WADE HOLMES to begin comes from the East coast and was managed by Ben Adelman from Wahington, D.C. He is particular having records released only on (leased masters) Four Star, and budget Spin-O-Rama, Mount Vernon Music and Crown labels LPs, before during the Sixties on several issues on Adelman’s other labels : Sutton and Empire. I’ve chosen first his great rendition of Carl Smith‘s « Go boy go » from 1954 on Blue Ribbon 35-49. It’s pure Hillbilly rock, near Rockabilly. Second we have, from February 1954, the fast honky-tonker « You’re too tired (for me) » (4 * 1656), when Holmes had his own show on WPGC (Washington?). Finally here he comes once more with the superior (a great , great crisp lead guitar) « I’ll just pretend » from 1960 on the Almanac label (# 809), also backed by a fine fiddle (solo), and billed as « The singing truck driver ». No evidence at all he’s had converted himself as such with more truckers’ songs.
« Go boy go«
« You’re too tired (for me)« http://www.bopping.org/wp-content/uploads/2015/03/08-Wade-Holmes-Youre-Too-Tired-For-Me.mp3download
« I’ll just pretend« http://www.bopping.org/wp-content/uploads/2015/03/Wade-Holmes-Ill-Just-Pretend.mp3download
From Kansas City , 1950 or 1951 on the copious Red Barn label (# RH 1166)(see Allan Turner’s Hillbilly Researcher‘s blogsite for more info on this label), BOBBY COOK & BUDDY NELSON, « The Texas Saddle Pals » have a brisk duet, with fine fiddle, a guitar solo and even a mandolin in « Big daddy blues ». A very lively track.
« Big daddy blues« http://www.bopping.org/wp-content/uploads/2015/03/red-barn-1166-A-Bobby-Cook-Buddy-Nelson-The-Texas-Saddle-Pals-Bad-Daddy-Blues.mp3download
From West coast in California in 1954/55, a well-known band leader on the Salinas area (radio stations KDON and KSBW), BASHFUL BOBBY WOOTEN on the Four Star (special serie) P 102, with one high-voiced MARTHA LOU GACHES for « Peeping Tom ». Gaches had also one issue on Pep (Bakersfield) and was at one time associated as vocalist with Big Jim DeNoone.Wooten had also one famous rocker « Goin’ deer huntin’ » in 1960 on the G.R.C. label and had two other issues on this 4* P serie.
« Peeping Tom« http://www.bopping.org/wp-content/uploads/2015/03/Bobby-Wooten-Martha-Lou-Gaches-Peeping-Tom.mp3download
Martha Lou Gaches
From Santa Claus, Indiana, in 1965 or 66, a great country rocker « Snuffy Smith » by JOHNNY ACTON on the Kasko label (# 1644). It has a weird steel solo (too short), good guitar and indeed drums. Acton was also, with the Acton Sisters, on his own (?) label in 1968 (# 703), for a solitary issue (« Just between you and I », a country record), from Indianapolis.
« Snuffy Smith« http://www.bopping.org/wp-content/uploads/2015/03/kasko-1644B-Johnny-Acton-Snuffy-Smith.mp3download
That’s all folks for this time. Enjoy the selections !
En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).
« Cheating on me« http://www.bopping.org/wp-content/uploads/2015/04/Larry-Bamburg-Cheating-On-Me-236.mp3download
Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).
« Daddy sings the blues« http://www.bopping.org/wp-content/uploads/2015/03/ram-104-re-Larry-Bamburg-Cheating-On-Me.mp3download
« Move on down the track« http://www.bopping.org/wp-content/uploads/2015/03/F.A.F.-26253-Floyd-Fletcher-Move-On-Down-The-Track.mp3download
« You’re telling me goodby » http://www.bopping.org/wp-content/uploads/2015/03/Floyd-Fletcher-Youre-Telling-Me-Goodby.mp3download
RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).
« It’s a little late« http://www.bopping.org/wp-content/uploads/2015/03/atomic-703-Riley-Walker.mp3download
Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
« Itchin’ to love you« http://www.bopping.org/wp-content/uploads/2015/03/B-W-62A-Phil-Beasley-Itchin-To-Love-You.mp3download
« There’s no excuse« http://www.bopping.org/wp-content/uploads/2015/03/B.W.-615-Kenny-Biggs-Theres-No-Excuse.mp3download
That’s all for this time, folks. Comments as usual are welcome.
