Then we’ll turn to a talented artist who deserved much more fame than he’s got during his 2 or 3 years tenure at RCA-Victor Records. Born in 1925, he was noted, after his discharge from U.S. Marine, by A&R man Steve Sholes. So EDDIE MARSHALL cut 9 good singles between 1950 and 1952.
His first, « The Tom Cat blues » (RCA 48-0357), recorded in NYC in May 1950, had Tony Matola on lead guitar, a fiddle, a steel who does a fine job and a bass, and as waited, is a medium-paced bluesy number. An organ comes in the background for good effect.
“The Tom Cat blues”
In December 1950, he cut the already little classic « Coffee, cigarettes and tears » (21-0413) known by Charlie « Peanut » Faircloth [see a recent Fortnight’s favorites to hear the latter’s version]. His version is jazzy and lot more faster than Faircloth’s. Very nice fiddle.
“”Coffee, cigarettes and tears”
In December 1951, he cut his teeth on Rodney Morris ‘ « Mobilin baby of mine »(20-4661), with sound effects, with a very nasal voice and new : a piano backing. Same tune was revived January 1952 on the West coast for Capitol (#2075) by Gene O’Quin. I include Gene’s version for comparison.
Howdy, folks. My selection for this fortnight will be made, as usual, of lesser known artists up, and various times, ranging from approx. 1953 to early ’60s.
SHORTY LONG in 1961 was certainly no newcomer to music, as he had been cutting records on King in 1951, sharing a session with BOB NEWMAN. The latter in 1955 was reported as having joined Long’s Santa Fe Ranchers. Here Long offers the fast “Forget Her“, an hybrid song containing a slap-bass as well as banjo, mandolin and steel on the Smiling 2675 label. Long is billed here “Kentucky”, no doubt his original state. Both Shorty Long and Bob Newman paired in 1955 as Dalton Boys for a solitary “Roll, Rattler, Roll” on the X label: next fortnight.(April 2, 2018. Note the Shorty Long here has probably nothing to do with the Pennsylvania born Shorty Long – records on King, Valley and RA-Victor; see his story elsewhere in this site)
On a Evansville, IN Eunice 1007 label, DARRELL LEE offers an average Country-rocker/Rockabilly “Really Do You Care?“.
1958, TIM JOHNSON on the West Monroe label Leo (# 784) – which is actually a Starday custom issue – do come with the fine shuffler. A bit George Jones vocally, good fiddle and steel.
On Kasko 1643 (Santa Claus, IN) from 1965 RED LEWIS has a country-rocker “Yes, Indeed“(nice guitar, discreet steel) “I’ll Move along“.
The earliest track do come from Nashville in 1953. JOHNNY ROWLAND is a kind of mystery, although his voice seem very professionnal. He founds himself on Republic 7023 with the fine “Ohio Baby“.
Finally SONNY MILLER on the Boyd label, no doubt early ’60s. Good steel in “Lonesome Old Clock“