Late April 2020 bopping fortnight’s favorites

Hello, visitors ! Hi to old ones. The story goes on with a small dozen of tunes mostly issued during the ’50s (1950-59) with the odd item from 1965.

A short career (no more than 2 years) but a very prolific one : AL VAUGHN cut many records on 4 Star just the days before the 1948 Petrillo recording ban, and also some sides in 1950. Born Alton Faye Vaughn (1922, Arkansas), he later settled in Oklahoma, before eventually moving to California and got signed to Bill McCall’s whom he cut records for. Here’s the risqué « Right Key In The Wrong Keyhole » (# 1480) with fast pace, an agile steel which reminds one of Milton Brown’s steel-man, Bob Dunn. A tight little Western-tinged tune, of course ‘not suited for radio use’.

Next artist, HOMER LEE SEWELL, was a Southern one (Houston and Oklahoma). He first presents « She’s Mad At Me » on D 1067. A fast little country bopper, fiddle always present. From April 1959. Flipside equally good : « Whisper Your Name » is a lovely atmospheric ballad ; Willie Nelson holds the lead guitar. Sewell was also on Oakridge 104, « Country Boy Shuffle », a passable Country rocker , piano to the fore.

Mack and Gwen

We remain in Texas : Marshall. The duet of brother & sister MACK (Smith) and GWEN (Phillips) was active during 1959 and 60 and released records on their own Phil label. On # 1200 it’s their most famous track, backed by the Country Playboys, « Baby I Want Another Date With you » – fast number, good guitar and a bit of fiddle : the whole thing is energetic and moving. They recorded their production by Mira Smith’s studio (Ram Records), Shreveport, La. The flipside, « I Don’t Care What They Say About You » is a gentle bopper – loud bass, a steel solo and a welcome piano. Later they relocated to Dallas for their second issue (Phil 1201, the fast « If It Ain’t The Board Draft It’s My Baby », fine dobro) with another backing outfit (The Garlanders), finally on Phil 1203 they had « I’ll Be There With All Of You », a slow bopper, less interesting.

Ken Gabbard & the Hilltop Rangers

Nearer to us, here’s KEN GABBARD and the Hilltop Rangers for «Things Can’t Be As They Were » in 1965 on the Harp label # 15730 (a Trenton, OH label). A mid-pace opus, a weeping vocal and steel : an excellent ballad

From Oklahoma (where he’d begin with his own label Echo), JACK PADGETT went to Jesse Erickson Talent label, and released two discs between 1949 and 50. « Peppermint Sticks » (Talent 722) is a medium paced, typical late ’40s Texas bopper, good guitar and fiddle. On his second, faster issue, « Boogie Woogie Gal » (# 729), he is joined by the house pianist Aline McManus on romping piano. Great steel by the overshadowed Curley Cochran. Padgett’s base was KTMC in McAlester, South East of the State).

The Willis Brothers

The WILLIS BROTHERS (formerly the Oklahoma Wranglers) were a famous trio affiliated with KGFF in Shawnee, OK. They present an excellent instrumental – Vic Willis’ leading with his accordion – « Wrangler Boogie » on Mercury 6071, early ’50s. Then a shuffler with « Long Gone » on Coral 64175, 1953 ; this time led by the eldest of the Trio on guitar, GUY WILLS ; plus a welcome piano (solo) and steel. Later they went to Starday among other labels.

Billy Dee

Released in July 1954, here’s « I Can’t Get Enough Of You » by BILLY DEE (vocal, piano, steel) is a refreshing, joyful small bopping opus (Fabor 111B), while his other disc, « Drinking Tequila » is a bit disappointing : a good tune but average bopper – one ought to wait something better with such a title (Fabor 104)

Sources : YouTube ; 45cat ; Gripsweat ; HBR site (Talent) ; Ohio labels.

Late December 2019 bopping fortnight’s favorites

Howdy, folks ! This is the last 2019 fortnight’s favorites selection. It’s been another 23 this year : one per fortnight, usually showing up 8 to 10 records (a short reckoning gives a total sum bewteen 175 and 240 records, mainly uncommon or frankly obscure). The greats are too well-known, and I have a preference for so many Unknown Soldiers of bopping music, who made but one record, generally not a second one – but they gave us Country boogie (or bopping ballads) of very high content and level. This time you will have 10 records cut between late ’40s and 1968.

Both sides of 4 Star 1286 were selected by the West coastian AL VAUGHN, who offers fine crossings between Hillbilly and Western bop. He was backed by the cream of California musicians for a typical late 1940’s sound. « I Can’t Believe You (Cause You Lied) », a lovely uptempo, has a lazy backing, a steel prominent, and a relaxed vocal. The flip, « Why Kid Myself About You » is a faster side.

Does the second artist need an introduction ? BILL HALEY & the Saddlemen was rocking the Western country in 1951 for already several years. Actually they deliberately copied black music for White people. Here’s, from July 1951, their great rendition of the Jackie Brenston/Ike Turner’s hit « Rocket 88 » on Holiday 105 out of Pennsylvania. Solid swooping piano, car effects ; even Haley has already his breathless voice. A fabulous Country boogie ! Later on he went in the same format on Essex (« Rock The Joint »).

Out of Texas, JOHNNY HICKS (born in Missouri in 1918) was not a newcomer when he cut at the tail end of 1951 in Dallas, Tx. (Seller’s studio) for Columbia the fine « Rainy Night Blues » (# 20900) ; he was backed by the great ubiquitous Paul Blunt on steel, Lefty Perkins on lead guitar, and received his band chorus for this bluesy opus. Actually as a D.J. he entertained listeners of KRIM, later of KRLD for 5 or 6 years before, and was going to launch as co-producer the Big D Jamboree. He’d retire in Salina, Ca. and entertained on KTOM before his death in 1977, aged only 59.

