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early July 2014 fortnight favorites: traveling way up north from Mississipi to Nebraska, via Kentucky and Indiana!
juil 1st, 2014 by xavier

Howdy folks,
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP  2305 « Mississipi R’n'R ». The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.

tom big bee
James Mask « Beer drinkin’ daddy » download

Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette's first records,] « Act like you love me«  b/w « I feel the blues coming on« . (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned byLee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.

Von B 1001

von A1001605B

Hayden Thompson, « Act like you love me« download

Hayden Thompson, « I feel the blues coming on« download

Hayden Thompson, « Blues, blues, blues« download
Elton Britt « I feel the blues coming on » (RCA, 1951)download

 

 

 

 

 

 

 

 

Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!

Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n'Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery, « How much do you miss me« download

The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ’ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, « Stick around » download

Danny Brockman & Carl Jones, « Don’t you know it’s true« downloaddanny brockman

Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!)  too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.

Carl Cherry & Wild Cherries, « The itch » download
Carl Cherry & Wild Cherries, « Baby doll »
http://www.bopping.org/wp-content/uploads/2014/06/tene-1023A-CARL-CHERRY.-BABY-DOLL..mp3download

tene CarlCherryphoto1

Carl Cherry & Wild Cherries

late June 2014 fortnight’s favorites + 1935 hillbilly!
juin 15th, 2014 by xavier

Howdy folks ! Hope you will enjoy those selections of the present fortnight. Now it’s very hot in southern France, so is the music I choose.

From Harrington, KY., do come GORDON SIZEMORE on the Alvic label (no #. Thanks Mr. Dean C. Morris for the scan of the label!).  « Waddlin baby » [sic] is a Country, near Rockabilly from 1962. The voice of the singer is nasal and sounds a little old. The guy must have been the perfect Country boy. He his backed by (apparently) two brothers, Johnny and Casey Jones. One of them does a fine fiddle solo. The record, if you find it, will cost you between $ 100 and 200 !

arvic no# cool 135 label

Gordon Sizemore « Waddlin baby »download

Tom Wilson « Why’d you pick on me »download

 

To learn more about the COOL label, go to Dean C. Morris blogsite: http://anorakrockabilly45rpm.blogspot.co.uk

On the Harrison, NJ. Cool label (# 135B) we go now to TOM WILSON and « Why’d you pick on me », a fast Rockabilly flavored Country rocker, with fine slapping bass. The name of the singer sounds familiar to me, I know at least another Tom Wilson on the Crest label out of California, surely a different person. The disc is from 1960.

 

Next two tracks are sung and played by BUDDY ALLEN and his Drifting Vagabonds on the Driftwood label (# 1001) from Waynesboro, PA. « Driftwood on the river » is the side for hillbilly bop fans : a medium paced ditty, with a nice mellow voice, backed by a fiddle and steel-guitar (a solo). A great record from, I’d say, 1955. Allen had another issue, « Allegheny moon » on Driftwood 1002 (untraced)

The flipside is totally different. « God loves His Children » is a fast sacred hillbilly with a good touch of bluegrass : a mandolin solo per example. Hear the most the great falsetto vocal ! Is the singer the same Buddy Allen who did « Shine, shave, shower » on Tennessee 748?

driftwood labelBuddy Allen « Driftwood on the river »download

Buddy Allen « God loves His children »download

 

 

From Louisiana next two tracks by a relatively famous HOLLIS ALBIN, for the minor classic « Vee-eight Ford boogie » on the Hammond label, out of Baton Rouge (1959). Loud drums, nasal vocal, topical lyrics, all these make of the track a gem, a classic. (# 106A). The flipside is, in my mind, equally good, altho’ in a different manner. « Uncle Earl don’t stand alone » is a medium hillbilly bop, with a backing of banjo and fiddle, over amusic lyrics.

