Here is the new selection of this end of January 2015.
First, two records by BILL LANCASTER, on the Birmingham, AL. G.G. label . The first one « Too young to get married » (# 516) is credited to Bill Lancester. The second is « It’s saturday night now » (# 519). Both are fine Bopping billies, fast loping rhythm (fine fiddle and piano + steel).
« Too young to get married »
« It’s saturday night now »http://www.bopping.org/wp-content/uploads/2015/01/Its-Saturday-Night-Bill-Lancaster.mp3download
From Middletown, OH comes DON JOHNSON and his « Feeling low ». I can’t believe this is the same artist as Don Johnston on Mercury (« Born to love one woman »). Fine fiddle throughout.
Don Johnson « Feeling low »http://www.bopping.org/wp-content/uploads/2015/01/Don-Johnson-Flying-Low.mp3download
Ferlin Huskey « Slow down brother »http://www.bopping.org/wp-content/uploads/2015/01/Ferlin-Husky-Slow-Down-Brother.mp3download
FERLIN HUSKEY, also Simon Crum, also Terry Preston (on 4*) is too well known. He delivered several good Hillbilly boppers ; I chose his best-known track, the rockabilly « Slow down, brother » (Capitol 3316).
WALT McCOY is a West coast veteran, whom nothing is virtually known about, although he had a long recording career. Here he is represented with « U.S.A. » on the late ’40s Chrystal label # 292.
Finally the very elusive too T.J. SKERO and his fine « Gold diggin’ mama » from 1950 on 4* 1468.
Walt McCoy « U.S.A. »http://www.bopping.org/wp-content/uploads/2015/01/19-U.S.A.mp3download
T.J. Skero « Gold diggin’ mama »http://www.bopping.org/wp-content/uploads/2015/01/4-1468-T.J-Skero-And-The-Sunset-Play-Boys-Gold-Diggin-Mama-1950.mp3download
Tom Beamon Forse, « You better go now » on Rodney 514 (Starday custom), 1954-55 : great rockabilly guitar led, slap bass bopper featuring Beamon on vocals, his brother Ted on lead guitar, JT “Tiny” Smith on bass, Charlie Craddock on steel guitar and a unknown piano player. Born Beamon Tom Forse on 4th December 1934 in San Augustine, TX, he had a radio show with his brother Ted at KTXJ (Jaspar, TX) and he knew George Jones since he was a child.This disc was cut at Gold Star Studios, Houston TX., and it was inspired by hearing Elvis Presley’s “That’s All Right Mama” being played over the radio. Flipside is an equally good medium paced bopper « The rest of my life ». The disc was financed by Rodney Spaford (hence the label name I guess) who was a rich guy from Sabine, TX.
« You better go now« http://www.bopping.org/wp-content/uploads/2014/12/Beamon-Forse-You-Better-Go-Now-.mp3download
« The rest of my life« http://www.bopping.org/wp-content/uploads/2014/12/Beamon-Forse-The-Rest-Of-My-Life25-.mp3download
Beamon moved to California after this release, and he recorded as Tom Forse on Rich-Vein Records (owned by Terry Fell) : « I’m gonna tell your conscience on you » and « They call you a small fry » are superlative 1955-56 medium boppers. Beamon/Tom on vocal, Eddie Cochran on rhythm guitar, Connie « Guybo » Smith on bass and Ralph Mooney on steel. Beamon also booked top acts on the west coast and wrote songs for Terry Fell, who would pay him cash for them. Beamon died in 2004. Tom and Truitt Forse were cousins.
« I’m gonna tell your conscience on you« http://www.bopping.org/wp-content/uploads/2014/12/rich-vein-101-Tom-Forse-Im-gonna-tell-my-conscience-on-you.mp3download
« They call you a small fry »http://www.bopping.org/wp-content/uploads/2014/12/rich-vein-101-tom-forse-they-call-me-a-small-fry.mp3download
Eddie Cochran, « Cradle baby« http://www.bopping.org/wp-content/uploads/2014/12/Liberty-eddie-cochran-cradle-baby-.mp3download
Then Eddie Cochran revamping Tom Forse’s « They call me a small fry » on Liberty LRP 3060 « Singing to my baby » as « Cradle baby », a pop rocker from mid-1957.
Finally both tracks of Johnny Vincent‘s Ace 528 (June 1957) by Mercy Baby (rn. Jimmy Mullins). He was a drummer/singer for Frankie Lee Sims ; actually Sims handles the lead guitar duties on the haunting « Marked deck » and the energetic « Rock and roll baby ».
