Late February 2018 bopping fortnight’s favorites

Howdy folks, hello to returning visitors ! This is the late February 2018 fortnight’s selection.

Let’s begin with a well-known artist, SKEETS McDONALD. At the peak of his career in March 1958, he recorded a full album of Honky Tonk for Capitol, which I chose the rollicking « You’re there » from : fine piano, guitar by Buck Owens, it’s the sort of bopping music you never get rid of. (Capitol T 1040)


Skeets McDonald, “You’re there”

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The original was made a few years earlier by SHORTY BATES and His Texas Saddle Pals (vocal Tal Rowland) on the Mel-O-Tone label # 3600. It’s a good uptempo, with fine guitar, from Fort Worth, Tx.

Shorty Bates, “You’re there

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What an elusive artist is EARNEY VANDAGRIFF. He had between 1954 and 57 records on Specialty (700 serie – see the story in this site) and Starday. This time it’s the romping Rockabilly/Rocker « Be-bop Santa Claus » on California’s Rural Rhythm label (# 511). Fine piano.

Be-bop Santa Claus

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SUNSHINE SUE teamed with Joe Maphis for “Barn dance boogie” (the latter’s earliest recorded known effort) on Astra 1215. It’s indeed a fast guitar tune over a male vocal. Astra was a Richmond, VA. label from about 1949 or 50.

 

Barn dance boogie

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Now a Starday custom : Mid-West label 561 from 1956, out of Wichita, KS. « What am I going to do » by MONROE JOHNSON is a fiddle led shuffle good primitive bopper.

What am I going to do

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From the small town of Florence, AL comes MOTT GILBERT on the Dixie Cleartone label # 175, from circa 1954. « Foot loose and fancy free » has a fiddle solo (Gilbert?), but uninventive steel solo and a short piano solo. The flipside « Loving mama blues » is a great piano led medium blues tune.

Foot loose and fancy free”

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Loving mama blues

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JIMMY HINKLE on the Fayetteville (NY State) Fireside 28836 label does « Won’t cha marry me » from 1957. Fast steel, solo fiddle, extrovert vocal, but short tune (1 mn 48).

Won’t cha marry me

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From 1948 come the next tracks by EVERETT LACKEY & the Lone Star Ramblers, from the Birmingham, AL Vulcan label # 3000A. « Longing for someone » is an uptempo – good guitar with Western swing overtones. The flipside « Sorrow and tears » a medium side with accordion.

Longing for someone

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Sorrow and tears

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Various sources as usual: Hillbilly Researcher archives; 78rpm site; 45worlds site;

Skeets McDonald

Biography by Jason Ankeny
Best known for his self-penned chart-topper “Don’t Let the Stars Get in Your Eyes,” Skeets McDonald was a honky tonk singer and songwriter whose work helped serve to bridge the gap between country and rock & roll. The youngest of seven children, Enos William McDonald was born on October 1, 1915, in Greenway, AR, and earned his nickname after an incident involving a swarm of mosquitoes. He became interested in music at a young age and, according to McDonald family legend, even traded his hound dog for a guitar and six dollars. When his older brother moved to Michigan several years later, McDonald followed and joined his first band, the Lonesome Cowboys, in Detroit in 1935. He continued to perform on local radio stations until he was drafted to serve in World War II in 1943.skeets-detroitAfter returning from battle, McDonald began performing on a Detroit-area television program and in 1950 cut his first records with fiddler Johnnie White & His Rough Riders. In 1951, McDonald and his family moved to Los Angeles, where he was signed to perform on Cliffie Stone‘s TV program Hometown Jamboree. Soon after, he joined Capitol Records and in 1952 released “Don’t Let the Stars Get in Your Eyes,” by far his biggest hit. McDonald remained with the label until 1959, the year he released the LP Goin’ Steady With The Blues, and while he scored few chart successes, his music’s evolution from honky tonk to straightforward rockabilly proved to be influential with other musicians. Meanwhile in 1956, he teamed wth the aspiring Honky tonk singer Wynn Stewart. The pair recorded “Slowly But Surely” (with a young Eddie Cochran on rhythm guitar), backed by “Keeper of the key” (later cut at Sun by Carl Perkins).

In 1959, McDonald signed with Columbia, which mandated that he return to country music. In the early ’60s, he notched a handful of hits, including “Call Me Mr. Brown” which reached the Top Ten in 1963. A year later, he issued the album Call Me Skeets!. As the decade wore on, he began branching out from the West Coast music scene, recording in Nashville and appearing on the Grand Ole Opry. Despite the country industry’s shift towards slicker, more pop-oriented productions, McDonald remained a purist throughout his career; he died on March 31, 1968, after suffering a massive heart attack.

Recommended listening: Heartbreakin’ mama (Bear Family)  skeets-bf-gonna-shakeDon’t Let The Stars Get In Your Eyes (6CD boxset Bear Family)

article revised December 5th, 2011. It still doesn’t please to me! It was one of my very first articles, and I didn’t know Photoshop and page mage make-up…Someday I will have to write it again entirely.skeets-coffretskeetswithhrosegro
capitol skeets Remember
capitol  skeets strollin'

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