Late October 2021 bopping fortnight favorites

GENE RAY & the Dixie Playboys «  I lost my head » Cowtown 646B 1957, South Carolina. Was also earlier on Playboy : « Playboy Boogie «  on 300 and « Honky Tonk Liz » on 303.
jumping mid-paced bopper; nice fiddle and lovely guitar.

WALTER DUNN, Jr. From Orlando, Florida Dunmar 101 label.
« Back And White Shoes « , a fast bopper with good vocal and bass chords played guitar (plus solo).
« Go Go Baby » has the same pattern as above.

From Texas, FREDDY DAWSON provides a lovely mid-paced bopper ; nice fiddle ( solo) : in « Dallas Boogie ». 1954. His only issue.It escaped to any reissue. why?

From Texas too, LITTLE RED Walter offers a solid R&B rocker with « Aw Shucks Baby » on Le Sage 711. Song originally cut and written by Chicago’s Jimmy Reed.

On Western Swing from California with the dine “John’s Boogie” by SMOKEY OGERS & His Westen Caravan on the aptly named Western Caravan label # 903. Rogers head numerous discs published by Coral and 4tar.e offers the fine WS instrumental « John’s Boogie » on Western Caravan 903. A showcase for all the instruments, steel, guitar and piano.

A veteran of the ’40s and ’50s. PE WEE KING had often front singers. Here is DICK GLASSER with « Catty Town » (July 1956), a jumping piece of Western swing. Glasser had also one disc on Triple A from 1953 (untraced) and « Crazy Alligator » on Columbia in 1959.(pop rocker)

To sum i up, a solid Honky Tonk by PATTY LOVELESS, « Chains » (MCA) from 1989. I like the drums !

And that’s it. Little less tracks than usual. Their quality offset their scarcity.

Sources : more than a track fom Internet. Gene Ray from t libraey.he Krazy Kat CD « Tarheel Swing ».Smokey Rohers from collection; te rest from my huge soundfles library

Early October 2021 bopping fortnight’s favorites

Boogie Woogie On A Saturday Night

by Hardrock Gunter

The veteran HARDROCK GUNTER does provide us his « Boogie Woogie On A Saturday Night » (Decca 46300) cut in 1950. A nice bopper, an happy song. Good guitar and vocal.

Next, JOHNNY RECTOR, singer fronting Blackie Crawford and the Western Cherokees, a Houston group, does « If They Ever Get Together » : a bopper – steel, piano and fiddle.

Dub Adams on stage (’40s)

The fine DUB ADAMS with an instrumental « Pocahutas Stomp » on the Dude label (Dude JB 1498) : steel, piano and drums. Western tinged.

From the South now, JOHNNY FOSTER does offer « Turn Me Loose » on Capa 233. A duet, jumping country song, shrill guitar and a good guitar solo.

DAVE BROCKMAN had a disk on Starday Custom, the great « Feel Sorry For Me ». Here he is on the Pea-nut label # 1001 with « My Angel’s Gone to Hell ». Surely a Southern label. He’s been on the Fayette label # 1002 too.

The King of Yodel American Singers, as they call him, KENNY ROBERTS in his finest hour (Coral 64032). Intro by harmonica, a nice bopper, fine lyrics. The song was issued too by Lonesome Willie Evans on London and Little Jimmy Dickens on Columbia.

1929-30 the Godfather of Country music JIMMIE RODGERS did two of his better-known tune, « Mean Mama Blues » (with brass acc.) and « Never No More Blues », (flipside to « Mule Skinner Blues »)both cut by Victor. Both of them were revived by AL RUNYON on the Kentucky label, respectively # 577 and 581. Slow songs, only acc. by guitar. Runyon closely copies here Rodgers.

LARRY GOOD on the Kansas City label R (« Our ») # 517 cut a good Rockabilly with « Pick Up Your Hammer » ; good guitar, the vocal is OK

Finally from Louisiana, the romping « Drunkard’s Two Step » by ROBERT BERTRAND. Steel and accordion backing. Fais DoDo # 1000 (a colloquial word for dance halls)

Sources : many ; YouTube for several(Johnny Foster, Dub Adams) ; the others from my own archives.

Late September 2021 bopping fortnight’s favorites

The TURNER BROTHERS (Red & Lige) do provide a « hillbilly novelty » (as shown on the label) which is a fine bopper. They appear also on Radio Artist 234 « Boog-Boog-Boogie »), Bullet 601 (« Guitar Reel »), as backing group for Dwain Bell (Summit 110), and as « Country Dudes » on Azalea 121 (« Have A Ball »). They also were on Bullet 601 (“Guitar Reel”), and on Radio Artist 234 (“Blog, Boog, Boogie”). Suming up, a prolific duet.

