En route for this new April batch of Hillbillies and Country rockers. First from Louisiana, the fiddler LARRY BAMBERG (rn Bamburg) does the fine relaxed medium bopper « Cheating on me » from 1956 on the Mira Lewis’ Shreveport, La. Ram (Royal American Music) label # 104. It has a very young James Burton, quite unusually, on the steel guitar and Leon Smith at the piano. Bamberg, whose name was not easy to pronounce, changed it to Lincoln for the bluesy (with sax) equally fine « My baby went away », cut at Ram, but issued on his own Fido 011 label (not posted here).
“Cheating on me”
Next three tracks do come from Laeger W.Va. (at least the label) as late as 1969 by the one FLOYD FLETCHER on the F.A.F. label. « Daddy sings the blues » (# 26252) is a fast bluesy track with urgent vocal. « Move on down the track » does fetch to Rockabilly, while its flipside « You’re telling me goodby » [sic] is more in a sort of garage Honky-tonk vein (# 26282).
“Move on down the track”
RILEY WALKER next is no newcomer, as his « Uranium miner’s boogie » from 1955 is already a minor Hillbilly bop classic from Salt Lake City, Utah. See elsewhere in this site at the entry of his name. « It’s a little late (to come knocking on my door » goes by the same vein : a relaxed rural vocal, a nice steel throughout and a romping piano (# 703).
“It’s a little late”
Next and last tracks of this fortnight do come from the B-W label, presumably a Nashville one, in 1961. PHIL BEASLEY and « Itchin’ to love you » (# 624) : a nice crisp guitar over a decent country rocker. KENNY BIGGS and « There’s no excuse » (# 615) has a mellow steel, an harmonica and some chorus and sounds a bit poppish.
“Itchin’ to love you”
“There’s no excuse”
That’s all for this time, folks. Comments as usual are welcome.