En route for a new batch of goodies. I hope you will have as much pleasure to listen to them (or download) as I had chosing them.
Here we go with the same song, a Bluegrass bopper, by its originators first, DON RENO & RED SMILEY in 1957 (banjo and guitar, I’d assume) for King # 5002 : « Country boy rock and roll » combines the energy of both musics for a stupendous number. Two years later, the same tune was revived by a small Maryland duet, FRANKIE SHORT and DEE GUNTER on the Wango label # 200. A very fine version, even faster than the original.
Don Reno, Red Smiley « Country boy rock and roll« http://www.bopping.org/wp-content/uploads/2015/02/DON-RENO-RED-SMILEY-Country-Boy-Rock-N-Roll.mp3download
Frankie Short & Dee Gunterhttp://www.bopping.org/wp-content/uploads/2015/02/wango-201-Frankie-Short-Dee-Gunter-Country-Boy-Rock-And-Roll.mp3download
We go up north now for the pure Hillbilly bop beat of « Niagara moon » (Niagara 53727) by ERIC & JOHNNY & Lincoln County Peach Pickers.
Back to Nashville and the Excello label. Indeed it was famous for its Blues and R&B releases, but it had also the odd hillbilly number, for example here RAY BATTS (# 2028) for the great relaxed « Stealin’ sugar ». Batts was also on Bullet and Nashboro.
Eric & Johnny « Niagara moon« http://www.bopping.org/wp-content/uploads/2015/02/Eric-Johnny-Lincoln-County-Peach-Pickers-Niagara-Moon.mp3download
Ray Batts « Stealin’ sugar« http://www.bopping.org/wp-content/uploads/2015/02/excello-2028-Ray-Batts-Stealin-Sugar.mp3download
BILLY McGHEE may have been out of Texas, as he had several records on Imperial. Here on RCA 4727 he cut the good easy-going « I’ll copyright my baby ».
Finally from Texas on the TNT (# 136) label, the only woman of the pack, BETTY BARNES, does offer the fine rockabilly «What would you do ».
Billy McGhee, « I’ll copyright my baby« http://www.bopping.org/wp-content/uploads/2015/02/RCA-4827-Billy-McGhee-Ill-Copyright-My-Baby.mp3download
Betty Barnes « What would you do« http://www.bopping.org/wp-content/uploads/2015/02/tnt-136-Betty-Barnes-What-Would-You-Do.mp3download
Source : Internet.
Other intended features on their way: Valley label, G&G label, early Toppa label, important update of Forest Rye feature, and other articles.
Women only this time !
LITTLE AUDRY first on the Nashville Walker label (#130) from 1965. A very melodic weeper with a lot of echo for « How can the ashes burn ».
Little Audry http://www.bopping.org/wp-content/uploads/2015/01/walker-130-Little-Audry-How-Can-The-Ashes-Burn.mp3download
Wanda Ballman http://www.bopping.org/wp-content/uploads/2015/01/45-528a-Wanda-Ballman-Think-It-Over-Before-You-Cast-Your-Stone-starday-08-55.mp3download
WANDA BALLMAN is no unknown. She had more than one issue, e.g. on Starday custom serie # 528 (August 1955) for « Think it over », which bears on label a collective personnel. Very solid mid-paced vocal, a short steel guitar solo over basic instrumentation.
SALLY MASSEY obviously on her own Sa-Ma label (no #). Two well sung hillbilly weepers : « « Ole Michigan moon » and « Saving all my kisses ».
On the Arkansas Vaden label (# 101), one JERRI PATTERSON tells « That’s why I think of you » in a lovely bopping style.
Sally Massey « Ole Michigan moon »http://www.bopping.org/wp-content/uploads/2015/01/Sa-Ma-Sally_Massey_Ole_Michigan_Moon.mp3download
Sally Massey « I’m saving all my kisses »http://www.bopping.org/wp-content/uploads/2015/01/Sa-Ma-Sally_Massey_I_M_Saving_All_My_Kisses.mp3download
Jerri Patterson http://www.bopping.org/wp-content/uploads/2015/01/vaden-101-jerri_patterson-thats-why-I-think-of-you.mp3download
Mary Ann Johnson http://www.bopping.org/wp-content/uploads/2015/01/mgm-11927-MARY-ANN-JOHNSON-Blue-Teardrops-MGM.mp3download
Another unknown MARY ANN JOHNSON has a bluesy weeper with « Blue teardrops » (MGM 11927). Nothing spectacular, a nice little record.
