Early November 2018 bopping fortnight’s favorites

Howdy folks ! This is the early November 2018 fortnight’s bopping favorites selection. They are limited from 1955 to 1959 and they include labels like Ekko, Ram, Poppy or Capitol.

First we get JAMES WILSON & the Jimmie Cats. As the time of recording (August 1956), being born in 1940, he was still student at the Shreveport, La. University. His track «Wilson Blues No. 1

» (Ram no #) is a raw bluesy rockabilly: harsh vocal (stop-and-go), great guitar and piano. The flipside is nearly also good, and is backed by a very young (actually his debut) James Burton on guitar. «You Won’t Know Why ’til I’m Gone». The record will cost $ 600 to 700.

At the time he cut those songs below, LOU MILLET was not a newcomer, in regard with records. He had already more than one issue on Columbia, and actually cut as Louis Millet on the Rouge label (1949). From 1955/56 do come his sides cut for Ekko Records out of Nashvlle, TN. «When I Harvest My Love» and «Chapel Of My Heart» are superior boppers (Ekko 1024) – although medium-paced.

On the same label you can find two interesting sides by LLOYD McCOLLOUGH. The man had an abundant dscographical production, under his actual name, or his pseudo («Lloyd Arnold). He realeased several great discs on Von and Republic. Here are two goodies, «Until I Love Again» and «What goes on in your heart» (Ekko 1023).

On the West coast now with CHESTER SMITH, born in Wade, Oklahoma in 1930 – moved at an early age to California. He settled as a DJ during the latter part of the ’50s for the famous KTRB radio station out of Modesto and he had a long string of releases (many sacred ones) on the Capitol label. In 1957 he duetted with Del Reeves for a minor classic (does this song ring a bell? By Gene Vincent!), «Love, Love, Love» (valued at $ 100-150). We find him a couple of years later on the Riverbank, Ca. label Poppy and «Tennessee Saturday Night», a light country rocker. In the meantime he had also cut for Decca «You Gotta Move», which is clearly Rock’n’roll, as did the unissued-at-the-time «Rock Go Around».

More on the West coast by a great: SKEETS McDONALD . Two tracks out of a January 1955 session. Both are very good examples of shuffling, bouncing Hillbilly bop, «I Can’t Stand It Any Longer» and (my favorite of Skeets for years) «You’re Too Late“.

Sources : YouTube, 45cat, my own archives and collection. This article has been made on a Mac.

Lloyd (Arnold) McCollough & the Drifting Hillbillies story

I found the story on RaB-HOF site. It’s not that often a relative to an artist offers such a complete and accurate story. It even goes back to the beginning of 20th century!  So I decided to let its author speak by herself. Here it is:

LLOYD ARNOLD McCOLLOUGH STORY

by: Annette Wondergem (Lloyd’s niece)

with additions from Dave Travis, Al Turner, Terry Gordon & Bo BerglindLAnDH1954

A raw December wind sent an icy chill through the tall, lean young man who stared longingly at the mandolin in the display window of the music store. Just a few more dollars saved from odd jobs and sacrificed lunches and that fine instrument would be his. He pulled his collar closer about his throat and turned wistfully homeward. The year was 1950, the place was Memphis, Tennessee and the young man was Lloyd Arnold McCollough. At this point Lloyd had a lifetime ahead of him and he could imagine the possibilities that a mandolin could bring. Twenty years later the pressure of a touring musician had begun to take it’s toll. But, let’s not go ahead of time, the story of Lloyd Arnold, who became a pioneer of early Memphis music, began many years earlier.

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