Early June 2020 bopping fortnight’s favorites

Hello everyone ! In those times of confinement, it’s good to hear fresh bopping music. Because my hard-disk is out of service and that the repair shop is still closed, I chose ancient items, previously released in old Fortnight’s favorites selections. So they won’t ring too familiar.

T. Texas Tyler

The first selection is done by T. TEXAS TYLER : a fast « Sratch and Itch » done in 1953 on 4Star, leased to Decca. 28760. Obviously there is not much growls from Tyler in this one. The backing is suoperb.

The veteran TEX RITTER (1906-1974) did also some Hillbilly bop songs. Here he releaes « Boogie Woogie Cowboy » on Capitol 928 (from early 1950). The backing provided is excellent too : the Capitol nucleus band, Eddie Kirk and Merle Travis on guitars, Speedy West on steel, Cliffie Stone on bass, Billy Liebert on piano and Harold Hensley on fiddle.

Tex Ritter

Chuck Wells

CHUCK WELLS (1922-1997) was a native of Birmingham, Alabama. He found his musical success in Texas, working at several night spots throughout the Fort Worth area. He was also appearing over radio stations KCNC and KCUL in Fort Worth, too. Here he sings (1953) the great shuffler « The Marryin’ Preacher Man » on Columbia 23212.

Tony Farr

From Texas comes TONY FARR. He had two discs on Enterprise, among them the second is the better. : « There’s No Sense In Marrying Me ».
This artist, billed “And His Swinging Guitar”, based in Beaumont, Texas. “What’s The Use” has a nice guitar, but the fiddle is prominent (# 1208) on this 1958 issue, while “There’s No else In Marrying Me” (# 1211) is a jumping tune with a similar instrumentation.

Then in Louisiana’s West Monroe. Jiffy was a short-lived affair, however important by the quality of its issues, and the celebrity of some names, Jimmy Pickard, Tommy Spurlin or Jimmy Simpson. Here is the least known ED RAYBORN & his Southern Hillbillies, and the good medium paced « I’ll go on hurting » (# 208). Nice fiddle/steel and sincere vocal.

Ed Rayborn

Jerry Dove

A couple of years later or so, a man led a typical Hillbilly combo : JERRY DOVE (instrument unknown). He had already put a minor rockabilly classic in 1956, « Pink bow tie » on T.N.T. Label (# 144), but he was more a producer and musician than a singer. Here he gathers the duet (male/female) of Ray Stone and Dove’s wife, Peggy. The side is bluesy, and very atmospheric : « Losin’ the blues » (# 173)

Guy Gardner

On Dixie 1068 (1961) by GUY GARDNER & his Country Four, here’s «High Society», an uptempo ballad : jumping vocal and instrumentation (piano and steel). Madison, TN label (sublabel to Starday).

Doug Davis

With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing (steel, rhythm only). My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)

Sources: mainly from past Fortnight’s issues. See through “Artists” for details given before.

As an add and to continue with my homage to the late

LITTLE RICHARD

, here are some more tracks from his long career.

First, a short instrumental, “Cavalcade” cut at the very last session for Specialty (October 1957) which gave éShe Knows How To Rock”, “Whole Lotta Shakin’ Goin’ On” and “Hound Dog”.

From his Gospel days, I chose the loud, brassy, rollicking “He Got What He Wanted”, cut in 1962 for Mercury records.

From July 1964 and his real comeback album on Vee-Jay, here’s a real blues – so rare in his entire career. « Going Home Tomorrow» is sung with a lot of spirit. Richard is backed by an old friend on electric fiddle, Don « Sugarcane » Harris – who was also there for « Bama Lama Bama Lou » in April of the same year (last Specialty cut). The guitar player may also be Dewey Terry.

From 1965, a small hit (climbing in the lower parts of the R&B charts), “I Don’t Know What You’ve Got, But It’s Got Me”, released by Vee-Jay. The organ is played by a young Billy Preston) and the guitar player is a certain Maurice James, who was about to change his name at his arrival on the British shoreJimi Hendrix, after having been fired by Richard.I

In 1969, during a T.V. show, here’s a frenetic live version of “True Fine Mama”.