LITTLE RITA FAYE does offer « Rock City boogie » – I don’t know if it’s the Tennessee Ernie’s song – on MGM 11505. It’s a bluesy shuffler, with steel and a barely audible fiddle.
Little Rita Faye http://www.bopping.org/wp-content/uploads/2015/01/mgm-11505-rock-city-boogie-Rita-Faye.mp3download
Source : Internet
Here is the new selection of this end of January 2015.
First, two records by BILL LANCASTER, on the Birmingham, AL. G.G. label . The first one « Too young to get married » (# 516) is credited to Bill Lancester. The second is « It’s saturday night now » (# 519). Both are fine Bopping billies, fast loping rhythm (fine fiddle and piano + steel).
« Too young to get married »http://www.bopping.org/wp-content/uploads/2015/01/Bill-Lancaster-Too-Young-To-Get-Married-G.G.-516.mp3download
« It’s saturday night now »http://www.bopping.org/wp-content/uploads/2015/01/Its-Saturday-Night-Bill-Lancaster.mp3download
From Middletown, OH comes DON JOHNSON and his « Feeling low ». I can’t believe this is the same artist as Don Johnston on Mercury (« Born to love one woman »). Fine fiddle throughout.
Don Johnson « Feeling low »http://www.bopping.org/wp-content/uploads/2015/01/Don-Johnson-Flying-Low.mp3download
Ferlin Huskey « Slow down brother »http://www.bopping.org/wp-content/uploads/2015/01/Ferlin-Husky-Slow-Down-Brother.mp3download
FERLIN HUSKEY, also Simon Crum, also Terry Preston (on 4*) is too well known. He delivered several good Hillbilly boppers ; I chose his best-known track, the rockabilly « Slow down, brother » (Capitol 3316).
WALT McCOY is a West coast veteran, whom nothing is virtually known about, although he had a long recording career. Here he is represented with « U.S.A. » on the late ’40s Chrystal label # 292.
Finally the very elusive too T.J. SKERO and his fine « Gold diggin’ mama » from 1950 on 4* 1468.
Walt McCoy « U.S.A. »http://www.bopping.org/wp-content/uploads/2015/01/19-U.S.A.mp3download
T.J. Skero « Gold diggin’ mama »http://www.bopping.org/wp-content/uploads/2015/01/4-1468-T.J-Skero-And-The-Sunset-Play-Boys-Gold-Diggin-Mama-1950.mp3download
Tom Beamon Forse, « You better go now » on Rodney 514 (Starday custom), 1954-55 : great rockabilly guitar led, slap bass bopper featuring Beamon on vocals, his brother Ted on lead guitar, JT “Tiny” Smith on bass, Charlie Craddock on steel guitar and a unknown piano player. Born Beamon Tom Forse on 4th December 1934 in San Augustine, TX, he had a radio show with his brother Ted at KTXJ (Jaspar, TX) and he knew George Jones since he was a child.This disc was cut at Gold Star Studios, Houston TX., and it was inspired by hearing Elvis Presley’s “That’s All Right Mama” being played over the radio. Flipside is an equally good medium paced bopper « The rest of my life ». The disc was financed by Rodney Spaford (hence the label name I guess) who was a rich guy from Sabine, TX.
« You better go now« http://www.bopping.org/wp-content/uploads/2014/12/Beamon-Forse-You-Better-Go-Now-.mp3download
« The rest of my life« http://www.bopping.org/wp-content/uploads/2014/12/Beamon-Forse-The-Rest-Of-My-Life25-.mp3download
Beamon moved to California after this release, and he recorded as Tom Forse on Rich-Vein Records (owned by Terry Fell) : « I’m gonna tell your conscience on you » and « They call you a small fry » are superlative 1955-56 medium boppers. Beamon/Tom on vocal, Eddie Cochran on rhythm guitar, Connie « Guybo » Smith on bass and Ralph Mooney on steel. Beamon also booked top acts on the west coast and wrote songs for Terry Fell, who would pay him cash for them. Beamon died in 2004. Tom and Truitt Forse were cousins.
