Early October 2017 various bopping fortnight’s favorites – 10 selections this time!

Howdy, folks ! All you lovers of good ole’ bopping beat and hillbilly enthusiasts, here we go with another batch of goodies for this early October 2017 fortnight’s favorites’ selection.

First a strange record , I even don’t know its location neither its date of issue : late ’50s ? early ’60s ? Can anybody shed some light on this mystery ? THE NELSON FAMILY on the Olis label (# 080). A spare instrumentation, very light (electric guitar, rhythm guitar, bass and discreet drums) for the great dramatic atmospheric «You Hurt me (and say I’m sorry)». Great harmony vocals (tenor + baritone). I just found « Hillbilly Christmas » by a certain Norma Lynn [unheard] on Olis B20, and even don’t know if this is the same label.

You hurt me (and say you’re sorry)

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From Flint, Michigan, on the Lucky 11 label, three tracks by CHUCK SLAUGHTER. First a minor classic from 1967 : a crisp Country rocker with « Get the best of livin’ » (# 002) – « I’m gonna get the best of livin’, before livin’ get the best of me »..Fine steel. The flipside « Woman, a pretty woman » is a decent honky-tonker, a bit spoiled by some obstrusive female chorus ; good steel anyway. Third tune is a fast rocker, « Lucky 11 Rock » (no #) : this time the vocal chorus do fit it well. A biting guitar solo. Slaughter had a further issue on Desire 113, as a J. Cash sound-a-like, « Burning in my soul » can be heard on YouTube.

Get the best of livin'”

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Woman, a pretty woman

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Lucky 11 Rock

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Next artist do come from Colorado Springs, Colorado. GENE LEWIS and his Dude Rancher’s [sic] has two good bopping sides on the Barne’s label.              « Mother Goose boogie » (# 103) is a very nice hillbilly boogie , stylistically from ca. 1953-54, while its flipside « Purple Heart of Gold » (# 104) is a slowie, full of emotion. And despite the common name, one can wonder if this is the same cat who cut in 1958 on the California label R-Dell (# 103) the great Rockabilly/Rocker « Crazy legs » [fabulous Roy Lanham solo on the electric guitar] (backed with « S’posin’ you were mine »). The question is open to anybody’s guess..but most probably no.Mother Goose boogie

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Purple Heart of Gold

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Crazy Legs

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The seventh track of the selection is done by the well-known BILL MACK, artist and D.J. from Texas. His                      « Long, long Train » is done in his usual style ( Starday 418), with few steel and a good fiddle.

Long, long train

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“La Nos’ a’ Rosalia” (Rosalitas’s Wedding) by the Cajun MARION MARCOTTE is a fine jumping hillbilly bopping side from 1953 released on Carnival 4300. Wade Falcon tells the complete story of this song, and even has French text and its translation in his great « Early Cajun Music » blogspot,
and I can’t do better than refer to the page : http://earlycajunmusic.blogspot.com/2016/01/la-nos-rosalia-marion-marcotte.html. The flipside is equally good : « Je ne viendrai pas jamais a toi » (« I’m never coming back » is a great sad shuffler. Marcotte was active later, i.e. on Arcadia, another small label (« La Vie de Campagne »), and Jin until 1967.

La nos a’ Rosalia

“La Nos a’ Rosalia”(Rosalita’s Wedding)

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Je ne viendrai pas jamais a toi“(I’m Never Coming Back)

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Last track was issued in Paris, Texas [the place was the subject of a Wim Wenders’ film a couple of decades ago] , located between Dallas and Arkansas border, on the Royalty label. CHUCK TUCKER and his Texas Caravan do offer « Hog Sloppin’ Time in the Hollow » (# 607), an uptempo shuffler from the early ’50s. Fine steel, call-and-response format. The label had also among his artists Chester Odom and Hank Locklin, and was relatively prolific.

Hog Sloppin’ Time in the Hollow

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And that’s it, folks. Next rendez-vous early in November.

Sources : Hillbilly Researcher (Chuck Tucker and Gene Lewis) ; 78-world ; YouTube ; « Early Cajun Music » (Marion Marcotte) ; my own archives.

La Nos A’ Rosalia” – Marion Marcotte

Late September 2017 bopping and moving fortnight’s favorites (1950-1965)

 

Howdy, friends ! This is the last selection of fortnight’s favorites for September 2017. I didn’t post a fortnight selection early this month, I was away from my Macintosch and could not but release the story of Freddie Frank, a Texan Hillbilly bopper – I hope you visiting friends and followers have just noticed the article…and liked it! I will be out once more during October, and don’t know how I will manage the blog. In the meantime here I am and well, and ready for this late September 2017 selection, which will last from the early ’50s until 1965.

