Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.
SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here Long offers the fast “Forget Her“, an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here “Kentucky”, no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary “Roll, Rattler, Roll” on the X label: next fortnight.(April 2, 2018. Note the Shorty Long here has probably nothing to do with the Pennsylvania born Shorty Long – records on King, Valley and RA-Victor; see his story elsewhere in this site)
On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly “Really Do You Care?“.
1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.
On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker “Yes, Indeed“(nice guitar, discreet steel) “I’ll Move along“.
The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very professionnal. He founds himself on Republic 7023 with the fine “Ohio Baby“.
Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in “Lonesome Old Clock“
A NEW HEADER HAS BEEN PUT AT THE UPPER RIGHT: every artist or label cited in bopping.org since the beginning is this way all of a sudden within easy rich.
Hi! to everyone, for this new entry in the “fortnight’s favorites” serie in the bopping.org site. If you came in by accident, or while searching on the web for particular things, you are welcome! This is the site of happy, well-living hillbilly bop music – anyway the form is: hillbilly, rockabilly, country boogie or later country-rock. This article is published bi-weekly and contains 6 selections of what I noticed and liked recently.
All 6 selections have something in common: I nearly know nothing on the artists involved neither few on the labels they recorded on. So all things do come from records themselves!
First on the Detroit, MI. based Fortune label. It is very well known now that many an artist from the Southern states, once established in the Motor City, did record for small labels over there, the most important being Jack & Deborah Brown‘s Fortune label. This said, I know NOTHING on the Tennessee Harmony Boys, except what is written on their Fortune # 209 issue label. It’s a cross between Bluegrass and Hillbilly, with a foot firmly set on the religious side. Instrumentally one can only be stunned at two thrilling mandolin solos of “I’m A Millionaire“. Remember this came as late as 1956-57.
Second selection, on the Dixie label. No one can seem to find the end of this one, although their mainstay was from ca. 800 to 1100 – maybe different labels. I kept this time Malcolm Nash and the great “I Guess I’m Wise” (# 833) . Acc. by the Putnam County Play Boys: Putnam Cty is located in the NY state, on the lower Hudson River region. Is this helping? Musically, this is a duet vocal, in the cross manner of Memphis, TN, Sun label Howard Seratt (for rhythm guitar and harmonica) and Doug Poindexter (for the shuffle beat). Very strange and excellent item, maybe from 1956.
On to New Orleans, and the Meladee label. You know Luke McDaniels had, as Jeff Daniels, one of his best-ever rockers (“Daddy-O-Rock“) on this label. Surprising Don Ray. Here it’s a fine shuffling Hillbilly bop/Rockabilly, “Step Aside“, with good steel. Ray apparently was to have 2 records on the Los Angeles Rodeo label in 1956 (“Imogene/Those Rock’n’Roll Blues“). Later on the Rodeo/Excel labels soon!
Returning North, in Shreveport, La. on the tiny Clif label with Roy Wayne (“Honey, Won’t You Listen“, # 101). Good lead guitar, on an insistant drum backing. Clif also had issued T.V. Slim “Flat Foot Sam“, which was picked up by Checker in Chicago, before being re-cut by Louisiana Tommy Blake on the Memphis Sun label. If I manage well, Sun Records may be the secret link between all numbers!
From New Jersey state comes Verlin Speeks on the Cevetone label (# 1866, “Mountain Boy“). Fast hillbilly bopper, nasal vocal, on backing of mandolin, banjo and fiddle (brilliant solo). I could hear that type of music all the time!
Finally, early ’60s, in Oklahoma on the Boyd label (# 3297); Sonny Miller belts out “Through That Door” on heavy bass and fiddle Bakersfield influenced country rocker.
Hope you will enjoy all the selections.
Remember to take a look through the “contact me – I’m selling CDs“ header: there are a lot of CDs and vinyl albums for sale, at bargain prices.
Till ‘then, bye-bye!