Late November 2018 bopping fortnight’s favorites

Hi ! This is the late November 2018 bopping fortnight’s favorites selection : I try to add regularly this section of bopping.org. Obscure artists and record labels, as better known ones, but the emphasis is done on lesser known tunes. They do represent anyhow my feeling for the Hillbilly Bop music between 1945 and 1965 (occasionnally I am sticking these time limits out).

First artist is DICK DYSON, whom I still doesn’t know anything about. I had posted a tune (« I Work In The Daytime, (She Works At Night) » in the early July 2018 faves’ selection, here is one more : « Warmed Over Coffee And Woke Up Kisses » is a fast song, a lot of steel and a very agile lead guitar. Vocal by Johnny Pearson. This was released in 1947 on Tri-State 103.

The November period is favourable to witches and haunted houses. JACK RIVERS on Coral 64072 cut in 1954 the classic half-sung tune of the genre with « Haunted House Boogie : piano, steel, and skeleton’s clinketings.

From Columbia, TN, came in 1960 the rousing « The Drifter », released on Maid 1000 by the Tennessee Drifters (with TOMMY MORELAND on vocal). Great trembling guitar over an high-pitched vocal. More of the same with « The Tennessee Blues » on the Columbus (located in…Columbia, TN, near Nashville) label # 1501. He released also the out-and-out rocker «  » in 1962 on Skoop 1054.

On the West coast, GENE O’QUIN delivers « I Specialize In Love » (Capitol 2578), cut in December 1954. A fast bopper, steel played by Speedy West and fiddle by Harold Hensley.

On the Houston based Shamrock label (no #) I am releasing RAY COATS (Collins and The Ranch Boys) for the fine « Texas Blues », from 1952 or 1953.

In West Monroe (La.)(near Shreveport) was cut the good « Just Me And The Jukebox » by the veteran BUZZ BUSBY on vocals and mandolin. A fast song, a banjo solo as expected on the small Jiffy label # 207.

Next artist was primarily a ballad singer. RUSTY McDONALD, a native of Lawton, Texas (1921-1979, aged only 57 years) worked with Bob Wills, the Callahan Brothers, Tex Ritter as guitarist or front singer. Here he appears on the 1951 released « Baby Sittin’ Boogie » (Intro 6035) : lazy vocal, shufflin’ and sympathetic rhythm. He scored big the same year with « Postage Due », a very styled uptempo tune.

The veteran TEX RITTER has an assured vocal and a dreamed backing behind him, that of Speedy West on steel, Merle Travis on guitar, Cliffie Stone on bass and Harold Hensley on fiddle for « Boogie Woogie Cowboy » (Capitol 928, from January 1950)

Sources : as usual, YouTube, Uncle Gil’s Rockin’ Archives, Internet.

early November 2012 fortnight’s favourites

Howdy folks, welcome to newcomers. The aim of this feature is to spread my favorites around…

Let’s begin with a recently covered CLIFF DAVIS, without doubt a Southerner (“& his Kentucky Play Boys” as shown on the label), on the Chicago Jay Jay label (# 161) for this fabulous rendition of a classic, modernized (for 1956…) “Rocky Road Blues“. Fast, call-and-response format, even slap-bass sounding like drums and a superlative guitar. Second, thanks to Youtube chain-owner HillillyBoogie1, who frequently adds gems to his chain, PERRY WASHBURN on the Los Lunas, N. M. Mustang (# 300) label is no exception: on a obliged Indian beat, a very effective medium-paced vocal on perfect backing of steel-fiddle-guitar (nice solos) for “Pocahontas Baby“.

jay hay davis road

 

mustang washburn pocahontas

 

 

 

On the Joplin, MO. Joplin label, owned and composed by one Robert T. Nelson, a superior shuffler, “Oklahoma Blond Headed Gal” by deep-voiced SAMMIE LEE. Nice fiddle, steel all  along. Year 1958 (issue J80W-3138, RCA pressing). Thanks to Tom Sims for this rare one.

 

PORKY FREEMAN is maybe the best known of this serie, for a string of guitar-led instrumentals from 1944-1947 on Ara and Four Star labels. Here I offer his “Porky’s Boogie Woogie” (Ara 4009) from September 1945. Red Murrell on rhythm and Al Barker on bass, Porky indeed on lead guitar.

joplin lee oklahoma

ara freeman porky's

 

 

 

 

From Chicago or Eastern states come BOB PERRY. On the small Bandera label (# 1301/1303) the fantastic “Weary Blues Goodbye” from 1958. Very strong rhythm, firm vocal, and a FABULOUS steel-guitar solo, which sounds as a slide guitar. I added the flipside, very different, and more countryfied “Can’t Hardly Wait”. Perry had at least another disc on Cool, outside the scope of this site: it’s a late ’50s rocker.

Finally someone I recently put everything I could gather on, the Kentuckian born RAY ANDERSON. In the case you missed him, here is his great “Done Gone Dirty Shame” from 1952-53 on the Illinois Blue Ribbon (B2) label. Nice guitar picking a la Merle Travis.

 

Finally there is an hidden gem in the podcasts: “Haunted House Boogie” by Jack Rivers, for halloween.bandera perry goodbye

ribbon anderson shame

late March 2010 fortnight

Howdy folks! No post since a long time. I have been out of town, sick and busy elsewhere. Now I’m back with another batch of Hillbilly bop and Rock’n’Roll goodies… First we have JACK RIVERS’ “Haunted House Boogie” (was on Columbia, 1954), complete with sound effects on steel-guitar! Then onto a little classic on King (1953) “The Creek’s Gone Muddy (and the Fish Won’t Bite)” by JIMMY BALLARD. I will tell you someday the story of Jimmy Ballard, very strange one: he had risqué songs (some call it pornobilly) same time as sacred, on small Kentucky labels. Earlier (40s) with CLIFF CARLISLE’s “Shanghaï Rooster Yodel # 2” – fine dobro. Same period (or even the 30s?) with UNCLE HENRY and the haunting harmonica instro “Lost John”. Then back to 1953, another interesting artist from Virginia or D.C., JOE FRANKLIN. Here is the reverse of his fabulous “Hillblly Boy” on M-G-M: the mid-tempo “Hitch-Hiking Blues” . Nice Hillbilly piano (Franklin himself?). We come to an end with the frantic “Don’t Happen No More” (78 rpm) from 1956 (Atlantic – Mickey Baker on guitar) by YOUNG JESSIE. Enjoy these gems!