 

Hollis Albin, « Vee-Eight Ford boogie download

 

Hollis Albin, « Uncle Earl don’t stand alone »download

hammond earlhammond Vee

 

 

 

 

 

 

Finally two tracks by the legendary PRAIRIE RAMBLERS. They were Texans, but recorded (during a tour?) in NYC for the ARC label. First « Gonna have a feast here tonight » (on the reissue label Melotone 13412-B) is an exuberant number sung by Salty Holmes, who holds also the harmonica. Tex Atchison plays the fiddle. The orchestra sings in unisson on this song cut on April 18, 1935. Second, their greatest classic, « Deep Elem Blues » (about the events in the ‘hot’ quarter of Dallas) cut on August 15, 1935, has clarinet (solo), banjo, fiddle. The whole thing is a mess! (Melotone 5-11-51). What a slap bass, by Jack Taylor, ahead by 20 years on Sonny Fisher‘s « Rocking Daddy »…Same session saw also the first cut of « Just because« , later sung by Elvis on Sun!

melotone feastmelotone blues

 

Prairie Ramblers, « Gonna have a feast here tonight »
download

 

Prairie Ramblers, « Deep Elem blues »

download

 

 

 

Enjoy the selections, you can always post comments, corrections or additions. If you prefer a direct link, go to my email address : xavier.maire@free.fr. Bye, till next fortnight.

early June 2014 fortnight favorites
mai 31st, 2014 by xavier

mystic 0528 ray mckinney washday bluesHowdy folks! En route for a new batch of bopping ‘billies. Main instrument will be fiddle (but not in all titles present), always to the fore. It even had in places good solos. Second instrument (normal in honky tonk) is steel-guitar. By accident, I’ve uploaded two yodeling vocalists too. Music rounds up from 1954 to 1961, from Texas and southern New Mexico to Ohio. Here we go…

RICKY McKINNEY offers on the Mystic label (# 0528) (an RCA custom pressing from 1958) the nice Western swing flavored « Washday blues« . Roswell, New Mexico.

Ricky McKinney, « Washday blues »download

Second offering is by a well-known guy (for his Rockabilly side « My square dancing’ mama (She’s done learned to Rock’n'roll)« . Here is the flip side (MGM 12195 from March 1956), « Your wild life’s gonna get you down« , very much in a traditional Honky tonk manner. The name: BOB GALLION!
Bob Gallion, « Your wild life’s gonna get you down »download

 

Abbott 12A freddie frank 12,000 texas lo,ghorns

Freddie Frank, « This old rig »download

 


permian 1001 freddie frank this old rig

 

 

 

 

 

 

 

 

 

 

From an unknown location I guess Ohio, on the microscopic Chuck’s label (although # 3434 seem to evoke other previous issues) by CHUCK SMITH. Without doubt his own label, where he delivers a great, dramatic bluesy (à la Hank Williams) « Lovesick daddy« . Smith even does yodel. I wish to hear more by a man of this talent. Chuck Smith, « Lovesick daddy »download

Finally back to Texas (Plainview) on the Flair label (# 1021-1023) by JAMIE HILLIARD, « I’m going back to my  Indian maiden« . Good piano (solo) and guitar, and the fiddle takes two solos, while Hillard vocalizes in yodel too. Indeed nothing to do with the Los Angeles Flair label (Richard Berry, Elmore James, etc.) of the Biharii Brothers.

chuck's 3434 chuck smith love sick daddy

 

flair 1021-23 jammie hilliard I'm  going back to my indian maiden

Jamie Hilliard, « I’m going back to my Indian maiden »download

 

 

Hope to hear from you! Any comments or additions welcome (even bad ones!). My thanks as usual go to Ronald Keppner: he’d help me a lot for the Shorty Long story.

June 2nd, 11h47PM. I don’t really know what happened. I had included Shorty Long’s « Goodnight Cincinnati, good morning Tennessee » (King 953), announcing the next feature on him in Bopping. Really cannot understand: everything about him disappeared from the project (pictures, text and music).Sorry for inconvenience! Blame on internet wizardry? Also all my article on Freddie Frank, whom you only have without any explanation two tunes. More on him later!

late May 2014 fortnight favorites
mai 15th, 2014 by xavier

This time we focus on 3 artists only. First DARNELL MILLER, who has enjoyed a comfortable Country music career for 5 decades in W. Va (a long-time affiliate to the famous WVA Jamboree), is present here with three of his early records. On the Dale label (a Starday custom) # 630 from Bluefield, W.Va, in May 1957, he released a very honest medium-paced hillbilly (fiddle present) with « Gettin’ out of the woods« . Two years later, he was to have two nice Country-rockers on the main Starday serie (in the meantime, he had been presented to Don Pierce, boss of the label, in Nashville). He delivers the energetic « Royal flush » (Starday 422) as well, several months later, the equally nice (where he seems to double his voice over) « Back to you » (Starday 459). Later on, he cut many, many records until his retirement early in the 2000s.