« I’m gonna tell your conscience on you« http://www.bopping.org/wp-content/uploads/2014/12/rich-vein-101-Tom-Forse-Im-gonna-tell-my-conscience-on-you.mp3download
« They call you a small fry »http://www.bopping.org/wp-content/uploads/2014/12/rich-vein-101-tom-forse-they-call-me-a-small-fry.mp3download
Eddie Cochran, « Cradle baby« http://www.bopping.org/wp-content/uploads/2014/12/Liberty-eddie-cochran-cradle-baby-.mp3download
Then Eddie Cochran revamping Tom Forse’s « They call me a small fry » on Liberty LRP 3060 « Singing to my baby » as « Cradle baby », a pop rocker from mid-1957.
Finally both tracks of Johnny Vincent‘s Ace 528 (June 1957) by Mercy Baby (rn. Jimmy Mullins). He was a drummer/singer for Frankie Lee Sims ; actually Sims handles the lead guitar duties on the haunting « Marked deck » and the energetic « Rock and roll baby ».
« Marked deck« http://www.bopping.org/wp-content/uploads/2014/12/ace-528-mercy-baby-marked-deck.mp3download
« Rock and roll baby« http://www.bopping.org/wp-content/uploads/2014/12/ace-528-mercy-baby-rock-and-roll-baby.mp3download
Sources: Malcolm Chapman’s « Starday custom site »; 45rpm.com for Mercy Baby sides. Have a Bopping New Year!
For this last 2014 fortnight, I’m lacking time and imagination so I’ve chosen several particular records. We begin listening to BILL HICKS and the Southerners on Fortune 188 (from 1956) for two well driven rockabillies/boppers « She’s done gone » (slow) and « Blue flame » (fast).
« She’s done gone »http://www.bopping.org/wp-content/uploads/2014/12/Bill-Hicks-Shes-Done-Gone.mp3download
« Blue flame »http://www.bopping.org/wp-content/uploads/2014/12/Fortune-188-Bill-Hicks-Blue-Flame-.mp3download
A real rarity now on the Family Library 1021 label : it’s GENE LAVERNE and what I think is an original « Hot rod mama » on a 6-track 78rpm record.
« Hot rod mama« http://www.bopping.org/wp-content/uploads/2014/12/family-libraey-1021-gene-Laverne-Hot-Rod-Mama-Gene-Laverne.mp3download
The following artist has a long recording story behind him : he can be found as early as 1951 on Blue Bonnet, as part of the Texas Round-Up Gang. Later, DEWEY GROOM went to Mercury, then founded early ’60s his own Longhorn label, where he cut among other tunes « Butane blues » (# 517). I didn’t verify if this is the same track as Gene O’Quin‘s one.
« Butane blues« http://www.bopping.org/wp-content/uploads/2014/12/longhorn-517-Dewey-Groom-Butane-Blues.mp3download
Surprising Bluegrass music from Texas by PAUL HUFFMAN and « T-e-x-a-s » on the Abilene Winston (# 1034) label : nice banjo led.
Back to Louisville, Kentucky and the Pier-Wats label (# 1200), and the fast bopper (nice fiddle and steel) by F. EDDY PIERCE, « Your kisses don’t thrill me anymore ».
Finally GENE DAVIS, who meddled almost at any style of music since his beginnings in 1954 on the West coast : hillbilly, rockabilly (as « Bo Davis » on Crest), rock’n'roll (on R-Dell), finally back to Country on various labels. I’ve chosen both sides of his solitary TOPPA ’61 record (# 1110). « When he let’s her forget »[sic] and « I won’t care » are top notch California country-rockaballads (sublime Ralph Mooney on steel).
Paul Huffman « T-e-x-a-s« http://www.bopping.org/wp-content/uploads/2014/12/winston-1034-Paul-Huffman-T-E-X-A-S-Winston-1034-1.mp3download
F. Eddy Pierce « Your kisses don’t thrill me anymore« http://www.bopping.org/wp-content/uploads/2014/12/pier-watts-1300B-F.-Eddy-Pierce-Your-Kisses-Dont-Thrill-Me-Anymore-1956.mp3download
Gene Davis « When he let’s her forget« http://www.bopping.org/wp-content/uploads/2014/12/Gene-Davis-When-he-lets-her-forget.mp3download
Gene Davis « I won’t care« http://www.bopping.org/wp-content/uploads/2014/12/I-Wont-Care-Gene-Davis.mp3download
As usual, various sources : ebay, YouTube, my virtual collection. Have a Bopping Christmas !
