each playing. Good fiddle.
« I don’t love you anymore« http://www.bopping.org/wp-content/uploads/2015/11/zeylon-I-Dont-Love-You-Anymore.mp3download
« Be a little angel« http://www.bopping.org/wp-content/uploads/2015/11/zeylon-Be-A-Little-Angel.mp3download
« Just because « is a classic Sun side, only issued on RCA, by ELVIS PRESLEY. We conclude this fortnight with his version (RCA 47-6640, early 1956) and the original by the SHELTON BROTHERS (in the ’30s). Great lyrics. Elvis does a very fine job on it.
Shelton Brothers « Just because« http://www.bopping.org/wp-content/uploads/2015/11/Shelton-Brothers-Just-Because.mp3download
Elvis Presley « Just because« http://www.bopping.org/wp-content/uploads/2015/11/RCA-Elvis-just-because.mp3download
Sources : Somelocaluser blogspot (George Bowe, Wade Jernigan, George Green), Youtube for several tunes (Don Whitney – scans from 78rpmworld) ; Robert Lunn on a 3-CD compilation of country music on Mercury, picture from « hillbilly-music.com ». Hope you enjoy this selection. Comments welcome. ‘Till then, bye.
Note: important addition on Khoury records by Louisiana tireless researcher and faithful friend Wade Falcon (Feb. 5th, 2016):
For this Xmas 2015, as a gift, you faithful visitors of bopping.org will get 13 (yes, thirteen) selections, instead of the usual only 6 ; although for several months I gradually posted more and more tunes. Merry bopping Xmas to y’all !
« Deep Elem blues » was first recorded by the SHELTON BROTHERS (Bob & Joe on vocals and mandolin/guitar) in February 1935 in Chicago (Decca 5422), before the Prairie Ramblers gave their own version in August of the same year. The song refers to the black quarter in Dallas, where you need 50 $ because of the red headed women there. It was an immediate success, revived by others over the years, namely by JERRY LEE LEWIS, whose 1957 version remained unissued in the Sun archives for 40 years ! Same year saw the WILBURN BROTHERS‘ version (Decca 29887) : Doyle & Ted do a fine job on this song. Later on Jerry Garcia (Grateful Dead) and Levon Helm had their versions too, outside the scope of this blog, as they say.
Shelton Brothers « Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/decca-shelton-brothers-deep-elem-blues.mp3download
Jerry Lee Lewis « Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/Sun-LP-Jerry-lee-lewis-Deep-Elem-Blues.mp3download
Wilburn Brothers (Teddy & Doyle) »Deep Elem blues« http://www.bopping.org/wp-content/uploads/2015/11/decca-29887-Wilburn-Brothers-Deep-Elm-Blues.mp3download Read the rest of this entry »
Let’s begin this new fortnight serie with BUDDY GRIFFIN. He stayed a good part of his life in the shadow of his elder brother REX, who never encouraged his younger brother performing first in Birmingham, Chattanooga and Atlanta. He later teamed up with fiddler Bobby Atchison and guitarists Pete Cassell and Doug Spivey and he played for many sessions early ’50s in Dallas. His recording debuts occurred on the Dude label, as « Otis West & his All Star Cowboys ». When the career of Rex Griffin began to decline in the mid-50s, Buddy Griffin recorded for the tiny Ekko label. Was it in Nashville or Los Angeles ? The writers E.. Hazlewood and J. Willard rather show on the West coast. « Bartenders girl » (Ekko 1017) swings, a mid-pace tempo with heavy guitar and piano (2 soli). (biog. details from the notes of Bruce Elder on « All music » site)
« Bartenders girl »http://www.bopping.org/wp-content/uploads/2015/11/ekko-1017-Buddy-Griffin-Bartenders-Girl-55.mp3download
The three following records on the Cross Country label, out of New Jersey have HANK TROTTER either as solist (# 503) (with the Happy Rangers) who offers 2 average boppers « Because – because (I love you) » and « I threw away a diamond » ; either as backing band, for LEE MORE : A fine uptempo (# 506) with « The cat came back » – has a folkish aroma with steel effects. For LEE MOORE & JUANITA (# 528), with a pleasant version of « When my blue moon turns to gold ».
