Early March 2019 bopping fortnight’s favorites

Howdy folks ! This is the 5th bopping fortningt’s favorites selection of the 2019 year, that of early March. Mostly made of late ’40s and very early ’50s recordings in very various styles.

Blue Ridge Playboys (Moon Mullican)

Let’s begin with a San Antonio recording from November 1936 : « Swing Baby Swing » is a Blue Ridge Playboys tune, described on the label (Vocalion 034160) as « Hot String Band And Singing » : Moon Mullican (vocal and piano) is driving the Blue Ridge Playboys with this lively tune, only a pretext for piano, fiddle (Leon Selph) and guitar solos.

Moon Mullican

Further on with two later sides by MOON MULLICAN on the King label (recorded in Cincinnati on March 6th, 1953), : « Grandpa Stole My Baby »(written by a R&B giant, Roy Brown) and « I Done It » are obvious attempts to sound R&B (a lovely saxophone and drums, played by Boyd Bennett) and predate vintage Rock’n’roll by 3 years. Lazy rhythm, haunting tracks at every listen, of course the piano is great.

Billy Hughes’ Pecos Pals

Next artist is a legendary songwriter, with classic songs from the 1946-48 era like « I’m Tellin’ You », « It’s Too Late To Change Your Mind », « Tennessee Saturday Night » or « Stealin’ The Blues ». Bopping.org devoted him an article (in October 2014), and here’s a tune that escaped to the post, BILLY HUGHES’ PECOS PALS and « Out Of Town Boogie » (4* 1202 from 1947) : it’s an uptempo mid-paced, vocally halfspoken.

Walt McCoy

WALT McCOY was a West Coast artist : he was backed by his Western Wonders, and had records on Cristal and Broadway among others. Here he delivers first a « Cowboy Boogie », a solid rhythm over a boogie guitar pattern, taken over by an uninspired steel solo, and piano, issued on the rare O and W label (# 237). Then on a 4* custom OP- record (on Pacific 145), « I’m Gonna Get A Honky Tonk Angel » is a slow thing, a bit crooning and disillusioned vocal over a good steel.

Eddie Marshall

Then on a major label (RCA-Victor # 21-0357 cut –), a cheerful, although on a bluesy type tempo, « Tom Cat Blues » by an unknown but prolific artist : EDDIE MARSHALL & His Trail Dusters. The steel-guitar goes throughout the song, and the vocal is yodeling at times.The dude had several other good records, namely « Mobilin’ Baby Of Mine » (also by Gene O’Quinn on Capitol 2075), « Honky Tonk Blues » (not the Hank Williams song), a version of « Coffee, Cigarettes & Tears » (also by Charlie ‘Peanuts ‘ Faircloth on Decca 46271) . Eddie Mashall really deserves a complete research and a publication.

Al Brumley

Later on Ohio’s Acme 1230 (1950’s, it’s difficult to date this particular issue), AL BRUMLEY & The Brumley Brothers do release « You’ve Been Tellin’ Me Lies », a good uptempo with steel present (+ solo), over a vocal well suited to this rural type of song.

Snake River Outlaws

Finally a great fiddle and mandolin led bopper from a very unusual place : Missoula, Montana. The Snake River Outlaws do « I Won’t Go Huntin’ Jake (But I’ill Go Chasin’ Women)[vocal Orville Fochtman] with good fiddle and mandolin (solo), I’d assume a ’50s disc, but may also be a ’60s one ! On their own label, Snake River Outlaw 101.

Sources : 78-world for most label scans, google for several pictures, sounds from various origins (HBR # 45 for Walt McCoy, for example)

early May 2015 fortnight’s favorites

First I offer RED LEWIS on Kasko 1643 (Santa Claus, Indiana) for « I’ll move along ». Strong lead guitar and a melodic steel solo. DrunkenHobo, do you know something more about this record?

kasko lewis move
I’ll move along

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Then we’ll turn to a talented artist who deserved much more fame than he’s got during his 2 or 3 years tenure at RCA-Victor Records. Born in 1925, he was noted, after his discharge from U.S. Marine, by A&R man Steve Sholes. So EDDIE MARSHALL cut 9 good singles between 1950 and 1952.
His first, « The Tom Cat blues » (RCA 48-0357), recorded in NYC in May 1950, had Tony Matola on lead guitar, a fiddle, a steel who does a fine job and a bass, and as waited, is a medium-paced bluesy number. An organ comes in the background for good effect.

The Tom Cat blues

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rca marshall tom

eddie marshall pic
In December 1950, he cut the already little classic « Coffee, cigarettes and tears » (21-0413) known by Charlie « Peanut » Faircloth [see a recent Fortnight’s favorites to hear the latter’s version]. His version is jazzy and lot more faster than Faircloth’s. Very nice fiddle.
“”Coffee, cigarettes and tears

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In December 1951, he cut his teeth on Rodney Morris ‘ « Mobilin baby of mine »(20-4661), with sound effects, with a very nasal voice and new : a piano backing. Same tune was revived January 1952 on the West coast for Capitol (#2075) by Gene O’Quin. I include Gene’s version for comparison.
rca marshall mobilin

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Marshall retired from business afterwards to deal with his family.
Gene O’QuinMobilin’ baby of mine

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bb 24-5-52

gene o'quin

Gene O’Quin

Finally from California on the Big State label (# 101), GRADY ROLLINS and the filthy « Spit-toon song », with steel effect and harmonica, as a sequel to « Chew tobacco rag ».

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big state  rollins song
Enjoy the selections ! Some info was taken for Eddie Marshall from Paul Vidal’s BigVJamboree.blogspot site.