early January 2013 fortnight’s favorites

Hi!  to everyone visiting this blog early new year. If you are looking for bopping music, this is the site for you! Latest story (published on Christmas day!): Autry Inman. Let’s take a look and a listen. Great hillbilly/rockabilly  music.

First, one of those Rockabilly acetates flourishing over the web. Never heard of the artist, HAROLD MORRISON, but his “I Gotta Have Her” has got everything to enjoy your ears.

Then on for bit pop flavoured “Baby, Baby, Baby” on RCA 47-6188 (1955) by FLOYD WILSON. Male chorus, and the whole sounds New York but still enjoyable.

rca robinson baby

X dalton-boys roll

 

 

 

 

Return to JAY T. STARR, recently covered in a previous fortnight. This time for a serious Hillbilly boogie: ” Rattle Snake Boogie“, on Coast 9017, complete with fiddle and boogie guitar.

Also I did announce the DALTON BOYS (Shorty Long and Bob Newman). Both had begun their recording career on King (1951) with a split session. 1955 sees them reunited under a disguise for the fine train song “Roll, Rattler, Roll” on X 0045. Great boogie guitar, and harmony vocals all the way. Flip is slower “Just Like Me” (not podcasted).

From Waco, Texas, for a superb “Shorts Crazy” by MACK McCRAY on the Ford label (#1 or # 1074-A, the sequence in unclear on the label). All in all, piano, fiddle and steel do provide an almost Starday sound.

Finally from New Jersey, Jersey City on the Cevetone label (# 1866), a fine hybrid Hillbilly/Bluegrass “Mountain Boy” by VERLIN SPEEKS. Very fast, fiddle and banjo all along, and an energetic rhythm guitar. Just take a listen! In the meantime, have a nice Bopping New Year!

ford mccray crazy

cevetone speeks boy

 

 

 

 

 

 

 

 

 

 

 

 

 

early September 2012 fortnight’s favorites

A NEW HEADER HAS BEEN PUT AT THE UPPER RIGHT: every artist or label cited in bopping.org since the beginning is this way all of a sudden within easy rich.

Hi! to everyone, for this new entry in the “fortnight’s favorites” serie in the bopping.org site. If you came in by accident, or while searching on the web for particular things, you are welcome! This is the site of happy, well-living hillbilly bop music – anyway the form is: hillbilly, rockabilly, country boogie or later country-rock. This article is published bi-weekly and contains 6 selections of what I noticed and liked recently.

All 6 selections have something in common: I nearly know nothing on the artists involved neither few on the labels they recorded on. So all things do come from records themselves!

First on the Detroit, MI.  based Fortune label. It is very well known now that many an artist from the Southern states, once established in the Motor City, did record for small labels over there, the most important being Jack & Deborah Brown‘s Fortune label. This said, I know NOTHING on the Tennessee Harmony Boys, except what is written on their Fortune # 209 issue label. It’s a cross between Bluegrass and Hillbilly, with a foot firmly set on the religious side. Instrumentally one can only be stunned at two thrilling mandolin solos of “I’m A Millionaire“. Remember this came as late as 1956-57.

fortune tennessee-harmony-boys millionnaire

dixie nash wise

meladee ray step

Second selection, on the Dixie label. No one can seem to find the end of this one, although their mainstay was from ca. 800 to 1100 – maybe different labels. I kept this time Malcolm Nash and the great  “I Guess I’m Wise” (# 833) . Acc. by the Putnam County Play Boys: Putnam Cty is located in the NY state, on the lower Hudson River region. Is this helping? Musically, this is a duet vocal, in the cross manner of Memphis, TN, Sun label Howard Seratt (for rhythm guitar and harmonica) and Doug Poindexter (for the shuffle beat). Very strange and excellent item, maybe from 1956.

On to New Orleans, and the Meladee label. You know Luke McDaniels had, as Jeff Daniels, one of his best-ever rockers (“Daddy-O-Rock“) on this label. Surprising Don Ray. Here it’s a fine shuffling Hillbilly bop/Rockabilly, “Step Aside“, with good steel. Ray apparently was to have 2 records on the Los Angeles Rodeo label in 1956 (“Imogene/Those Rock’n’Roll Blues“). Later on the Rodeo/Excel labels soon!

clif wayne listen

cevetone speaks boyboyd miller door

 

 

Returning North, in Shreveport, La. on the tiny Clif label with Roy Wayne (“Honey, Won’t You Listen“, # 101). Good lead guitar, on an insistant drum backing. Clif also had issued T.V. SlimFlat Foot Sam“, which was picked up by Checker in Chicago, before being re-cut by Louisiana Tommy Blake on the Memphis Sun label. If I manage well, Sun Records may be the secret link between all numbers!

From New Jersey state comes Verlin Speeks on the Cevetone label (# 1866, “Mountain Boy“). Fast hillbilly bopper, nasal vocal, on backing of mandolin, banjo and fiddle (brilliant solo). I could hear that type of music all the time!

Finally, early ’60s, in Oklahoma on the Boyd label (# 3297); Sonny Miller belts out “Through That Door” on heavy bass and fiddle Bakersfield influenced country rocker.

Hope you will enjoy all the selections.

Remember to take a look through the “contact me – I’m selling CDs header: there are a lot of CDs and vinyl albums for sale, at bargain prices.

Till ‘then, bye-bye!