The Salem, Virginia HENDER SAUL, apparently a fiddler, does « I Ain’t Gona Rock Tonight », a fine slab of Rockabilly, to be found on Martinville, VA. Liberty 104. He also did, in a more Country mood, the good « Hard Right To My Heart » Liberty 106. On the same Liberty label (also known as Liberty Tone or Mart), on can find Leon & Carlos, the Brammer Brothers (bluegrass), Arnold Terry and others. If you can locate a copy of 104, its price goes up to $ 600-700. Hender Saul was a sideman to Ted Prillaman (bluegrass artist) and later to Raven label.

The third artist is very well known : accordionist and bandleader PEE KING had a long string of realeases between 1947 to 1952 on the RCA-Victor label. In this « Bull Fiddle Boogie », (RCA 20-3232) the vocal duty is held by their regular singer Redd Stewart, and his brother Gene slaps the bass. « Boogie » is typical of late ’40s Country boogie, however medium-paced.

Redd Stewart

From Texas too went the JACOBY BROTHERS. On TNT they had the first issue, « Food Plan Boogie » (1001) by Gene (uncle) and Roy (nephew) were extremely popular in the area with appearances and work for radio KONG. « Foot Plan Boogie » is a lovely bopper sung in duet, as the very, very fast « Bicycle Wreck » (# 1009) : mandolin lead

LOUISIANA LANNIS. On Starday 268. « Much Too Much ».« ( actually A-side) has more than a Latin appeal with its hopping rhythm. On Snow Cap, he also did the great “Tongue Twister Boogie”).

Sources: too many to mention all!

Early September 2021 bopping fortnight’s favorites

Fortnight early september 2021t

BOB PERRY on the Chicago label Bandera ( 1305) does provide us with a great, fast Country-rocker in 1960-61, « Weary Blues, Goodbye ». Fabulous rhythm guitar, assured vocal, and a out-of-this world steel-guitar solo. No drums audible, the rhythm guitar does give the pace. Perry was also on the Denver, Co label Bandbox (# 255) with the average « It’s All Over Now « . The « Goodbye » item change hands for $150-200, according to Tom Lincoln’s book. Barry K. John doesn’t even mention it.

Some call him « the « King of rockabilly «  (or the inventor,to say the least). CHARLIE FEATHERS had a rich career from 1955 until his death (1998). He began on Sun Records, before going for his greatest exposure on Meteor in 1956 and the classic double-sider « Get With It/ Tongue tied Jill » # 5032. He then switched to King, without any success (the place was full of young rockers), after that he came to small concerns : Kay, Memphis, Holiday Inn (a Sam Phillips’ label), Philwood, Pompadour and Vetco ; not to mention , after his rediscovery ;many albums iincluding on his own label, Feathers. Here he is with is second disc for Sun (the first was on the temporary Flip label). « Defrost Your Heart » has all the ingredients of Rockabilly : slapping bass (Bill Black), the Quinton Claunch (guitar) and Bill Cnntrell (fiddle) team, howms and growls by the singer. Sam Phillips never did allow Feathers to sing Rockabilly but ballads (November 1955).
The second side exceeds the limits of the site (1945-1965), a tour-de-force for Charlie, his lead player and the slapping bass of Marcus Van Story : « Where She’s At Tonight » (also publshed as « Rain ») (1969) is a dream come true for any Rockabilly lover.

.From a King to another ; this one of Honky Tonk, the greatest of ’em all : HANK WILLIAMS (1923-1953). He left behind him a lot of demos like this « Blue Love ». Great rhythm guitar and this unmistably voice. Next song is a another demo, which was later overdubbed by his band, the Drifting Cowboys. « Weary Blues From Waitn’ » is pure Honky Tonk heaven. It even has some yodel by Williams .

SLIM RHODES (born 1913) originally from Arkansas, cut records for Sam Phillips in 1950 which were issued by Gilt-Edge, a California concern. His “Hot Foot Rag » (# 5015) had a powerful lead guitar. In 1956 they cut 4 sides at Sun records aimed at Rockabilly circles, « Gonna Romp And Stomp » ( # 238) and “Do What I Do »/ »Take And Give » (256)

Next artist was out of Nahville. CLAY EAGER recorded for Republic. « Don’t Come Cryin’ On My Shoulder » ( # 7077) was a fair medium-paced bopper. . Later on, he went on his own label and Karl.

BOBBY ROBERTS was a two-faced artist. In 1955, he cut a fabulous Hank Williams styled Honky tonker, « I’m Gonna Comb You Outta Of My Hair » (November 1955) with his Ozark Drifters ( King 4837 (what a title!), The follow-up was « I’m Pullin’ Stakes And Leavin’ You » (# 4868), then was gone for Rockabilly in 1958 on Hut Records, a very small diskery,and in 1956 for Sky (MS) « Big Sandy »/She’s My Woman ». The son to Roberts did confirm me his Dad was on King then Sky and Hut.

CHUCK HARDING must have been a good seller, because Modern issued a good half-dozen records by him. « Talkin’ The Blues » is a fine bopper from 1947.