« Marked deck« http://www.bopping.org/wp-content/uploads/2014/12/ace-528-mercy-baby-marked-deck.mp3download
« Rock and roll baby« http://www.bopping.org/wp-content/uploads/2014/12/ace-528-mercy-baby-rock-and-roll-baby.mp3download
Sources: Malcolm Chapman’s « Starday custom site »; 45rpm.com for Mercy Baby sides. Have a Bopping New Year!
For this last 2014 fortnight, I’m lacking time and imagination so I’ve chosen several particular records. We begin listening to BILL HICKS and the Southerners on Fortune 188 (from 1956) for two well driven rockabillies/boppers « She’s done gone » (slow) and « Blue flame » (fast).
« She’s done gone »http://www.bopping.org/wp-content/uploads/2014/12/Bill-Hicks-Shes-Done-Gone.mp3download
« Blue flame »http://www.bopping.org/wp-content/uploads/2014/12/Fortune-188-Bill-Hicks-Blue-Flame-.mp3download
A real rarity now on the Family Library 1021 label : it’s GENE LAVERNE and what I think is an original « Hot rod mama » on a 6-track 78rpm record.
« Hot rod mama« http://www.bopping.org/wp-content/uploads/2014/12/family-libraey-1021-gene-Laverne-Hot-Rod-Mama-Gene-Laverne.mp3download
The following artist has a long recording story behind him : he can be found as early as 1951 on Blue Bonnet, as part of the Texas Round-Up Gang. Later, DEWEY GROOM went to Mercury, then founded early ’60s his own Longhorn label, where he cut among other tunes « Butane blues » (# 517). I didn’t verify if this is the same track as Gene O’Quin‘s one.
« Butane blues« http://www.bopping.org/wp-content/uploads/2014/12/longhorn-517-Dewey-Groom-Butane-Blues.mp3download
Surprising Bluegrass music from Texas by PAUL HUFFMAN and « T-e-x-a-s » on the Abilene Winston (# 1034) label : nice banjo led.
Back to Louisville, Kentucky and the Pier-Wats label (# 1200), and the fast bopper (nice fiddle and steel) by F. EDDY PIERCE, « Your kisses don’t thrill me anymore ».
Finally GENE DAVIS, who meddled almost at any style of music since his beginnings in 1954 on the West coast : hillbilly, rockabilly (as « Bo Davis » on Crest), rock’n'roll (on R-Dell), finally back to Country on various labels. I’ve chosen both sides of his solitary TOPPA ’61 record (# 1110). « When he let’s her forget »[sic] and « I won’t care » are top notch California country-rockaballads (sublime Ralph Mooney on steel).
Paul Huffman « T-e-x-a-s« http://www.bopping.org/wp-content/uploads/2014/12/winston-1034-Paul-Huffman-T-E-X-A-S-Winston-1034-1.mp3download
F. Eddy Pierce « Your kisses don’t thrill me anymore« http://www.bopping.org/wp-content/uploads/2014/12/pier-watts-1300B-F.-Eddy-Pierce-Your-Kisses-Dont-Thrill-Me-Anymore-1956.mp3download
Gene Davis « When he let’s her forget« http://www.bopping.org/wp-content/uploads/2014/12/Gene-Davis-When-he-lets-her-forget.mp3download
Gene Davis « I won’t care« http://www.bopping.org/wp-content/uploads/2014/12/I-Wont-Care-Gene-Davis.mp3download
As usual, various sources : ebay, YouTube, my virtual collection. Have a Bopping Christmas !
Howdy folks, over a period of 15 years, here are the selections of this fortnight.
The earliest track on a strange label, Atlantic, mostly known for R&B and Jazz. They had a short-lived (1 year, 1949-1950) « Folk and Western series », and the very first issue was by LOY GORDON & his Pleasant Valley Boys, for a revamp of the then-popular Sticks Mchee’s original « Drinkin’ wine spo-dee o-dee » (Atlantic 721). Here they are very true to the original. No solo taken by any instrument, but a fine Hillbilly romper. A mean fiddle and steel, and a fine boogie guitar. This was billed as « Folk ballad » on the label !