DarnellMillerPicture1

Darnell Miller, ’90s

630-B (dale) darnellmiller gettin' out of the woods

starday 422 darnell miller royal flush

starday 452 darnell miller back to you

 

 

 

 

 

 

 

 

 

 

Darnell Miller « Gettin’ out of the woods » download

Darnell Miller « Royal flush » download

Darnell Miller « Back to you » download

 

The second artist presented here has no biographical data. BILL DUDLEY had cut in Nashville a good amount of records from 1953 to 1972 (in Canada) then disappeared from Dick Grant’s antennas. I’ve chosen the nice hillbilly released in November 1953 by Capitol (# 2662) « If I cry« . All in all, he recorded between 1953 and 1954 thirteen tracks for this label, which issued 4 singles. The next track by him is the fine Country-rocker « Oh please Mr. Conductor » on the Todd label (# 1046) from 1959. This tiny label issued several good disks during this period by Lee Bonds, Jimmie Fletcher or Jericho Jones, to name the most well-known in the Hillbilly bop/Country-rock field.capitol 2662 bill dudley - If I cry
Bill Dudley « If I cry » download

todd 1046 bill dudley oh please mr. conductor

Bill Dudley « Oh please Mr. Conductor » download
Down in Louisiana, I will dwell on JOEY GILLS upon. A protégé of Jay D. Miller, and né Joseph Guillot, he hailed from Thibodeaux vicinity, La. where he was born on a farm in 1929 (died 2013).A relative to Cajun superstar Johnnie Allan, during the early ’50s, he often gigged with Rusty & Doug, and he sounded so much as Hank Williams that J. D. Miller often used him to test new songs. Here it is his first record from 1953-54 « Hey Meon » (Feature 2002), cut in Crowley, La (J. D. Miller studio): Gills is backed by Lonnie Jones (later known as « Lazy Lester« ) on washboard, Johnny on steel (Miller can’t remember his full name) and Wiley Barkdull on piano for a very good waltz-paced ditty, partly sung in French. In February or March 1956, he cut 4 tracks for Mercury, either in Crowley, or in Nashville, which included the great medium boppers « (I am) Like a dog without a bone », « My name is Joe » and « Consolation prize« . From then on, Gills had his own radio show in Thibodeaux on KTIB, but recorded only this song (found on Youtube).
Joey Gills: « Hey Meon »
http://www.bopping.org/wp-content/uploads/2014/05/feature-2002-Joey-Gills-Hey-Meon.mp3download
Joey Gills « Like a dog without a bone »
http://www.bopping.org/wp-content/uploads/2014/05/Joey-Gills-Im-Like-A-Dog-Without-A-Bone-1956.mp3download
Joey Gills « My name is Joe »
http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3ref= »http://www.bopping.org/wp-content/uploads/2014/05/06-My-Name-Is-Joe-Joey-Gills.mp3″ target= »_blank »>download
Joey Gills « Consolation prize » download
Joey Gills « Baby, leave your troubles at home »
http://www.bopping.org/wp-content/uploads/2014/05/Baby-Leave-Your-Troubles-At-Home-Joey-Gills.mp3downloadmercury 70867 gills a dogmercury 70832 Gills Joe recadrée

feature 2002 joey gills hey meon

Early May 2014 fortnight’s favorites
mai 1st, 2014 by xavier

Howdy folks, the first serie of the two selections for May.

The exuberant « It always happens to me » by RUFUS SHOFFNER & JOYCE SONGER (wife of Earl) cut in Detroit in 1962 seems stylistically go back to the mid to late ’50s. It’s a great fast bopper (piano, guitar and an energetic rhythm, and an exulting duet vocal), which  was issued on Fortune’s label subsidiary Hi-Q 14, and can still be found on various recent compilations, as in Boppin’ Hillbilly vol. 5. Shoffner made several fine sides on Hi-Q or Fortune, or earlier on Kentucky’s Countryside label. More on him later in this site.       »It always happens to me » download

rufus shoffner

Rufus Shoffner

More famous from the West coast is TENNESSEE ERNIE FORD (1919-1991),who cut a fine string of Hillbilly boogies from the end of the ’40s (« Milk ‘em in the morning blues« ) to the mid-50s, when he crossed the marked with the top-seller « Sixteen tons » (written by Merle Travis). Here he delivers from July 1950 on Capitol 1295 the much acclaimed « The shot gun boogie » (which had many, many versions later by others, even during the R&R era, f.e. Jesse Lee Turner), backed by the Cliffie Stone crew, among them the excellent Speedy West (steel), Billy Liebert (piano) and Jimmy Bryant (ld guitar).

