Late September 2020 bopping fortnight’s favorites

Hello folks, back from Summer holidays ? En route for the late September 2020 bopping fortnight’s favorites’ selection.

Doug Poindexter

June 1954, exactly 18. A newcomer with his first recording. DOUG POINDEXTER came from Vendale, Arkansas. Several months ago, as he had went to Memphis, he had been noticed by a guitar player, Scotty Moore – surely the name rings a bell – and hired as front guitar man of his group, the Starlight Wranglers. His voice was very nasal, without doubt as imitation of his idol Hank Williams. On this day, he cut two sides, whose I retain « Now She Cares No More» under the producer Sam Phillips, hence Sun 202.

The record, albeit reviewed by the famous Cash Box magazine, went nowhere, and Poindexter earned his life later as a successful insurance man. « Now She Cares… » is pure hillbilly bop heaven. Fiddle and steel to the fore, and heavy bass (Bill Black). Less than 2 weeks later Black and Moore backed young Elvis. The rest is history.

Bobby Wayne

From the Washington State in 1963, here’s the very Johnny Cash styled BOBBY WAYNE. « Big Train » first on Jerden 709. During the flipside, « The Valley », the guitarist even adopts Luther Perkins (Cash’ guitarist) licks. Good vocal on both sides, and discrete chorus.

In the December 2016 fortnight I came with Californian Western swing artist EDDIE DEAN and his « Rock’n’Roll Cowboy » on Sage from 1957. Here is a quieter thing (Sage 188) : « Impatient Blues » as its name doesn’t imply is a bluesy thing, nice steel and a bit of crooning.

Eddie And Chuck

« The Louisiana Ramblers », EDDIE AND CHUCK came in 1954 with a bouncing thing, « Boogie The Blues » on the Chicago Chance label (# 3012). Weird and savage steel, great vocal and solid bass. How they were acquainted with an otherwise Blues/jazz label (1100 serie with already known artists like Wllie Nix – ex- Sun Records, or J.B. Hutto) is open to conjecture.

These sides were not unknown to Stan Lewis, owner of KWKH in Shreveport, La., who also acted as talent scout for Northern companies : Dale Hawkins and Sonny Boy Williamson came from his stable of artists and were recruited by Chess/Checker.Chance had apparently a 3000-C&W serie, but I never ever heard of any more record than this in this serie.

Dottie Jones & Winston O’Neal

A real male/female duet now with DOTTIE JONES & WINSTON O’NEAL. A fast bopper , « I’ll Be Yours » has a prominent guitar – the solo comes a la Carl Perkins ! To be found on TNT 134 (San Antonio, Texas).

From unknown source, I picked up on YouTube a nice slice of fast Hillbilly bop wih « Me And My Fiddle » by BENNY MARTIN, apparently in 1954-55. Martin cut records on Pioneer, Mercury and M-G-M. One one side he was backed with  »Hilllous Butrum & his Tennessee Partners », ex-bass player for Hank Williams, and was of rural Tennessee extraction. Nevertheless a very fine Hillbilly bopper.

Cliff Waldon & his Westernaires

Not owning Boppin’ Hillbilly vol. 15, I can’t say nothing about CLIFF WALDON & His Westernaires. His « My Baby Doll », issued on Mark 107, has an agile fiddle (+ solo), a great steel, even a bass solo. Vocal is OK for this fast Bopper.

Cash Box Aug. 31, 1957

CashBox June 25, 1955

Is there any need of presenting the MADDOX BROS. & ROSE ? I chose two tracks from their mostly creative period (Columbia, 1952 onwards). « No More Time » is a fast opus, which is still near to their Four Star product. « I’ve Got Four Big Brothers (To Look After Me ) » has Rose on lead vocal, with funny lyrics, in a true Rockabilly : Columbia 21405 from June 1955.