Here we go with the earliest track, « Why not » on the B&C label # 500 by PAPA CAIRO (misspellt Cario on the label). Indeed he was a Louisianian. Real name Julius Lamperez. He was a steel guitar player and band leader during the early fifties (records on Feature and Colonial among others) and was long associated with the Cajun Chuck Guillory (« Grand Texas » on Modern 612). Here he delivers a decent uptempo ballad, a bit crooning, piano-led with fiddle and steel solo.

Why not

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Be my Baby

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Great Big Moon

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From Marshall, Missouri on the Jan label (# 6-58) two tracks by F. D. JOHNSON with the Missouri Valley Boys. First « Be my baby » is a well-tempered (as you would say for Bach’s harpsichord – rock on, J.-S. !) rockabilly with vocal hiccups and a nice guitar solo. The flipsde is « Great big moon », and a good hillbilly weeper : vocal, fiddle solo. One little record to watch, and one wonders if he did something else.

Mop Bop Boogie

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Ramblin’ Blues

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On the Black side (or the man is White??? vocally he sounds at last) with WILBUR STEINBERG on the Memphis, TN, Hut label (# 4401) for a fast side, « Mop bop boogie », a mover with sax and screams, then a bluesy uptempo « Ramblin’ blues », which goes for the same comment. Two good sides !

Then on to Del Rio, Texas on the Hacienda label. Here he comes, SKEET WILLIAMS for a pleasant ballad (with chrorus and steel), « Lonesome rain » (# 0001). He’s backed by Bob Haltern’s Swing Kings, moreover a band unknown to me. The side was released in 1965 and coupled with « Mary, Mary, Mary Jane », a fast Rockabilly belter with chorus and loud drums. Thanks bebopcapitol !The record had apparently an early release on Royal Scot 102.

Lonesome rain

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Mary, Mary, Mary Jane

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We are reaching the end with VON STEPHENS on the Karl label (London, OH) and « Huckleberry junction » : a decent Hillbilly bopper, steel is present, a short guitar solo. Clay Eager production : someday, I will search on the very interesting Clay Eager.

Huckleberry Junction

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That’s all folks. Thanks for your comments, corrections or additions. Sources: as diverse as usual.

mid-summer 2017 (end of August) bopping fortnight’s favorites (1955-1961)

Howdy folks ! This is the mid-summer fortnight’s selection. All the tunes were recorded between 1956 and 1961. With the last one we begin : 1961, in London, OH on the Karl label (property of Clay Eager) # 3022. LACY KIRK does a very fine job on « This is saturday night », fast tempo, nice steel and fiddle. Value $ 100-200. The flipside « What happened to our love » is a great sincere ballad.

This is saturday night

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What happened to our love

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Next from Chicago: BILLY PRAGER & his Caravans and a wild double-sider from December 1958 on the (R&B) Crystal label (# 106) . The steel guitar is particularly effective and does very strange sounds for « Do it bop », while « Everybody’s rockin’ » is a bit more conventional Rockabilly/rocker. $ 300-400. This Crystal label has nothing to do with the Memphis one of the same name : serie 500 (Jimmy Knight and « Hula bop » or Jimmy Pritchett « That’s the way I feel » – with great swooping piano by some player who sounds very, very much like Jerry Lee Lewis !/Nothing on my mind  »).

Do it bop

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Everybody’s rockin’

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ONIE WHEELER was a Great. Born in 1927 in Senath, MO. he pursued his career during nearly 50 years, just ending it on the stage of the Friday Night Opry one day of 1984. Here are two sides aimed by collectors, and for good reasons : they are among his best tunes of the ’50s, cut in Dallas in June 1956 for Columbia : « Onie’s bop » and « I wanna hold my baby » (Columbia 21523) are good examples of the commercial Rockabilly a massive major had to offer, the B-side being in my mind the better one.

Onie’s bop

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I wanna hold my baby

Onie & band at KWOC radio- Poplar Bluffs, MO.

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From Pittsburgh, PA. NELSON RAY came in 1957 with the loud (drums) Rockin’ Bopper « Walkin’ shoes » on the Rebel label (# 104). A good copy turns up at $ 300 or 400.

