Not much info this time on artists or music I am afraid.
HAROLD MONTGOMERY has already been posted for his great 1969 bopper on Sun-Ray 139 « All them wives/Pardon me Jim« . This time I’m putting an equally good side with «How much do you miss me ». Wolf-Tex # 103 label, which emanates from Lancaster, KY. Solid backing by the Ray Johnson band over a hiccupy vocal. This record is sold between $ 300 and 400, maybe a lot more ! Montgomery had also « Thank you little girl » on Wolf-Tex 105, and « Gabriel doesn’t play a steel guitar » on Lemco (no #), both untraced.
« How much do you miss me«
The next artist was an itinerant D.J., who also carried from town to town his own record for sale. JOHNNY DAUME (Johnny Daume label # 1001) is an early ’50s double-sider with strong Western swing overtones : lazy vocal, a prominent fiddle and a discreet steel , all this reminds me of Texas bands of the mid to late ’40s. »Boogie woogie blond » and « Lookin’ fer a gal in Tennessee » are mouled in the same matrix, one slow, the other side more medium uptempo. A nice record.
« Lookin’ fer a gal from Tennessee« http://www.bopping.org/wp-content/uploads/2015/10/Johnny-Daume-1001B-Johnny-Daume-Lookin-fer-a-gal-in-Tennessee.mp3download
« Boogie woogie blond« http://www.bopping.org/wp-content/uploads/2015/10/Johnny-Daume-1001_A-boogie-woogie-blond.mp3download
From Johnson City, TN hails BILLY SIZEMORE. A fine country-rocker (heavy drums) over fiddle and steel for « My baby’s gone » (Edmac # 104). No other data available.
« My baby’s gone« http://www.bopping.org/wp-content/uploads/2015/10/edmacA-104-Billy-Sizemore-My-Babys-Gone.mp3download
Marty Robbins had done « Mean mama blues » on Columbia in early 1956 – urgent vocal and fast rockabilly backing. Same song is revived 4 years later on Circle Dot # 1002 (Minneapolis, MN) by RONNIE RAY. This version is on a par with the original. Ray also had another issue on Demand 101 (« My heart has to make it (on it’s own) » (untraced).
Marty Robbins « Mean mama blues« http://www.bopping.org/wp-content/uploads/2015/10/columbia-21477-Mean-Mama-Blues.mp3download
Ronnie Ray « Mean mama blues« http://www.bopping.org/wp-content/uploads/2015/10/circle-dot-1002-Ronnie-Ray-Mean-Mama-Blues.mp3download
« I don’t care anymore« http://www.bopping.org/wp-content/uploads/2015/10/b-w-Q-609-Les-His-Western-Playboys-I-Dont-Care-Anymore-1961.mp3download
« It’s rough« http://www.bopping.org/wp-content/uploads/2015/10/w-b-103-Les-And-His-Western-Playboys-Its-Rough.mp3download
LES & His Western Playboys comes next in 1961 on the B-W label (# Q-609). A prominent steel over a light country rocker. Maybe Les was named « Haven » : that’s the writer of « I don’t care anymore ». This outfit had another on the Wel Burn label (parent to B-W) # 103 with the good uptempo from 1962, « It’s rough« , cut in Wooster, OH and reviewed on May 5th, 1962 by Billboard. Nice steel throughout.
« Workingman’s blues« http://www.bopping.org/wp-content/uploads/2015/10/Armoneer-1003-Ronnie-Newton-Workingmans-Blues-59.mp3download
Armoneer 1003 : RONNIE NEWTON and « Workingman’s blues ». A good 1959 record ; solid vocal and backing, fine boogie guitar and piano backing. Cut in Wynona Lake, Indiana.
Notes : all selections from the net or (Johnny Daume) from « Hillbilly Researcher » blogspot.
EARL MONTGOMERY (backed by Shorty Underwood) delivers first « You played me for a fool » on the Slim Willet owned Edmoral label (# 954). It’s an uptempo hillbilly bop, with assured vocal. Backing consist of piano, steel and fiddle, each one having a short solo.
« You played me for a fool« http://www.bopping.org/wp-content/uploads/2015/10/edmoral-954B-earlmontgomery-You-Played-Me-For-A-Fool-Thats-All.mp3download
On the microscopic Marshall label (no #) probably from Atlanta, Ga. we find now PERCY MARSHALL and the double-sider « Leaving town/Give me my guitar and traveling shoes ». A GREAT lazy vocal Country-blues from the late ’50s or early ’60s. It reminds me of Harmonica Frank Floyd, and even has words to the traditional « Matchbox ». The faithful Drunken Hobo adds this: « rite pressing 16481/2 = 1966 Marshall 45- # ». So now we have a probable date of issue.
