Hello, folks ! This is the first 2018 (early January) fortnight’s favorites’ selection. As usual, a mix of Hillbilly boppers, Rockabillies and Country rockers.
First come WADE JERNIGAN for « So tired », a fine Rockaballad on the Mobile, AL, Sandy label (# 1010). Good steel and extrovert vocal. Despite some research, he didn’t cut any other record.”So tired” was written par Johnny Bozeman, apparently the owner of the label, who recorded “She’s my bayou babe” on the Biloxi, MS. Fine label 1006, and also had “How many/The blues and I” (pop ballads) on Sandy.
Then four tracks by the Virginian KEN LIGHTNER and the Hay Riders. He recorded in 1961 on Dixie (a Starday custom label) # 913 his most well-known track (it even appeared on a volume of the late Cees Klop Dixie CD series), « The Corner of love ». Some would call it a teen rockabilly. It bears though a nice steel battling with a good guitar, even a short piano solo, and to be true, a light vocal. Slowier is the flipside “Am I still the one“, once more with a mellow steel. The same goes for the short (less than 2 minutes) « Mary Ann » on the Wheeling, Wva. Emperor label 220 from 1959 ; again a fine steel, and a very alluring rhythm. Finally on the Kingston # 418 label, the song « Big big love », which is a easy-going country-rocker led by steel again.
“The corner of love”
“Am I still the one”
“Big big love”
On the Kentucky label (# 575) from Cincinnati, BOB MOONEY has an amusing talking blues, « A sucker born every day », which is a tour de force for the steel guitar : it’s litterally cracking and howling. He already had cut “Aubomobile baby“[sic] on Cozy 317/318 in 1953, and “Sucker” was reissued on REM 350 in 1964.
From Louisiana now, two tracks by BUCK WHEAT (rn C.M. Wheat, from San Antonio, Tx). Backed by the Wheatbinders. A lazy Rockabilly/country rocker first with « Texas woman » on the Goldband label (# 1093, from 1959) ; then « Twitterpated » on the Folk-Star label (# 1303, a subs. to Goldband) : a great piano led shuffle beat, a bluesy guitar solo.
We come to an end with both sides of Columbia 21031 (October 1951) by the MERCER BROTHERS, Charlie and Wallace. They originated from Metter, south of Georgia, and began to appear at the Louisiana Hayride in 1948. « It ain’t no use » and « Tell me who » have a distinguished Delmore Brothers appeal. No surprise, since Wayne Raney himself backed them on harmonica for the session.