Loy Gordon « Drinkin’ wine spo-dee-o-dee »http://www.bopping.org/wp-content/uploads/2014/11/atlantic-721-Drinkin-Wine-Spo-Dee-O-Dee-Loy-Gordon-his-Pleasant-Valley-Boys.mp3download
From Marion, Ohio, 1960. The ROUND UP BOYS (hidden identity) do offer « Rock and Roll baby » on Hark 504. Like the title says, it’s rockabilly with a chugging rhythm. The composer, a Mz . Edna Bright, doesn’t help much.
Round Up Boys « Rock’n'Roll baby »http://www.bopping.org/wp-content/uploads/2014/11/hark-round-up-boys-rock-and-roll-baby.mp3download
Next is by two brothers who had a career of at least 30 years, Bob & Joe, the SHELTON BROTHERS. They recorded as early as 1935 a first version of « Deep Elem blues » [the Red Light quarter of Dallas]. The song had been done in 1933 by the Lone Star Cowboys (Leon Chappelear), and was cut by numerous artists later, including a second version (there) by the Sheltons in 1947 on Decca 46008.
On the flip side they had their own « Just because », revived in 1955 by Guess Who. Chugging rhythm, great mandolin. Next Decca 46009 was another nugget : « Ida Red » later renamed « Maybelline » by Chuck Berry. That’s how popular the Sheltons were.
Shelton Brothers « Deep Elem blues »http://www.bopping.org/wp-content/uploads/2014/11/DEEP-ELEM-BLUES-by-the-Shelton-Brothers.mp3download
Shelton Brothers « Just because »http://www.bopping.org/wp-content/uploads/2014/11/decca-46008B-Shelton-Brothers-Just-because.mp3download
A Gene Simmons production then from Memphis on the Tupelo label (# 2984) from 1964, a good rockabilly by CHARLES K. « The Right bird ».
Way up North in Detroit on the Michigan label Elm 724 : BETTY PARKER does offer « Love is even colder », a fine Bopper backed by Eddie Jackson & Swingsters (of « Rock’n'roll baby » fame on Fortune). Piano led, steel, guitar, an organ solo. Whole thing reminds me of another artist of the area, Palford Brady.
Finally PAUL MIMS, from Louisiana. He delivers « I blowed my top », a call-and-response format, medium paced ditty (long guitar solo and fine steel) on the Shell 121 label.
Charles K « The right bird« http://www.bopping.org/wp-content/uploads/2014/11/Charles-K.-Right-Bird-Baby.mp3download
Betty Parker « Love is even colder« http://www.bopping.org/wp-content/uploads/2014/11/Love-Is-Even-Colder.mp3download
Paul Mims « I blowed my top« http://www.bopping.org/wp-content/uploads/2014/11/shell-121-Paul-Mims-I-Blowed-My-Top.mp3download
This time, very various records. SLIM DOSSEY hailed from Kentucky, but settled in Kirkland, Washington, late ’40s, where he had his own TV show. He was at one time a member of Smokey Rogers Western Caravan. Here you will find his Tubb (Ernest?) penned « Don’t stand just there« . on the JR (Seattle) label. Romping music!
Slim Dossey « Don’t just stand there« http://www.bopping.org/wp-content/uploads/2014/11/JR-1001-slim-dossey-dont-just-stand-there.mp3download
From Ohio, and in 1965, RALPH BUSH and the Brushwackers. He had one 4-track session for C-Flat (distributed by RCA), and three tracks are offered there. All fine Hillbilly boppers. « I’ve got the bluest feeling » (8543), « Troubles » (8544) and « My eyes don’t cry » (8545).
Ralph Bush « I’ve got the bluest feeling« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-RALPH-BUSH-IVE-GOT-THE-BLUEST-FEELING.mp3download
Ralph Bush « Troubles« http://www.bopping.org/wp-content/uploads/2014/11/c-flat-8544-ralph-bush-troubles.mp3download Ralph Bush « My eyes don’t cry« http://www.bopping.org/wp-content/uploads/2014/11/RALPH-BUSH-MY-EYES-DONT-CRY.mp3download
From Washington state does come FRANK OLE’SHAY (real name Oleachea). With his brother Ernie, they had 12 issues on Four Star Blue Mountain OP- customs. Here are his best sides, »Love , love, love me, honey do » and « My baby’s not here in town tonight » (# 293) from 1958. Fine hillbilly rockers.
Frank Ole’shay« Love, love, love me, honey do« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-Love-love-love-me-honey-do.mp3download
Frank Ole’Shay « My baby’s not here in town tonight« http://www.bopping.org/wp-content/uploads/2014/11/blue-mountain-OP-293-Frank-OleShay-My-babys-not-here-tonight.mp3download>
From Texas, COTTON THOMPSON (« Jelly roll blues« ) on Houston’s Freedom 1010. Thompson also had the great « How long » on Gold Star.