« Leaving town« http://www.bopping.org/wp-content/uploads/2015/10/marshall-A-PERCY-MARSHALL-LEAVING-TOWN-MARSHALL.mp3download
« Give me my guitar and traveling shoes« http://www.bopping.org/wp-content/uploads/2015/10/marshall-PERCY-MARSHALL-GIVE-ME-MY-GUITAR-TRAVELING-SHOES-.mp3download
« For wrongs you done« http://www.bopping.org/wp-content/uploads/2015/10/For-Wrongs-You-Done.mp3download
In a previous Fortnight I had posted HAL ANDREWS and his famous « Brown-eyed girl » on Choctaw. Now here is, with a nice mid-paced shuffler (steel, piano), « For wrongs you done » on the Escambia label ( 0502) from 1959. Indeed he had had earlier at least one record on Rich-R’Tone.
Next artist is not familiar, although he offers a fine bopper (complete with sound effects) with « No parkin’ here » on Columbia 21259 (not apparently to be confused with the Bobby Grove song on King – posted early in this site). JIMMY LITTLEJOHN had another (maybe for a future fortnight) great «Haunted blues » (# 21320).
« No parkin’ here« http://www.bopping.org/wp-content/uploads/2015/10/columbia-21259-jimmy-littlejohn-No-Parkin-Here.mp3download
« Devil or an angel« http://www.bopping.org/wp-content/uploads/2015/10/A-B-S-203-Jimmie-Avants-Devil-Or-An-Angel.mp3download
On JIMMY AVANTS (A-B-S label # 118), « Devil or an angel » (some crackings, sorry), I could find nothing, even a location for the label. A fast bopper with a nice steel solo. Value: $ 50-60. You can find many informations on the A-B-S label on: http://anorakrockabilly45rpm.blogspot.co.uk/2014/06/a-b-s-de-45rpm-american-best-sellers.html (Dean C. Morris site)
From Kalamazoo, Michigan comes WAYNE ROBERTS on the Key label (# 15305) for the fine « Do blonds have more fun ? » : great interplay between steel and lead guitar. A short rockabilly solo. A nice awesome find.
Finally from Tampa, Fla. « My world keeps rolling on and on » by CLYDE GUTHRIE on the Nugget label (# 1005). A fast number, an husky voice and a short steel solo.
« Do blonds have more fun?« http://www.bopping.org/wp-content/uploads/2015/10/key-15305-Wayne-Roberts-Do-Blonds-Have-More-Fun-.mp3download
« My world keeps keeps rolling on and on« http://www.bopping.org/wp-content/uploads/2015/10/nugget-1005-Clyde-Guthrie-My-World-Keeps-Rolling-On-And-On-1960.mp3download
All selections taken from the net.
First selection, « Afraid to love again » on the Rhythm Kings label (location unknown) # 1207 by WAYNE CROSS with Porter Fender (on guitar?) is a jumping little thing with fine guitar throughout. A short and uninspired solo – as my current notes of course ! Cross cut another very Cash-styled effort on Rhythm Kings 1208 « Put another dime in the juke box« .
« Afraid to love again« http://www.bopping.org/wp-content/uploads/2015/09/Rhythm-Kings-1207-Wayne-Cross-with-Porter-Fender-and-The-Rhythm-Kings-Afraid-To-Fall-In-Love-Again-.mp3download
BOBBY HODGE second. Born 1932 in N.C. He was active during the ’50s and ’60s in Wisconsin. Here he delivers « Gonna take my guitar » on Rebel 819, it’s difficult to give a date of issue. Urgent vocal, hard lead guitar (2 soli) and a steel solo. In a very different manner, in 1964, he had on Golden Ring 3040 a new version of Jimmy C. Newman‘s « Alligator man ». Same guitar as on previous record. Add Hodge re-cut « ..guitar » as « Carolina bound » on Nashville 5014 (1960), perhaps in a next fortnight.
« Gonna take my guitar« http://www.bopping.org/wp-content/uploads/2015/09/Rebel-819A-Bobby-Hodge-Gonna-Take-My-Guitar.mp3download
« Alligator man« http://www.bopping.org/wp-content/uploads/2015/10/golden-ring-3040-bobby-hodge-alligator-man.mp3download
« I can’t (take the easy way out) » is a fine uptempo with good although too short steel solo, by JEANNE JOHNSON on the Maarc label # 1501 (Ohio origin). Sincere vocal.
