Howdy, folks. And the hillbilly bop goes on, with 6 new favorites. This time I’d dig deeper in my archives, taken from excellent mid-’80s Tom Sims’ collector cassettes. The guy owned at the time ca. 50 or 60.000 singles! Some 25 years beyond I still discover little gems out of these cassettes, as the three debut choices.
Mark Foster and a loping piece of fast Hillbilly, “My Baby Doll” – I don’t even know the original label. It could be from ’56 or ’57. ** See NOTE down the page. Then Robbie Shawn, accompanied by Wynn Stewart (1958?) on the Linde-Jo label for “It’s Time For me To Go” – I suspect the presence of steel guitar virtuoso Ralph Mooney. Now on the Joplin label, and the unknown Sammie Lee, for the very nice mid-tempo “Oklahoma Blond Headed Gal“, complete with rural vocal, fiddle and steel.
Unto “regular” finds, for The Drifter on the Maid label, out of Columbia, Tennessee (vocal Tommy Moreland). These Tennessee Drifters are not to be confused with earlier ones on Dot (with Big Jeff or George Toon). I know Moreland had other records, but could not find more information, or didn’t care to take time to it. Very fine mid-tempo Rockabilly, heavy echoey lead guitar.
The career of the Sons of the Pioneers goes back to early ’30s and they had big hits throughout until the ’60s, most well known being “Cool Water” (also done by Hank Williams). Here I’ve chosen their spirited rendition (April 1952) of the Billy Strange‘s original “Diesel Smoke, Dangerous Curves“.
Finally, the prolific Mac Odell, a native from Alabama, and his “Penicillin” on King. Fast vocal, one wonders how he came to sing that fast without stuttering!
NOTE about “Mark Foster” (first selection). A visitor whose great pseudonym “Drunken Hobo” from England hides a fine listener and connoisseur of Hillbilly Bop advises me the tracks “My Baby Doll” is actually by CLIFF WALDON & His Westernairs. Label: Mark 107. The label do come from Utica, NY. I finally found it: Waldon was apparently from Oklahoma and had “Indian Gal” twice, first on Stardale, second on Mark. Listen to this track: it has 5 solos! 2 by the steel player, 2 by the fiddler, and even the bass player has his own. No electric lead guitar audible. And a lovely happy voice by Waldon. Thanks again, Dean!