Cotton Thompson « Jelly roll blues« http://www.bopping.org/wp-content/uploads/2014/11/freedom-5010-cotton-thompson-jelly-roll-blues.mp3download
Jim Fullen « I’ve gone crazy« http://www.bopping.org/wp-content/uploads/2014/11/deluxe-2015-Jim-Fullen-Ive-Gone-Crazy.mp3download
Finally JIM FULLEN on the Deluxe label # 2015 and « I’ve gone crazy » from 1954. Fullen later recorded as Jimmie John, »Rosie’s back again » on Dot. It is not at all sure he’s the same Jimmie John who had « Solid rock » in 1958 on the Newark, Ohio, ZZ label.
Howdy folks ! With just an exception, only 78rpm this time.
Let’s begin with the legendary JIM EANES in one of his earliest efforts on the Blue Ridge (#301) label. It’s happy hillbilly bordering to bluegrass (sometimes difficult to distinguish, but who cares?) : « A sweeter love than yours I’ll never know ». Fine solos : banjo, mandolin over chorus vocals.
Smilin’ Jim Eanes « A sweeter love than yours I’ll never know »http://www.bopping.org/wp-content/uploads/2014/10/blue-ridge-301-Smilin-Jim-Eanes-and-his-Shenandoah-Valley-Boys-A-Sweeter-Love-Than-Yours-Ill-Never-Know.mp3download
Lucky Leroy « Now get join’ »http://www.bopping.org/wp-content/uploads/2014/10/GOLISH.mp3download
Lucky Leroy « All tied up »http://www.bopping.org/wp-content/uploads/2014/10/GOLISH_B.mp3download
Thanks to Hillbilly Researcher and Allan Turner, LUCKY LEROY and two sides on the Illinois Go-lish label « Now get goin’ » and « All tied up ». Solid hillbilly from 1955.
On the Mutual label (uncertain origin), CLAUDE YATES & Bowes Brothers for « Stop knocking at my door » (#214) : as label implies, « hot banjo picking ».
Same label, FRED MURPHY for the very inspired « I want to be ready » (#210).
Bowes Brothers « Stop knocking at my door »http://www.bopping.org/wp-content/uploads/2014/10/mutual-214-Bowes-Brothers-Stop-Knocking-At-My-Door.mp3download
Fred Murphy « I want to be ready »http://www.bopping.org/wp-content/uploads/2014/10/mutual-210B-Fred-Murphy-And-The-Blue-River-Boys-I-Want-To-Be-Ready.mp3download
A return to Blue Ridge with LARRY RICHARDSON (& Happy Smith) (#306) and « I’m lonesome ». High-pitched vocal, again that mix of hillbilly and bluegrass music.
Finally for the season, HAPPY WILSON on M-G-M 10877 « The haunted house boogie ».
Larry Richardson « I’m lonesome »http://www.bopping.org/wp-content/uploads/2014/10/blue-ridge-306-Larry-Richardson-Happy-Smith-Blue-Ridge-Boys-Im-Lonesome.mp3download
Happy Wilson « The haunted house boogie »http://www.bopping.org/wp-content/uploads/2014/10/Haunted-House-Boogie-Happy-Wilson.mp3download
Here it is, a new selection of hillbilly bop goodies, mostly from the early to mid-60s.
RED MANSEL is the earliest, from 1957, on a very early All Star label issue (# 7160) . This is hillbilly rock at its best, topical lyrics.
Red Mansel « Johnny on the spot« http://www.bopping.org/wp-content/uploads/2014/10/ALLSTAR-7160-Red-Mansel-...-Johnny-On-The-Spot-...57-Hillbilly-Rock.mp3download
RED LEWIS on the Kasko label (# 1643), from 1965. « I’ll move along » sounds well 7 or 8 years earlier. Great slapping bass, guitar all along. A discrete steel takes a fine solo.
Red Lewis « I’ll move along« http://www.bopping.org/wp-content/uploads/2014/10/KASKO-1643-Red-Lewis-Ill-Move-Along.mp3download
From Michigan and 1963 on a Starday custom Dixie label (#1056) comes FRANK ZOLTON and « Cats eyes ». A medium ditty with an unusual for the era accordion solo.
