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Late December 2014 fortnight’s favorites
déc 15th, 2014 by xavier

For this last 2014 fortnight, I’m lacking time and imagination so I’ve chosen several particular records. We begin listening to BILL HICKS and the Southerners on Fortune 188 (from 1956) for two well driven rockabillies/boppers « She’s done gone » (slow) and « Blue flame » (fast).

fortune 188 she's done gone

fortune 188 bill hicks - blueflame

« She’s done gone » download

« Blue flame »download

 

 

 

 

 

 

 

A real rarity now on the Family Library 1021 label : it’s GENE LAVERNE and what I think is an original « Hot rod mama » on a 6-track 78rpm record.

family 1021-A Gene Laverne

 

« Hot rod mama« download

The following artist has a long recording story behind him : he can be found as early as 1951 on Blue Bonnet, as part of the Texas Round-Up Gang. Later, DEWEY GROOM went to Mercury, then founded early ’60s his own Longhorn label, where he cut among other tunes « Butane blues » (# 517). I didn’t verify if this is the same track as Gene O’Quin‘s one.
« Butane blues« download

longhorn 517 dewey groom


Surprising Bluegrass music from Texas by PAUL HUFFMAN and « T-e-x-a-s » on the Abilene Winston (# 1034) label : nice banjo led.

Back to Louisville, Kentucky and the Pier-Wats label (# 1200), and the fast bopper (nice fiddle and steel) by F. EDDY PIERCE, « Your kisses don’t thrill me anymore ».

Finally GENE DAVIS, who meddled almost at any style of music since his beginnings in 1954 on the West coast : hillbilly, rockabilly (as « Bo Davis » on Crest), rock’n'roll (on R-Dell), finally back to Country on various labels. I’ve chosen both sides of his solitary TOPPA ’61 record (# 1110). « When he let’s her forget »[sic] and « I won’t care » are top notch California country-rockaballads (sublime Ralph Mooney on steel).

Paul Huffman « T-e-x-a-s« download
F. Eddy Pierce « Your kisses don’t thrill me anymore« 
http://www.bopping.org/wp-content/uploads/2014/12/pier-watts-1300B-F.-Eddy-Pierce-Your-Kisses-Dont-Thrill-Me-Anymore-1956.mp3download

Gene Davis « When he let’s her forget« download

 Gene Davis « I won’t care« download

 

toppa 1110 I won't caretoppa 1110A When he let's her forgetpier-wats 1200B F. Eddy Piercewinston 1034-2 paul huffman t-e-x-a-s

 

As usual, various sources : ebay, YouTube, my virtual collection. Have a Bopping Christmas !

Early December 2014 fortnight’s favorites
déc 1st, 2014 by xavier

Howdy folks, over a period of 15 years, here are the selections of this fortnight.

The earliest track on a strange label, Atlantic, mostly known for R&B and Jazz. They had a short-lived (1 year, 1949-1950) « Folk and Western series », and the very first issue was by LOY GORDON & his Pleasant Valley Boys, for a revamp of the then-popular Sticks Mchee’s original « Drinkin’ wine spo-dee o-dee » (Atlantic 721). Here they are very true to the original. No solo taken by any instrument, but a fine Hillbilly romper. A mean fiddle and steel, and a fine boogie guitar. This was billed as « Folk ballad » on the label !

atlantic 721 loy gordon

 

Loy Gordon « Drinkin’ wine spo-dee-o-dee »download

 

 

 

From Marion, Ohio, 1960. The ROUND UP BOYS (hidden identity) do offer « Rock and Roll baby » on Hark 504. Like the title says, it’s rockabilly with a chugging rhythm. The composer, a Mz . Edna Bright, doesn’t help much.

Round Up Boys « Rock’n'Roll baby »download

hark 504 Rock and roll baby

Next is by two brothers who had a career of at least 30 years, Bob & Joe, the SHELTON BROTHERS. They recorded as early as 1935 a first version of « Deep Elem blues » [the Red Light quarter of Dallas]. The song had been done in 1933 by the Lone Star Cowboys (Leon Chappelear), and was cut by numerous artists later, including a second version (there) by the Sheltons in 1947 on Decca 46008.