« Because – because (Because I love you) »http://www.bopping.org/wp-content/uploads/2015/11/Because-Because-because-I-love-yo.mp3download
« I threw away a diamond« http://www.bopping.org/wp-content/uploads/2015/11/I-Threw-Away-A-Diamond.mp3download
Lee Moore « The cat came back »http://www.bopping.org/wp-content/uploads/2015/11/cross-country-lee-moore-the-cat-came-back.mp3download
Lee Moore & Juanita « When my blue moon turns to gold »http://www.bopping.org/wp-content/uploads/2015/11/cross-ctry-528-lee-moore-juanita-When-My-Blue-Moon-Turns-To-Gold-.mp3download
RUSTY NEWBY comes next on the Academy label (# E4KB-1022, a RCA pressing from 1954). « Musician’s blues » bears some western swing overtones. Medium paced hillbilly bop and a lazy vocal. The whole thing is swinging.
« Musician’s blues« http://www.bopping.org/wp-content/uploads/2015/11/Academy-1022-Rusty-Newby-musicans-blues.mp3download
From the mountains on the Folk Star label (# 630-A, a parent label to Rich-R’Tone) I’ve chosen KEITH BUCK and the good « Only fooling around » from ca. 1955.
« Only fooling around« http://www.bopping.org/wp-content/uploads/2015/11/folkstar-630-Keith-Buck-Only-Fooling-Around.mp3download
1966 saw the issue of HILLBILLY HERMAN and the medium « Today I watched my dream come true » (Breeze 366), a fine bopper (with mandolin) for the era. Despite deep and large researches, I’ve found nothing on the artist neither the label.
Get back to Virginia, in Staunton. The Buttermilk 1001 label has HARRY SNYDER well bopping for « Worry, worry, worry ».
« Today I watched my dream come true« http://www.bopping.org/wp-content/uploads/2015/11/Breeze-366-Hillbilly-Herman-Today-I-Watched-My-Dream-Come-True-1966.mp3download
« Worry, worry, worry« http://www.bopping.org/wp-content/uploads/2015/11/buttermilk-1001-Harry-Snyder-Worry-Worry-Worry.mp3download
From Gadsden, AL, we now have « Railroad bum », a great « Hillbilly-goes-Rockabilly » type song for its insistant slapping string bass played by Jimmie Harris; Calvin Flemons is on lead, Ronald Underwood on rhythm and the steel is played by the leader RIP UNDERWOOD. No date is given, except the personnel. A fabulous bass throughout.
We finish this fortnight with CARL LOTTS and « Wandering lonesome blues », a fast Hillbilly bopper on Delmarti F80W-1478 (another RCA pressing) from 1955. Indianapolis origin. The label says « & his Kentucky Kernels » Both sides were reissued (or was it the first issue?) on Lot [sic] label, same numbers.
« Railroad bum« http://www.bopping.org/wp-content/uploads/2015/11/brucebruce-101-Rip-Underwood-and-the-Boys-RAILROAD-BUM.mp3download
« Wandering lonesome blues« http://www.bopping.org/wp-content/uploads/2015/11/Lot-76-carl-LOTTS.mp3download
All selections taken from the Net. Research on the Net, and my archives too.
Not much info this time on artists or music I am afraid.
HAROLD MONTGOMERY has already been posted for his great 1969 bopper on Sun-Ray 139 « All them wives/Pardon me Jim« . This time I’m putting an equally good side with «How much do you miss me ». Wolf-Tex # 103 label, which emanates from Lancaster, KY. Solid backing by the Ray Johnson band over a hiccupy vocal. This record is sold between $ 300 and 400, maybe a lot more ! Montgomery had also « Thank you little girl » on Wolf-Tex 105, and « Gabriel doesn’t play a steel guitar » on Lemco (no #), both untraced.
« How much do you miss me« http://www.bopping.org/wp-content/uploads/2015/10/wolf-tex-103-Harold-Montgomery-How-Much-Do-You-Miss-Me.mp3download
The next artist was an itinerant D.J., who also carried from town to town his own record for sale. JOHNNY DAUME (Johnny Daume label # 1001) is an early ’50s double-sider with strong Western swing overtones : lazy vocal, a prominent fiddle and a discreet steel , all this reminds me of Texas bands of the mid to late ’40s. »Boogie woogie blond » and « Lookin’ fer a gal in Tennessee » are mouled in the same matrix, one slow, the other side more medium uptempo. A nice record.
« Lookin’ fer a gal from Tennessee« http://www.bopping.org/wp-content/uploads/2015/10/Johnny-Daume-1001B-Johnny-Daume-Lookin-fer-a-gal-in-Tennessee.mp3download
« Boogie woogie blond« http://www.bopping.org/wp-content/uploads/2015/10/Johnny-Daume-1001_A-boogie-woogie-blond.mp3download
From Johnson City, TN hails BILLY SIZEMORE. A fine country-rocker (heavy drums) over fiddle and steel for « My baby’s gone » (Edmac # 104). No other data available.