From Lakeland, Florida comes LEFTY NICKS on the Nicktone label # 6019, « Always alone ». Steel and lead guitar interplay. Rite pressing from 1961.
« I can’t (take the easy way out« http://www.bopping.org/wp-content/uploads/2015/09/maarc-Jeanne-Johnson-I-Cant-Take-The-Easy-Way-Out-Maarc-1501.mp3download
« Always alone« http://www.bopping.org/wp-content/uploads/2015/09/nicktone-6019-Lefty-Nicks-Always-Alone-1961.mp3download
LAWRENCE WALKER on the La Louisiane 6019 label with the Cajun classic « Allons Rock and roll » from 1961-62, which could well have been cut 10 years earlier.
« Allons rock and roll« http://www.bopping.org/wp-content/uploads/2015/09/la-louisiane-8019-Lawrence-Walker-Allons-Rock-And-Roll-LA-LOUISIANE-8019.mp3download
Finally Red (vocal, guitar) & Lige (vocal and mandolin), the TURNER BROS. Sometimes called the Kentucky Boys as their other competitors of the same name (Zeb & Zeke, on Bullet). They do here « When harvest days are over » (Radio Artist 235) and « Honky tonk mama » (243), both from 1947. Delmore Bros . Or York Bros. style. They also appeared on Imperial 8071 (« Boog-boog-boogie », from Radio Artist 234) and a half a dozen of singles on Mercury in 1949-50.
« When harvest days are over« http://www.bopping.org/wp-content/uploads/2015/09/Radio-artist-235-The-Turner-Bros-When-Harvest-Days-Are-Over-.mp3download
« Honky tonk mama »http://www.bopping.org/wp-content/uploads/2015/09/Honky-Tonk-Mama-Turner-Brothers.mp3download
All selections taken from the net or (Turner Bros., Lawrence Walker) from my own collection.
DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.
« My shining star« http://www.bopping.org/wp-content/uploads/2015/09/nugget-OP-190-Dusty-Taylor-His-Rainbow-Valley-Rangers-My-Shining-Star.mp3download
« The hillbilly hop« http://www.bopping.org/wp-content/uploads/2015/09/leo-1824-Curly-Gibsons-Sunshine-Playboys-The-Hillbilly-Hop.mp3download
« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
« All by myself« http://www.bopping.org/wp-content/uploads/2015/09/Doug-Davis-All-by-myself.mp3download
Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King.
As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.
Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.
« Walking with the blues« http://www.bopping.org/wp-content/uploads/2015/09/king-884A-Walking-With-The-Blues-Al-Dexter.mp3download
« Hi de ho boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-884AA-Hi-De-Ho-Boogie-Al-Dexter.mp3download
« Diddy wah boogie« http://www.bopping.org/wp-content/uploads/2015/09/king-913-AAAl-Dexter-his-Troopers-Diddy-Wah-Boogie.mp3download
We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
« Record spinning boogie« http://www.bopping.org/wp-content/uploads/2015/09/meritone-1001-Smokey-Mountain-Ramblers-Record-Spinning-Boogie.mp3download
This favorites section begins with NEAL JONES. Born in the small community of Tywhop, TN, in 1922, he began his career with the Johnson Brothers on Kingsport and Chattanooga radio stations as lead guitarist as soon as 1940. He then moved to Montana, then back to Tennessee. 1953 saw him guitarist for Eddie Hill and Sonny James in Dallas, TX. That’s where he gained a contract with Columbia, and followed a long string (6) of releases with this major until mid-1955. I chose one of his earliest efforts, « Foolin’ women », (# 21292) and the double-sider nearest to Rockabilly, (# 21415) « High steppin’ baby » and « I’m playing it cool », both cut at Jim Beck’s studio in Dallas with WFAA staff musicians. Later on, Jones had his own T.V. show, and was more and more involved in a D.J. work . He finally had one record on « D ».
« Foolin’ women »http://www.bopping.org/wp-content/uploads/2015/08/columbia-21292-Neal-Jones-Foolin-Women-1954.mp3download
« High stepping baby« http://www.bopping.org/wp-content/uploads/2015/09/21415-High-Steppin’-Baby-Neal-Jones.mp3download
« I’m playing it cool« http://www.bopping.org/wp-content/uploads/2015/09/columbia-21415-Neal-Jones-Im-Playing-It-Cool.mp3download
AL OSTER was apparently a Yukon native, who cut a nice Country rocker on the Tundra label (# 101), « Midnight sun rock », paired with « Next boat », in 1960.