On the flip side they had their own « Just because », revived in 1955 by Guess Who. Chugging rhythm, great mandolin. Next Decca 46009 was another nugget : « Ida Red » later renamed « Maybelline » by Chuck Berry. That’s how popular the Sheltons were.

Shelton Brothers « Deep Elem blues »download
Shelton Brothers « Just because »
http://www.bopping.org/wp-content/uploads/2014/11/decca-46008B-Shelton-Brothers-Just-because.mp3download decca 46008B shelton deep elem blues

decca 46008A Shelton Just because

A Gene Simmons production then from Memphis on the Tupelo label (# 2984) from 1964, a good rockabilly by CHARLES K. « The Right bird ».

Way up North in Detroit on the Michigan label Elm 724 : BETTY PARKER does offer « Love is even colder », a fine Bopper backed by Eddie Jackson & Swingsters (of « Rock’n'roll baby » fame on Fortune). Piano led, steel, guitar, an organ solo. Whole thing reminds me of another artist of the area, Palford Brady.

Finally PAUL MIMS, from Louisiana. He delivers « I blowed my top », a call-and-response format, medium paced ditty (long guitar solo and fine steel) on the Shell 121 label.

Charles K « The right bird« download
Betty Parker « Love is even colder« 
http://www.bopping.org/wp-content/uploads/2014/11/Love-Is-Even-Colder.mp3download
Paul Mims « I blowed my top« 
http://www.bopping.org/wp-content/uploads/2014/11/shell-121-Paul-Mims-I-Blowed-My-Top.mp3download

tupelo 2984 charles K - right bird babyElm 742bshell 121 paul mims I blowed my top

Late November 2014 fortnight’s favorites
nov 15th, 2014 by xavier

This time, very various records. SLIM DOSSEY hailed from Kentucky, but settled in Kirkland, Washington, late ’40s, where he had his own TV show. He was at one time a member of Smokey Rogers Western Caravan. Here you will find his Tubb (Ernest?) penned « Don’t stand just there« . on the JR (Seattle) label. Romping music!
Slim Dossey « Don’t just stand there« download
JR 1001 slim dossey - don't just stand there

From Ohio, and in 1965, RALPH BUSH and the Brushwackers. He had one 4-track session for C-Flat (distributed by RCA), and three tracks are offered there. All fine Hillbilly boppers. « I’ve got the bluest feeling » (8543), « Troubles » (8544) and « My eyes don’t cry » (8545).
c flat 8544 ralph bush  roublesc flat 8542 ralph Bush - I've got the luest feeling Ralph Bush « I’ve got the bluest feeling« download

Ralph Bush « Troubles« download Ralph Bush « My eyes don’t cry« http://www.bopping.org/wp-content/uploads/2014/11/RALPH-BUSH-MY-EYES-DONT-CRY.mp3download
From Washington state does come FRANK OLE’SHAY (real name Oleachea). With his brother Ernie, they had 12 issues on Four Star Blue Mountain OP- customs. Here are his best sides, »Love , love, love me, honey do » and « My baby’s not here in town tonight » (# 293) from 1958. Fine hillbilly rockers.
OP-293 (bluemountain) frank ole'shay
Frank Ole’shay« Love, love, love me, honey do« download
Frank Ole’Shay « My baby’s not here in town tonight« 
http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-My-babys-not-here-tonight.mp3download>
From Texas, COTTON THOMPSON (« Jelly roll blues« ) on Houston’s Freedom 1010. Thompson also had the great « How long » on Gold Star.
Cotton Thompson « Jelly roll blues« 
http://www.bopping.org/wp-content/uploads/2014/11/freedom-5010-cotton-thompson-jelly-roll-blues.mp3download freedom 5010 cotton thompson
Jim Fullen « I’ve gone crazy« download
Finally JIM FULLEN on the Deluxe label # 2015 and « I’ve gone crazy » from 1954. Fullen later recorded as Jimmie John, »Rosie’s back again » on Dot.
 It is not at all sure he’s the same Jimmie John who had « Solid rock » in 1958 on the Newark, Ohio, ZZ label.deluxe 2015 jim fullen I've gone crazy

Early November 2014 fortnight favorites: a bunch of Bluegrass 78rpm!
nov 1st, 2014 by xavier

Howdy folks ! With just an exception, only 78rpm this time.

