As for the past, here are a good amount of boppers cut between 1947 and as recent as 1966.
Fiddler TEX GRIMSLEY was a Louisiana Hayride resident, and played his part on almost – if not all – Pacemaker sides of 1949-50. This label was co-owned by Horace Logan (boss of the Hayride) and Webb Pierce, and was constantly of high standard. Grimsley & his Showboys included guitar player Buddy Attaway [his story is somewhere told in this site], Shot Jackson on steel and the inevitable Tillman Franks on bass, while the vocal duties are taken by (supposed related) Cliff Grimsley, and the tune « Shuffle on down » (Pacemaker 1005) is really a lazy, shuffling call-and-response format bopping song. Shot Jackson produces really wild effects on his steel.
“Shufflin’ on down”
»One little teardrop too late » is a crazy-paced item issued as by PLAIN SLIM & the O’Dell Family on the Davis, WVA Cozy label (# 570) from as late as 1966. Two soli each by fiddle and lead guitar over a strong rhythm guitar. One can wonder how this type of record was launched in a world of current pop music, even commercial Country. The name itself sounds like a pseudonym.
From 1951 and by a veteran, PHIL HARRIS, for the fine « Tennessee hill-billy ghost » on a RCA EP-702. He’s been before during the Forties on Ara (« That’s what I like about me », certainly not the Terry Fell’s song) or Okeh.
Another mystery comes from WVA, that of KED KILLEN, and his superb Hillbilly boppers cut between 1966 and 1969 on his own Western Ranch label. Here are both sides of WR 119. Uptempo side is « Hey pretty mama » , while « Lonesome blues » is slower. Plaintive, wailing voice over a top notch accompaniment – a welcome echo too, and a fine guitar. Both sides could easily have been cut a good 10 to 15 years before.
DICK HART on the Texan label Cowtown Hoedown (# 778) delivers a very fine uptempo bluesy « Time out for the blues ». Solid rhythm, pounding guitar and a wild steel (June 1957). Who will get interest with this important and rich label, Cowtown Hoedown ? Its name was changed a short time later to just Cowtown.
From Texas to near Oklahoma with BILLY WEBB & his Seminoles for « Burdock road » on the Stardale label # 50611 ; label was located in Morris, OK. It’s a solid Hillbilly bopper with good fiddle solo and steel/piano over a shuffle rhythm. There were 3 Stardale labels around the same time.
To get to an end, here are two 4* custom issues on the Nugget label (# 190 and 191) by DUSTY TAYLOR and his Rainbow Valley Rangers. « My shining star » and « Down grade » are very fine Hillbillies. Taylor was also in 1947 on the West coast label Westernair (# 107B) with the great « Ranger boogie » : typical romping ’40s music, accordion to the fore, fiddle is well present. The record is billed “instrumental’ but Taylor has a great, swinging vocal in it. A very pleasant record !
I just found “Boogie blues“, apparently issued on Westernair (untraced label), and on a French compilation, “Country Boogie”. And it’s a romper too!
DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.
« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.
With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced) “All by myself“
Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King. March 22, 2018. Indeed now we know the harmonica player on this session was none other than Aubrey Gass, whose story is told elsewhere in this blogsite.
As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.
Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.
We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « RecordSpinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
“Record spinning boogie”