« Midnight sun rock« http://www.bopping.org/wp-content/uploads/2015/09/tundra-101-Midnight-Sun-Rock-Al-Oster.mp3download
« Next boat« http://www.bopping.org/wp-content/uploads/2015/09/tundra-101B-Next-Boat-Al-Oster.mp3download
Today and yesterday
Next we find the former lead guitar player for the Maddox Bros. CAL MADDOX on the Flat-Git-It (# 700) label from California. I suspect the label was his own label. « Hey Bill » is a fast Hillbilly rock from 1960 : strong guitar as expected, sawing fiddle. Shortly before that, Cal and his sister Rose had cut « Gotta travel on » on the Black Jack label.
« Hey Bill« http://www.bopping.org/wp-content/uploads/2015/08/flat-git-it-700-Cal-Maddox-Hey-Bill.mp3download
From Columbus, OH, comes the next record, « Hobo baby » by JOE & RAY SHANNON on the Shenandoah label # 246. Obviously brothers – it’s Joe singing -, they offer a strong guitar rockabilly tune, surprisingly good for 1964.
« Hobo baby« http://www.bopping.org/wp-content/uploads/2015/08/shenandoah-246-Joe-Ray-Shannon-Hobo-Baby.mp3download
Joe and Ray Shannon
On one of the many Dixie labels that flourished everywhere in the U.S., there’s this one « I guess I’m wise » (# 833) by MALCOLM NASH (with the Putman County Play Boys). Probably issued 1960. An harmonica is the prominent instrument, over a powerful rhythm guitar, while the band (2 voices) sings in unison. This record reminds me much of the Delmore Bros. On the label however there is no clue as to where do come the artist neither the label from, except it’s a Rite pressing, so probably from the Cincinnati area.
« I guess I’m wise« http://www.bopping.org/wp-content/uploads/2015/08/dixie-833A-Malcolm-Nash-I-Guess-Im-Wise.mp3download
Addition (Nov.1rst, 2015). There is a « Putman County » in Georgia. So that’s possibly where the recording occurred.
Howdy folks ! Everybody’s back from holydays ? Ready for stomping hillbilly !
The first artist chosen is BILLY RAY, born William H. Ray. He was living in Baton Rouge when he was signed by Columbia in November 1952. He cut 8 songs during two sessions. « Tired of talking to the blues » was issued on Columbia subsidiary Okeh 18009. It’s a real blues number with a spare instrumentation (guitar, piano and bass) probably cut in New Orleans. The second interesting song from the next session is « You gotta pet me baby » (Okeh 18030), a nice uptempo hillbilly. Alas, sales were poor, Columbia did not renew the contract and Ray disappeared. Maybe he’s the same on Titan in 1960.
« Tired of talking to the blues« http://www.bopping.org/wp-content/uploads/2015/07/ok18009-billy-ray-Tired-of-Talking-to-the-Blues.mp3download
« You gotta pet me baby« http://www.bopping.org/wp-content/uploads/2015/07/okeh-18030-Billy-Ray-You-Gotta-Pet-Me-Baby.mp3download
James « OTIS » PARKER was a Tennessean (1920-1992), whose career began in 1949 on Rich-R’Tone. How he came to have in 1955 a record issued on Covington, California’s New Star label # 529 (a Starday custom) is a mystery. « They don’t have to operate (they just pull the zipper) » is a comedy-hillbilly not so far from Homer Clemons of 5 years before on Modern (« Operation blues »). Good fast proto-rockabilly. Previously he also had an issue in 1951 on Holyday (untraced).
« They don’t have to operate« http://www.bopping.org/wp-content/uploads/2015/07/new-star-529-Otis-Parker-They-Don_t-Have-To-Operate-They-Just-Pull-The-Zipper-1955-.mp3download
DON TEAGUE is a completely unknown artist from the Lexington, KY area. I picked up his two records on the Rains label from 1963. First is billed as « Don Teague with Pap and the Young’uns » and gives a radio station WZEJ indication : « Oh, how bad I feel » (Rains 103) is a fast hillbilly – lot of fiddle, a rockabilly guitar solo, a nice dobro, and an assured vocal. The second (Rains 108) has no connection indication, just « Don Teague with the Blue Valley Boys ». Much slower (« Pure country music » on the label), « I’ll take a walk » is nevertheless a very nice tune, with good dobro and fiddle.
