Late June 2020 bopping fortnight’s favorites

Howdy, folks.

The first three releases were all done on the West coast and published by Capitol records, the big California concern.Then at the end of the selection, here are more Little Richard tunes, some very rare. Enjoy!

Billy Strange

The multi-session guitar player BILLY STRANGE (1930-2012) sang a truck driver’s song in 1952, « Diesel Smoke, Dangerous Curves », complete with truck honkers effects, braking grinding sounds and woman’s yellings, which goes faster and faster until the final break. (Capitol 2032).

Cliffie Stone

Then the ubiquitous CLIFFIE STONE, bass player, bandleader and entertainer (Hometown Jamboree) for the jumping, jiving « Jump Rope Boogie »  (Capitol 1496).

Third Capitol exposure goes with OLE RASMUSSEN, leader of the Nebraska Corn Hunters. Defintely a Western flavoured Hillbilly. Medium paced « Gonna See My Sunday Baby Tonight ».(Capitol 1323). lazy vocal with yells to the backing musicians.

Hoyt Scoggins & The Georgia Boys

On a Starday Custom serie # 606 (from January 1957), the very nice, fast « What’s The Price  (To, Set Me Free » by HOYT SCOGGINS & His Georgia Boys. An agile guitar, on a very fast Hillbilly boogie. A splendid track..

Jim Harless & the Lonesome Valley Boys

JIM HARLESS next one, from Bristol, TN in a mix-up of Hillbilly and Bluegrass (good banjo all through) for « Rock’n’Roll Fever Ain’t Got Me ». A bit of fiddle and a strong rhythm guitar.(Shadow 104, unknown date).

Ted Brooks

It’s impossible to fix which version came first on of « The Hot Guitar », either by Eddie Hill on Mercury 6374 (backed by MM. Chet Atkins and Hank Garland) or by TED BROOKS (Vocal by Henry Kimbrell) on Decca 46374, both issued in October 1951. Guitar tour-de-force in both cases.

Rick Rickels

A double-sider Rockabilly now with the mysterious RICK RICKELS (& His Wild Guitar) on the MH label, late ’50s or early 60s. « I’m Gone » and « You Gonna Go Away » are both frantic rockabillies,

Ray Coats, Cotton Collins & his Ranch Boys

Finally RAY COATS, backed by Cotton Collins & His Ranch Boys for the fine bluesy bopper « Texas Blues » (1953, on the Shamrock label, no #) from Houston, Texas. A fine steel (solo), a lazy vocal, and a good rinky-dink piano.

Sources : 45world (for 78rpm label scans), old Tom Sims’ cassette (Ole Rasmussen, Jim Harless, Ray Coats), RCS for Rick Rickels’ label scans (where came the soundfiles from, I can’t remember..) ; Ted Brooks from 78-Ron ; Hoyt Scoggins from the Starday Project (Malcolm Chapman among others).

And now for the last time, here are some more Little Richard’s rarities.
– “Taxi Blues”, 1951;
– “Little Richard’s Boogie” (1953) with the Johnny Oui Orchestra;
– “Valley Of tears” (1961) with the Upsetters;
– “Ytavelin’ Shoes” from 1963;

More sides
– I’m Back” from the comeback (1965)
– “Hurry Sundown”, from the motion of the same name (1967)
– “Rockin’ Chair”, cut in January 1967
– “Dew Stop Inn”, last entry in the charts (1971)

Late November 2018 bopping fortnight’s favorites

Hi ! This is the late November 2018 bopping fortnight’s favorites selection : I try to add regularly this section of bopping.org. Obscure artists and record labels, as better known ones, but the emphasis is done on lesser known tunes. They do represent anyhow my feeling for the Hillbilly Bop music between 1945 and 1965 (occasionnally I am sticking these time limits out).

First artist is DICK DYSON, whom I still doesn’t know anything about. I had posted a tune (« I Work In The Daytime, (She Works At Night) » in the early July 2018 faves’ selection, here is one more : « Warmed Over Coffee And Woke Up Kisses » is a fast song, a lot of steel and a very agile lead guitar. Vocal by Johnny Pearson. This was released in 1947 on Tri-State 103.

The November period is favourable to witches and haunted houses. JACK RIVERS on Coral 64072 cut in 1954 the classic half-sung tune of the genre with « Haunted House Boogie : piano, steel, and skeleton’s clinketings.

From Columbia, TN, came in 1960 the rousing « The Drifter », released on Maid 1000 by the Tennessee Drifters (with TOMMY MORELAND on vocal). Great trembling guitar over an high-pitched vocal. More of the same with « The Tennessee Blues » on the Columbus (located in…Columbia, TN, near Nashville) label # 1501. He released also the out-and-out rocker «  » in 1962 on Skoop 1054.

On the West coast, GENE O’QUIN delivers « I Specialize In Love » (Capitol 2578), cut in December 1954. A fast bopper, steel played by Speedy West and fiddle by Harold Hensley.

On the Houston based Shamrock label (no #) I am releasing RAY COATS (Collins and The Ranch Boys) for the fine « Texas Blues », from 1952 or 1953.

In West Monroe (La.)(near Shreveport) was cut the good « Just Me And The Jukebox » by the veteran BUZZ BUSBY on vocals and mandolin. A fast song, a banjo solo as expected on the small Jiffy label # 207.

Next artist was primarily a ballad singer. RUSTY McDONALD, a native of Lawton, Texas (1921-1979, aged only 57 years) worked with Bob Wills, the Callahan Brothers, Tex Ritter as guitarist or front singer. Here he appears on the 1951 released « Baby Sittin’ Boogie » (Intro 6035) : lazy vocal, shufflin’ and sympathetic rhythm. He scored big the same year with « Postage Due », a very styled uptempo tune.

The veteran TEX RITTER has an assured vocal and a dreamed backing behind him, that of Speedy West on steel, Merle Travis on guitar, Cliffie Stone on bass and Harold Hensley on fiddle for « Boogie Woogie Cowboy » (Capitol 928, from January 1950)

Sources : as usual, YouTube, Uncle Gil’s Rockin’ Archives, Internet.