Let’s begin with the legendary JIM EANES in one of his earliest efforts on the Blue Ridge (#301) label. It’s happy hillbilly bordering to bluegrass (sometimes difficult to distinguish, but who cares?) : « A sweeter love than yours I’ll never know ». Fine solos : banjo, mandolin over chorus vocals.

blue ridge 301 a sweeter love
Smilin’ Jim Eanes « A sweeter love than yours I’ll never know »download

Lucky Leroy « Now get join’ »download

Lucky Leroy « All tied up »download

go-lish 100A

Thanks to Hillbilly Researcher and Allan Turner, LUCKY LEROY and two sides on the Illinois Go-lish label « Now get goin’ » and « All tied up ». Solid hillbilly from 1955.

On the Mutual label (uncertain origin), CLAUDE YATES & Bowes Brothers for « Stop knocking at my door » (#214) : as label implies, « hot banjo picking ».

Same label, FRED MURPHY for the very inspired « I want to be ready » (#210).

Bowes Brothers « Stop knocking at my door »download
Fred Murphy « I want to be ready »download
 

 
mutual 214B bowes brothers - stop knocking at my doormutual 210-B fred murphy I want to be ready
 

 

A return to Blue Ridge with LARRY RICHARDSON (& Happy Smith) (#306) and « I’m lonesome ». High-pitched vocal, again that mix of hillbilly and bluegrass music.

Finally for the season, HAPPY WILSON on M-G-M 10877 « The haunted house boogie ».
Larry Richardson « I’m lonesome »download

Happy Wilson « The haunted house boogie »download
blue ridge 306 I'm lonesome
mgm 10877 happy wilson

Late October 2014 fortnight’s favorites
oct 15th, 2014 by xavier

Here it is, a new selection of hillbilly bop goodies, mostly from the early to mid-60s.

RED MANSEL is the earliest, from 1957, on a very early All Star label issue (# 7160) . This is hillbilly rock at its best, topical lyrics.

allstar 7160 red mansel
Red Mansel « Johnny on the spot« download

 

RED LEWIS on the Kasko label (# 1643), from 1965. « I’ll move along » sounds well 7 or 8 years earlier. Great slapping bass, guitar all along. A discrete steel takes a fine solo.

Red Lewis « I’ll move along« download
kasko 1643
dixie 1056 frank zolton

 

 

 

 

 

From Michigan and 1963 on a Starday custom Dixie label (#1056) comes FRANK ZOLTON and « Cats eyes ». A medium ditty with an unusual for the era accordion solo.

Frank Zolton « Cats eyes« download

Valparaiso, Florida. HAL ANDREWS offers « Brown-eyed girl », a medium opus, on the Choctaw label (# 6001).
choctaw 610L

Hal Andrews « Brown-eyed girl »download

arcade 163B rex zario
Rex Zario « It’s nobody’s fault but your own« download

 

 

REX ZARIO even had a full album on Arcade. Here he delivers the fine « It’s nobody’s fault but your own » from 1959-60 (# 163). Indeed in 1956 he had had « Go man gone ».

Finally a wonderful rural duet by the VANDERGRIFT BROS. On the Cozy label from W.Va., « Sitting here a-crying » (# 447).
Vandergrift Bros. « Sitting here a-crying« download

All selections taken from the net.

cozy 447 vandegrift

early October 2014 fortnight favorites: a short survey of King records
oct 1st, 2014 by xavier

 

King Records was a very important label run by Syd Nathan in Cincinnati, Oh. It had a C&W serie (500-1500), a Federal serie (10000) and a Deluxe serie (2000 or 5000).