220px-Tennessee_Ernie_Ford_1957

T. Ernie in 1957

T. Ernie Ford « The shot gun boogie » download

 

hiQ 17 rufuscapitol  1295 shotgun boogie

 

 

 

 

 

 

 

 

 

For the rest  of the selections, we’re turning to obscure artists. From Pennsylvania in 1958 on the Skyline label (not to be confused with the Indianapolis label: the Blankenship Brothers) # 106 comes BOB ENGLAR and  » Always dreaming« , a very nice bopper (guitar/steel/fiddle solos). FRANK DARRIS had in 1963 the same energy as Englar for an honest Rockabilly, his personal version of Marty Robbins’ « Ruby Ann » on the Roy label. The wizardry is the same two-sided disc came on two other labels, Thunder and Advance. Another Rockabilly we find from Alabama, early ’60s, « Baby I don’t care » (not the Elvis’ song) by DAVID GREGG on the McDowell label.

Bob Englar « Always dreaming » download

Frank Darris « Ruby Ann » download

skyline 106B

 

 

roy 1030mc dowell

 

 

David Gregg, »Baby I don’t care » download
Dempsey Sims, « Blue eyed baby » (Sam version)
http://www.bopping.org/wp-content/uploads/2014/04/Dempsey-Sims-Blue-Eyed-Baby-Country-Bop-45-Sam-Version.mp3download

Dempsey Sims, « Blue-eyed baby » (Huber version)download

Finally the same song, « Blue eyed baby » is a yodeling bopper first issued in 1956 on Esta 284 (untraced)and  later recorded twice by DEMPSEY SIMS in 1957 on Huber (time 2’39″) and Sam (time 2’07″). The Sam version seems more polished. Dempsey later had « Blues tomorrow » in 1967 on the Nashville label.

I feel sorry for the light defaults of the scans: my sight is failing (too much reading microscopic master numbers on records!)

 

 

 

 

 

 

 

 

 

 

 

 

 

sam 122huber 1003

 

 

 

 

late April 2014 fortnight favorites
avr 15th, 2014 by xavier

For this early Spring favorites selection, I’ve chosen mostly – that is unusual – major labels recordings!

The first three on King probably all cut in Cincinnati between 1949 and 1950. The earliest track is by RED PERKINS (born in 1890), who had begun his career before WWII and was later the featured vocalist of PAUL HOWARD  Arkansas Cotton  Pickers (see below). Here it is his « Hoe-Down Boogie » (King 792), a fine call-and-response fast bopper. He also had « Crocodile tears » the next year. His first issue on King (# 773) was « Texas Boogie« , and the personnel was then Jabbo Arrington [gt], Billy Bowman [steel], Bob Moore [bass], Roddy Bristol [fiddle], Fiddlin’ Red Herron [fiddle], Joe Rea [drums], poss. Harold Horner [piano]. The backing is probably similar.

king 792-AA red perkins hoe-down boogie

king 871-AA DJ paul howard the boogies fine tonight

Second selection is of course by PAUL HOWARD: « The boogie’s fine tonight« . Fine piano bopper (# 871), and the next is by the famous REDD STEWART, featured vocalist of Pee Wee King‘s Golden West Cowboys. Actually, except accordion (inaudible) the GWC are the backing band of Stewart for this great « Brother drop dead » (# 843). Fine piano, aggressive steel punctuating the beat.

 

paul howard

Paul Howard

Red Perkins, « Hoe-down boogie » download

Paul Howard « The boogie’s fine tonight » download

 

 

king 843AA Redd stewart brother drop dead boogiecapitol 2715 gene o'quin I specialize in love

One step away to West coast on the Capitol label for GENE O’QUIN and « I specialize in love » (# 2715). Fast bopper from 1954.
Gene O’Quin « I specialize in love » download

Back to early days. Dallas, Texas, Jim Beck’s studio, April 1951. The MERCER  Brothers (Wallace and Charlie), an old-time male duet do a very energetic « Wish bone » on Columbia 20978. They sound like the Delmore Brothers, and even have WAYNE RANEY on harmonica for a great solo! Thanks to Jack Dumery to have led me to them (and for the CD!)

redd stewart

Redd Stewart

Mercer Brothers « Wish bone » download

Eddie Crosby « Blues stay away from me » download

Danny Dedmon « Hula hula woogie » download

 

 

 

 

The link with the former is the Delmore and a version of their all-time great « Blues stay away from me« , a cityfied rendition (Cincinnat, August 1949) by EDDIE CROSBY. Nice guitar (could be Zeke Turner).

