Howdy, folks! Hello to past visitors, hi! to new ones. Here it’s the new fortnight’s favorites selection of bopping music (early April 2020), and you’ll be treated with tunes as early as 1934, to immediate early ’60s.
Zeke Clements & his Western Swing Gang
An early Grand Ole Opry star, ZEKE CLEMENTS (1911-1994) was an immensely popular artist with songs like « Smoke On The Water » or « Oklahoma Blues ». Here he is on the Blazon klabel (# 10B) from the late ’40s for « It’s My Life », an uptempo a bit jazzy/Western swing : clarinet all through along the tune, piano and jumping vocal. Clements even adapted himself in 1959 to Rock’n’roll on his own Janet label.
It's My Life
Even earlier (1934) by HOMER CALLAHAN part of the Callahan Brothers duo (the other was Walter). This is crude Hillbilly ! « Rattlesnake Daddy » has a raw power, only singer and his guitar, with some yodel. Vocalion 04362, cut in NYC.
Rattle Snake Daddy
Cashbox Feb. 2, 1955
A fast hillbilly now in the hands of RANDY ATCHER, a Louisville, Ky artist. « Flying High » (M-G-M 11954), released iin 1955, is a fast number that moves, with a nice fiddle. More of the same for « You’re A Living Doll » (# 12058) : steel effects and also moving. Atcher cut an « Indian » classic hillbilly in 1956, « Indian Rock » (M-G-M 12347). He was also on Contract Records.
You're A Living Doll
Cashbox Aug. 27, 1955
Bob Dean & Cindy
From Washington, D.C. comes BOB DEAN & Cindy with the Kountry Kings. They released in ’59 the fast Country-rocker « Walk, Walk, Walkin’ Blues » on Kay 3690.
Walk, Walk, Walking Blues
The York Brothers
Another Indian Hillbilly is « Mohawk Squaw » (King 1468, recorded May 1955) by the YORK Brothers, Leslie and George. It’s a fine novelty « Mohawk Squaw, Hugh-hugh »..), well in their usual manner : good guitar and some spare drums. Released also on UK. Parlophone.
Four Leaf Clover
Why Do I Keep On Crying
From Oklahoma on the Razorback label (# 103) in 1958 we are treated with a fast Hillbilly bopper by BILLY PARKS : « Four Leaf Clover » is a lively opus, string bass well to the fore, boogie guitar and a discreet steel (too short solo), chanter in good form. The flipside, « Why Shoud I Keep On Trying » is similar in essence and tempo, as well as the UBC 1015 « If I Shoud Tell You I’m Sorry » (issued November 1960).
If I Should Tell You I'm Sorry
She Don't Want Me No More
Finally a master in Rocking Blues : JIMMY REED with two tracks from a July 1955 session for Chicago’s Vee-Jay Records Company. W.C. Dalton on lead guitar, Milton Rector on bass, Earl Phillips on drums, plus the very great Henry Gray on piano (later with Howling Wolf). The two tracks have Reed on vocal and harmonica : « She Don’t Want Me No More » and « I Don’t Go For That » – neither me !
I Don't Go For That
Sources : YouTube for Randy Atcher ; HBR 19 (Razorback) for Billy Parks’ songs ; Google Images for Randy Atcher and Jimmy Reed ; Ron Keppner for Zeke Clements on Blazon ; 45cat for Billy Parks and Bob Dean ; my own archives.