Howdy folks, over a period of 15 years, here are the selections of this fortnight.
The earliest track on a strange label, Atlantic, mostly known for R&B and Jazz. They had a short-lived (1 year, 1949-1950) « Folk and Western series », and the very first issue was by LOY GORDON & his Pleasant Valley Boys, for a revamp of the then-popular Sticks Mchee’s original « Drinkin’ wine spo-dee o-dee » (Atlantic 721). Here they are very true to the original. No solo taken by any instrument, but a fine Hillbilly romper. A mean fiddle and steel, and a fine boogie guitar. This was billed as « Folk ballad » on the label !
Loy Gordon « Drinkin’ wine spo-dee-o-dee »http://www.bopping.org/wp-content/uploads/2014/11/atlantic-721-Drinkin-Wine-Spo-Dee-O-Dee-Loy-Gordon-his-Pleasant-Valley-Boys.mp3download
From Marion, Ohio, 1960. The ROUND UP BOYS (hidden identity) do offer « Rock and Roll baby » on Hark 504. Like the title says, it’s rockabilly with a chugging rhythm. The composer, a Mz . Edna Bright, doesn’t help much.
Round Up Boys « Rock’n'Roll baby »http://www.bopping.org/wp-content/uploads/2014/11/hark-round-up-boys-rock-and-roll-baby.mp3download
Next is by two brothers who had a career of at least 30 years, Bob & Joe, the SHELTON BROTHERS. They recorded as early as 1935 a first version of « Deep Elem blues » [the Red Light quarter of Dallas]. The song had been done in 1933 by the Lone Star Cowboys (Leon Chappelear), and was cut by numerous artists later, including a second version (there) by the Sheltons in 1947 on Decca 46008.
On the flip side they had their own « Just because », revived in 1955 by Guess Who. Chugging rhythm, great mandolin. Next Decca 46009 was another nugget : « Ida Red » later renamed « Maybelline » by Chuck Berry. That’s how popular the Sheltons were.
Shelton Brothers « Deep Elem blues »http://www.bopping.org/wp-content/uploads/2014/11/DEEP-ELEM-BLUES-by-the-Shelton-Brothers.mp3download
Shelton Brothers « Just because »http://www.bopping.org/wp-content/uploads/2014/11/decca-46008B-Shelton-Brothers-Just-because.mp3download
A Gene Simmons production then from Memphis on the Tupelo label (# 2984) from 1964, a good rockabilly by CHARLES K. « The Right bird ».
Way up North in Detroit on the Michigan label Elm 724 : BETTY PARKER does offer « Love is even colder », a fine Bopper backed by Eddie Jackson & Swingsters (of « Rock’n'roll baby » fame on Fortune). Piano led, steel, guitar, an organ solo. Whole thing reminds me of another artist of the area, Palford Brady.
Finally PAUL MIMS, from Louisiana. He delivers « I blowed my top », a call-and-response format, medium paced ditty (long guitar solo and fine steel) on the Shell 121 label.
Charles K « The right bird« http://www.bopping.org/wp-content/uploads/2014/11/Charles-K.-Right-Bird-Baby.mp3download
Betty Parker « Love is even colder« http://www.bopping.org/wp-content/uploads/2014/11/Love-Is-Even-Colder.mp3download
Paul Mims « I blowed my top« http://www.bopping.org/wp-content/uploads/2014/11/shell-121-Paul-Mims-I-Blowed-My-Top.mp3download
This time, very various records. SLIM DOSSEY hailed from Kentucky, but settled in Kirkland, Washington, late ’40s, where he had his own TV show. He was at one time a member of Smokey Rogers Western Caravan. Here you will find his Tubb (Ernest?) penned « Don’t stand just there« . on the JR (Seattle) label. Romping music!
Slim Dossey « Don’t just stand there« http://www.bopping.org/wp-content/uploads/2014/11/JR-1001-slim-dossey-dont-just-stand-there.mp3download
From Ohio, and in 1965, RALPH BUSH and the Brushwackers. He had one 4-track session for C-Flat (distributed by RCA), and three tracks are offered there. All fine Hillbilly boppers. « I’ve got the bluest feeling » (8543), « Troubles » (8544) and « My eyes don’t cry » (8545).
