Howdy folks ! Hi ! to returning visitors. Here is my choice of bopping billies (and a classic rocking blues) for this fortnight, mainly from the late ’40s.
We begin with JIMMIE SAUL on his own Redskin label out of Detroit, in 1947. His singer Jimmy Franklin, out of West Liberty, KY. (maybe artist with the same name, much later on Drifter, Acorn and M-G-M labels) fronted Saul’s Prairie Drifters for three sides (the 4th being instrumental) cut in Dayton, OH. Redskin 500 revealed « My long tall gal from Tenn. », a fast ditty, very-much over the top jazz tinged opus, comprising either James ‘Chick’ Stripling or Doug Dalton on crazy fiddle, and Jimmie Saul on bass, plus Marvin « Whitey » Franklin on steel. It has been suggested the guitar virtuoso may be Roy Lanham, who had at that time his band the Whippoorwills in Dayton. The second fast song was « Firecracker stomp » (# 501), an instrumental with guitar and bass solos as explosive as its title. Through an arrangement with Bill McCall, owner of 4 * Records in Pasadena, CA., « Firecracker stomp » was reissued twice on 4*. Meanwhile Jimmie Saul had become Jimmie Lane.
I really don’t know if this is the same man who came on a Waldorf/Top Hit Tunes 11-artists EP (TN 17) in 1958 with covers of respectively Elvis Presley, « I beg of you », and Ricky Nelson, « Waitin’ in school ». It is very doubtful, as his involvement in « Little lover », a teen rocker on Vestal 1906 from 1961 (Birmingham, AL). There was even a Jimmie Lane on Time from Philly. I include Top Hit Tunes and Vestal sides by tame comparison to his earlier sides.
We move to Kentucky with EDDIE GAINES, a famous rocker for « Be-bop battlin’ ball » on Summit 101 (1958): the flipside « She captured this heart of mine » is a fine country rocker with prominent mandolin backing, and was reissued the following year on Summit 109. Later on he had a ’45 on Tri-Tone (# 3000/3001 : « Out of gas/I never had it so good ») which was a teener, before becoming a minister.
From the East coast went BILLY STRICKLAND & his Hillbilly Kings for two tracks, the great « Hillbilly wolf » on Sylvan 354, an elusive label which I suspect had something to do with Ben Adelman, from Washington, D.C. Second tune is released on the Hill & Country label (# 103) a sublabel to Apollo : « Baby doll, please come home » has a dynamite steel all along, over a well-assured vocal. Both records were released early in 1949. Strickland also had records on King among others.
We now come to the lone girl of the selection, COUNTRY GIRL KAY, who may be from Arkansas, hence her « Arkansas boogie » (Whitkay 1001) : a very agile and fine acoustic guitar is the sole instrumentation, and the girl is in good voice ! She also had « Life is not a bed of roses », same style, same label.
And to sum this fortnight’s up, a classic bluesy R&B which deserves no introduction : « Drinkin’ wine spo-dee-o-dee » by its creator « STICK » McGHEE on the Harlem label 1018 (1947). Spare instrumentation (only two guitars), and a lot of fun ! “Drinkin’ wine spo-dee-o-dee“
Sources : as usual, many finds on YouTube ; carcitycountry site for the Jimmie Saul/Jimmy Franklin details ; John E. Burton tube for « Stick » McGhee disc ; Cactus, « High on the hop » vol. 3 for Eddie Gaines track.