early May 2015 fortnight’s favorites

First I offer RED LEWIS on Kasko 1643 (Santa Claus, Indiana) for « I’ll move along ». Strong lead guitar and a melodic steel solo. DrunkenHobo, do you know something more about this record?

kasko lewis move
I’ll move along

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Then we’ll turn to a talented artist who deserved much more fame than he’s got during his 2 or 3 years tenure at RCA-Victor Records. Born in 1925, he was noted, after his discharge from U.S. Marine, by A&R man Steve Sholes. So EDDIE MARSHALL cut 9 good singles between 1950 and 1952.
His first, « The Tom Cat blues » (RCA 48-0357), recorded in NYC in May 1950, had Tony Matola on lead guitar, a fiddle, a steel who does a fine job and a bass, and as waited, is a medium-paced bluesy number. An organ comes in the background for good effect.

The Tom Cat blues

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rca marshall tom

eddie marshall pic
In December 1950, he cut the already little classic « Coffee, cigarettes and tears » (21-0413) known by Charlie « Peanut » Faircloth [see a recent Fortnight’s favorites to hear the latter’s version]. His version is jazzy and lot more faster than Faircloth’s. Very nice fiddle.
“”Coffee, cigarettes and tears

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In December 1951, he cut his teeth on Rodney Morris ‘ « Mobilin baby of mine »(20-4661), with sound effects, with a very nasal voice and new : a piano backing. Same tune was revived January 1952 on the West coast for Capitol (#2075) by Gene O’Quin. I include Gene’s version for comparison.
rca marshall mobilin

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Marshall retired from business afterwards to deal with his family.
Gene O’QuinMobilin’ baby of mine

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bb 24-5-52

gene o'quin

Gene O’Quin

Finally from California on the Big State label (# 101), GRADY ROLLINS and the filthy « Spit-toon song », with steel effect and harmonica, as a sequel to « Chew tobacco rag ».

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big state  rollins song
Enjoy the selections ! Some info was taken for Eddie Marshall from Paul Vidal’s BigVJamboree.blogspot site.

Late October 2014 fortnight’s favorites

Here it is, a new selection of hillbilly bop goodies, mostly from the early to mid-60s.

RED MANSEL is the earliest, from 1957, on a very early All Star label issue (# 7160) . This is hillbilly rock at its best, topical lyrics.

allstar  mansel spot
Red ManselJohnny on the spot

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RED LEWIS on the Kasko label (# 1643), from 1965. « I’ll move along » sounds well 7 or 8 years earlier. Great slapping bass, guitar all along. A discrete steel takes a fine solo.

Red LewisI’ll move along

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kasko lewis along
dixie  zolton cats

 

 

 

 

 

From Michigan and 1963 on a Starday custom Dixie label (#1056) comes FRANK ZOLTON and « Cats eyes ». A medium ditty with an unusual for the era accordion solo.

Frank ZoltonCats eyes

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Valparaiso, Florida. HAL ANDREWS offers « Brown-eyed girl », a medium opus, on the Choctaw label (# 6001).
choctaw andrews grl

Hal AndrewsBrown-eyed girl”

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arcade zario fault
Rex ZarioIt’s nobody’s fault but your own

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REX ZARIO even had a full album on Arcade. Here he delivers the fine « It’s nobody’s fault but your own » from 1959-60 (# 163). Indeed in 1956 he had had « Go man gone ».

Finally a wonderful rural duet by the VANDERGRIFT BROS. On the Cozy label from W.Va., « Sitting here a-crying » (# 447).
Vandergrift Bros. “Sitting here a-crying

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All selections taken from the net.

cozy vandegrift sittin'

early December 2012 fortnight’s favorites

Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.

SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here  Long offers the fast “Forget Her“, an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here “Kentucky”, no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary “Roll, Rattler, Roll” on the X label: next fortnight.(April 2, 2018. Note the Shorty Long  here has probably nothing to do with the Pennsylvania born Shorty Long – records on King, Valley and RA-Victor; see his story elsewhere in this site)

On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly “Really Do You Care?“.affiche shorty long

smiing long forget

shorty long

Shorty Long

eunice lee really1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.

On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker “Yes, Indeed“(nice guitar, discreet steel) “I’ll Move along“.

The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very  professionnal. He founds himself on Republic 7023 with the fine “Ohio Baby“.

Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in “Lonesome Old Clockboyd miller clock

sonny miller

Sonny Miller

leo johnson yeskasko lewisrepublic rowland ohio