early July 2014 fortnight favorites: traveling way up north from Mississipi to Nebraska, via Kentucky and Indiana!

Howdy folks,
Hope you’re all well and ready to visit some more boppers and rockabillies. The name JAMES MASK isn’t that familiar (he had not big hits), although he appeared on Bandera (Illinois), Arbet (Tennessee, « I miss my teen angel », a teen rocker), and later (1972) on MGM-Sound of Memphis (the country rocker « Humpin’ to please »).
Here we find him on the Pontotoc, MS (where he was born in 1932 – Tupelo area) Tom Big Bee label (# ) with a fine early ’60s version of the Rocky Bill Ford‘s classic, « Beer drinkin’ blues ». Honest country rocker. He had some tunes (unissued in the ’50s) on an old White label LP  2305 “Mississipi R’n’R”. The Dutchman wrote there that Mask was backed by his two brothers Charles and Willie.[March 24,2018. I add the reissue of Bandera 1319 “Hootchie Coochie Gal“, a good rocker from 1959 – unissued at the time]

tom big bee mask beer
James MaskBeer drinkin’ daddy

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Hootchie Coochie Gal“(Bandera 1319 – reissue)bandera mask hootchie

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Let’s stay in Mississipi with an otherwise very well known artist, at least in Europe (he drives, latest news, a taxi at Chicago Int’l Airport), Mr. HAYDEN THOMPSON. I offer his first record, on the Booneville, MS, label, Von [which issued Lloyd McCollough and Johnny Burnette’s first records,] “Act like you love me” b/w « I feel the blues coming on“. (original in 1951 by Elton Britt, although not credited on the label) Great slow Hillbillies, whispering vocal over confident backing. Same last tune was done (but it’s a different song) by Loy Clingman on the Arizona Elko label in 1956. Penned by Lee Hazlewood, it’s a soft Country-rock effort. The third Thompson track is taken from his sessions at Sun in Memphis, and he retains the same feeling with « Blues, blues, blues » (U.K. Charly 605B) – although more echo, as usual from Sam Phillips’ manner.

Von thompson act

von thompson bluessun thompson blues

Hayden Thompson, “Act like you love me

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Hayden Thompson, “I feel the blues coming on

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Hayden Thompson, “Blues, blues, blues

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Elton BrittI feel the blues coming on” (RCA, 1951)

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Let’s get up north in Lancaster, KY, and with HAROLD MONTGOMERY. His fine sides on Sun-Ray were documented in the site (see « Sun-Ray » label). Here he comes once more with a good side, similar style, on Wolf-Tex 103, « How much do you miss me », from the ’60s. Great mumbling vocal, similar to early Elvis!

Way north a little further. Muncie, Indiana on the Poor Boy label. A small one, but important artists, the best known being its owner Wayne Raney (« We need a whole lot more of Jesus (and a lot less of Rock’n’Roll »!) ; others are the Van Brothers (« Servant of love », to name only one) and Les & Helen Tussey (already recently posted in fortnight’s favorites).
Harold Montgomery,How much do you miss me

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The artist was named DANNY BROCKMAN & the Golden Hill Boys, on Poor Boy 107. First side is Hillbilly bop, « Stick around » from 1959, when Brockman was D.J. at WTMT in Louisville, KY. Great Starday sound, a powerful rhythm guitar, great interplay between lead guitar and steel during the solo, fabulous (altho’ too short) fiddle solo. A ‘must ‘ record for Starday sound lovers. The flipside is sung in unisson duet with a certain Carl Jones. Nothing exceptional with « Don’t you know it’s true », a real Everly Bros. -alike. With fine steel and fiddle solos. Brockman also appeared on Dixie 859 (« Big big man »), more on him in a future fortnight.
Danny Brockman, “Stick around

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Danny Brockman & Carl Jones, “Don’t you know it’s true

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Finally in Omaha, Nebraska (frontier to Canada). 1958, with the wild double-sider « The itch/Baby doll » by CARL CHERRY on the Tene label. « Baby doll » is a typical White doo-wop rocker, good although average. THE side is the garage Rockabilly « The itch » (Tene 1023), prettily sensual. Cherry has got the feel and itch, and the drummer and lead guitar player (RaB HOF says the guy was legally blind!)  too ! Fantastic garage sound…They don’t play this way anymore, even with the wilder neo-rockabilly European bands.

Carl Cherry & Wild Cherries,The itch

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Carl Cherry & Wild Cherries, “Baby doll

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tene CarlCherryphoto1

Carl Cherry & Wild Cherries

late July 2011 fortnight’s favorites

Howdy folks! For this late July 2010 fortnight, I begin with JIMMY DALLAS on the K.C. Shome label (“Crooked Cards“). Good steel and rinky dink piano (common for the era). He was later to have two discs on the Westport label (seel elsewhere in the site for the label’s survey). Nice hillbilly bop from ca. 1952-53.

shome Dallas cards

On to Texas with the very first (?) record by GLEN REEVES, “I’m Johnny On The Spot” on the T.N.T. label from 1955. Reeves would later appear on Republic and Decca, turning into R-a-B and R&R. Here he is in fine form, supported by a tight backing combo, providing uptempo rhythm. Good fiddle.

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Glen Reeves

TNT Reeves spot

COYE WILCOX hailed from Dallas, Texas. Here it is his solitary issue on Azalea label, “Zippy, Hippy, Dippy“. Fine steel and strong lead guitar. Flipside was “You gotta quit cheatin‘” (for another fortnight). He had earlier cut a record for Freedom in 1951, fronting Jack Rhodes‘ band. Rhodes is famous for his song writing abilities during the second part of the ’50s, i.e. Jimmy Johnson/Gene Vincent song “Woman Love”, or Ronnie Dawson.

From Booneville, MS, comes HAYDEN THOMPSON, billed as “The South’s Most Versatile Singer”, backed by the Southern Melody Boys, for “I Feel The Blues Coming On” on the small Von label from 1954. Plaintive fiddle, steel guitar and string-bass behind almost murmuring vocal make a very atmospheric Hillbilly Bop record. Von label had also Johnny Burnette Trio and Lloyd McCullough (the latter’s story is intended in Bopping). Thompson would later cut for Sam Phillips, hence the classic “Love My Baby”, then he ended up in Chicago (Profile and Kapp labels) in the late ’50s, and a successful Country career.

Von thompson feel

azaleae wilcox zippy

HANK MILLS, whose real name was Samuel Garrett, waxed during the late Fifties in San Antonio (Blaze label) the very attractive “Just A Mean Mean Mamma“, with a prominent mandolin, which reminds me of the mid-Forties sound. Mills would later become a highly-prized songwriter, reaching a N°1 in 1965 with Del Reeves.

blaze  Mills mamma

We come to an end in Houston with a great R&B Rocker from 1956 on the Peacock label: “Pack, Fair And Square” by BIG WALTER PRICE.

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Big Walter Price

peacock price pack

Enjoy the selections, and happy bopping Summer!