Nelson RayWalkin’ shoes

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“I won’t always love you

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CLYDE BEAVERS next, on the Georgia (Starday custom) label # 532 from Tennga, Ga. « I won’t always love you » is a bluesy tune over a drivin’ medium rhythm, in all cases a primitive bopper from 1955. Later Beavers specialized himself (’60s) in drinking or smoking songs, like Lattie Moore‘s « Here I am drunk again » or Webb Pierce‘s « Cigarettes and whiskey (and wild, wild women) ».

« Sal’s house » was declined back-to-back of another Dixie (# 121) by CARSON WILLIS from Greer, South Carolina. This « Sal’s house # 1» seems to be a real mess ! Date : 1959.”

Sal’s house, #1

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Early August 2017 bopping fortnight’s favorites

Hello, this is a full Summer 2017 (early August) fortnight favorites’ selection, with 10 tunes. The first two are by an unknown artist on a famous label. HARRY CARROLL on the Starday label # 277 (issued December 1956). A waltz tempo for « Checkerboard lover », a mid-paced sentimental « Two-timin’ » for the flipside. Typical Starday atmosphere, but nothing exceptional. Carroll seemingly co-wrote « The trail of the lonesome pine » for Jimmy Donley (Decca 30392), and that was over.Checkerboard lover

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Two-timin‘”

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GLENN & JODY, the Singing Buddies were backed by Larry Nolen & the Bandits for this fine WS flavored bopper « I’m even with you » on the San Antonio label Eagle # 3772. It’s for you, Bill S.     Larry Nolen was a veteran of the S.-A. scene, having records issued on Sarg as early as 1954 (« Hillbilly love affair »), Starday in 1956-57 (« Lucky lady », « King of the ducktail cats »), then later on Eagle (apparently his own label, or one he was involved in – backed by Herby Remington on steel) or Renner in 1961.

Larry Nolen

I’m even with you

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A solid Hillbilly boogie now with « Dog house boogie » on King 720 (from July 1948) by a young HAWKSHAW HAWKINS. A strong boogie guitar (agile solo), a fine steel solo done by Herman « Jiggs » Lemley.

Dog house boogie

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RED MANSEL had previously cut for Starday custom # 523 (« I’ve crossed you off my list ») in July 1955, and was the first to appear on Dan Mechura’s new label, All Star # 7165, with a fine medium paced ballad, « Changing heart ». Very great vocal.

KEN GABBARD & The Hilltop Ramblers cut in 1965 on the Trenton, OH Harp label (no #) the very nice « Thing’s can’t be as they were » (sic). Uptempo ballad, and typical early ’60s hillbilly sounds.

Changing heart

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The same Harp label had another disc of interest : Don Ward and « How much I owe ».

Thing’s can’t be as they were

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Helen Hunt is leading vocally THE NITE OWLS with a bluesy « Married man blues » on Vocalion 03987 from November 1938. The steel well to the fore is played by Bob Symons.

A good female mid-paced bopper follows on the Stardale label (# A 006) from Morris, OK by GALE SOUTHERN and « « Trusting heart « in 1956. Nice piano throughout.

csy 78-Ron..

Married man blues

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Trusting heart

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« Hillbilly lovin’ «  comes next. A fast vigorous piece of hillbilly bop by BAILIN’ WIRE BOB on the Pittsburgh, Pa. Fee Bee label # 208 from 1957.

Finally GENE STACKS on the Pine Bluff, AR Cooper label (no #) , « I know (my baby loves me) ». It’s perhaps the fastest of all the tracks here and a very fine Rockabilly bopper.

Hillbilly lovin’

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I know (my baby loves me)

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Late July 2017 bopping fortnight’s favorites

Hello, people ! Let’s begin this new July 2017 fortnight’s favorites selection with EARL PETERSON (b. 1927, d. 1973), a well-known figure out of Michigan. Apart from an early issue on his own Nugget label in 1949, he cut two sessions for Columbia in 1955 ; one of the songs involved was « I ain’t gonna fall in love » (# 21467). Light vocal, bass guitar, piano, all these combine for a fine bopper written by Vernon Claud. Peterson’s story is to be found in this site, was published January 2016.

“I ain’t gonna fall in love

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Next artist KENNY ROBERTS was an ubiquitous one : Ohio, Kentucky, Indiana, Pennsylvania, although he was born (1925- d. 2012) in Tennessee as George S. Kingsbury. His speciality was yodeling, and more than one of his songs showed this : « I was born to yodel », « She taught me to yodel » or « The Arizona yodeler ».

Hillbilly fever

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The song I chose of him is the fine « Hillbilly fever », issued February 1950 on the Coral label (# 64032) : his puffed vocal comes to a good effect, and he yodels lovely, mentioning Hillbilly songs of the era. Main instruments are harmonica and fiddle.