All the remaining tunes will have a distinct ’60s feel.

EARL WATKINS issued in 1960 on Rem # 307 a fast bopper in Cincinnati, Oh, « One Night Of Happiness » : a strong rhythm guitar, a fiddle solo – a too short guitar solo. A record worth watching for.

« Trucker’s Lament » was released on the chanteur’s own label in Cleveland, Oh. in 1965. FRANK BELL releases a strong countryish song.

In 1965 (on the Tamm label # 2015 – unknown location) NORMAN WOOD did deliver his « Black Lake Boogie » : a great rocker, with bluesy voice and bass chords played guitar (a solo). Another record to look for.

Finally out of Franklin, Pa. in 1965, on the Process label # 129, here’s a vocal duet given by HOWARD (NICK) FOLEY & the Rambling Esquires : « If You’ll Be Mine I’ll Treat You Kind » has an harmonica, a mandolin, a banjo – the whole thing is bordering Bluegrass music.

Cousin Zeke

COUSIN ZEKE, out of Memphis, Tn. in 1968 offers on the Tri-State label (# 1924) what it appears to be an adult-only record. « Get Your Fingers Out Of It » is labelled « Party Record ». It’s a stop-and-go type fast song – voice does sound old – lot of echo on the guitar – loud drums. The flipside, « Lover Man Minus Sex Appeal » is more Countryish : steel and guitar – same ‘old’ voice. A very good record for the era.

That’s all folks. Have a nice Christmas and a bopping New Year.

Sources : YouTube, Gripsweat, Ronald Keppner for rare Al Vaughn 78rpm ; Will Agenant « Columbia 20000 serie » for Johnny Hicks ; 45cat and 78worlds for labels.

early August 2010 fort-night

Howdy folks! Just another batch of good ole’ Hillbillies, Honky tonks, and Hillbilly boogies (all from the 50s/early 60s). No label shots, sorry: I just re-formated my Macintosch hard drive, and lost all my sites in course! Sometimes I own the actual record, wish I had them ALL! But, you know, it’s not a matter of time neither of money to get them, they are really THAT rare…

We begin with a very rare USAF live transcription of HANK SNOW, early 50s. Hank does 3 tunes, first his signature song, “I’M MOVING ON”, then he embarks on a track that is known to me, but at the moment I cannot remember the title of the song. He finishes with the famous “HONEYMOON ON A ROCKET SHIP”. Fine, powerful rhythm guitar from Hank himself, I would assume; if the band which is backing him is the same as on recording sessions, then the great steel should be played by either Joe Talbot, or Melford Gentry.

Honky Tonk now with CARL SMITH on Columbia, with the fine 1955 “Baby I’m Ready”, lotta bird-dogging in this song, with the perfect Nashville musicians staff.  On to early 60s I’d assume. I don’t know the location of the CLET label, perhaps Texas? I’ve chosen the uptempo “Honky Tonkin’ Baby” by BOB SMITH. September 1960, Cincinnati, King records studio. My own tribute to a great singer/songwriter, LATTIE MOORE, who just passed away on June 13th (he was heartsick since the 90s); here we have “Drivin’ Nails (In My Coffin)” – is it the same number popularized circa 1947 by JERRY IRBY? I have not the time to compare the songs.

Next comes from Texas or Oklahoma a minor classic  by AL VAUGHN, “She’s An Oakie” (Four Star) from 1952. Good harmonica throughout, and fine steel. Then to Tennessee and on the DOT label, out of Gallatin. BIG JEFF & The Radio Playboys for the fine offering “I don’t talk to strangers”, from 1950 or 1951. Could Big Jeff be…LUKE McDANIELS, or as he was billed on MEL-A-DEE out of New Orleans (“Daddy O-Rock” from 1956), JEFF DANIELS? His actual story is yet to be written…Finally we have Danny (name forgotten!) as HANK THE DRIFTER and the great “Bill Collector Blues” – late 50s on the NEW ENGLAND label. Hope you N-joy everything! Comments welcome.

early April 2010 fortnite

Howdy folks! Here we go for another fortnight’s batch of favorites. 1947, Capitol studios, Hollywood, California, the MILO TWINS and the classic duet “Truck Driver’s Boogie” (78rpm). Later on  I will give you everything I know of the Milo Twins, who disappeared shortly afterwards. Then on 4 Star: AL VAUGHN and his great midtempo “She’s An Oakie”, from 1950-51. From Texas, 1952, we can listen to another classic (originally Harry Choates’ on Gold Star), “Cattin’ Around”, Western swing style, by CHARLIE ADAMS (Columbia). His story is also can be traced on this blogsite. Texas too, and a phenomenon: BILL MACK, D.J. in Beaumont, had many sides on Starday. I’ve chosen “Play My Boogie” (fabulous piano) from 1953. Cisco, Texas, on the Rose label, from 1955; a transition between Hillbilly Bop and Rockabilly, “Have You Heard The Gossip” by CHARLIE BROWN. Finally, a much later disc on the Solar label (could be as well from 1959 to 1962!), nice Country-rock by LEE EDMOND, “When I’m Alone”. Anyone has got details? Enjoy the music, comments welcome!Cashbox November 12,  1955 (addition July 1rst, 2019)

capitol milo truck4star vaughn oakierose brown gssip