late June 2021 bopping fortnigh’s favorites

Howdy folks ! This is the new selection of bopping fortnight’s favorites : no less than 11 or 12 tracks this time, trying to recapture all those 5 past months when bopping.org was sleeping and sick in the hospital .

We begin with J. C. CLAY on the Star label (# 506, from where I don’t know – Cees Klop once picked it up and reissued it on one of his « Rockabilly Hoodlums » series) ; a nice Rockabilly with strong bass rhythm . The follow-up is done on the same CD by

JAY McCOY

, and his « Everybody’s Lookin’ », a cheerful tune (not so often in bopping.org) was published as late as 1966 on the Nebraska Rebel label (# 5846).

CHUCK JOYCE (featured Early June for his Trepur 1006 side , « Milkman Blues » & Hollywoos Rhythm Wranglers, do come on Trepur 1009 with two songs, fronted on vocal by a Rusty Howard. « I’m Going To Do You Like You Are Doing To Me » : a fine Rocka-a-ballad with some harmonica ; the flip side, « Let’s Rock » , same vocalist, is a passable rocker – fine guitar anyway.

On to Washington, D.C. for

L. C. SMITH

on the Wango label (1958). He does the great guitar/banjo led « 

Radio Boogie 

» and « 

Honeymoon On A Rocket Ship 

» (original by Hank Snow), already issued (1rst version) in 1952 or 1953 on the Tennessee Kingsport label # 108 aided by Ralph Mayo on banjo. Smith had other good discs on Wango, maybe for a future Fortnight.

We turn way up North on the Fortune label, out of Detroit, Michigan.

BOOTS GILBERT

(& Bob Sykes with Chuck Hatfield on steel) issued in 1955 on Fortune 176 « 

Take It Or Leave It 

», a fine track (call and response format). Fortune had in its catalog many other great discs. Label was owned by Deborah Brown and her husband Jack.

West Va. born (1931)

BILL BROWNING

(and the Echo Valley Boys) had a fine string of Rockers and Country-rockers on the Ohio Island label, among them the classic « 

Dark Hollow 

» (1958), also done by Jimmie Skinner on Mercury. Browning was also on Enola 313 and Marbone 7026, and should not be confused with BILL « ZEKIE » BROWNING on Lucky.

RED HADLEY

cut in 1955 the good « 

Brother That’s All 

» (Meteor 5017) and disappeared afterwards, leaving behind him some tracks cut for Sun, not issued before the ’70s.

We come to the end of this selection with two late ’50s or even 1969 tracks by Bill Monroe ex-sideman

JIMMY MARTIN

. First with the superior bopping bluegrass tune « 

Hop, Skip And Wobble 

» (Decca 30496) and « 

Free Born Man 

» (Decca 32378).

Just to add something different, a great piece of Boogie Woogie from 1929 by the pianist

WILL EZELL

and his « 

Pitchin’ Boogie 

»: fine piano and a demented cornet.

That’s it for this time, folks. Hope you enjoyed the selection ! If you did, please leave me a comment below.

Sources : many. Netherland’s Cees Klop for some tunes from « Rockabilly Hoodlums » series ; Wango sides, Chuck Joyce from Internet. The rest from my huge sound/labels collection.

Early June 2021 bopping fortnight’s favorites (at last, the return)

TOM TALL was a West coast country personality, who cut many a record. Here we go with one of his first ones, on the Fabor label (# 123)( 1955) with the average bopping « Underway ». Later on he went frankly Rockabilly on Crest Records (# 1038) in February 1958 with the classic « Stack-a-records » – « I got records here, I got records there, all over the place, but I am looking for the one that my baby likes to hear, where the guitar plays so fine -it goes (then solo) ». Great, great record !

[raw]
Hello everybody ! Well I’m not dead, but found myself in the hs)pital for the pas t5 months, after a serious illness. Thanks a lot to anyone who took time to encourage me and express care for my welfare. This means a lot to me. Anyway I’m back and ready to entertain you with mroe and more bopping music. Here we go :

Litterally nothing is known on the next artist, JIMMY THORPE, except he recorded for the King sub-label DeLuxe in 1953, so probaby in Cincinnati : « Locked in My Heart » (# 2006).

Trepur was a small label from La Grandenge, Georgia, which issued in te late ’50s some great records, e.g. “Milkman Blues” ‘1006, November 1958) by CHUCK JOYCE & his Chain and his Chain Gang, then “The Moon Won’t Tell” (1005, June 1958) , aimed at Country-rock aficionados for his good piano, by CHUCK GODDARD.

An all-time favorite of mine (since Tom Sims’ cassettes in the ’80s) is KEN HAMMOCK ‘ « It’s Now Or Never » (Starday 370) from 1960. Nice vocal and guitar.

We come to an end with, again on the West coast, with LYNN HOWARD and her « Red Thunderbird » on Accent 1044 from 1960.

As usual, various sources. Trepur sides do come from an old White label album ; Jimmy Thorpe and Lynn Howard from internet.