 

First artist is Cowboy Jack Derrick, whose story is on the site. « Truck drivin’ man » is a very early trucker gay song.(King 633)

king 633-B cowboy jack derrik truck drivin' man
Cowboy Jack Derrick, « Truck drivin’ man« download

 

Paul Howard from Arkansas (1908-1994) was leading his Cotton Pickers on a long string of releases on Columbia and King. He was a resident at WSM in Nashville. « The boogie’s fine tonight » and « Texas boogie » are two of his best sides.

king 779-A paul Howard texas boogie

king 871-AA DJ paul howard the boogies fine tonight

Paul Howard « Texas boogie« download

Paul Howard « The boogie’s fine tonight« 
Clyde Moody is also well represented with a personal entry in Bopping.org. Here is presented one of his best platters, « The blues came pouring down », with very strong rhythm guitar. (# 943)

 

Clyde Moody « The blues came pouring down« download

king 943-AA Blues came pouring down

 

Ocie Stockard is the most Western swing styled artist of the selection. The instrumental »Cow town boogie » evokes Texas and Oklahoma (King 634)
Ocie Stockard « Cow town boogie« download
king 634-A ocie stokard cow town boogie
Jimmie Thomason was a West coast D.J. and had a string of releases on King of the same high standard. « I’ll drown in my tears » is a true Country blues, that is not often heard.(King 1132)
king 1132 jimmy thomason Ill drown in my tear
Jimmy Thomason « I’ll down in my tears« download
Ramblin’ Tommy Scott had a career covering from the 40s until the 90s. He is presented here on Federal 10026 with « Uncle Sammy », usual style.

federal 10026-AA Tommy Scott - Uncle Sammy

 

 

 

 

 

 

 

 

 

 

 

Tommy Scott « Uncle Sammy« download

Finally a R&B Rocker by Big John Greer on the « regular » serie : « Come back uncle John », apparently based on « Long tall Sally » from early 1956.
king 4941 big john greer 600 - come back uncle John

Big John Greer « Come back uncle John« download

Late September 2014 fortnight’s favourites
sept 15th, 2014 by xavier

Howdy folks, back from holydays. All the selections will be out by obscure artists. Once more uninspired, only music!
ED JUNOT on the Robstown, Texas O-T-O (One-Thousand-One) label comes first with « Give you’re love back to me » [sic]. Uptempo hillbilly fiddle led.

Ed Junot « Give you’re love back to me » download

o-t-o junot
pride guyton

Bill Guyton« I’ve got a little time for loving » download

 

Then BILL GUYTON on the Pride 3000 label, « I’ve got a little time for loving ». Guyton had been vocalist on Curley Rash « Humble road boogie » (Macy’s). This is medium hillbilly bop with a touch of Starday feel.

 

Lefty Pritchett « Just an ole has been » download
bama lefty
 

 

 

 

An haunting « Just an ole has been » on Bama (not the Alabama label) # 0001 by LEFTY PRITCHETT. Hillbilly bop Memphis style.

Then the most recent track of the selection on Toppa 1098 from 1961 : «All those lies» by ELTON TRAVIS. Uptempo Country rocker.

JOHNNY GITTAR offers on High Time 173 « San Antonio boogie », obviously a Texas recording. Medium boogie guitar led and heavy drums.

Finally a train song, « I’m going to roll » by CURLY COLE on Gilt-edge 5029. Nice guitar and piano solo.
Elton Travis « All those lies« download

Johnny Gittar « San Antonio boogie » download

Curley Cole, « Im going to roll« download

 

toppa travishigh time gittargilt-edge cole

Late August 2014 fortnight favorites: What a line! (another minor classic)
août 15th, 2014 by xavier

Howdy, folks !

First selection is a fine bopper (sincere vocal, strong rhythm and good fiddle, even pizzicato played) : « I was standing too close to a heartache » (sounds familiar?) by BILLY TIDWELL, who cut a very good version of « Folsom prison blues » on the White Deer, TX Ko Co Bo label in 1964.

kocobo 1009
Billy Tidwell, « I was standing too close to a heartache« download

 

 

 

 

 

Second odd issue is first ever Tommy Collins‘s song, « Campus boogie », when Collins was still known as LEONARD SIPES in his native Oklahoma. The song can be found on Morgan 106, and is very Hank Williams styled.