Now two Rockabillies by DANIEL NIX on the Zion, IL N&R label (Starday custom) from 1959. « Compensation blues » (# 741) is a medium-paced opus ; strong vocal and guitar to the fore. The follow-up is « Unlucky man » (# 756), the fastest of both tracks.

Compensation blues

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Unlucky man”

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On to Texas and Louisiana with RAY ROGERS, Western swing bandleader. His first selection comes from the 1950 Star Talent label (# 758B) : « Mississipi blues » is mid-paced and includes a muted trumpet and a fine steel. The second issue « How can you be so mean » is a fast bopper on the Delta label (# 2840) from an unknown year : chimes and trumpet are the main instruments.

Mississipi blues

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How can you be so mean”

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Way up North in Indianapolis with BOB HILL & his Melody Boys on Nabor 105. « This old train (is leaving my blues behind )» is a fast Rockabilly from 1959, lot of echo and a prominent fiddle. The second issue, « Empty dreams and empty arms » (Nabor 114B) is a shuffler from 1961-62, which has a lot of nice steel, a loud bass and a prominent rhythm guitar. A good record for this era. The song was revamped by Eddie Hill, unknown label. (The muddy sound, I’m sorry, comes from an old Tom Sims cassette).

This old train”

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“Empty dreams and empty arms”

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Finally « Wild cherry » by LEROY WASHINGTON is a pure R&B rocker on the Excello label (# 2144) from 1958. Guitar Gable plays the lead guitar.“Wild cherry”

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Sources : UncleGil for Daniel Nix files ; YouTube for Kenny Roberts. Ole’ Tom Sims’ cassettes for Bob Hill.

Early July 2017 bopping and rocking fortnight’s favorites

Howdy folks. This is the first of July 2017 bopping fornight’s favorites. And this will be a special issue, focusing on Rockabilly and/or Hillbilly Rock records of high value. If you’re lucky owning them, it’s good. On the other hand, if you have only a portion, or lacking one particular item, start hunting ! Estimated values are going from Barry K. John collector guide (BJK), and Tom Lincoln/Dick Blackurn reference book « Guide to rare Rockabilly and Rock’n’roll 45rpms » (TL/DB).

 

 

 

 

 

 

Let’s begin with the Alabama Reed 400b label, « Coal miner’s blues » by GENE COLE. It’s a great mid-tempo opus, a Country rocker with good guitar and fine voice, valued $ 200-250 (BJK), or even the more confortable tag of 800-1000 (TL/DB).


Coal miner’s blues”

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Next is very short : 1 minute 37, but full of energy. JERRY PITTS & the Rhythm Makers do on the J.P.R.M. label (obviously initials of them all) the fine up-tempo « Keep ole central rolling » from Dawson, MS. Uncommon maraccas. This record go for $ 40-50 (BJK) or even 75-100 (TL/DB).

Keep ole central rolling

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FRED NETHERTON appears on two discs. First a great version of Carl Perkins’ « Matchbox » on California label Rural Rhythm EP 540, from 1961, backed by the Wildwood Playboys: piano and guitar solos. Valued at $ 300-400 (TL/DB). Then as fronting man for the Wildwood Trio on Dixie 1 (unknown serie) from Illinois, says Barry K. John. « The wildwood rock » with a very nasal voice, a great rockabilly guitar, a really stomping thing, It’s valued between $ 300 and 400 by B.J K.., and 600-700 by TL/DB.

Matchbox”

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The wildwood rock

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Next entry is the exception. SUNSHINE SUE had this Astra issue (probably Richmond, Va.) circa 1948-49. « Barn dance boogie » (# 1215) with the first ever recording of ‘Cousin’ Joe Maphis. Fast romper, an accordion solo, and that agile guitar throughout.

Barn dance boogie

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From Tennessee comes BROWNIE JOHNSON for the medium uptempo – good vocal, nice guitar – « The sun would never shine » on the Lynn label # 101B. Valued (TL/DB) at $ 100-125.

The sun would never shine

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The name BINK BURNS is not a common one, on the Oklahoma Rose label (# 127) : « Muddy river » has a slow rhythm, a threatening vocal and a fine guitar. It’s valued $ 60-75 (BJK).

Muddy river

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Finally two discs by SLIM DORTCH from Tennessee. The very great « Big boy rock » on Eugenia 1001 from 1961 : $ 600-800 (BJK). His second is very tame in comparison, « Sixteen miles » is a honest little rocker without any more appeal.


Big boy rock

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Sixteen miles

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