Frank Zolton « Cats eyes« http://www.bopping.org/wp-content/uploads/2014/10/45-1056A-Dixie-frank-zolton-cats-eyes.mp3download
Valparaiso, Florida. HAL ANDREWS offers « Brown-eyed girl », a medium opus, on the Choctaw label (# 6001).
Hal Andrews « Brown-eyed girl »http://www.bopping.org/wp-content/uploads/2014/10/choctaw-8004-hal-andrews-brown-eyed-girl.mp3download
Rex Zario « It’s nobody’s fault but your own« http://www.bopping.org/wp-content/uploads/2014/10/arcade-163B-rex-zario-its-nobodys-falut-but-your-own.mp3download
REX ZARIO even had a full album on Arcade. Here he delivers the fine « It’s nobody’s fault but your own » from 1959-60 (# 163). Indeed in 1956 he had had « Go man gone ».
Finally a wonderful rural duet by the VANDERGRIFT BROS. On the Cozy label from W.Va., « Sitting here a-crying » (# 447).
Vandergrift Bros. « Sitting here a-crying« http://www.bopping.org/wp-content/uploads/2014/10/cozy-447-Vandergrift-Brothers-Sittin-Here-A-Crying.mp3download
All selections taken from the net.
King Records was a very important label run by Syd Nathan in Cincinnati, Oh. It had a C&W serie (500-1500), a Federal serie (10000) and a Deluxe serie (2000 or 5000).
First artist is Cowboy Jack Derrick, whose story is on the site. « Truck drivin’ man » is a very early trucker gay song.(King 633)
Cowboy Jack Derrick, « Truck drivin’ man« http://www.bopping.org/wp-content/uploads/2014/08/B5-Cowboy-Jack-derrick-Truck-Driving-Man.mp3download
Paul Howard from Arkansas (1908-1994) was leading his Cotton Pickers on a long string of releases on Columbia and King. He was a resident at WSM in Nashville. « The boogie’s fine tonight » and « Texas boogie » are two of his best sides.
Paul Howard « Texas boogie« http://www.bopping.org/wp-content/uploads/2014/08/king-779-A-paul-howard-Texas-boogie.mp3download
Paul Howard « The boogie’s fine tonight« http://www.bopping.org/wp-content/uploads/2014/08/king-871-AA-paul-howard-the-boogie_s-fine-tonight.mp3
Clyde Moody is also well represented with a personal entry in Bopping.org. Here is presented one of his best platters, « The blues came pouring down », with very strong rhythm guitar. (# 943)
Clyde Moody « The blues came pouring down« http://www.bopping.org/wp-content/uploads/2014/08/15-clyde-moody-the-blues-came-pouring-down.mp3download
Ocie Stockard is the most Western swing styled artist of the selection. The instrumental »Cow town boogie » evokes Texas and Oklahoma (King 634)
Ocie Stockard « Cow town boogie« http://www.bopping.org/wp-content/uploads/2014/08/king-643-A-ocie-stockard-cow-town-boogie.mp3download
Jimmie Thomason was a West coast D.J. and had a string of releases on King of the same high standard. « I’ll drown in my tears » is a true Country blues, that is not often heard.(King 1132)
Jimmy Thomason « I’ll down in my tears« http://www.bopping.org/wp-content/uploads/2014/08/B04-Ill-Drown-In-My-Tears.mp3download
Ramblin’ Tommy Scott had a career covering from the 40s until the 90s. He is presented here on Federal 10026 with « Uncle Sammy », usual style.
Tommy Scott « Uncle Sammy« http://www.bopping.org/wp-content/uploads/2014/09/Uncle-Sammy-Tommy-Scott.mp3download
Finally a R&B Rocker by Big John Greer on the « regular » serie : « Come back uncle John », apparently based on « Long tall Sally » from early 1956.
Big John Greer « Come back uncle John« http://www.bopping.org/wp-content/uploads/2014/08/King-4941-Big-John-Greer-Come-back-uncle-John.mp3download
Howdy folks, back from holydays. All the selections will be out by obscure artists. Once more uninspired, only music!
ED JUNOT on the Robstown, Texas O-T-O (One-Thousand-One) label comes first with « Give you’re love back to me » [sic]. Uptempo hillbilly fiddle led.