Finally back in Dallas with DANNY DEDMON, former vocalist of Bill Nettles. Actually his Rhythm Ramblers are Nettles’ Dixie Blues boys. Here he does in 1947 the amusing « Hula hula boogie » on Imperial 8019.

columbia 20927 mercer bros. wish bonedecca 46180 eddie crosby blues stay away from meimperial 8019 danny dedmon hula hula woogie

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Sources: my own collection and the net for artists pictures.

early April 2014 fortnight’s favorites: the IMPERIAL label, 8200 serie (1953/54)
avr 1st, 2014 by xavier

For this new serie I have chosen to focus on 7 releases on the Imperial label. Indeed they all will be from the famous 8000 serie, and more precisely (with one exception) in the 8200.

Imperial 8000 had begun in 1947 with releases from Danny Dedmon or Link Davis, and the serie had pursued throughout the late 40s and early 50s with varying success. Sides appeared by Jimmy Heap, Tommy Duncan or more obscure artists as Ed Camp or Harry Rodcay. All had a label adorned by 5 stars, and were issued in red (78 rpm) or blue (45 rpm). Majority of sides were cut in Dallas (Jim Beck’s studio).

In 1953, Imperial had a huge success with the first white cover of Big Mama Thornton’s « Hound Dog » by BILLY STARR (# 8186). It’s a very nice version: belting vocal, haunting guitar, nice piano and accentuated drums. Actually it’s almost a rocker. Recorded in March 1953, it had contenders by Eddie Hazlewood, Betsy Gay and Tommy Duncan, all on Intro. Herald in NY had Cleve Jackson’s version (actually Jackson Toombs — full story elsewhere in the site).

imperial 8186 billy starr

imperial 8226 curley sanders too much lovin'

imperial 8204 gene hensleeThen comes up CURLEY SANDERS, who cut « Too much loving’ » in April 53. A good, fast hillbilly, in average (steel,piano, fiddle, guitar and bass) format.(# 8226). GENE HENSLEE next (# 8204) in June 53 had « I’m like a kid a-waitin’ », similar to his other releases, « Dig’n'datin’ » or « Rockin’ baby ». July 1953 saw cut the nice, very effective (bass) medium paced « Talking to the man in the moon » by BILLY Mc GHEE (# 8214).

Billy Starr « Hound dog » download
Curley Sanders « Too much lovin’ » download

Gene Henslee « I’m like a kid a-waitin’ » download

 

imperial8214 billy mcghee

Billy McGhee « Talking to the man in the moon » download

Earl Songer « Whoopie baby » download

Van Howard « I’m not a kid anymore » download

imperial 8259 earlsonger

Then comes in 1954 next artist, VAN HOWARD and the minor classic « I’m not a kid anymore » (# 8234). Real name Howard Vanderverdner. This track was covered recently (mid 90s) by the Starlighters.

# 8259 is the number to the great « Whoopie baby » by EARL SONGER. Seemingly this was cut in Detroit.

Finally another song lent from a smaller label: « Dunce cap » by JIMMY KELLY, this time from Louisiana’s Jiffy label. Great steel.(# 8275)imperial 8275 jimmy kelly ret
Jimmy Kelly « Dunce cap » download
Thanks to Ronald Keppner for the loan of rare 78rpm.

Earl Songer

late March 2014 fortnight’s favorites
mar 15th, 2014 by xavier

Let’s begin this new favorites selection with the first (?) record by an artist who would have much, much later fame as Boxcar Willie. Here he’s named MARTY MARTIN on the Honeycomb label and he sings a good « Mobile, Alabama blues ».

honey comb 102 marty martin Mobile, Alabama blues

poor boy 105 les & hlen tussey they went around

MGM 4070 arthur smith guitar and piano boogie

Marty Martin « Mobile, Alabama blues » download

Les & Helen Tussey « They went around » download

From Indiana in 1960 we find on the Wayne Raney‘s label Poor Boy LES & HELEN TUSSEY doing the nice rockabilly « They went around« .

Next is a famous ARTHUR SMITH on a rare French MGM Issue for the instrumental « Guitar and piano boogie ». Title says it all.