From 1971, as a backing piano player for Delaney Bramlett (of Delaney & Bonnie duet), Richard pounds the piano on “Miss Ann”, released by Atco Records.

Finally, from unknown sources, a berserk wildie version of “Good Golly Mss Molly”, maybe cut for a film, while Richard is duetting in 1992 with Tanya Tucker for a great interpretation of the classic Eddie Cochran’s song “Something Else”.

early October 2015 fortnight’s favorites: “Record spinning boogie” or “Hi de ho boogie”?

DUSTY TAYLOR, first selection of this fortnite, offers with « My shining star » a pleasant shuffler, with nice sawing fiddle (solo). An average although nice tune to find on Nugget OP-190 (4 Star custom) from 1956. I don’t know where it comes from. Taylor had another issue on Nugget 191 (« Down grade/Just rumors »), and a record in 1968 on the Nashville Stop label.

My shining star

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nugget  taylor star

 

The hillbilly hop

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leo  gibson hillbilly

 

 

 

 

 

« The hillbilly hop » is a medium rockabilly (short piano solo) by CURLY GIBSON‘s Sunshine Playboys (vocal by Colin Prevette, who has even here some hiccups) on a Leo label (there were dozens by this name) # 1824. A clue of location is given by another record by Curly Gibson on the Pennsylvania Record label out of Pennsburg, PA. The Leo issue is from 1957.

With « All by myself » by DOUG DAVIS on the Texan Nite star label (# 007, from ca. 1963), we touch the real thing ! Already posted in 2010, this time with a nice label scan. It has haunting steel, perfect ballad vocal and confident backing. My prefered all-time ballad. Davis had another record on Malinda 113 (untraced)
nit star davis myself
All by myself

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Next three tracks all by the veteran AL DEXTER, who, at the time they were cut (1950), had already records since 1936. All three do come from a long Cincinnati session for King. March 22, 2018. Indeed now we know the harmonica player on this session was none other than Aubrey Gass, whose story is told elsewhere in this blogsite.

As the title implies, « Walking with the blues » (King 884A) is a mid-paced item with fine harmonica and good guitar (Zeb Turner ? Louis Innis?). The whole sounds much like the Delmore.

Further on, « Hi de ho boogie » (# 884AA) is a lively tune. The harmonica has been dropped, replaced by fiddle and good steel. And the third track of this session is « Diddy wah boogie » (# 913AA): the harmonica returns for a pleasant and fast track.

Walking with the blues

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Hi de ho boogie

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Diddy wah boogie

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king dexter walking  king dexter  boogieking  dexter  diddy

We conclude with BILL HUSKEY on the Meritone label (Lenoir City, TN) for a great « Record Spinning boogie », half sung, half played (solid acoustic guitar), which reminds me a lot of « Doin’ the boogie woogie » by Johnnie Barfield (Bullet 620).
Record spinning boogie

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meritone huskey  spinning

al dexter pic

Al Dexter

Late August 2009 fortnight

Howdy folks, here I am back with some goodies. First, Ole’ Buck is back for a song he recorded late in career for kids, IF YOU CAN’T FIND A REASON TO BE HAPPY. Romping Country rocker à la Buck Owens, of course! Then back to late 50s, early 60s, the unknown (to me) Doug Davis on the obscure Nite Star label (from Texas, I think) and the beautiful Country-rockaballad ALL BY MYSELF – lot of nice steel and heavy bass, rich vocal too. Joe Franklin next had a rich career by himself, and I still wonder what instrument he plays here, since the piano is to the fore – maybe him? The nice HITCH-HIKIN’ BLUES on MGM (1953). A romper now with Hardrock Gunter and his first version (on Bama, out of Birmingham, Alabama, 1951) of GONNA DANCE ALL NIGHT (he recut the same track in 1954, and leased it to Sun). In 1950 there were Country singers chanting “Gonna Rock and Roll, gonna dance all night”, yes sir! Something different now. A fine duet Bluegrass style, already a classic of the genre, ROAD OF BROKEN HEARTS, by the Webster Brothers, from 1954. We come to an end with a Prestige recording of Otis Spann – he lays down a very atmospheric OTIS IN THE DARK on the 88; Enjoy the selections!