Sources: my own archives (Hank Williams, Bobby Roberts), Internet for Happy Wainwright. Many items do come from my own sound library.

From Florida or Georgia, HAPPY WAINWRIGHT went in 1961 with a good bopper (nice steel) on Carma 505, « Nothing But Love ».

Early August 2021 bopping fortnight’s favorites

It's hot outside, as the music included in this post. As usual, very various things for your own enjoyment.

As on early August I’ll be far from home (holidays), I post this fortnight with two days before the actual date.

On the Kentucky Acme label first, JESSE COATES does provide us with a fast fiddle-led ditty, his personal version of the old-timey « Columbus Stockade Blues » (# 1235A). He goes on, this time for both sides of his solitary Headine issue (# 101) in 1955 : the fast bopper « Nobody Can Take My Baby » and flip « You Gotta Be Good » : nice fiddle and steel. Barre, Vt.

Next artist is not an unknown one. JACK CARDWELL (1927, Georgiana, Alabama – then Mobile) made many fine sides during the early ’50s for King. Here he is with one of my faves « You’re Looking For Something » # 1269 (rec. Dec. 2Nd, 1952, probably cut at WCAB radio in Shreveport or at a Mobile station). A nice steel throughout . 5 years later he was back on Starday # 310 for the medium uptempo bopper « Once Every Day », very nice to be heard. During his stay in Mobile he became good friends with Luke McDaniel and even had a television show.

en from Kentucky on the very small Dixiana concern, launched around 1953 and which seems to have disappeared within several months. Nevertheless the owners released some first class Hillbilly music by the likes of Cliff Gross, Odis Blanton or this JIMMY SMIH and his « It Ain’t No Fun To Say I Told You So » (Dixiana 107) : good steel, rinky dink piano and fiddle. A brutal ending, sorry..

Down in Florida with JIMMY KELLER and « Brush Pile Burn » on Trail 1777 (also seen as #288) from 1964. It changes hands for $ 400-500 and it’s a real piece of hard Rock’n’Roll ! Great vocal and urgent guitar.

The never warysome CLIFF CARLISLE, who’d yodel, to quote Nick Tosches (« Unsung Heroes of Rock’n’Roll ») « the longest and the best» was also an acomplished lap-steel guitar player and produced very strange sounds, i.e. In « Shanghai Rooster Yodel # 2 » on Conqueror 8140 (don’t miss the sublime steel solo, alas too short near the end). Carlisle was also ahead of his time with the use of a wild slapping bass player in the classic « Goin’ Down The Road Feelin’ Bad » (Oriole 2860).

A complete change now in Philly on the Arcade label (1957) and the TRAVELAIRES, « Chopped Liver (part 1). Not really spectacular : a tight combo (with sax) doing a strong dance rocker. For more Arcade, see the excellent «AnorakRokabilly – Small independant 45rpm labels », the blog of Dean C. Morris (Drunken Hobo)

From Illinois, the sax player/singer JIM GATLIN provided the Western tinged « The Way You’re Treating Me » on Mar-Vel 505. A fine, lazy swinging record.

To sum it up, a recent (actually issued in 1985) fast Honky Tonker by DON HALL and his troupe for « You Rescued Me » (NSD) : a tour-de-force for a great rocking combo.

With thanks to Kent Heineman from Sweden, who sent the «NSD » label scan.

Late August 2021 bopping fortnight’s favorites

Howdeee folks ! This time I’m offering you Hillbilly mostly from the ’40s.

WOODY MASHBURN does an instrumental, a nice combination of piano, guitar and steel in « Bob’s Boogie » (Grand 101). He was also on Grand 102 (title unknown).

From Houston, TX. on the Eddie’s label (# 1219), we get now WALLIS & TEX ISABELL, both tunes with a lot of steel. « Sugar Cane Gal » is a medium tempo, good vocal. « The Good Old Days » is a lazy mdium uptempo bopper. Eddie’s label also published the very first sides of black artist Little Willie Littlefield with the romping « Little Willie’s Boogie » (# 1202) from 1949.

The well-known BENNIE HESS issued on hi own Jet label « Honky Tonk Town » (# 1914). Firm vocal, medium tempo and of course steel.

On Vulcan 3000 (location unknown), EVERETT LACKEY has « Sorrow And Tears » : a nasal and lazy vocal, a slow bopper.

The TEXAS RHYTHM BOYS did release « Benzedrine Blues ». Good steel, uptempo and firm vocal on Royalty 600.

Finally a Starday Custom on the Western Star OP (=.Other People) . #147 byHOWARD WESTERN. A good steel, Guitar solo for «Sawmill Boogie Blues » from 1953.

With thanks to Ronald Keppner (Harmie Smith’s sides on RCA and 4 Star) and ’53jaybop’ (for Howard Western) from YouTube.
Have a good listen, and if you enjoyed anything, please leave me a comment below. Everything here was done with much time and…fun as a labor of love.