Sources : YouTube for Benny Martin ; W. Agenant’s Columbia 20000 serie » for the Maddox tracks ; Eddie & Chuck from various good compilations ; Bobby Wayne from 45cat. Starlite Wranglers image from “706 Union Avenue” site. My own archives.S

Early December 2016 bopping fortnight’s favorites

Hi ! Everybody.
Ready for this new Fortnight ? From New Orleans on the Meladee label (run by Mel Mallory – I wonder if he launched other labels), here’s JACK WYATT & his Bayou Boys and the fine, uptempo « Why did you let me love you ». Fiddle and steel all long the tune. Actually Meladee issued also discs by Gene Rodrigue («   Jolie fille ») Roy Perkins (« You’re on my mind ») and Jeff Daniels (« Daddy-o rock »). Wyatt had another record on the Kuntry label (# 1000) : « I taught her how to love », a good uptempo, out of J. D. Miller studio in Crowley, La., according to « Jamil » as publishing house.

Why did you let me love you?

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I taught her how to love

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meladee wyatt-whykuntry wyatt-i-taughtWay up north in Detroit, MI and on the Hi-Q label (a sublabel to Fortune), the out-and-out rocker « It’s all your fault » by FARRIS WILDER. He didn’t cut any other disc to my knowledge.

hi-q wilder-faultit’s all your fault”

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« You promised me » is the next song by PAUL BLUNT on Bullet 674, backed by a Californian outfit, The Frontiersmen, later set-up in Dallas, TX as a house band for Jim Beck . Blunt is in good voice and plays apparently steel (he was also a capable pianist who found work with many sessions held at Beck’s, including Ray Price or Charlene Arthur). I have previously posted his very good « Walking upstairs” (Bullet 706) in the April 2013 fortnight’s favorites section.bullet  blunt promised

You promised me”

paul-blunt

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JEAN SHEPARD (born 1933; deceased September 2016) began his career in a duet with Ferlin Huskey, « A dear John letter », a huge hit in 1953 even as a crossover between Country and pop charts. Herself later pursued a solo career. Here’s « Two whoops and a holler » (Capitol 2791, April 1954): a typical Capitol honky tonker with one of the best housebands around in Los Angeles, that of Bill Woods (piano), Lewis Talley (steel), Fuzzy Owen (guitar) and Skeets McDonald on bass. In 1955 Shepard is inducted in the Grand Ole Opry in Nashville. All in all she recorded 73 singles !

bb-5-5-54-jean-shepard-capitol-

Billboard May 5, 1954

jean-shepard-pic-53Two whoops and a holler”capitol-ep-jean-shepard-anglarescapitol shepard-whoops

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Then the veteran EDDIE DEAN (1907-1999) was more known for his crooning things than boppers. We can however remind of 2 great sides on the Sage label, « Impatient blues » being a fine shuffler (#188), and « Rock & Roll cowboy » (# 226), a rare example of Western swing flavoured Rocker (or the opposite).eddie-dean-pic-grandeCash Box, March 19, 1955

Rock’n’roll cowboysage dean-cowboy

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On a New Jersey label (Red Hed # 1001) we’re going to listen to LES MITCHEM and « How big a vool » (sic), a fast bopper with good steel.from 1959

How big a foolred-hed -mitchem-vool

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From Cincinnati, OH, I’ve found SYLBIL GIANI in 1958 for « Within these four walls »(Esta 284) : the Lady is in good voice and the band romps along very lovely.

esta giani-wallsWithin these four walls

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I had a dream of you

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Finally from 1969 (yes!) on the Laurel Leaf label (# 24172), JAMES TUSSEY delivers a strong and solid bopper (drums present) with « I had a dream of you ».

Sources : Kevin Coffey in the « A shot in the dark » boxset ; Praguefrank for several discographical details ; Hillblly-music.com to complete bios ; Youtube.Thanks Dominique ‘Imperial’ Anglares for the rare Jean Shepard EP.
Sorry, I was not able to give more precise info. this time. Will do better next Fortnight !