Bopping duets, last post (1947-1963)

Howdy folks ! This is the last post on bopping duets. As surely you did notice it, my English is far from fluent ; actually I don’t dream neither think « in English », because it is not my natural language. I really hope you can understand it, and excuse me for writing such intricate phrases yet very common. But I LOVE this bopping music, and let’s keep it first ! My aim is to figure the music posted with record labels and odds and ends on the artists.

mccormick brothersThe McCORMICK BROTHERS were a Tennessee/Kentucky family affair. Lloyd and Kelly held the guitars, younger Haskel was on banjo, Hayden Clark on bass and Charlie Nixon on dobro. They cut for Hickory in Nashville between 1954 and 58 a fine line of Bluegrass and Rockabilly boppers, among them this « Big eyes » (1958, Hickory 1080). Strong strumming boogie electric guitar and vocals in unison. They even had a full album, « Songs for home folks » on Hickory 102 (1961) and still are playing today.

Big eyes

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hickory  mccormick  eyes

Hickory mcCormick - songs
Chester and Lester, the BUCHANAN BROTHERS were another duet group. They hit big in August 1946 with the pioneering « Atomic power » on RCA, and revived a similar theme in November 1947 with « (When you see) Those flying saucers ». (RCA-Victor 20-2385) « You’d better pray to the Lord when you see those flying saucers, it may be the coming of the Judgement Day ». Good vocal and guitar duet. The song was used in 2009 in the animated release of « Monsters VS. Aliens ».

Those flying saucers

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Buchanan_Brothers

Buchanan brothers

 

rca  buchanan-bros. saucerspalford brady

More lovin’

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PAL (or Palford) BRADY (1922-1988) was a native of Tennessee ; himself relocated too in Michigan, where he had records on Lucky 013 (Cincinnati), Clix (Troy, MI), Bragg, among others (late ’50s to mid-60s). His « More lovin ‘ » (Conteste 45-2) from 1961 has two voices for a good « city hillbilly bopper ».

conteste  brady more

 

 

 

Charlie & Wallace, the MERCER BROTHERS came from Metter, GA and began a professional career during the late ’30s. After the WWII they had their own radio show on WMAZ before joining in 1948 the prestigious « Louisiana Hayride ». From 1951 to 1954 they cut a dozen sides for Columbia in Dallas, with their Blue Ridge Boys (Clyde Baum on mandolin and Doyle Strickland (fiddle) + Wayne Raney (harmonica). I chose from their equally constant in quality output « No place to hang my hat » (Columbia 20927, 1952-53), very Delmore Brothers styled. After 1954 they settled in Macon, GA, and WIBB radio station before completely disappear.

No place to hang my hat

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columbia  mercer-bros. place

JOHNNIE (Wright) and JACK (Anglin) were regulars on the ’50s charts, before Anglin was killed in a car crash in 1963. Their «Oh boy ! I love her »  (RCA 47-6932) from ’57 is an enjoyable jumping little opus. Earlier on they had cut the C&W classic « Ashes of love » (revived during the ’80s by the Desert Rose Band), and « Cryin’ heart blues » in 1951, supposed to have been recorded (but lost) by Elvis Presley on Sun Records.
rca  johnnie&jack boy
Oh boy, I love her

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pic Johnnie_Wright,_Kitty_Wells,_Jack_Anglin

dixiana  gross hog

 

 

 

 

 

 

 

On the Kentucky Dixiana label # 105 from 1954, CLIFF GROSS offer a sort of fast talking blues (with the band chanting in unison) with « Hog pen hop », probably recorded in Dallas. Gross was a mountain type fiddler, and Dixiana emanated from Bowling Green, Wayne County.

Hog pen hop

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Spring of love

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PAUL & ROY, The Tennessee River Boys, already discussed in another « Duet » feature (they had a two-sider on Nashville Pace label), have recorded for Mercury in 1953 « Spring of love » (# 6374) : it’s a fast Bluegrass influenced ditty – lead vocal & backing vocal.

mercury  paul&roy spring shamrock golden-state always

 

Always dreaming

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Next track GOLDEN STATE BOYS‘« Always dreaming » was already posted here in April 2013. But I like very much this tune with its urgent vocal, the dobro part of Leon Poindexter, the vocal/mandolin of Herb Rice, and the energetic banjo of Don Parmley [personnel given by a visitor]. Date : early to mid-62, Shamrock 717, Artesia, California.

A solid rocker (with drums), « Good gosh gal » on the Nashville Briar label # 111 by PHIL BEASLEY & CHARLIE BROWN. Nice guitar and steel solo, 1961.