« My baby’s gone« http://www.bopping.org/wp-content/uploads/2015/10/edmacA-104-Billy-Sizemore-My-Babys-Gone.mp3download
Marty Robbins had done « Mean mama blues » on Columbia in early 1956 – urgent vocal and fast rockabilly backing. Same song is revived 4 years later on Circle Dot # 1002 (Minneapolis, MN) by RONNIE RAY. This version is on a par with the original. Ray also had another issue on Demand 101 (« My heart has to make it (on it’s own) » (untraced).
Marty Robbins « Mean mama blues« http://www.bopping.org/wp-content/uploads/2015/10/columbia-21477-Mean-Mama-Blues.mp3download
Ronnie Ray « Mean mama blues« http://www.bopping.org/wp-content/uploads/2015/10/circle-dot-1002-Ronnie-Ray-Mean-Mama-Blues.mp3download
« I don’t care anymore« http://www.bopping.org/wp-content/uploads/2015/10/b-w-Q-609-Les-His-Western-Playboys-I-Dont-Care-Anymore-1961.mp3download
« It’s rough« http://www.bopping.org/wp-content/uploads/2015/10/w-b-103-Les-And-His-Western-Playboys-Its-Rough.mp3download
LES & His Western Playboys comes next in 1961 on the B-W label (# Q-609). A prominent steel over a light country rocker. Maybe Les was named « Haven » : that’s the writer of « I don’t care anymore ». This outfit had another on the Wel Burn label (parent to B-W) # 103 with the good uptempo from 1962, « It’s rough« , cut in Wooster, OH and reviewed on May 5th, 1962 by Billboard. Nice steel throughout.
« Workingman’s blues« http://www.bopping.org/wp-content/uploads/2015/10/Armoneer-1003-Ronnie-Newton-Workingmans-Blues-59.mp3download
Armoneer 1003 : RONNIE NEWTON and « Workingman’s blues ». A good 1959 record ; solid vocal and backing, fine boogie guitar and piano backing. Cut in Wynona Lake, Indiana.
Notes : all selections from the net or (Johnny Daume) from « Hillbilly Researcher » blogspot.
EARL MONTGOMERY (backed by Shorty Underwood) delivers first « You played me for a fool » on the Slim Willet owned Edmoral label (# 954). It’s an uptempo hillbilly bop, with assured vocal. Backing consist of piano, steel and fiddle, each one having a short solo.
« You played me for a fool« http://www.bopping.org/wp-content/uploads/2015/10/edmoral-954B-earlmontgomery-You-Played-Me-For-A-Fool-Thats-All.mp3download
On the microscopic Marshall label (no #) probably from Atlanta, Ga. we find now PERCY MARSHALL and the double-sider « Leaving town/Give me my guitar and traveling shoes ». A GREAT lazy vocal Country-blues from the late ’50s or early ’60s. It reminds me of Harmonica Frank Floyd, and even has words to the traditional « Matchbox ». The faithful Drunken Hobo adds this: « rite pressing 16481/2 = 1966 Marshall 45- # ». So now we have a probable date of issue.
« Leaving town« http://www.bopping.org/wp-content/uploads/2015/10/marshall-A-PERCY-MARSHALL-LEAVING-TOWN-MARSHALL.mp3download
« Give me my guitar and traveling shoes« http://www.bopping.org/wp-content/uploads/2015/10/marshall-PERCY-MARSHALL-GIVE-ME-MY-GUITAR-TRAVELING-SHOES-.mp3download
« For wrongs you done« http://www.bopping.org/wp-content/uploads/2015/10/For-Wrongs-You-Done.mp3download
In a previous Fortnight I had posted HAL ANDREWS and his famous « Brown-eyed girl » on Choctaw. Now here is, with a nice mid-paced shuffler (steel, piano), « For wrongs you done » on the Escambia label ( 0502) from 1959. Indeed he had had earlier at least one record on Rich-R’Tone.
Next artist is not familiar, although he offers a fine bopper (complete with sound effects) with « No parkin’ here » on Columbia 21259 (not apparently to be confused with the Bobby Grove song on King – posted early in this site). JIMMY LITTLEJOHN had another (maybe for a future fortnight) great «Haunted blues » (# 21320).