 

campus boogie

 

Leonard Sipes « Campus boogie« download

 

 

 

 

Then we enter in back-to-back series. JIMMIE DAVIS, also politician for Louisiana Governoship, cut a whole string of early boppers in the ’30s. Here I selected « You’ve been tom cattin’ around », issued on Bluebird in 1933.

A good 22 years later, CARL STORY had his own version, although the mandolin player is himself, on Columbia 21444 (1955). The flipside is the equally good, Rockabilly style, « What a line ». Strong boogie guitar, a fiddle solo. Really a masterpiece.

bluebird 5425

 

columbia 21444 tom
Jimmie Davis « You’ve been tom cattin’ around »

download

Carl Story « You’ve been tom cattin’ around »
download

 

 

 

« What a line » derives from the original by JIMMIE WIDENER, who had this on his first King session in 1946 (# 536B) on the West coast, backed by such luminaries as Joaquin Murphy on steel or Jimmy Wyble on electric guitar. Harold Hensley is also present on fiddle, and co-wrote the song with Merle Travis. Widener had had been vocalist for Tex Williams, Spade Cooley and Bob Wills.

Jimmie Widener « What a line! » download

king 536-B widener

 

 Clyde Moody « Whatta line« download

 

Carl Story « What a line« download

 

 

The song was revived first in 1953 by CLYDE MOODY on Decca. Usual style. Moody does it fast, with fiddle and guitar solo. Then in the mid-60s by GLENN THOMPSON, the most obscure artist of them all, who came from North Carolina. Guitar player is modern, but has a fine bluesy solo.

 

Glenn Thompson, « What a line »download

 

 

Main source for this issue: Internet.

tornado 101

decca 28785

columbia 21444 line

early August 2014 fortnight’s favorites: usual hillbillies and sad news
août 1st, 2014 by xavier

Hello, this is early August 2014 fortnight. Some new tunes, some already published a few years ago for newcomers, and finally sad news.

 

REDD STEWART was during long years the lead vocalist for PEE WEE KING. The latter (with the Golden West Cowboys) was allegedly under exclusive contract with RCA-Victor, but not Stewart: he was signed by King records and recorded several tunes in Cincinnati (February 1950), among them the very fine « Brother, drop dead (boogie) » King 843-AA). He is indeed backed by the Golden West Cowboys, disguised under the name of « His Kentucky Colonels » ! Great Hillbilly boogie, good steel and piano.

 

king 843AA Redd stewart brother drop dead boogie

Redd Stewart « Brother, drop dead (boogie) »

redd stewart (bebopcapitol)

 

 

 

 

 

 

 

 

Another well-known artist (he has his own entry in bopping.org) from Mississipi is JIMMY SWAN, or « Colonel Jim » as he presented himself on a Baton Rouge, La. TV-station in 1952. He was signed on the Lilian McMurray Trumpet label in 1952, and recorded for her at WFOR Radio station in Hattiesburg, MS. I retain particularly, among many fine sides, « Juke joint mama » (Trumpet 176), with nice steel (a la Don Helms, Hank Williams’ steel player) and fiddle, and «Lonesome daddy blues «  (Trumpet 198). « Juke joint mama » was first cut by the veteran Denver Darling for Decca in 1946 ; Darling, active in Denver, IN, is the co-writer of, among others, « Choo choo ch’boogie », a hit for Louis Jordan as well as Bill Haley, and more recently for Clifton Chenier. « Lonesome daddy blues » is not the same track as Bill Johnson‘s on a Starday custom – which I will discuss about in another article.

 

swan

Jimmy Swan

denver darling

Denver Darling

Denver Darling « Juke joint mama »download

trumpet 176-78

Jimmy Swan « Juke joint mama »download
trumpet 198 450p

silon 201

 

 
Jimmy Swan « Lonesome daddy blues »download
 

 
Sonny Starns, « Baton Rouge, L.A. »download
 

 

 

 

 

 

 

 


Let’s stay down south. The unknown SONNY STARNS delivers a romping, piano-led « Baton Rouge, L.A. » on the small Hammond, La. Silon label (# 202). 