Ed Junot « Give you’re love back to me » http://www.bopping.org/wp-content/uploads/2014/09/O-T-O-Ed-Junot-Give-Your-Love-Back-To-Me.mp3download
Bill Guyton« I’ve got a little time for loving » http://www.bopping.org/wp-content/uploads/2014/09/pride-3000-Bill-Guyton-Ive-Got-A-Little-Time-For-Loving.mp3download
Then BILL GUYTON on the Pride 3000 label, « I’ve got a little time for loving ». Guyton had been vocalist on Curley Rash « Humble road boogie » (Macy’s). This is medium hillbilly bop with a touch of Starday feel.
Lefty Pritchett « Just an ole has been » http://www.bopping.org/wp-content/uploads/2014/09/Lefty-Pritchett-His-Country-Cats-Just-An-Ole-Has-Been.mp3download
An haunting « Just an ole has been » on Bama (not the Alabama label) # 0001 by LEFTY PRITCHETT. Hillbilly bop Memphis style.
Then the most recent track of the selection on Toppa 1098 from 1961 : «All those lies» by ELTON TRAVIS. Uptempo Country rocker.
JOHNNY GITTAR offers on High Time 173 « San Antonio boogie », obviously a Texas recording. Medium boogie guitar led and heavy drums.
Finally a train song, « I’m going to roll » by CURLY COLE on Gilt-edge 5029. Nice guitar and piano solo.
Elton Travis « All those lies« http://www.bopping.org/wp-content/uploads/2014/09/toppa-1098-Elton-Travis-All-Those-Lies-.mp3download
Johnny Gittar « San Antonio boogie » http://www.bopping.org/wp-content/uploads/2014/09/Johnny-Gitta-And-His-Targits-San-Antonio-Boogie.mp3download
Curley Cole, « Im going to roll« http://www.bopping.org/wp-content/uploads/2014/09/gilt-edge-Curley-Cole-Im-Going-To-Roll.mp3download
Howdy, folks !
First selection is a fine bopper (sincere vocal, strong rhythm and good fiddle, even pizzicato played) : « I was standing too close to a heartache » (sounds familiar?) by BILLY TIDWELL, who cut a very good version of « Folsom prison blues » on the White Deer, TX Ko Co Bo label in 1964.
Billy Tidwell, « I was standing too close to a heartache« http://www.bopping.org/wp-content/uploads/2014/08/Billy-Kidwell-I-was-standing-too-close-to-a-heartache.mp3download
Second odd issue is first ever Tommy Collins‘s song, « Campus boogie », when Collins was still known as LEONARD SIPES in his native Oklahoma. The song can be found on Morgan 106, and is very Hank Williams styled.
Leonard Sipes « Campus boogie« http://www.bopping.org/wp-content/uploads/2014/08/campus-boogie.mp3download
Then we enter in back-to-back series. JIMMIE DAVIS, also politician for Louisiana Governoship, cut a whole string of early boppers in the ’30s. Here I selected « You’ve been tom cattin’ around », issued on Bluebird in 1933.
A good 22 years later, CARL STORY had his own version, although the mandolin player is himself, on Columbia 21444 (1955). The flipside is the equally good, Rockabilly style, « What a line ». Strong boogie guitar, a fiddle solo. Really a masterpiece.
Jimmie Davis « You’ve been tom cattin’ around »
Carl Story « You’ve been tom cattin’ around »
« What a line » derives from the original by JIMMIE WIDENER, who had this on his first King session in 1946 (# 536B) on the West coast, backed by such luminaries as Joaquin Murphy on steel or Jimmy Wyble on electric guitar. Harold Hensley is also present on fiddle, and co-wrote the song with Merle Travis. Widener had had been vocalist for Tex Williams, Spade Cooley and Bob Wills.
Jimmie Widener « What a line! » http://www.bopping.org/wp-content/uploads/2014/08/JIMMIE-WIDENER-What-A-Line-KING.mp3download
Clyde Moody « Whatta line« http://www.bopping.org/wp-content/uploads/2014/08/Clyde-Moody-Whatta-line.mp3download
Carl Story « What a line« http://www.bopping.org/wp-content/uploads/2014/08/Columbia-21444-Carl-Story-What-A-Line.mp3download
The song was revived first in 1953 by CLYDE MOODY on Decca. Usual style. Moody does it fast, with fiddle and guitar solo. Then in the mid-60s by GLENN THOMPSON, the most obscure artist of them all, who came from North Carolina. Guitar player is modern, but has a fine bluesy solo.
Glenn Thompson, « What a line »http://www.bopping.org/wp-content/uploads/2014/08/tornado-T-101-Glenn-Thompson-What-A-Line-.mp3download
Main source for this issue: Internet.