New Jersey country-rock: LEE EDMOND (1955-1967)

Billboard March 26, 1955

Very few things are actually known of this very minor artist from New Jersey. All I learnt came from Billboard short snippets, and the records themselves. Indeed no personal data. Edmond seems (according to his 5 or 6 records over a period of 12 years) not to have moved from the New Jersey area, except in 1955: in the near West Va.

My first exposure to Edmond’s music came through a Tom Sims’ cassette. Then over the years I have been lucky enough to find the rare copy, and I think that, apart his solitary Lerac issue, here is below his entire output.

 

 

 

 

 

 

It seems that his first record came out on Original 107, a very small label from Little Ferry, NJ, in March 1955. Billboard refers is as running fine in the Wheeling, W. Va. area, where Edmond and (apparently) his wife Terry were appearing. A side («I’ll Take The Blame »)  is ordinary male/female duet, with mandolin and steel backing. Nothing spectacular. Flipside (« Your Wedding Day ») has Terry singing alone, over Lee speaking a monolog.

Then leaping towards late fifties/early sixties (impossible to ascertain), we find on the Norm label the great solid and melodic « When I’m Alone » (# 1000). It has a good guitar and steel solo, and is adorned by «Lee Edmond – Bob Raymond » « and the Country Stringers », first appellation of the backing band, later re-used. Both sides credited to Lee Edmond, who seems the boss and producer. Flipside is « My Heart Tells Me So » : a nice, although average, Country-rocker duet. There are discreet drums for the first time.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Same outfit goes then on Belt 1001, without « Country Stringers » though, for « Treasure Of My Throne », a mediocre medium weeper. Just added is a dobro. Flipside is better, « Crying Party » : a medium drinking song, as an adress to a bartender.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

We find another ordinary double sider on Rowe 007, from 1962. A just above average « Born With The Blues » – complete with chorus for the first time, more dobro and a guitar solo. It’s not bad either but ordinary Country-rock, as its flipside « My Heart Tells Me So », a lower standard revamp of the Norm side. The “Country Stringers” have becoe “The Swinging Travelers”.

 

 

Billboard June 2, 1962

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Then 1965 two issues on the Solar label from Union Beach, New Jersey. Back to « Country Stringers », and Edmond is the producer. First the fast « Secretly  (We’ll Have To Share Our Love)» (#1007). Good sharp guitar, dobro and steel solos. An excellent track. Alas, I din’t hear the flipside « Darling I’ll Let You Go », rumoured to be a weeper. Finally in 1967 on Solar 1011, « With Her On My Mind » (Good Evening Bartender), an O.K. fast song, well sung over guitar and steel backing. « Take My Heart » is a weeper, under average standard.

 That leaves me with Lee Edmond’s last known 45 on the Lerac label (# 101) : « Woman/Woman With The Cold Hands », which I cannot comment at all on. I did order it, but it’s got lost over Atlantic Ocean…

 

All in all, a reasonable output over 12 years for a very minor artist of the East Coast. Few of his tracks are really worth looking for, like both Solars, or the Norm one. In the podcasts I have not included B-sides and weepers.

 

 

 

 

 

 

Addition (an. 27th, 2017). The always faithful and undefatigable Drunken Hobo has once more done it! He found the YouTube link to both Lerac sides, and they are surprising: a sort of Johnny Cash style for “Woman with the cold hands“, a hard to define style for the flipside “Woman“. Unlike other discs, a very agreeable record by Edmond.

 

 

early April 2010 fortnite

Howdy folks! Here we go for another fortnight’s batch of favorites. 1947, Capitol studios, Hollywood, California, the MILO TWINS and the classic duet “Truck Driver’s Boogie” (78rpm). Later on  I will give you everything I know of the Milo Twins, who disappeared shortly afterwards. Then on 4 Star: AL VAUGHN and his great midtempo “She’s An Oakie”, from 1950-51. From Texas, 1952, we can listen to another classic (originally Harry Choates’ on Gold Star), “Cattin’ Around”, Western swing style, by CHARLIE ADAMS (Columbia). His story is also can be traced on this blogsite. Texas too, and a phenomenon: BILL MACK, D.J. in Beaumont, had many sides on Starday. I’ve chosen “Play My Boogie” (fabulous piano) from 1953. Cisco, Texas, on the Rose label, from 1955; a transition between Hillbilly Bop and Rockabilly, “Have You Heard The Gossip” by CHARLIE BROWN. Finally, a much later disc on the Solar label (could be as well from 1959 to 1962!), nice Country-rock by LEE EDMOND, “When I’m Alone”. Anyone has got details? Enjoy the music, comments welcome!

milo+sootsal vaughnrose 102