James Arthur “Jimmie Heap” (later Jimmy) was born March 3rd, 1922 in Taylor, Tx. He died at only 55 on December 3rd, 1977, on account of a boat accident in Lake Buchanan. His corpse was rescued only one day after.
Jimmie’s career did begin shortly after discharge from U.S.A.F. during WWII, more exactly said in 1947. Arlie Carter (piano), Horace Barnett (rhythm guitar), “Big” Bill Glendenings (bass) and Louis Renson (or Rencon) (fiddle), all belonged to the Melody Masters right from the start. Later they were joined by Cecil R. “Butterball” Harris (steel-guitar). Indeed Jimmie Heap was on vocal and lead guitar.
With appearances on radio KTAE (from 1948 to 1956) and in clubs, they were always fully booked up. A Barnett composition about a club they were frequently playing at, “Dessau Hall Waltz” soon found the interest of Lasso Records, who cut the band during the Spring of 1948. Their first singles appeared therefore on this tiny label. They even had leased masters on 4 Star, wrongly credited to “Dolores & Blue Bonnet Boys”. (more…)
This time we’re beginning with a strange item. Carl Story, bluegrass virtuoso, doing Hillbilly Bop with “Whatta Line”(Columbia). then 1955 Rock’n’Roll with Ken Davis “Shook Shake”. Same period with pianist -bandleader Dick Hyman, doing “Rolling the Boogie”(MGM 78 rm). Enjoy the walking basses! Back to Country-rock with the unknown Cuddles C. Newsome (One Little Kiss, nice guitar). Strong guitar bopper with Bill Watkins, out of Cncinnati for “unissued at the time” “Big Guitar” (Lee label). We come to an end with Jimmy Heap out of Abilene, Texas, for Harry Choates’ “Cat’n Around” done Hillbilly Bop style (strong fiddle), and vocal by Perk Williams. Enjoy! Comments?
First we have a boogie by Dick Lewis (Imperial, Los Angeles, 1947) “Beale Street Boogie” – Is this about Memphis’ most famous alley? Let’s stay in Memphis with Ernie Chaffin for a strong Country-rock on Sun records, “Laughin’ and Jokin'” (Pee Wee Maddux on steel). Then to Nashville with Dick Stratton, a 1951 romper, “Fat Gal Boogie”(Nashboro label). From Florida comes Joe Asher “Photograph Of You” (DeLuxe label) – I dig interplay between fiddle and steel. Then on to Texas, Jimmy Heap’s “That’s That” (Imperial, 1949) energic & never reissued! We come to an end with the York Brothers and their “Monday Morning Blues”; Hope you enjoy, and post your comments if any…