 

 
Jimmy C. Newman « Lache pas la patate »download
 

 

Sad news now. The death (on June 21rst) of a giant of Country and Cajun music, Mr. JIMMY C. NEWMAN. Born 1927, he began his career vocally fronting the band of Papa Cairo on Modern sides – I think he sings « Kooche kooche », to be found on an old U.K. Ace compilation (« Swingbillies »), in 1949-50. Then he was cutting for Jay D. Miller in Crowley, La. and his first label Feature : songs like « Wondering » – later covered by Webb Pierce on Decca. He had records on Khoury’s too, before entering in Randy Wood’s stable on Gallatin, TN Dot label. A huge hit in 1956, « A fallen star » : then he was an established star. However he never denied his Cajun ancestry and roots and, in 1973, recorded on La Louisiane label the much acclaimed « Lâche pas la patate » in French, also known as « The potato song » (written by Clifford Joseph Trahan, better known as Pee Wee Trahan, or Johnny Rebel…). The song went n°1 in Quebec on the Deram label, and had not since then disappeared from his repertoire, always in demand by Cajun speaking folks until recent times. Newman died of cancer. I will have a survey later of his entire career. Let’s get his music ! 

 Lâche pas la patate (lyrics in French)(« Don’t drop the potato »)

 

Hey! Lâche pas la patate mon neg. Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire mais j’lâche pas la patate??-?J’vas au bal tous les samedis, pour escouer mes vieilles pattes? J’danse avec toutes les belles filles… Mais j’lâche pas la patate – ?J’fais tous les clubs que je peux faire ent’Lafayette et la Ville Plate? Oublie-moi pas des fois ça chauffe… Mais j’lâche pas la patate?? Refrain :? Hey! Lâche pas la patate mon neg  Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire mais j’lâche pas la patate??-?Chu pas marié, j’ai pas personne pour m’tenir le fond d’culotte? Quand j’veux partir chu « gone vieux j’ton » Mais j’lâche pas la patate ?J’vas là tout seul la moitié du temps mais quand l’idée me frappe? J’appelle Marie la chère p’tite fille mais j’lâche pas la patate?? Refrain :? Hey! Lâche pas la patate mon neg Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire Mais j’lâche pas la patate??-Un soir au bal un tout p’tit boguet et un gros a pris à s’battre ?J’voulais que le petit gagne et j’criais « Lâche pas la patate »? Le gros bougre m’a r’gardé et dit: Espère que j’te rattrape ?J’mé viré de bord… J’ai couru fort… J’ai lâché la patate??  Refrain :? Hey! J’ai lâché la patate mon neg Hey! J’ai lâché la patate? Une chose qu’est claire, j’fais mon affaire J’ai lâché la patate??Hey! Lâche pas la patate mon neg Hey! Lâche pas la patate? Une chose qu’est claire, j’ faist mon affaire Mais j’lâche pas la patate…?  [translation in English on personal request]

jimmy C.Newman pic

early July 2014 fortnight favorites: traveling way up north from Mississipi to Nebraska, via Kentucky and Indiana!
juil 1st, 2014 by xavier

Howdy folks,
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP  2305 « Mississipi R’n'R ». The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.

tom big bee
James Mask « Beer drinkin’ daddy » download

Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette's first records,] « Act like you love me«  b/w « I feel the blues coming on« . (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned byLee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.

Von B 1001

von A1001605B

Hayden Thompson, « Act like you love me« download

Hayden Thompson, « I feel the blues coming on« download

Hayden Thompson, « Blues, blues, blues« download
Elton Britt « I feel the blues coming on » (RCA, 1951)download

 

 

 

 

 

 

 

 

Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!

Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n'Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery, « How much do you miss me« download

The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ’ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, « Stick around » download

Danny Brockman & Carl Jones, « Don’t you know it’s true« downloaddanny brockman

Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!)  too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.

Carl Cherry & Wild Cherries, « The itch » download
Carl Cherry & Wild Cherries, « Baby doll »
http://www.bopping.org/wp-content/uploads/2014/06/tene-1023A-CARL-CHERRY.-BABY-DOLL..mp3download

tene CarlCherryphoto1

Carl Cherry & Wild Cherries

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