« Oh, how bad I feel« http://www.bopping.org/wp-content/uploads/2015/07/rains-103-Don-Teague-Oh-How-Bad-I-Feel..mp3download
« I’m gonna take a walk« http://www.bopping.org/wp-content/uploads/2015/07/rains-103-Don-Teague-Im-Gonna-Take-A-Walk-1963.mp3download
Just for a change, a R&B rocker by (Napoleon) CHICO CHISM on the Shreveport, La. Clif label (# 102) – the very same that beared T.V. Slim‘s first issue of « Flat foot Sam ». « Hot tamales and Bar-B-Que » (1957). Enjoy all !
« Hot tamales and Bar-B-Que« http://www.bopping.org/wp-content/uploads/2015/07/clif-102-chico-chism-Hot-Tamales-_-Bar-B-Que.mp3download
Sources : 45rpm.com (Dan De Clerk), Youtube, Okeh 18000 (Willem Agenant), malcychapman.blogspot (Starday customs)
Howdy folks ! I should have given myself a big kick, when I posted Ralph Pruett’s « Louise », last fortnight, and not having thought of the other record of the man, RALPH PRUITT, from Florida. He cut indeed the great haunting Rockabilly « Hey Mr. Porter », first on Lark 1506, later transferred on Meridian (same number # 1506).
« Hey, Mr. Porter« http://www.bopping.org/wp-content/uploads/2015/07/meridian-1506-Ralph-Pruitt-Hey-Mr.-Porter1.mp3download
Another well-known Hillbilly bop/rockabilly man whose I told the story a mere several years ago of was LOU MILLET. Until very recently I didn’t know his offering on Ekko 1024 from 1956 , which predates his solitary Republic 45 ’ (« Shorty the barber/Slip, slippin’ in » (# 7130). So here are his « Chapel of my heart » and « When I harvest my love », both ballads ; the B-side is more solid.
« Chapel of my heart« http://www.bopping.org/wp-content/uploads/2015/07/ekoA-CHAPEL-OF-MY-HEART.mp3download
« When I harvest my love« http://www.bopping.org/wp-content/uploads/2015/07/ekoB-WHEN-I-HARVEST-MY-LOVE.-.mp3download
The remaining selections are all by HUB SUTTER. He had a rich discographical career between 1946 and 57. Hubert Sutter, legally blind since childhood, was adept to both saxophone and clarinet and began his professionnal career in 1941. Later we found him as vocalist for the popular Jesse James in Austin (4* Records), before going solo on Lasso (a version of « New Frankie & Johnny« ), billed as Hub Sutter & his Galvestonians (actually Jesse James’ band in disguise). In 1950 he formed his Hub Cats and was signed with the upcoming Freedom Records in Houston. There he had two issues. « I don’t want my baby back » (# 5015) has an agile electric mandolin and possibly Herb Remington on steel. The rocking « Tellin’ my baby bye bye » (# 5030) was recorded with R. D. Hendon‘s Western Jamboree Cowboys, probably at the same session that produced Charlie Harris‘ « No shoes boogie » (# 5033).
« The craziest feeling« http://www.bopping.org/wp-content/uploads/2015/07/4-1520-The-Craziest-Feeling.mp3download
« New Frankie and Johnny« http://www.bopping.org/wp-content/uploads/2015/07/lasso-102B-Hub-Sutter-THE-NEW-FRANKIE-AND-JOHNNY.mp3download
« I don’t want my baby back« http://www.bopping.org/wp-content/uploads/2015/07/freedom-5015-hub-sutter-i-dont-want-my-baby-back1.mp3download
« Tellin’ my baby bye bye« http://www.bopping.org/wp-content/uploads/2015/07/freedom-5030-hub-sutter-tellin-my-baby-bye-bye1.mp3download
Later on Sutter dropped the steel guitar and added a second saxophone. He then worked extensively with Floyd Tillman, Link Davis, Sonny Hall and Glen Barber.
In 1957, he re-cut « I don’t want my baby back » on the Columbus label (# 103). The rollicking flipside « Gone goslin » is here. Columbus was owned by Eddie Eddings and Sonny Fisfer.
« Gone Goslin« http://www.bopping.org/wp-content/uploads/2015/07/columbus-103-hub-sutter-gone-goslin.mp3download
Sources : Internet, and the notes to CD « Heading back to Houston » (Krazy Kat). With help from Drunken Hobo. Of interest also was the Hillbily Researcher blogspot and the entry to « Columbus Records » or Terry Gordon’s invaluable Rockin’ Country Style.