 

Arthur Smith « Guitar and piano boogie » download

 

 

Finally, thanks to a Mr. Noel T, I put my hands on two rare JESS WILLARD disks. First the completely unknown G&G 107 double-sider « I’m branding my darling with my heart » (earlier cut by Jack Guthrie) and « Hillbilly heaven » (this is apparently not Eddie Dean’s song). Both sides are gentle hillbilly boppers from 1957. G&G was a parent label to Ka-Hi which Willard had « I’m telling you » on. Second is the Sundown 126 « Cops and robbers/Night time is cry time » from 1959, posthumously issued. Alas, both sides are completely pop.

Jess Willard « I’m branding my darling with my heart » download

g&g107A Jess Willard hillbilly heaven
Jess Willard « Hillbilly heaven » download
g&g107b jess willard I'm branding my darling with my heart

 

 

 

 

Jess Willard « Night time is cry time » download

Jess Willard « Cops and robbers » download

 

sundown 126A Jess willard night time is cry time

sundown 126B Jess willard cops and robbers

early March 2014 fortnight’s favorites
mar 4th, 2014 by xavier

Howdy y’all, folks. A little bit late, back from holidays. Here is my new choice of favorites. As usual, a selection of tunes of the great era.
HARRY HANSON on the Louisiana Empire label (# 795, a Starday custom) with « Just remember » from 1959. Fine primitive hillbilly bop which could well have been cut 3 or 4 years earlier.
empire 795B Harry hanson just remember

fortune 185 cal davis partnership love affair rec

Harry Hanson, « Just remember » download

Cal Davis, « Partnership love affair » download

 

 

 

 

 

 

 

From Detroit on Fortune 185, CAL DAVIS and rockabilly « Partnership love affair« , complete with steel and guitar.
Two sides by the very good EUEL HALL from Texas, on the Towne House label (# 11). Lazy vocal, assuring guitar for « Blue feeling » and « Stand in line« . Cross between hillbilly bop and rockabilly.

towne house 11 euell hall blue feeling

tex 105B billy barnett tired of your honky tonk love rec

towne house 11 euel hall stand in line

Euel Hall « Stand in line » download
Euel Hall, « Blue feeling »
http://www.bopping.org/wp-content/uploads/2014/03/towne-house-11-Euel-Hall-Blue-Feeling.mp3download

BILLY BARNETT now and the minor classic « Tired of your honky tonk love » on the Phoenix Tex label (# 105). Fine guitar.
And finally, a fast bluegrass bopper by KEN CLARK, « Big man » on Starday 495 from 1960. Great banjo and mandolin backing. Ken Clark was also on the Nashville label (see elsewhere in the site).
Billy Barnett « Tired of your honky tonk love »
http://www.bopping.org/wp-content/uploads/2014/03/Tex-105B-Billy-Barnett-Tired-Of-Your-Honky-Tonk-Love-www.keepvid.com_.mp3download

starday 495 ken clark big man
Ken Clark, « Big man » download

early February 2014 fortnight’s favorites
fév 3rd, 2014 by xavier

Howdy folks. Excuse me, a little bit late…

First on the D label (#1034), the very Hollyish « Sady » by DOUG STANFORD. Very nice Rockabilly guitar and vocal hiccups. A medium bluesy « Separate ration blues » by BILL FREEMAN (later on All-star)(vocal « Buddy » Young): good piano, sax and fiddle.

d 1034A doug stanford sady

tex-talentwinkler 88Hillbilly boogie with AL WINKLER for « Show boat boogie » on the Winkler label # 45-88 . Boogie guitar, mandolin, and call-and-response format.

Doug Stanford, « Sady »download

 Bill Freeman (Bddy Young) « Separate ration blues » download

 Al Winkler, « Show boat boogie » download

 

 

 

 

 

From Indiana, a fast blegrass, « A use to be » by BRYANT WILSON on Adair 620. A nice atmospheric (steel led) « Stoney mountain » by BOBBY BROWN on Backwater 945.

And finally CHUCK GODDARD on the famous Georgia Trepur label (# 1005) with the piano-led « The moon won’t tell« .

adair 620 bryant wilson A use to be Rblackwater 945 bobby brown Stoney-mountaintrepur 1005 Bryant Wilson « A use to be » download
Bobby Brown « Stoney mountain » download
Chuck Goddard « The moon won’t tell » download
There will be next fortnight in early March only.

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