Late November 2017 bopping fortnight’s favorites (late ’40s to mid-’60s)

MERLE KILGORE is not a newcomer. He met in the ’60s and ’70s a lot of success as a songwriter in Nashville : wrote « Ring of Fire » for Johnny Cash, and « Wolverton mountain » for Claude King. But I am more interested with his beginnings for Imperial records, seemingly all cut at KWKH in Shreveport, La. Here’s « Everybody needs a lttle lovin’ » that Merle released on # 8300. A Rockabilly guitar

 

Tillman Franks on double bass with Johnny Horton

 

(fine solo), propelled by a thudding bass (Tillman Franks?) over an urgent vocal. Later Wyatt Merle Kilgore (his actual name, being born in Chickasaw, OK. In 1934) turned frankly towards Rock’n’roll with tunes like « Please please please », cut in New Orleans in Jan. 1956 with an-all Black group, that of Dave Bartholomew, and « Ernie » . So eclectic was the man ! He was also a board member of the Hank Williams Montgomery museum, being very close to Hank’s family. He was back to his Country roots in 1959 with Country rockers on the « D » label (‘Take a trip to the moon »). Died of a lung cancer in 2005.

« Everybody needs a little lovin’ »

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I didn’t find anything on the next artist : TROY JORDAN & His Cross-B-Boys, except to location of the label: Midland, Texas. So can only comment both sides of his disc issued on Tred-Way 100. The A-side is a good uptempo, « Who Flung that mater », with a too-discrete steel-guitar and well-sung, although nothing rxceptional. B-side is really fine bluesy a tune: guitar, steel, a piano solo, lazy vocal for « Don’t cry on my shoulder ». Jordan was a distant cousin of the Carter Sisters, so it may be they are the right way for a research on him.

« Who flung that mater »

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« Don’t cry on my shoulder »

download= » »>« Texas Millionaire » (Decca 30332, issued 1957) by TABBY WEST is a fast Hillbilly bopper cut in Nashville on January 8, 1956. The voice fits perfectly with the backing instruments, which take the better part of the song : all in all, their solos are beginning at 0’41 et ending at 1’20..West was born in Kingston Springs, TN. and found her way easily to Nashville for a first recording contract in 1954 on Coral Records. There she was paired with Texas Bill Strength (on Coral reords), and backed by the cream of Nashville musicians. I’d like very much to hear « Hillbilly Blues » (Decca 29822) which sounds very promising..

« Texas Millionaire« 

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There may be more than a handful of « Atomic » labels after WWII. This one emanates from Hollywood, Ca. MEL GRIGGS & His Sons of the Saddle released « Goin’ back to Texas » (# 240) seemingly in the late ’40s – the style is easily reconizable, that of a « Cityzed » Hillbilly, with Western Swing overtones. I don’t know anything on this ensemble, and found it a gentle uptempo ; vocal is firm, and reinforced by the group in unison during the breaks. Griggs persevered with « Watchin’ the clouds roll by » (# 241).

« Goin’ back to Texas« 

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HILLBILLY HERMAN, & his Tennessee Valley Boys, despite his name, is a Blugrass artist in 1966, who offers « Today I watched my dreams come true » (Breeze 366, located in Livingston, TN), a solid uptempo, with great backing in the background The main instrument is a very nice mandolin ; alas the guitar solo is very insipid. The Breeze label had issued a very rocking version of « Wreck of the old 97 » (# 381) by Jim Sebastian. A record to watch for. In the meantime, do YouTube searching! Herman had an elusive issue on Hatfield (no #)[untraced]

« Today I watched my dream come true« 

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Maybe « Hayride boogie » rings a bell for you ? You may remember I had posted the Webb Pierce Story (1949-1950) during the past years ; For contractual reasons (Pierce was still under sontract with 4*), his product was issued under various names, whose this one : TILLMAN FRANKS. Bass player, entrepreneur, band leader, he played a pivotal role in the emergence of the rising « Louisiana Hayride » during the early ’50s. On Pacemaker 1011b, this is a boogie pattern with great guitar by Buddy Attaway [see with the « Artists » search button above for his story]. Indeed there was no place for Tex Grimsley (fiddle) neither Shot Jackson (steel). Pierce re-recorded the song as « Teenage boogie » in 1957, and Franks continued to slap his bass and entertain until the ’80s.