Let’s start this batch of fortnight’s favorites with a mysterious CURT HINSON. He hailed from S.C. and was at one time tied with WDLC in Dillon, S.C., where he was known as « Curt Hinson & His Sunset Troubadours ». Nothing is known about him except for two, maybe three records. The first one on Gotham 431, « Let’s see you smile » (1952) was coupled with « Down deep in my heart ». The first side is a nice uptempo, partly duetted (with the mysterious « Molinaro », who co-penned this track and the A-side on Carolina ?), over a chanting steel all along and a good swirling fiddle. The same songs were apparently reissued straight out on N.Y.C. Carolina label # 1001.
On Carolina 1003, Hinson has two « new » songs, « Cotton picking baby », a nice uptempo – weird and fooling fiddle, a steel solo and Troy Ferguson on the lead guitar. The flip side « You’re old love is haunting you still »[sic] is on a par with the presumably A-side. Fine relaxed vocal from Hinson, ably backed by a fluent guitar player. The identity of the guitar player was given by « HillbillyBoogie1 » on his Youtube chain, and I wonder where the information came from.
« Let’s see you smile« http://www.bopping.org/wp-content/uploads/2015/07/Gotham-431-curt-hinson-lets-see-you-smile.mp3download
« Cotton picking baby« http://www.bopping.org/wp-content/uploads/2015/07/Carolina-1003B-Curt-Hinson-Cotton-Picking-Baby-1953.mp3download
« You’re old love is haunting you still« http://www.bopping.org/wp-content/uploads/2015/07/carolina-1003-Curt-Hinson-Youre-Old-Love-Is-Haunting-You-Still.mp3download
From East coast we go now to Texas and the Fort Worth area. EARL WRIGHT & Texas Oldtimers has a good double-sider on Cutt-Rite in 1962 (# 100). « Married man blues » and « You don’t know it » are good Western swing flavored (prominent fiddle, even a solo) boppers. Nice guitar too, with jazzy overtones and a fine piano. A very nice relaxed record. Wright had at least another record, Jimmie Rodgers’ « T.B. Blues » on Bluebonnet 325 (untraced).
« Married man blues« http://www.bopping.org/wp-content/uploads/2015/07/cutt-rite-326B-earl-wright-married-man-blues.mp3download
« You don’t know it« http://www.bopping.org/wp-content/uploads/2015/07/cut-rite-100-YOU-DONT-KNOW-IT.mp3download
Now on to Ohio, with GLENN & VIVIAN WATSON, who do a good duet with « Just keep on going » on the Dayton, OH label BMC # 1000, from 1959. Fine picking guitar throughout a la Merle Travis. Vivian did in 1956 a solitary tune « Hoping that you’re hoping » on a budget Big 4 Hits EP # 195.
« Just keep on going« http://www.bopping.org/wp-content/uploads/2015/07/BMC-1000-Glenn-And-Vivian-Watson-Just-Keep-On-Going-.mp3download
Finally I chose from Nashville a Murray Nash production [see Mellow's Log Cabin i (hillbillycountry.blogspot.fr) for more info] by RALPH PRUETT and the song he wrote (not the blues/ traditional classic) « Louise » on B.B. 226, the very last one on this label, which saw no less than 3 Dixieland Drifters records. Topical lyrics, « Be-bop-a-Lula » is named, « Louise she’s my queen », over a relaxed vocal, with fine steel in the background plus n excellent fiddle solo.
« Louise« http://www.bopping.org/wp-content/uploads/2015/07/bb-226-Ralph-Pruett-Louise.mp3download
Sad news in France : a GREAT guy is gone, Bernard Boyat. Fine discographer, essential writer and reviewer for many magazines [more than 50, among them the vital French « Rock’n'Roll Revue » or « Le Cri du Coyote ») since the ’70s, a true gentleman, he had an encyclopedic knowledge of Rock’n'roll in general, with a special sympathy for Louisiana and Cajun people. He did help the launch of « bopping » with the co-writing of the article NATHAN ABSHIRE in January 2009. May God Almighty save his Soul and let him keep Rock’n'rolling in Heaven !
As usual, my special thanks to Internet, Alexander Petrauskas for his site « hillbillycountry.blogspot », and Youtube « HillbillyBoogie1″.
Arlen Vaden was D.J. at WCKY out of Cincinati, OH, when he launched in 1958 his own Vaden label. The first issue (# 100) of the new label was by BOBBY BROWN & The Curios, who consisted of Brown (vocal, rhythm guitar), Shorty Stewart (lead guitar), Tommy Jones (bass) and Johnny Welker (drums). This record was cut at WCKY, and later on reissued on Vaden 107. « I Get The Blues « is of course bluesy with a fine lead guitar (long solo).
