Late April 2016 bopping fortnight’s favorites: a Sixties edition special!

First three are exceptions to the rule. CAL DAVIS does a shuffler, with a bit of echo on the steel for  »Loving lifetime » on the Mack label (# 258). No indication at all of its origin. A RCA Custom of 1954.

mack 25B cal davis - loving lifetime

Loving lifetime download

I reckon sodownload

hilton 0001 raybon busby - I reckon so

Second dates from 1957 on the Hilton label, yet still unknown origin. RAYBON BUSBY does the complex, half slow, half fast « I reckon so » (# no #) : A sort of talking blues, steel phrases on the slow side ; fast side reminds me much of the Blankenship Brothers.

Note: Hilton was based in Louisiana, according to DrunkenHobo.

TOMMY RIDDLE with « Rayford line » pertains apparently to the late ’50s/early ’60s on the Staircase label (# 6651), from where I don’t know. Good fast honky-tonk, a lot of echo on the lead guitar.

staircase tommy riddle (1927-2009)

staircase  tommy riddle - rayford line

Note: DrunkenHobo says the record came in 1961.

Rayford linedownload

No we begin exploring 1960’s sounds.

With a classic theme – either in Blues or Country – « Walking blues », RAY BEACH couldn’t go wrong in 1968. Solid guitar and light drums for a good uptempo. 3 backing members are listed on label (Ray Beach, really?), which don’t give any clue to the origin of this record.

 

tay beaxch 20664 ray beach - walking blues (+ instr)Walking bluesdownload

Picked from my good friend Alexander’s site « Mellow’s log cabin», here is the nice « After I have broke your heart » by LEO GRAY, from Mt. Healthy, OH, in 1965, issued on Log Cabin 903. Good steel over a jumping tempo.

log cabin 903 leo gray - after I have broke your heart

After I have broke your heartdownload

 

 

On the presumably Ohio Harron label, here are two fine Bluegrass duets (male/female) led by ERNEST STACEY (great vocal) and backed by HARLIN KAZY on vocal and fiddle, the fast « I do » and the dynamic « I made up my mind » from 1962 (# 995A). They had also at least one other record, « Lonesome road » on Arvis, another label from Ohio. Usual Bluegrass backup : dobro and bass.

 

 

I dodownload

I made up my minddownload

harron 995A ernest stacey - I do

 

From Iona, Michigan, BOB WAYLEE offer in 1962 on the Northway Sound 1002 label a fine fast (flying guitar) « Looking out the window ».

Looking out the windowdownload
northway bob waylee - looking out the window

Finally the famous CAL SMITH burns the pedal steel-guitar in 1968 on Kapp 938 with his solid version of « Honky tonk blues ».

Honky tonk bluesdownload
kapp 938 cal smith - HT blues

Late March 2015 fortnight’s favorites

We start with a fast bopper by RANDY WALKER, « If I held you in my arms » on the Ludwig 1004 label (1958). This label was named after Rod Morris‘ second name’s son and was located in Eureka, California. Any help to review the 16 sides issued by Morris on his label would be welcome !

ludwig 1004 randy walker

Perk williams pic

Perk Williams

Twirl 103a defeated

 

Twirl 103b why the blues are blue

PERK WILLIAMS is well known for his 10 years association as singer and fiddler with Jimmy Heap (Lasso, Imperial and Capitol sides, 1949-1959), and can be heard for best effect on « Release me », « Cat’n around », « That’s that », « Ethyl in my gas tank » and other boppers. See elsewhere in this site for Jimmy Heap. Here Perk Williams is backed by the Sidewinders for a solitary issue on the Twirl label # 103 out of Taylor, Texas. « Defeated » has a bluesy guitar, a very intense vocal, plus steel and fiddle solo. The flip side « Why the blues are blue » is a medium fiddle led ditty, again with this intense vocal. Both very nice sides.

Randy Walker, “If I held you in my armsdownload
Perk WilliamsDefeated
http://www.bopping.org/wp-content/uploads/2015/03/Defeated1.mp3download
Perk WilliamsWhy the blues are blue
http://www.bopping.org/wp-content/uploads/2015/03/Why-The-Blues-Are-Blue.mp3download

Next artist is something of a mystery. Last time I heard of him was as part of the Dixieland Drifters, out of Chattanooga, Tennessee, in the mid-60s. CHARLIEPeanutFAIRCLOTH  was born 1927 in Georgia and was dee-jaying on Macon WNEX in 1950-51. Decca Records offered him a 4 tracks session cut in Nashville (April 1950), which I podcast 3 tracks on. First, the fast « F-O-O-L-I-S-H me, me » (Decca 46237), then the bluesy, lazy vocal of « Missississipi river blues » (Decca 46271), and its flipside the fast « Coffee, cigarettes and tears ». Both last tracks taken from a 78rpm I had sold a long time ago so no image available, only sound track. From this session only remains a version of Moon Mullican‘s “I’ll sail my ship alone“, never heard by Faircloth. On Youtube I found a 17 minutes snippet of a live show done at the Turner Club in Chattanooga, during the mid-60s. Nice sound and combination of tunes.

Charlie Faircloth, “F-o-o-l-i-s-h me, medownload
Charlie Faircloth, “Mississippi river blues
http://www.bopping.org/wp-content/uploads/2015/03/Charlie-Faircloth-Mississipi-river-blues.mp3download

Charlie Faircloth “Coffee, cigarettes and tearshttp://www.bopping.org/wp-content/uploads/2015/03/Charlie-Faircloth-Coffee-cigarettes-and-tears-78-tours.mp3download

charlie faircloth pic

 

From Bloomington, Indiana comes JACK NOEL on Honey 1101. Hard to ascertain when this was issued, I’d say around 1955. « Ragged heart » has an accordion and the band singing chorus in unisson. Drunken Hobo says 1959!

Finally on Log Cabin 903 LEO GRAY does offer « After I have broke your heart », a good 1965 country-rocker, with a moving guitar, from Mt. Healthy, Ohio.

Jack Noel, “Ragged heartdownload
Leo Gray, “After I have broke your heart
http://www.bopping.org/wp-content/uploads/2015/03/log-cabin-903-Leo-Gray-After-I-Have-Broke-Your-Heart.mp3download

 

 

 

decca 46237 f-o-o-l-i-s-h me

honey 1101 jack noellog cabin 903 leo gray

 

decca 46273 mississipi

courtesy Drunken Hobo