Jack Toombs: “Pin Ball Fever” and “Kiss-A Me Quick” – a Hillbilly/Rockabilly songwriter with three aliases.
He came to Nashville with his family in 1937. He started driving a cab in 1950 but his first music job was on WHOP in Hopkinsonville, KY in the mid-forties, and he started writing with Vic McAlpin around 1950 . Their first hit was « Almost », given to George Morgan.
About his session on Speed, Toombs doesn’t remember how he got acquainted with Frank Innocenti. « Pin Ball Fever » (Speed 111) anyhow had a black bass player, and a black piano player, and was a Tennessee Ernie-styled boogie that came very close to greatness. The idea of a pinball novelty hillbilly boogie refers to Red Foley‘s 1954 own « Pinball Boogie ». While at Speed, Toombs offered “Little Bit Late For Loving” to Bob Rogers (Speed 115).
Then Toombs had three records on Excello, and the first, « You’re the Only Good Thing » (# 2033), was a big hit. Alas, he didn’t collect the royalties, having sold the song to Innocenti. It was one of these great country love ballads. Gene Autry, Ernest Tubb, Billy Walker had their own version issued. Jim Reeves and Georhe Morgan (twice, a pop and a hillbilly version) hit big with this song.
After his Speed record, Jack had gone to Detroit and worked the bars as a joint act with the York Brothers. Shortly after returning to Nashville, he cut a spirited cover version of « Hound Dog », which was issued as Cleve Jackson and his Hound Dogs on the N.Y.C. Herald label (# 6000) , backed with « Has A Chicken Got A Leg » in 1953. The same piano player seems to be the one who backed Toombs on Speed, and the drummer could be black, having such an unorthodox style in country, almost a rumba beat.
Another Excello issue, « My Imagination/Foolish Jealousy” (# 2041) is far more pop oriented : more of the love ballad, well sung, but backed by an organ !
Finally, in March or April 1956, Toombs cut (this time with his full name) « Kiss-A Me Quick », a real splice of Rockabilly, complete with hiccups and a nice lead guitar (Excello # 2083). The man was very versatile, able to do weeping pop ballads nearly at the same time as out-and-out rockabilly.
After rock’n’Roll had exploded, he began using another pseudonym, Jackie Trent, and had an almost-national hit on the Excello subsidiary label Nasco with « Little Andy » (# 6012, 1958), a pop rocker with chorus, and never recorded again. However he kept songwriting for Cedarwood, and never gave up his day job with the cab company.