« I Get The Blues« http://www.bopping.org/wp-content/uploads/2015/06/vaden-107-Bobby-Brown-I-Get-The-Blues.mp3download
« Bobby’s Blues« http://www.bopping.org/wp-content/uploads/2015/06/vaden-109-Bobby-Brown-Bobbys-Blues.mp3download
Early 1959 saw Bobby Brown back for another issue on Vaden 109, this time cut at KLCN radio in Blytheville, Arkansas. Twin-lead guitars (J.C. Caughron & Tommy Holder), Larry Donn (bass), Johnny Welker (drums), but the most important and pulsating instrument is Teddy Redell‘s piano, who adds a brillant and pulsating flavor to « Bobby’s blues ». Thanks to Alexander Petrauskas who provided me with all the information. Do visit his great blogsite « Arkansas 45rpm records » or « Mellow’s Log Cabin« !
We go further East in North Wilkesboro, in N. Carolina, circa 1952-53, for a fine double-sider first on the Blue Ridge label (# 306) by LARRY RICHARDSON [banjo] & Happy Smith & the Blue Ridge Boys. Two songs are in discussion : « I’m Lonesome » and « Just Let Me Fall », both superior Bluegrass tunes, billed « Hillbilly » on the labels ! Thanks « 53jaybop » to have posted them two songs on Youtube. Later on, Richardson had on the MKB label, out of Virginia (no #) what it seems to be a rocking effort, »I’m Lonesome/I’ll Fall In Love With You » (alas untraced). We finally find him back on Blue Ridge 516 in 1960/62 for « The Nahville Jail », again a fast and fine Bluegrass number or « Wild Over Me » (great fast mandolin by Clinton Bullins?) on MKB 130 from 1968.
« I’m Lonesome« http://www.bopping.org/wp-content/uploads/2015/06/blue-rid-306-Larry-Richardson-Happy-Smith-Blue-Ridge-Boys-Im-Lonesome.mp3download
« Just Let Me Fall« http://www.bopping.org/wp-content/uploads/2015/06/Larry-Richardson-Just-Let-Me-Fall-BLUE-RIDGE-306.mp3download
Larry Richardson on banjo
« Nashville Jail« http://www.bopping.org/wp-content/uploads/2015/06/Nashville-Jail-Larry-Richardson-Happy-Smith.mp3download
« Wild Over Me« http://www.bopping.org/wp-content/uploads/2015/06/Larry-Richardson-Wild-Over-Me.mp3download
Way up North now for the Omaha, Nebraska Applause label : the TERRIFIC TABORS (with their leader Paul Tabor ? He at last holds the credit) offer a pretty weird mix of Bluegrass (unisson chorus) and garage rocker on « Rockin’ The Boat » from 1961. There’s even what sounds a steel behind the backing of guitars. The flip side, which sounds an instrumental (« Tabor Tromp ») remains untraced.
« Rockin’ The Boat« http://www.bopping.org/wp-content/uploads/2015/06/applause-1251Terrific-Tabors-Rockin-The-Boat-19611.mp3download
Real old Hillbilly now by CHARLIE BOWMAN & His Hill Billies on the Brunswick label. Bowman was a fiddler and a banjo player on several sides cut in New York with the Hopkins Brothers between October 1926 and May 1927 : « East Tennessee Blues » and « Riding That Mule ».
« East Tennessee Blues« http://www.bopping.org/wp-content/uploads/2015/06/CharlieBowman-EastTennesseeBlues1926.mp3download
« Riding That Mule« http://www.bopping.org/wp-content/uploads/2015/06/CharlieBowman-RideThatMule1927.mp3download
Finally a SHORTY LONG, who has apparently nothing to do with the S. Long I discussed thoroughly earlier in this site, does a romping R&B rocker (saxes), although the voice sounds white, with « Redstone John » on the K-Son label (# 7283). Location unknown.
« Redstone John« http://www.bopping.org/wp-content/uploads/2015/06/k-son-SHORTY-LONG-REDSTONE-JOHN-K-SON-RECORDS1.mp3download
Sources : YouTube, www.Arkansas45rpm-records,Tony Russell’s Country Music Records 1921-1942. Any correction or addition welcome !
Howdy folks, I am back from Corsica isle (« l’île de Beauté ») where I visited my girl friend and did help her to set up her fairytales’ exhibition before children. While I was there I couldn’t get access to my files, thus not allowing to myself to set up early June fortnight’s favorites.