« No parkin’ here« http://www.bopping.org/wp-content/uploads/2015/10/columbia-21259-jimmy-littlejohn-No-Parkin-Here.mp3download
« Devil or an angel« http://www.bopping.org/wp-content/uploads/2015/10/A-B-S-203-Jimmie-Avants-Devil-Or-An-Angel.mp3download
On JIMMY AVANTS (A-B-S label # 118), « Devil or an angel » (some crackings, sorry), I could find nothing, even a location for the label. A fast bopper with a nice steel solo. Value: $ 50-60. You can find many informations on the A-B-S label on: http://anorakrockabilly45rpm.blogspot.co.uk/2014/06/a-b-s-de-45rpm-american-best-sellers.html (Dean C. Morris site)
From Kalamazoo, Michigan comes WAYNE ROBERTS on the Key label (# 15305) for the fine « Do blonds have more fun ? » : great interplay between steel and lead guitar. A short rockabilly solo. A nice awesome find.
Finally from Tampa, Fla. « My world keeps rolling on and on » by CLYDE GUTHRIE on the Nugget label (# 1005). A fast number, an husky voice and a short steel solo.
« Do blonds have more fun?« http://www.bopping.org/wp-content/uploads/2015/10/key-15305-Wayne-Roberts-Do-Blonds-Have-More-Fun-.mp3download
« My world keeps keeps rolling on and on« http://www.bopping.org/wp-content/uploads/2015/10/nugget-1005-Clyde-Guthrie-My-World-Keeps-Rolling-On-And-On-1960.mp3download
All selections taken from the net.
First selection, « Afraid to love again » on the Rhythm Kings label (location unknown) # 1207 by WAYNE CROSS with Porter Fender (on guitar?) is a jumping little thing with fine guitar throughout. A short and uninspired solo – as my current notes of course ! Cross cut another very Cash-styled effort on Rhythm Kings 1208 « Put another dime in the juke box« .
« Afraid to love again« http://www.bopping.org/wp-content/uploads/2015/09/Rhythm-Kings-1207-Wayne-Cross-with-Porter-Fender-and-The-Rhythm-Kings-Afraid-To-Fall-In-Love-Again-.mp3download
BOBBY HODGE second. Born 1932 in N.C. He was active during the ’50s and ’60s in Wisconsin. Here he delivers « Gonna take my guitar » on Rebel 819, it’s difficult to give a date of issue. Urgent vocal, hard lead guitar (2 soli) and a steel solo. In a very different manner, in 1964, he had on Golden Ring 3040 a new version of Jimmy C. Newman‘s « Alligator man ». Same guitar as on previous record. Add Hodge re-cut « ..guitar » as « Carolina bound » on Nashville 5014 (1960), perhaps in a next fortnight.
« Gonna take my guitar« http://www.bopping.org/wp-content/uploads/2015/09/Rebel-819A-Bobby-Hodge-Gonna-Take-My-Guitar.mp3download
« Alligator man« http://www.bopping.org/wp-content/uploads/2015/10/golden-ring-3040-bobby-hodge-alligator-man.mp3download
« I can’t (take the easy way out) » is a fine uptempo with good although too short steel solo, by JEANNE JOHNSON on the Maarc label # 1501 (Ohio origin). Sincere vocal.
From Lakeland, Florida comes LEFTY NICKS on the Nicktone label # 6019, « Always alone ». Steel and lead guitar interplay. Rite pressing from 1961.
« I can’t (take the easy way out« http://www.bopping.org/wp-content/uploads/2015/09/maarc-Jeanne-Johnson-I-Cant-Take-The-Easy-Way-Out-Maarc-1501.mp3download
« Always alone« http://www.bopping.org/wp-content/uploads/2015/09/nicktone-6019-Lefty-Nicks-Always-Alone-1961.mp3download
LAWRENCE WALKER on the La Louisiane 6019 label with the Cajun classic « Allons Rock and roll » from 1961-62, which could well have been cut 10 years earlier.
« Allons rock and roll« http://www.bopping.org/wp-content/uploads/2015/09/la-louisiane-8019-Lawrence-Walker-Allons-Rock-And-Roll-LA-LOUISIANE-8019.mp3download
Finally Red (vocal, guitar) & Lige (vocal and mandolin), the TURNER BROS. Sometimes called the Kentucky Boys as their other competitors of the same name (Zeb & Zeke, on Bullet). They do here « When harvest days are over » (Radio Artist 235) and « Honky tonk mama » (243), both from 1947. Delmore Bros . Or York Bros. style. They also appeared on Imperial 8071 (« Boog-boog-boogie », from Radio Artist 234) and a half a dozen of singles on Mercury in 1949-50.
« When harvest days are over« http://www.bopping.org/wp-content/uploads/2015/09/Radio-artist-235-The-Turner-Bros-When-Harvest-Days-Are-Over-.mp3download
« Honky tonk mama »http://www.bopping.org/wp-content/uploads/2015/09/Honky-Tonk-Mama-Turner-Brothers.mp3download
All selections taken from the net or (Turner Bros., Lawrence Walker) from my own collection.
DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.
