Late June 2019 bopping fortnight’s favorites (mid-50s to 1973..)

Howdy folks! Glad to meet you again. Just a note about the way I put in order those fortnight’s favorites selections. When a record out of my digital library appears to please me, be it Country boogie, Hillbilly hop or Rockabilly, I am hungry to find if the artist made another record in a similar style. Sometimes I am lucky, sometimes not: the disc was a one-off recording. Perhaps later, years later, I will put my hands on a second offering. At this stage the real research does begin: Internet is the main source for information on the record label, the artist, also books and magazines. Then I am doing the actual selection (7 to 10 records) and review every disc. This time you will be treated with 8 records.

Denny Turner

From Indiana between July and October 1955. Denny Turner cut “Deep Down In My Heart” on the Okie label (# 300). It’s a good uptempo bopper: steel solo, fiddle; an assured vocal. The reverse side of this record has a sacred vocal.

Tommy Nelson

From Shawnee, OK, in 1961 came Tommy Nelson on the Dixie label (main serie). “Dangling On A String” (# 919) is not his best record: it’s a slow rocker with rinky dink piano, and an uninventive guitar. His best sides can be found on Dixie 814: “Hobo Bop” and its flipside “Honey Moon Blues”are superior Rockabillies, valued at $ 800-1000, if you can afford a copy. “Dangling On A String” is even sold for $ 125-150.

Jimmy Wert & The Four Squirts

“Please Believe Me” was issued on the Chambersburg, PA. Skyline label # 752 in 1959. Possibly another Starday custom. It’s slow bopper crossing Rockabilly. A bluesy fine guitar is embroidering the vocal. The flipped “Bingo Blues” was reviewed in late December 2017 fortnight’s favorites.

Margaret (Maggie) Owens

“No Hard Times”, issued in 1973.

A great rendition of the old Jimmie Rodgers classic. Very nice guitar, an energetic vocal performance – even some yodels. And this one was released as late as 1973 in Cincinnati on the Rams label # 305129.

Billy Free

“I’ll Tear Your Playhouse Down” is a classic Hillbilly bopper (with a touch of Country rock: it dates from…1968!) by Billy Free on the Dianne label (# 407) out of Birmingham, AL. Great vocal, nice lead guitar (alas, a too short solo). This record is still affordable at $ 60-75.

Leon Stafford & his State Drifters

The recording location in not known for this record, neither the date of release; however aural evidence does place “Eight Ball” in the mid-’50s. A good ‘little’ bopper with nasal voice, a risky-dink piano, and a fiddle solo.

Harold Smith with Slim Glisson & the Trail Riders & Danny Clark

A call-and-response format for this uptempo “Listen To Me Baby” to be found on the Rondo label, out of Savannah, Ga., a predictable Starday custom). It was issued in 1956 and does feature a romping piano (nice solo), plus fiddle and a good steel solo.

Lindburg Deavers

The last disc of this selection do come from Mobile, Al. on the Shane label (# 11050), a subsidiary to Sandy Records. It’s hard to date such a record, I’d say late ’50s. Lindburg Deavers releases a fine Rockabilly, “Miss Me Now”: a very nice piano and guitar. No one could give a price yet, that’s how this record is so rare.

Sources: my own digital archives; Allan Turner for Dianne and Rondo records; YouTube for Lindburg Deavers per example.

Late January 2018 bopping fortnight’s favorites

Hi there, let’s begin this second fortnight for 2018 with a Louisiana platter, that « I blowed my top » by PAUL MIMS on the Shell label (# 121) ; nice call-and-response format shuffler, and the steel guitar is well to the fore. Barry K. John doesn’t ignore this record, but adds nothing else (location, date..) than its price : $ 50-60.

shell Mims blowed

I blowed my top


Two selections do follow on the Debute label (# 0500) by DENNIS GOODRICH & the Music City Boys. Both were cut in Lorain, OH. They are two Bluegrass styled tunes, one medium, « All alone » where banjo and steel are battling each other. Second side is slowier, although equally good : « My love for you » (with a mandolin to the fore). The vocal here does remember Andy McRae on Ranger 823, and his song « Me and my love », published here in a fortnight dated…June 2011 !

All alonedebute goodrich alone

My love for you
debute Goorich  love


More of a double-sider, by TOMMY MOONEY with Bob Mooney & his Automobile Babies on the Floto label (# 78002). Both « Bingo boogie » and « That’s my baby » are Hillbilly boogies from 1953: good guitar, and a real ‘hillbilly’ styled vocal. Bob Mooney was an artist in his own right, e.g. his « A sucker born everyday » on Kentucky 575. The band’s name came from Bob’s record, « Aubomobile baby » [sic] in 1953 on Cozy 317.

Bingo boogie


That’s my baby”


floto Mooney  boogie floto Mooney  baby

We remain in social games with « Bingo blues », which is a good medium Rockabilly by JIMMY WERT on the Skyline label (# 752), another Starday custom apparently cut in 1959 in Chambersburg, Pennsylvania.skylne Wert Bingo

Bingo blues


At last a rocking chick ! This is ROXIE WILLIAMS on the Flint, MI Lucky 11 label (# 1112) : « Fifteen seconds » is a good Rockabilly ; unobstrusive chorus, some echo, and a long guitar solo, cut in 1961, and valued $ 50-60. Roxie had another disc on Lucky 11.  “Fifteen seconds”

downloadlucky 11 Williams  seconds

Yes by George

downloadg&j Hall George

A fast and cheerful Rockabilly comes next : « Yes by George » by GENE HALL, on the rare G&J label (was reissued on Ark 273). This was issued in Ohio. Fiddle and steel are taking each to turn.


Finally Thomas Johnson, aka The LONESOME DRIFTER. We finish with a Louisiana record, « Honey do you think of me » on Ram 1738. Great guitar by probably George Mercer, as on « Eager boy » on the ‘K’ label. Intense Rockabilly, lot of echo. Valued at $ 125-150.

ram Lonesome Drifter think

Sources : mainly YouTube, also Ohio River 45rpm site.