Good gosh gal

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briar beasley  good

 

 

It’s useless to present the YORK BROTHERS (their story is on this site). Here is one of their rarest issues on their own York Bros. Records # 600Y-100, from 1963, and the great « Monday morning blues ».

Monday morning blues

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york-brothers york-bros. Monday

 

colonial franklin-bros.  realMore of a solid rocker on Chapel Hill, NC Colonial label (# 7000 from June 1959) by the FRANKLIN BROTHERS. « So real » is strong, that’s not Hillbilly bop, but a real Rocker for a change!

So real

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We are going to the end with FRANKIE SHORT & DEE GUNTER on the Balto, MD Wango label (# 201) : again a solid version of Don Reno‘s « Country boy rock’n’roll » . Remember L.C. Smith and « Radio boogie » (2nd version) on this label.

Country boy rock’n’roll

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wango short  country

 

 

Used sources: Wikipedia, Youtube,ancestry.com (Pal Brady), hillbilly-music.com, Galen Gart’s ARLD, 45rpm.com

A small Kentucky label: DIXIANA (1953)

The Kentucky based DIXIANA label was a short lived concern, maybe operating from Bowling Green (Warren County). Launched in 1953, the label appears to have only lasted 6 months or so. However, during that relatively short time, the owners released some first rate Hillbilly, some of which can be found on various White Label « Boppin’ Hillbilly » albums.

kentucky usa

kentucky warren cty

Kentucky and Warren Cty

 

 

 

 

 

100.

 

101.

 

 

102. Southern Harmony Boys – Hattie Mae Fleming (piano)

That great mansion DA 12

The Lord and I DA 13

103. The Renfro Brothers and the Valley Sta. Playboys

Ever ready (BH 2821) no mtx

Just over a girl (BH 2821) no mtx

dixiana rendfro brothers ever

Both tracks are superior hillbilly boppers. Very fast tracks, over assured vocals. Backing is superb : sawing fiddle, steel, piano, even an accordion solo. The « Girl » side reminds me of the Carlisles.dixiana renfro-brothers girl

 

 

 

 

 

 

 

104. Odis Blanton and his Blue Star Rangers

Steppin’ High Wide and Handsome (BH 2807) no mtx

Don’t move the moon no mtx

Both sides are superior Hillbilly boppers too. Over a fast fiddle routine, an assured vocal is backed by accordion, steel and piano. The « Moon » side is an excellent medium rock-a-ballad, with the piano well to the fore.

odis blanton dj

Odis Blanton, DJ

 

dixiana blanton  steepin'Odis and Hugh would handle the vocal turns as solos. When they did their trio numbers, it usually included John, Gene and Odis.

odis blanton & BSR1The Blue Star Rangers had a 45-minute show that aired every day except Sunday over WLBJ called “The Farm And Home Hour”. They also did the usual personal appearances throughout the area of western Kentucky and northern Tennessee, including stage shows and square dance engagements.

Group Members included:odis blanton & band

Odis Blanton, leader and manager, rhythm guitar

John Blanton, steel guitar

Gene Kitchens, violin

Hugh Poteet, bass

“Pappy” Jones, saxophone

Gwen Dalton, piano (she had several records on her own on Republic)

105. Cliff Gross and his Texas Cowboys

Hog pen hop (BH 2822) no mtx

Smokin’ and jokin’ (and pokin’ along) no mtx

I only heard « Hop » side : a fine hillbilly boogie, sort of talking blues, with the band singing the refrain in unison. Western swing overtones. The side had surely been recorded in Dallas (Jim Beck’s studio), even “Beck” co-written. Gross was a mountain style fiddler, who had played as early as 1929 with the Hi-Flyers, then in 1932 with the Light Crust Doughboys.

dixiana gross hog

 

106. Jack Bybee and the Rhythm Wranglers

Drifting down the stream    no mtx  dixiana bybee drifting

You don’t love me  no mx

(N.B. This label shot was unearthed by Drunken Hobo. Thanks to him)

 

107. Jimmy Smith

Does he love you no mtx

It ain’t no fun to say I told you so no mtxdixiana smith fun

Nothing is known about this fine singer. I only heard « Does he love you », which is a fine heavy rockaballad, again over accordion, fiddle and piano accompaniment. Smith (according it’s the same person) has an excellent “First choice” – very fine guitar picking – on Cactus “Rockin’ Hillbilly” vol. 1 (included here).

One then can wonder if the backing members are not the same at least for the known sides.

 

based on Hillbilly Researcher # 13 issue (mid-1990s). Additional research and comprehensive musical appreciation by Bopping editor.