mid-summer 2017 (end of August) bopping fortnight’s favorites (1955-1961)

Howdy folks ! This is the mid-summer fortnight’s selection. All the tunes were recorded between 1956 and 1961. With the last one we begin : 1961, in London, OH on the Karl label (property of Clay Eager) # 3022. LACY KIRK does a very fine job on « This is saturday night », fast tempo, nice steel and fiddle. Value $ 100-200. The flipside « What happened to our love » is a great sincere ballad.

This is saturday night

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What happened to our love

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Next from Chicago: BILLY PRAGER & his Caravans and a wild double-sider from December 1958 on the (R&B) Crystal label (# 106) . The steel guitar is particularly effective and does very strange sounds for « Do it bop », while « Everybody’s rockin’ » is a bit more conventional Rockabilly/rocker. $ 300-400. This Crystal label has nothing to do with the Memphis one of the same name : serie 500 (Jimmy Knight and « Hula bop » or Jimmy Pritchett « That’s the way I feel » – with great swooping piano by some player who sounds very, very much like Jerry Lee Lewis !/Nothing on my mind  »).

Do it bop

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Everybody’s rockin’

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ONIE WHEELER was a Great. Born in 1927 in Senath, MO. he pursued his career during nearly 50 years, just ending it on the stage of the Friday Night Opry one day of 1984. Here are two sides aimed by collectors, and for good reasons : they are among his best tunes of the ’50s, cut in Dallas in June 1956 for Columbia : « Onie’s bop » and « I wanna hold my baby » (Columbia 21523) are good examples of the commercial Rockabilly a massive major had to offer, the B-side being in my mind the better one.

Onie’s bop

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I wanna hold my baby

Onie & band at KWOC radio- Poplar Bluffs, MO.

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From Pittsburgh, PA. NELSON RAY came in 1957 with the loud (drums) Rockin’ Bopper « Walkin’ shoes » on the Rebel label (# 104). A good copy turns up at $ 300 or 400.

Nelson RayWalkin’ shoes

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“I won’t always love you

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CLYDE BEAVERS next, on the Georgia (Starday custom) label # 532 from Tennga, Ga. « I won’t always love you » is a bluesy tune over a drivin’ medium rhythm, in all cases a primitive bopper from 1955. Later Beavers specialized himself (’60s) in drinking or smoking songs, like Lattie Moore‘s « Here I am drunk again » or Webb Pierce‘s « Cigarettes and whiskey (and wild, wild women) ».

« Sal’s house » was declined back-to-back of another Dixie (# 121) by CARSON WILLIS from Greer, South Carolina. This « Sal’s house # 1» seems to be a real mess ! Date : 1959.”

Sal’s house, #1

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late September 2012 fortnight’s favourites

Hello, folks! This is the latest batch of Hillbilly bops/rockabillies I’d like to help you discover. Only unknown names, and microscopic record labels!

The exception being a 1951 Mercury recording by PAUL & ROY, the Tennessee Valley Boys. They had 4 sessions for the label, and I chose the moving, bluegrass flavored (even a mandolin) “Spring Of Love” (# 6374). From Texas probably, because “Bluebonnet Pub” appears on the label, on BOB WHITFIELD. He does a nice medium paced Rockabilly, “What Can A Man  Do” on Spotlight 5018. Fine strong lead guitar (echo), an haunting steel. A fine record which grows on you everytime you listen to it.

 

 

On the Karl label (# 3022), and from I don’t know where, a cross between hillbilly bop and Rockabilly, with LACY KIRK doing the fast ” This Is Saturday Night“. Strong bass, a short fiddle solo. A good record.

From Louisville, KY. do come JIMMY SETTLE & the Blue Grass Rangers for the next song, “Admitting Defeat” on the Pier-Wats label # 1301. There is nothing pertaining to Bluegrass here, because the song is a nice Hillbilly bop dominated by steel.

On the Tycer label # 1304 we come now to JMMY BANKSTON and the “I Come From Louisiana“. No  concession Rockabilly, with unobstrusive drums and fine guitar.

Finally from around 1960, one of the earliest Nashville label releases (see the story in the site) with DAVE STEWART for “Thinking About You” (# 5006). The song has fiddle and bass, and reminds me somehow of early George Jones on Starday.