Early December 2016 bopping fortnight’s favorites

Hi ! Everybody.
Ready for this new Fortnight ? From New Orleans on the Meladee label (run by Mel Mallory – I wonder if he launched other labels), here’s JACK WYATT & his Bayou Boys and the fine, uptempo « Why did you let me love you ». Fiddle and steel all long the tune. Actually Meladee issued also discs by Gene Rodrigue («   Jolie fille ») Roy Perkins (« You’re on my mind ») and Jeff Daniels (« Daddy-o rock »). Wyatt had another record on the Kuntry label (# 1000) : « I taught her how to love », a good uptempo, out of J. D. Miller studio in Crowley, La., according to « Jamil » as publishing house.

Why did you let me love you?

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I taught her how to love

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meladee-104-jack-wyatt-why-did-you-let-me-love-youkuntry-1000-jack-wyatt-i-taught-her-how-to-loveWay up north in Detroit, MI and on the Hi-Q label (a sublabel to Fortune), the out-and-out rocker « It’s all your fault » by FARRIS WILDER. He didn’t cut any other disc to my knowledge.

hq-11-farris-wilder-its-all-your-faultit’s all your fault”

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« You promised me » is the next song by PAUL BLUNT on Bullet 674, backed by a Californian outfit, The Frontiersmen, later set-up in Dallas, TX as a house band for Jim Beck . Blunt is in good voice and plays apparently steel (he was also a capable pianist who found work with many sessions held at Beck’s, including Ray Price or Charlene Arthur). I have previously posted his very good « Walking upstairs” (Bullet 706) in the April 2013 fortnight’s favorites section.bullet-674-paulblunt-you-promised-me

You promised me”

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JEAN SHEPARD (born 1933; deceased September 2016) began his career in a duet with Ferlin Huskey, « A dear John letter », a huge hit in 1953 even as a crossover between Country and pop charts. Herself later pursued a solo career. Here’s « Two whoops and a holler » (Capitol 2791, April 1954): a typical Capitol honky tonker with one of the best housebands around in Los Angeles, that of Bill Woods (piano), Lewis Talley (steel), Fuzzy Owen (guitar) and Skeets McDonald on bass. In 1955 Shepard is inducted in the Grand Ole Opry in Nashville. All in all she recorded 73 singles !

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Billboard May 5, 1954

jean-shepard-pic-53Two whoops and a holler”capitol-ep-jean-shepard-anglarescapitol-2791-jean-shepard-two-whoops

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Then the veteran EDDIE DEAN (1907-1999) was more known for his crooning things than boppers. We can however remind of 2 great sides on the Sage label, « Impatient blues » being a fine shuffler (#188), and « Rock & Roll cowboy » (# 226), a rare example of Western swing flavoured Rocker (or the opposite).eddie-dean-pic-grande

Rock’n’roll cowboysages-226-eddie-dean-rr-cowboy

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On a New Jersey label (Red Hed # 1001) we’re going to listen to LES MITCHEM and « How big a vool » (sic), a fast bopper with good steel.from 1959

How big a foolred-hed-1001-les-mitchem-how-big-a-vool

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From Cincinnati, OH, I’ve found SYLBIL GIANI in 1958 for « Within these four walls »(Esta 284) : the Lady is in good voice and the band romps along very lovely.

esta-284-sybil-giani-within-these-four-wllsWithin these four walls

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I had a dream of you

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Finally from 1969 (yes!) on the Laurel Leaf label (# 24172), JAMES TUSSEY delivers a strong and solid bopper (drums present) with « I had a dream of you ».

Sources : Kevin Coffey in the « A shot in the dark » boxset ; Praguefrank for several discographical details ; Hillblly-music.com to complete bios ; Youtube.Thanks Dominique ‘Imperial’ Anglares for the rare Jean Shepard EP.
Sorry, I was not able to give more precise info. this time. Will do better next Fortnight !

early May 2013 fortnight’s favorites

Howdy folks! Here is my new selection. First GEORGE KENT from Texas. He must have cut “Don’t Go Back Again” circa 1961-62: heavy bass, weeping steel and fiddle solo, on the Maverick label (# 1001). The whole has been influenced by Wynn Stewart and reminds me of the Bakersfield sound. Now from Kansas City and a real hillbilly boogie on the Red Barn label, “Bad Daddy Blues” by BOBBY COOK & BUDDY NELSON with the Texas Saddle Pals. Chorus on a guitar/fiddle/mandolin backing.

 

 

A pleasant hillbilly on the Ohio Esta label from 1956, “Within These Four Walls” by one SYBIL GIANI. 2 guitar solos, but nothing spectacular though. Esta from Hamilton was better known for its Rockabilly sides.

Then from Nashville, a veteran from the Bullet label, RAY BATTS. It’s on the Ernie Young’s R&B Excello label, a rare opportunity to hear bop music on a “black” label” (the other notable in this case being “I’m The Man” by Al Ferrier). Anyway, “Stealin’ Sugar” (# 2028) is a fast number, with nice guitar soloes on a solid piano backing.

On the big Carl Burkardt concern of low-budget labels, here Big 4 Hits, we find PRESTON WARD and “New Green Light“. I don’t know who cut the original version, anyway here is top class backing over a fine vocal.

Finally two Rocking blues wildies by GAR BACON. On Okeh first, he does the rasping Bo-Diddley-beat “Marshall, Marshall”. On the Baton label, “There’s Gonna Be Rockin’ Tonight” strangely sounds like a white singer. You’ve got to hear both to compare.

I will be out of town circa May 15, so next fortnight on June 1rst, ok?