« Hayride boogie« 

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Next artist in discussion will be WHITEY KNIGHT from California, or better say, recording for a Californian label, that of Nielsen. « From an angel to a devil » (# 57/1-2) has steel well to the fore, a relaxed hillbilly bop rhythm : a natural feeling. Not a great disc, but a good one ! Knight had also a rich recording career, appearing on Dot, Sage and Dart.

« From an angel to a devil »

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FRED NETHERTON gives us a fabulous rocker with his version of Carl Perkins’ « Matchbox » : great swooping and hammering piano, a very fine guitar solo, a terrific vocal on Rural lRhythm 540B. A must have ! « Matchbox« 

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Sources : as usual, Internet (45cat, or Youtube) and my own archives. Decca and Imperial data do come from Michel Ruppli’s books. Pictures of Tillman Franks come drom Now Dig This (a 1995 issue).

Early May 2017 bopping fortnight’s favorites (1946-1960)

Howdy Folks ! This is the early May 2017 bopping fortnight’s favorites selection.

First rank for a mid-tempo Western swing bopper : « Alone by the telephone » from 1947 by RALPH REYNOLDS & his Dude Ranch Wranglers (vocal Curley Burns). From California, it has a lazy vocal, a bit, as you say, disillusioned. Long guitar solo and piano, fiddle parts. The record was first (?) issued on Red Bird 102, then appeared on Globe 127. A very good example of bopping Swing of the ’40s.

« Alone by the telephone »

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Let’s jump to 1960 with our next artist, TOMMY FAILE and three country-rockers. First he comes on the seemingly N.Y.C. Lawn label 104 with a chorus for « That’s all right ». A shrilling guitar solo. Well-assured baritone vocal. A nice little rocker from December 1960.

« That’s all right »

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« You don’t love me like you used to do »

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« Big train »

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Then again in NYC on the Choice label (# 6504) [so, not the revered by Collectors Kansas City label] for a strong rocker: « You don’t love me like you used to do » from 1959. Loud drums, and a good duet between piano and guitar. Still a good side. Finally « Big train » (Choice 6508) from 1960, with a more folky approach (use of a prominent banjo in the backing). And again, a great record. Tommy Faile seemingly never failed ! He was reported as having worked with Arthur Smith too (« Bye bye black smoke choo choo » on M-G-M) and was having records as early as 1948 (Capitol, 40 000 serie) !

Tommy Faile

 

 

 

 

 

 

Back on the West coast on the Nielsen label (# 57-1-2) and WHITEY KNIGHT and « From an angel to a devil ». A very nice uptempo ballad, with steel to the fore. A touch of the Bakersfield sound.

« From an angel to a devil »

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On the West coast too was WAYNE « Red » YEAGER in 1960 on the Capo label (# 45-002). « Tears in my eyes » is a great sincere ballad, adorned by the steel of the immediately recongnizable Ralph Mooney.

« Tears in m eyes« 

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« The restless wind »

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PHIL BEASLEY on the Dayton, OH Jalyn label (# 349A) cut in as late as 1970 the fine « The restless wind » : the song is a bit folkish, and a fast ditty. Good guitar and vocal.

Finally in Hollywood, TOMMY SARGENT’s Range Boys do come with three tunes. First a good revamp of the old traditional « Frankie and Johnnie », a good jumping version, fiddle-led, on the Corax 1328B label from 1947-48 (vocal Gabe Hemingway). The steel guitar is played by Sargent , as noted on the next track sticker « featuring Tommy Sargent and his Steel Guitar » : « Steel guitar boogie » (# 1328A) is a quite good instrumental, a serious contender in this category. The third and final track by Sargent is also cut on Corax # 1084B (non consecutive serie, but same period!). It’s a prettily different affair : « Night train to Memphis » (vocal Gabe Hemingway) is a very fast call-and-response romper. The accordion imitates a train, we even have a solo of a seemingly welcome clarinet (or is a flute?). A fabulous Western bopper !

« Frankie and Johnnie »

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« Steel guitar boogie »

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« Night train to Memphis »

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Sources : YouTube for the most part, 45-cat and 78rpm-worlds as usual. Hillbilly-Music.com (Tommy Faile picture) ; T. Gordon’s Rockin’ Country Style site. Some help from Ronald Keppner for dating Red Bird/Globe issue.