Late February 2018 bopping fortnight’s favorites

Howdy folks, hello to returning visitors ! This is the late February 2018 fortnight’s selection.

Let’s begin with a well-known artist, SKEETS McDONALD. At the peak of his career in March 1958, he recorded a full album of Honky Tonk for Capitol, which I chose the rollicking « You’re there » from : fine piano, guitar by Buck Owens, it’s the sort of bopping music you never get rid of. (Capitol T 1040)


Skeets McDonald, “You’re there”

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The original was made a few years earlier by SHORTY BATES and His Texas Saddle Pals (vocal Tal Rowland) on the Mel-O-Tone label # 3600. It’s a good uptempo, with fine guitar, from Fort Worth, Tx.

Shorty Bates, “You’re there

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What an elusive artist is EARNEY VANDAGRIFF. He had between 1954 and 57 records on Specialty (700 serie – see the story in this site) and Starday. This time it’s the romping Rockabilly/Rocker « Be-bop Santa Claus » on California’s Rural Rhythm label (# 511). Fine piano.

Be-bop Santa Claus

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SUNSHINE SUE teamed with Joe Maphis for “Barn dance boogie” (the latter’s earliest recorded known effort) on Astra 1215. It’s indeed a fast guitar tune over a male vocal. Astra was a Richmond, VA. label from about 1949 or 50.

 

Barn dance boogie

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Now a Starday custom : Mid-West label 561 from 1956, out of Wichita, KS. « What am I going to do » by MONROE JOHNSON is a fiddle led shuffle good primitive bopper.

What am I going to do

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From the small town of Florence, AL comes MOTT GILBERT on the Dixie Cleartone label # 175, from circa 1954. « Foot loose and fancy free » has a fiddle solo (Gilbert?), but uninventive steel solo and a short piano solo. The flipside « Loving mama blues » is a great piano led medium blues tune.

Foot loose and fancy free”

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Loving mama blues

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JIMMY HINKLE on the Fayetteville (NY State) Fireside 28836 label does « Won’t cha marry me » from 1957. Fast steel, solo fiddle, extrovert vocal, but short tune (1 mn 48).

Won’t cha marry me

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From 1948 come the next tracks by EVERETT LACKEY & the Lone Star Ramblers, from the Birmingham, AL Vulcan label # 3000A. « Longing for someone » is an uptempo – good guitar with Western swing overtones. The flipside « Sorrow and tears » a medium side with accordion.

Longing for someone

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Sorrow and tears

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Various sources as usual: Hillbilly Researcher archives; 78rpm site; 45worlds site;

Early July 2017 bopping and rocking fortnight’s favorites

Howdy folks. This is the first of July 2017 bopping fornight’s favorites. And this will be a special issue, focusing on Rockabilly and/or Hillbilly Rock records of high value. If you’re lucky owning them, it’s good. On the other hand, if you have only a portion, or lacking one particular item, start hunting ! Estimated values are going from Barry K. John collector guide (BJK), and Tom Lincoln/Dick Blackurn reference book « Guide to rare Rockabilly and Rock’n’roll 45rpms » (TL/DB).

 

 

 

 

 

 

Let’s begin with the Alabama Reed 400b label, « Coal miner’s blues » by GENE COLE. It’s a great mid-tempo opus, a Country rocker with good guitar and fine voice, valued $ 200-250 (BJK), or even the more confortable tag of 800-1000 (TL/DB).

Cole Gene "Coal miner's blues"
Coal miner’s blues”Pitts Jerry "Keep ole central rolling"

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Next is very short : 1 minute 37, but full of energy. JERRY PITTS & the Rhythm Makers do on the J.P.R.M. label (obviously initials of them all) the fine up-tempo « Keep ole central rolling » from Dawson, MS. Uncommon maraccas. This record go for $ 40-50 (BJK) or even 75-100 (TL/DB).

Keep ole central rolling

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FRED NETHERTON appears on two discs. First a great version of Carl Perkins’ « Matchbox » on California label Rural Rhythm EP 540, from 1961, backed by the Wildwood Playboys: piano and guitar solos. Valued at $ 300-400 (TL/DB). Then as fronting man for the Wildwood Trio on Dixie 1 (unknown serie) from Illinois, says Barry K. John. « The wildwood rock » with a very nasal voice, a great rockabilly guitar, a really stomping thing, It’s valued between $ 300 and 400 by B.J K.., and 600-700 by TL/DB.

Wilwood Trio, The (Fred Netherton) "The wildwood rock"

Matchbox”

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The wildwood rock

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Next entry is the exception. SUNSHINE SUE had this Astra issue (probably Richmond, Va.) circa 1948-49. « Barn dance boogie » (# 1215) with the first ever recording of ‘Cousin’ Joe Maphis. Fast romper, an accordion solo, and that agile guitar throughout.

Sue Sunshine "Barn dance boogie"

Barn dance boogie

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From Tennessee comes BROWNIE JOHNSON for the medium uptempo – good vocal, nice guitar – « The sun would never shine » on the Lynn label # 101B. Valued (TL/DB) at $ 100-125.

Johnson Brownie "The sun would never shine"

The sun would never shine

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The name BINK BURNS is not a common one, on the Oklahoma Rose label (# 127) : « Muddy river » has a slow rhythm, a threatening vocal and a fine guitar. It’s valued $ 60-75 (BJK).

Muddy riverBurns Bink "Muddy river"

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Finally two discs by SLIM DORTCH from Tennessee. The very great « Big boy rock » on Eugenia 1001 from 1961 : $ 600-800 (BJK). His second is very tame in comparison, « Sixteen miles » is a honest little rocker without any more appeal.

Dortch slim "Big boy rock"Dortch Cowboy Slim "Fifteen miles"
Big boy rock

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Sixteen miles

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