Born De Armand Noack, Jnr., 29 April 1930, Houston, Texas/ Died 5 February 1978, Houston, Texas A.k.a. Tommy Wood.
Eddie Noack, 1950
Noack who gained degrees in English and Journalism at the University of Houston made his radio debut in 1947 and made his first record for the Gold Star label in 1949, “Gentlemen Prefer Blondes”. In 1951, he cut several songs for Four Star including “Too Hot To Handle“. Leased to the TNT label, it drew attention to his songwriting and was recorded by several artists (including Sonny Burns) , most recently by Deke Dickerson, who also included “Gentlemen Prefer Blondes” on his new (excellent) CD, “Deke Dickerson In 3 Dimensions”.
Noack joined Starday in 1953 (beginning a long association with ‘Pappy’ Daily), where his immediate success came as a writer when several of his songs were recorded by top artists including Hank Snow who scored a # 5 Country hit with “These Hands” in 1956.
Noack moved with Daily to his D label where in 1958, after recording rockabilly tracks as Tommy Wood, he had a country hit with “Have Blues Will Travel” (# 14).
During the ’60s, Noack quit recording to concentrate on songwriting and publishing and had many of his songs including Flowers For Mama, Barbara Joy, The Poor Chinee,A Day In The Life Of A Fool and No Blues Is Good News successfully recorded by George Jones as album cuts.
In 1968, Eddie recorded “Psycho” for the K-Ark label.
This bizarre song, about a serial killer, was virtually unknown then since the original fifties version by its composer, Leon Payne (yes, the “I Love You Because” guy), had – understandably – never received any airplay. Since Eddie’s version it has become a cult favourite, covered by, among others, Elvis Costello.
Noack did make some further recordings in the ’70s, including arguably some of his best for his fine tribute album to Jimmie Rodgers. He moved to Nashville and in 1976, recorded an album that found release in the UK (where he had toured that year) on the Look label. He worked in publishing for Daily and Lefty Frizzell and in an executive role for the Nashville Song- writers Association until his death from cirrhosis in 1978. A fine honky tonk performer, somewhat in the style of Hank Williams, he is perhaps more appreciated today as a singer than he was in his own time.
Biography taken from Black Cat Rockabilly (Dik De Heer)
Below is a reprint of a New Kommotion article from 1976, “Talk Back With Noack”, in which Noack tells his early story in his own words.
Howdy folks! Just another batch of good ole’ Hillbillies, Honky tonks, and Hillbilly boogies (all from the 50s/early 60s). No label shots, sorry: I just re-formated my Macintosch hard drive, and lost all my sites in course! Sometimes I own the actual record, wish I had them ALL! But, you know, it’s not a matter of time neither of money to get them, they are really THAT rare…
We begin with a very rare USAF live transcription of HANK SNOW, early 50s. Hank does 3 tunes, first his signature song, “I’M MOVING ON”, then he embarks on a track that is known to me, but at the moment I cannot remember the title of the song. He finishes with the famous “HONEYMOON ON A ROCKET SHIP”. Fine, powerful rhythm guitar from Hank himself, I would assume; if the band which is backing him is the same as on recording sessions, then the great steel should be played by either Joe Talbot, or Melford Gentry.
Honky Tonk now with CARL SMITH on Columbia, with the fine 1955 “Baby I’m Ready”, lotta bird-dogging in this song, with the perfect Nashville musicians staff. On to early 60s I’d assume. I don’t know the location of the CLET label, perhaps Texas? I’ve chosen the uptempo “Honky Tonkin’ Baby” by BOB SMITH. September 1960, Cincinnati, King records studio. My own tribute to a great singer/songwriter, LATTIE MOORE, who just passed away on June 13th (he was heartsick since the 90s); here we have “Drivin’ Nails (In My Coffin)” – is it the same number popularized circa 1947 by JERRY IRBY? I have not the time to compare the songs.
Next comes from Texas or Oklahoma a minor classic by AL VAUGHN, “She’s An Oakie” (Four Star) from 1952. Good harmonica throughout, and fine steel. Then to Tennessee and on the DOT label, out of Gallatin. BIG JEFF & The Radio Playboys for the fine offering “I don’t talk to strangers”, from 1950 or 1951. Could Big Jeff be…LUKE McDANIELS, or as he was billed on MEL-A-DEE out of New Orleans (“Daddy O-Rock” from 1956), JEFF DANIELS? His actual story is yet to be written…Finally we have Danny (name forgotten!) as HANK THE DRIFTER and the great “Bill Collector Blues” – late 50s on the NEW ENGLAND label. Hope you N-joy everything! Comments welcome.