Let’s begin in Texas with GLENN REEVES, born 1932 in Shamrock, TX. He had his first two records on the T.N.T. Label (owned by Bob Tanner, who billed proudly his labels records as « Tanner’n'Texas »!). « I’m Johnny on the spot » (TNT 120) is already a proto-rockabilly classic. But its reverse, the plaintive hillbilly « The blues are out tonight », is not so well known, although a very good ballad. Listen to the real hillbilly pronunciation of Reeves, over a nice fiddle and steel. I love such a record like this.
« The blues are out tonight« http://www.bopping.org/wp-content/uploads/2015/06/tnt-120-glenn-reeves-the-blues-are-out-tonight.mp3download
Later he had on TNT 129 « I ain’t got room to rock », before switching to Republic (the great « That’ll be love ») and Atco (« Rockin’ country style »/ »Drinkin’ wine spo-dee-o-dee ») in 1956, yet before turning teen on Decca in 1957. Meanwhile, he had relocated in Florida, pushing himself as a performer and D.J. On WPDQ out of Jacksonvile, FL. That’s where he met Mae Axton, her fellow-composer, and Tommy Durden, who both looked for someone who could demo their « Heartbreak hotel ». At first, Reeves denied, before agreeing – and the result was presented at a Nashville D.J. convention late 1955 to Elvis as his first million seller (the promise of Mae Axton), which he cut January 1956, in a style very close to Reeves. Here is the Reeves’ demo.
Glenn Reeves « Heartbreak hotel« http://www.bopping.org/wp-content/uploads/2015/06/GLENN-REEVES-heartbreak-hotel-demo.mp3download
The third compere was TOMMY DURDEN. He had a long story as steel player for Tex Ritter, and later for Johnny Cash, and composer (e.g. « Honey bop » for Wanda Jackson). In 1951 on the Sahul Kahal’s Freedom label out of Houston, Texas, he cut the great « Hula boogie » (# 5025). Later on, he had his own version of « Heartbreak hotel » (« Moods » LP, religious songs), before relocating in Michigan. He retired in the early ’90s.
Tommy Durden « Hula boogie« http://www.bopping.org/wp-content/uploads/2015/06/freedom-5025-Tommy-Durden-Westernaires-Hula-Boogie.mp3download
On the next artist, GEORGE HEFFINGTON, I know litterally nothing, except he was one of the first to record on the growing Toppa label (owned by Jack Morris, out of Covina, Ca.), and is backed for the fast « Ghost of love » (# 1007, 1958) by, among others, Ralph Mooney on steel. Good piano too.
George Heffington « Ghost of love« http://www.bopping.org/wp-content/uploads/2015/06/A02-George-Heffington-Ghost-Of-Love-Toppa-1007-A.mp3download
Real name to next artist was Wilcoxson, but he’s known now as JIMMIE DALE. And there were in the ’50s two different men with the same name. The first to jump on my mind is an Indiana artist, who cut two Starday custom records in 1958. First on Jeffersonville, IN Saber label (# 707), he cut the fabulous two-sider « Baby doll » (great slap bass, energetic drums and lead guitar) and « Darlin’ » (very nice piano, à la Teddy Reddell over a mambo rhythm). In Louisville, KY, he had in 1958 too on the Farrall label (# 687) « Man made moon », more of a country record. Nice vocal, and again a rinky-dink piano and good steel. I couldn’t locate the flipside « For a day ».
The second JIMMIE DALE was a Nashvillian, who cut « Tennessee ghost train » in 1953 on the Original label # 501. The credits don’t give any clue. Lot of echo on the steel, a train song of course.
Jimmie Dale (Saber, Farrall)
Jimmie Dale « Baby doll« http://www.bopping.org/wp-content/uploads/2015/06/Jimmie-Dale-Baby-doll.mp3download
Jimmie Dale « Darlin’« http://www.bopping.org/wp-content/uploads/2015/06/45-708a-Jimmie-Dale-Darlin-Saber-03-58.mp3download
Jimmie Dale « Man made moon« http://www.bopping.org/wp-content/uploads/2015/06/farrall-687A-Jimmie-Dale-Man-Made-Moon.mp3download
Jimmie Dale [different artist]« Tennessee ghost train« http://www.bopping.org/wp-content/uploads/2015/06/Original-Record-OR-501-Jimmie-dale-Tennessee-Ghost-Train.mp3download
That’s all for this fortnight, folks. Comments welcome, as usual.
Sources and credits : internet, RCS, Youtube, lot of labor !