Howdy, folks! I didn’t have a particular “theme” chosing the selections this time (as I did sometimes in the past): just a few songs I like at the moment.
Early September I posted something about the ubiquitous Mr. DIXON. Since then, I did not find something new on him, be it at hillbilly-music.com or with google, under his 3 aliases (Walter, Mason, or Ted). There is even on Youtube a bishop named Walter Dixon, and I wonder if this is the same person! I even found a Mason Dixon Country 45 on ebay. This time you will be exposed to a 1961 rendition for the Alabama based REED label, and a great shuffle by MASON DIXON, “Hello Memphis“.
Staying in the South with a minor classic by SPECK & DOYLE , the Wright Brothers, “Music to my ear” on the Columbus, Georgia based strangely named SYRUP BUCKET label. A nice guitar, a medium beat for this relaxed Rockabilly/Hillbilly Bop from 1959.
On to, probably, Texas, with a fast romper by JIMMY STONE on the IMPERIAL label from 1951, “Midnight Boogie“. I’ve never heard Stone had another record, but what’s this one? Entertaining lyrics, and most of all, a wild bluesy Rockabilly guitar! Who may the player be? Fine piano and even a short fiddle solo, Texas style. We are pursuing the musical journey to Indiana with a very young GAYLE GRIFFITH (he was fourteen when he cut his solitary record) and the out-and-out romper “Rockin’ And A Knockin’” for the EMERALD label, from 1954. Griffith was at one time associated with WFBM Indiana Hoedown, although despite this promising first platter, he seems to have soon disappeared from the music scene.
Billboard 1951 advert for “Drifting Texas Sand”
Now to California for the Louisiana-born EDDIE KIRK (1919-1997), who was consistently working with the Los Angeles musicians’ cream for CAPITOL records. Here he delivers a fine rendering of the 1936 Tune Wranglers‘ classic (also cut around the same time as Kirk by Webb Pierce) “Drifting Texas Sand” (Capitol F 1591). The backing is sympathetic, although ordinary. Harmonica player could be George Bamby, who cut with, among others, Johnny Bond.
As a bonus, we go to an end in Chicago with the underrated LITTLE MAC SIMMONS, singer-harmonica player (altho’ no harp heard here) and the frantic (great piano throughout, with usual Honking saxes, and a nice guitar) “Drivin’ Wheel” (PALOS label) from 1961.
I hope you enjoy the selections. Don’t miss the other “regular” posts: recently Bopping had had Jack Bradshaw story, the Daffan label, Roy Hall and Riley Crabtree, to name just a few. Not to mention in the “hillbilly profile” section, Chuck Murphy. Till then, bye!
As usual, pictures from various sources. Excellent Terry E. Gordon’s Rockin’ Country Style site, or ebay. Sounds from my collection, or various compilations. I can name for every track who provided me! BUT you CAN download everything!
Howdy folks. Maybe you’re still on Holydays? Bopping (and the editor) didn’t take any spare day to rest, and kept busy all Summer long, and were preparing a new hot slice of Hillbilly goodies. This time it spans from 1947 to…1966. Lotta good music, for your own pleasure, all of you Cherished visitors/listeners/downloaders all over the World! Some strong numbers, one could say hard-core Rock’n’Roll influenced Rockabilly, just to make a change from the previous post devoted to the gentle, sometimes smooth music by JACK BRADSHAW. I like Jack anyway, be sure to check this post! And another tune, in particular, very near to Western swing (even a very risqué song for the time being).
Jimmy Murphy, 1950’s
So, OK for embarking? We begin with JIMMY MURPHY (see elsewhere in this site with help of the search engine at upper right). His commercial days at Columbia (1955-1956) were largely over when he entered (after an unreleased Starday session – now available on Ace records) again in the Bill Lanham studio and recorded one of his best tunes ever, very sensitive and sincere, in 1962, for the Ark label, “I Long To Hear Hank Sing The Blues“. Unclassifiable music: between Hillbilly, Folk music and Bluegrass.
Let’s go on with HOMER “Zeke” CLEMONS. He hailed from Texas during the mid to late forties with his outfit, the Swingbillies. As soon as 1947, they were recording their “Operation Blues” (lyrics below), an early risqué song which actually met such enormous success on the first label, Bluebonnet, that Modern out of Los Angeles leased the tune, as “Operation Blues # 2“, next year, and re-released it even 16 years later, under the name “Hank Brown” (Royalty label)
OPERATION BLUES (Homer Clemons) ?Now won’t you climb up on the table,?Pull up that gown?Raise up that left leg, ?Let that right leg down?Pull off them stockin’s,?That silk underwear?’Cos the doctor’s got to cut you, mama, ?Don’t know where??The doctor knows his business?The doctor knows just what to do??Too much of (?), ?One old ( ?)?Two pair of step-ins?That’s all I can say (save)?Your ribs are all loosened,?Your carburettor’s stalled?I’ll duck into your hood, ?And clean your spark plugs all??The doctor knows his business?The doctor knows just what to do… Is it a car (spark plugs), or anything (-one) else that the doctor is visiting?
On to 1966. Dayton, Ohio. WIBBY LEE is a real unknown – no information has ever surfaced about him, at least to my knowledge. He cut 3 disks for the small Jalyn label, all good Boppers, Rockabilly borderline, a real anachronism for the time. Just vocal and electric guitar (Is there any bass?) on “I’m Lost Without Your Love” .
Just WHO was Ted DIXON, or Walter DIXON, or even MASON DIXON? Once in the now-long-ago defunct “Roll Street Journal” magazine, the handsome Phillip J. Tricker promised the readers the story of Mr. Dixon, which never saw the light…First, it seems the three were the same person. Second, they had numerous records on labels as small and elusive as Reed (Alabama), Erwin (Tennessee), the most approaching to a major (everything is relative) being Meteor, out of Memphis (the Los Angeles’ Modern label outfit). Here I have chosen by MASON DIXON the superlative “Don’t Worry About Nuthin‘”, complete encouragement to leave troubles behind, and take the good side of life. Swirling fiddle, great happy vocal, thudding bass: the optimal crossing between Hillbilly and Rockabilly, being cut 1955.
Then on to Texas. Ted Daffan’s label, ably named Daffan (its story is on the line). A great 1957 offering by a guy by the strange name of FIDLO. “Trifling Heart” has a solid Country-rock guitar, the singer’s voice is firm and confident; great steel-guitar throughout (solo interplay between lead and steel), all loped by a thudding bass. Finally we have a minor classic in “We’re Bugging Out” (Murco 1014) by another unknown, TOMMY BOYLES (1959). I think the tune could easily fall in the category of Country-rock. Never-the-less, a fine romper in its own right. Boyles had another record on the N.J. based Granite label in 1960. A good country-rocker too.
Tommy Boyles, late 90’s
As a bonus, a great Rocking Blues in the hand of FENTON ROBINSON on the Duke label (# 191), “Crazy Crazy Loving“, from Texas, 1958. I LOVE Blues too!
And as usual, I hope you all will appreciate the selections. I do my damn best to give you pleasure (pics and music). Bye!