« My shining star« http://www.bopping.org/wp-content/uploads/2015/09/nugget-OP-190-Dusty-Taylor-His-Rainbow-Valley-Rangers-My-Shining-Star.mp3download
« The hillbilly hop« http://www.bopping.org/wp-content/uploads/2015/09/leo-1824-Curly-Gibsons-Sunshine-Playboys-The-Hillbilly-Hop.mp3download
« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
« All by myself« http://www.bopping.org/wp-content/uploads/2015/09/Doug-Davis-All-by-myself.mp3download
Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King.
As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.
Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.
« Walking with the blues« http://www.bopping.org/wp-content/uploads/2015/09/king-884A-Walking-With-The-Blues-Al-Dexter.mp3download
« Hi de ho boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-884AA-Hi-De-Ho-Boogie-Al-Dexter.mp3download
« Diddy wah boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-913-AAAl-Dexter-his-Troopers-Diddy-Wah-Boogie.mp3download
We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
« Record spinning boogie« http://www.bopping.org/wp-content/uploads/2015/09/meritone-1001-Smokey-Mountain-Ramblers-Record-Spinning-Boogie.mp3download
This favorites section begins with NEAL JONES. Born in the small community of Tywhop, TN, in 1922, he began his career with the Johnson Brothers on Kingsport and Chattanooga radio stations as lead guitarist as soon as 1940. He then moved to Montana, then back to Tennessee. 1953 saw him guitarist for Eddie Hill and Sonny James in Dallas, TX. That’s where he gained a contract with Columbia, and followed a long string (6) of releases with this major until mid-1955. I chose one of his earliest efforts, « Foolin’ women », (# 21292) and the double-sider nearest to Rockabilly, (# 21415) « High steppin’ baby » and « I’m playing it cool », both cut at Jim Beck’s studio in Dallas with WFAA staff musicians. Later on, Jones had his own T.V. show, and was more and more involved in a D.J. work . He finally had one record on « D ».
« Foolin’ women »http://www.bopping.org/wp-content/uploads/2015/08/columbia-21292-Neal-Jones-Foolin-Women-1954.mp3download
« High stepping baby« http://www.bopping.org/wp-content/uploads/2015/09/21415-High-Steppin’-Baby-Neal-Jones.mp3download
« I’m playing it cool« http://www.bopping.org/wp-content/uploads/2015/09/columbia-21415-Neal-Jones-Im-Playing-It-Cool.mp3download
AL OSTER was apparently a Yukon native, who cut a nice Country rocker on the Tundra label (# 101), « Midnight sun rock », paired with « Next boat », in 1960.
« Midnight sun rock« http://www.bopping.org/wp-content/uploads/2015/09/tundra-101-Midnight-Sun-Rock-Al-Oster.mp3download
« Next boat« http://www.bopping.org/wp-content/uploads/2015/09/tundra-101B-Next-Boat-Al-Oster.mp3download
Today and yesterday
Next we find the former lead guitar player for the Maddox Bros. CAL MADDOX on the Flat-Git-It (# 700) label from California. I suspect the label was his own label. « Hey Bill » is a fast Hillbilly rock from 1960 : strong guitar as expected, sawing fiddle. Shortly before that, Cal and his sister Rose had cut « Gotta travel on » on the Black Jack label.
« Hey Bill« http://www.bopping.org/wp-content/uploads/2015/08/flat-git-it-700-Cal-Maddox-Hey-Bill.mp3download
From Columbus, OH, comes the next record, « Hobo baby » by JOE & RAY SHANNON on the Shenandoah label # 246. Obviously brothers – it’s Joe singing -, they offer a strong guitar rockabilly tune, surprisingly good for 1964.
« Hobo baby« http://www.bopping.org/wp-content/uploads/2015/08/shenandoah-246-Joe-Ray-Shannon-Hobo-Baby.mp3download
Joe and Ray Shannon
On one of the many Dixie labels that flourished everywhere in the U.S., there’s this one « I guess I’m wise » (# 833) by MALCOLM NASH (with the Putman County Play Boys). Probably issued 1960. An harmonica is the prominent instrument, over a powerful rhythm guitar, while the band (2 voices) sings in unison. This record reminds me much of the Delmore Bros. On the label however there is no clue as to where do come the artist neither the label from, except it’s a Rite pressing, so probably from the Cincinnati area.
« I guess I’m wise« http://www.bopping.org/wp-content/uploads/2015/08/dixie-833A-Malcolm-Nash-I-Guess-Im-Wise.mp3download
Addition (Nov.1rst, 2015). There is a « Putman County » in Georgia. So that’s possibly where the recording occurred.