Late March 2019 bopping fortnight’s favorites

Late March 2019 fortnight’s favorites : the 6th of this year, and once more 9 goodies in Hillbilly bop style, from 1952 to 1965.

Wade Ray

He was a fiddler (1913-1998) and leader of a Western swing orchestra during the early ’50s, between Indiana and Illinois. Here a delivers an energetic (no fiddle, but drums) trucker song, « Idaho Red » from early 1954, on the RCA-Victor label (# 20-5624).

Burrie Manso & the Bonnivilles

On the Town-Crier label (# 200) from an unknown location (no clue from the record label), BURRIE MANSO and the Bonnivilles delivers a Rockabilly rocker with the $ 600-700 tag, « My Woman ». Very fine guitar, reminiscent of Scotty Moore, on this disc from 1960.

Bill Hicks & the Southerneers

From Detroit, although backed by the Southerneers (no doubt in order to attract real South expatriates in Michigan), BILL HICKS did cut in 1957 two fine songs for Fortune records # 188 : first a slow one, « She’s Done Gone », with a good guitar throughout ; second an uptempo and over a boogie guitar, with an almost surreal sound to them. Hicks had also records on Hi-Q and Happy Hearts.

Honey & Sonny (he Davis Twins)

In 1963, and in Charleston, W. Va. was published the great rural sounding duet (male/female) of « I’m Rough Stuff » (a Bill Carlisle song) by the Davis Twins – as they were called – also named HONEY & SONNY on their own H&S label (# 7069). Great lead guitar and infectious bass rhythm.

Charlie Huff (& Bobby Kent)

In Oklahoma City CHARLIE HUFF (and Bobby Kent) did cut in 1959 or early ’60s an uptempo, mid-paced « Can’t Tame Wild Women » : a joyful song over good guitar and electric bass (# 726). Huff had a long string of releases, from 1957 , on his own Huff label.

In Oklahoma City CHARLIE HUFF (and Bobby Kent) did cut in 1959 or early ’60s an uptempo, mid-paced « Can’t Tame Wild Women » : a joyful song over good guitar and electric bass (# 726). Huff had a long string of releases, from 1957 , on his own Huff label.

Bennie Hess

Even more prolific than Huff was Texan BENNIE HESS. Was chosen from his abundant production a 1965 record, « Trucker’s Blues » : fine backing (guitar and steel) and infectious rhythm issued on Musicode 5691. Other Hess labels which he issued on were Opera, Jet, Space/Spade, Popularity, Showland among others, that is without mentioning aliases and pseudonyms. Maybe Hess will have his story on in boppin.org someday.

Frank Hunter & the Black Mountain Boys

Finally in Tennessee by the Sarasota, Fl. originating FRANK HUNTER & His Back Mountain Boys, both sides (# 1049) of a Rich-R’-Tone label do « Tennessee Boy », a really fine and fast Bluegrass bopper (banjo and fiddle led), and « Little Boy Blue », a mid-paced bopper.

Sources : 78worlds (45-cat) for many a scan, YouTube (Honey & Sonny)(Bill Hicks)(Wade Ray), HBR-28 for Frank Hunter.

Late December 2014 fortnight’s favorites

For this last 2014 fortnight, I’m lacking time and imagination so I’ve chosen several particular records. We begin listening to BILL HICKS and the Southerners on Fortune 188 (from 1956) for two well driven rockabillies/boppers « She’s done gone » (slow) and « Blue flame » (fast).

fortune hicks gone

fortune hicks flame

“She’s done gone”

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“Blue flame”

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A real rarity now on the Family Library 1021 label : it’s GENE LAVERNE and what I think is an original « Hot rod mama » on a 6-track 78rpm record.

family  Laverne mama

 

Hot rod mama

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The following artist has a long recording story behind him : he can be found as early as 1951 on Blue Bonnet, as part of the Texas Round-Up Gang. Later, DEWEY GROOM went to Mercury, then founded early ’60s his own Longhorn label, where he cut among other tunes « Butane blues » (# 517). I didn’t verify if this is the same track as Gene O’Quin‘s one.
Butane blues

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longhorn groom butane


Surprising Bluegrass music from Texas by PAUL HUFFMAN and « T-e-x-a-s » on the Abilene Winston (# 1034) label : nice banjo led.

Back to Louisville, Kentucky and the Pier-Wats label (# 1200), and the fast bopper (nice fiddle and steel) by F. EDDY PIERCE, « Your kisses don’t thrill me anymore ».

Finally GENE DAVIS, who meddled almost at any style of music since his beginnings in 1954 on the West coast : hillbilly, rockabilly (as « Bo Davis » on Crest), rock’n’roll (on R-Dell), finally back to Country on various labels. I’ve chosen both sides of his solitary TOPPA ’61 record (# 1110). « When he let’s her forget »[sic] and « I won’t care » are top notch California country-rockaballads (sublime Ralph Mooney on steel).

Paul HuffmanT-e-x-a-s

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F. Eddy PierceYour kisses don’t thrill me anymore

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Gene DavisWhen he let’s her forget

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 Gene DavisI won’t care

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toppa davis caretoppa davis forgetpier-wats  Piercewinston  huffman t-e-x-a-s

 

As usual, various sources : ebay, YouTube, my virtual collection. Have a Bopping Christmas !