Ralph Bush « I’ve got the bluest feeling« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-RALPH-BUSH-IVE-GOT-THE-BLUEST-FEELING.mp3download
Ralph Bush « Troubles« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-8544-ralph-bush-troubles.mp3download Ralph Bush « My eyes don’t cry« http://www.bopping.org/wp-content/uploads/2014/11/RALPH-BUSH-MY-EYES-DONT-CRY.mp3download
From Washington state does come FRANK OLE’SHAY (real name Oleachea). With his brother Ernie, they had 12 issues on Four Star Blue Mountain OP- customs. Here are his best sides, »Love , love, love me, honey do » and « My baby’s not here in town tonight » (# 293) from 1958. Fine hillbilly rockers.
Frank Ole’shay« Love, love, love me, honey do« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-Love-love-love-me-honey-do.mp3download
Frank Ole’Shay « My baby’s not here in town tonight« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-My-babys-not-here-tonight.mp3download>
From Texas, COTTON THOMPSON (« Jelly roll blues« ) on Houston’s Freedom 1010. Thompson also had the great « How long » on Gold Star.
Cotton Thompson « Jelly roll blues« http://www.bopping.org/wp-content/uploads/2014/11/freedom-5010-cotton-thompson-jelly-roll-blues.mp3download
Jim Fullen « I’ve gone crazy« http://www.bopping.org/wp-content/uploads/2014/11/deluxe-2015-Jim-Fullen-Ive-Gone-Crazy.mp3download
Finally JIM FULLEN on the Deluxe label # 2015 and « I’ve gone crazy » from 1954. Fullen later recorded as Jimmie John, »Rosie’s back again » on Dot. It is not at all sure he’s the same Jimmie John who had « Solid rock » in 1958 on the Newark, Ohio, ZZ label.
Howdy folks ! With just an exception, only 78rpm this time.
Let’s begin with the legendary JIM EANES in one of his earliest efforts on the Blue Ridge (#301) label. It’s happy hillbilly bordering to bluegrass (sometimes difficult to distinguish, but who cares?) : « A sweeter love than yours I’ll never know ». Fine solos : banjo, mandolin over chorus vocals.
Smilin’ Jim Eanes « A sweeter love than yours I’ll never know »http://www.bopping.org/wp-content/uploads/2014/10/blue-ridge-301-Smilin-Jim-Eanes-and-his-Shenandoah-Valley-Boys-A-Sweeter-Love-Than-Yours-Ill-Never-Know.mp3download
Lucky Leroy « Now get join’ »http://www.bopping.org/wp-content/uploads/2014/10/GOLISH.mp3download
Lucky Leroy « All tied up »http://www.bopping.org/wp-content/uploads/2014/10/GOLISH_B.mp3download
Thanks to Hillbilly Researcher and Allan Turner, LUCKY LEROY and two sides on the Illinois Go-lish label « Now get goin’ » and « All tied up ». Solid hillbilly from 1955.
On the Mutual label (uncertain origin), CLAUDE YATES & Bowes Brothers for « Stop knocking at my door » (#214) : as label implies, « hot banjo picking ».
Same label, FRED MURPHY for the very inspired « I want to be ready » (#210).
Bowes Brothers « Stop knocking at my door »http://www.bopping.org/wp-content/uploads/2014/10/mutual-214-Bowes-Brothers-Stop-Knocking-At-My-Door.mp3download
Fred Murphy « I want to be ready »http://www.bopping.org/wp-content/uploads/2014/10/mutual-210B-Fred-Murphy-And-The-Blue-River-Boys-I-Want-To-Be-Ready.mp3download
A return to Blue Ridge with LARRY RICHARDSON (& Happy Smith) (#306) and « I’m lonesome ». High-pitched vocal, again that mix of hillbilly and bluegrass music.
Finally for the season, HAPPY WILSON on M-G-M 10877 « The haunted house boogie ».
Larry Richardson « I’m lonesome »http://www.bopping.org/wp-content/uploads/2014/10/blue-ridge-306-Larry-Richardson-Happy-Smith-Blue-Ridge-Boys-Im-Lonesome.mp3download
Happy Wilson « The haunted house boogie »http://www.bopping.org/wp-content/uploads/2014/10/Haunted-House-Boogie-Happy-Wilson.mp3download