Late September 2017 bopping and moving fortnight’s favorites (1950-1965)

 

Howdy, friends ! This is the last selection of fortnight’s favorites for September 2017. I didn’t post a fortnight selection early this month, I was away from my Macintosch and could not but release the story of Freddie Frank, a Texan Hillbilly bopper – I hope you visiting friends and followers have just noticed the article…and liked it! I will be out once more during October, and don’t know how I will manage the blog. In the meantime here I am and well, and ready for this late September 2017 selection, which will last from the early ’50s until 1965.

Here we go with the earliest track, « Why not » on the B&C label # 500 by PAPA CAIRO (misspellt Cario on the label). Indeed he was a Louisianian. Real name Julius Lamperez. He was a steel guitar player and band leader during the early fifties (records on Feature and Colonial among others) and was long associated with the Cajun Chuck Guillory (« Grand Texas » on Modern 612). Here he delivers a decent uptempo ballad, a bit crooning, piano-led with fiddle and steel solo.

Why not

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Be my Baby

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Great Big Moon

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From Marshall, Missouri on the Jan label (# 6-58) two tracks by F. D. JOHNSON with the Missouri Valley Boys. First « Be my baby » is a well-tempered (as you would say for Bach’s harpsichord – rock on, J.-S. !) rockabilly with vocal hiccups and a nice guitar solo. The flipsde is « Great big moon », and a good hillbilly weeper : vocal, fiddle solo. One little record to watch, and one wonders if he did something else.

Mop Bop Boogie

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Ramblin’ Blues

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On the Black side (or the man is White??? vocally he sounds at last) with WILBUR STEINBERG on the Memphis, TN, Hut label (# 4401) for a fast side, « Mop bop boogie », a mover with sax and screams, then a bluesy uptempo « Ramblin’ blues », which goes for the same comment. Two good sides !

Then on to Del Rio, Texas on the Hacienda label. Here he comes, SKEET WILLIAMS for a pleasant ballad (with chrorus and steel), « Lonesome rain » (# 0001). He’s backed by Bob Haltern’s Swing Kings, moreover a band unknown to me. The side was released in 1965 and coupled with « Mary, Mary, Mary Jane », a fast Rockabilly belter with chorus and loud drums. Thanks bebopcapitol !The record had apparently an early release on Royal Scot 102.

Lonesome rain

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Mary, Mary, Mary Jane

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We are reaching the end with VON STEPHENS on the Karl label (London, OH) and « Huckleberry junction » : a decent Hillbilly bopper, steel is present, a short guitar solo. Clay Eager production : someday, I will search on the very interesting Clay Eager.

Huckleberry Junction

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That’s all folks. Thanks for your comments, corrections or additions. Sources: as diverse as usual.

early August 2014 fortnight’s favorites: usual hillbillies and sad news

Hello, this is early August 2014 fortnight. Some new tunes, some already published a few years ago for newcomers, and finally sad news.

 

REDD STEWART was during long years the lead vocalist for PEE WEE KING. The latter (with the Golden West Cowboys) was allegedly under exclusive contract with RCA-Victor, but not Stewart: he was signed by King records and recorded several tunes in Cincinnati (February 1950), among them the very fine « Brother, drop dead (boogie) » King 843-AA). He is indeed backed by the Golden West Cowboys, disguised under the name of « His Kentucky Colonels » ! Great Hillbilly boogie, good steel and piano.

 

king 843AA Redd stewart brother drop dead boogie

Redd Stewart “Brother, drop dead (boogie)”

redd stewart (bebopcapitol)

 

 

 

 

 

 

 

 

Another well-known artist (he has his own entry in bopping.org) from Mississipi is JIMMY SWAN, or « Colonel Jim » as he presented himself on a Baton Rouge, La. TV-station in 1952. He was signed on the Lilian McMurray Trumpet label in 1952, and recorded for her at WFOR Radio station in Hattiesburg, MS. I retain particularly, among many fine sides, « Juke joint mama » (Trumpet 176), with nice steel (a la Don Helms, Hank Williams’ steel player) and fiddle, and «Lonesome daddy blues «  (Trumpet 198). « Juke joint mama » was first cut by the veteran Denver Darling for Decca in 1946 ; Darling, active in Denver, IN, is the co-writer of, among others, « Choo choo ch’boogie », a hit for Louis Jordan as well as Bill Haley, and more recently for Clifton Chenier. « Lonesome daddy blues » is not the same track as Bill Johnson‘s on a Starday custom – which I will discuss about in another article.

 

swan

Jimmy Swan

denver darling

Denver Darling

Denver Darling “Juke joint mama”download

trumpet 176-78

Jimmy Swan “Juke joint mama”download
trumpet 198 450p

silon 201

 

 
Jimmy Swan “Lonesome daddy blues”download
 

 
Sonny Starns, “Baton Rouge, L.A.”download
 

 

 

 

 

 

 

 


Let’s stay down south. The unknown SONNY STARNS delivers a romping, piano-led « Baton Rouge, L.A. » on the small Hammond, La. Silon label (# 202). 

 

 
Jimmy C. Newman “Lache pas la patate”download
 

 

Sad news now. The death (on June 21rst) of a giant of Country and Cajun music, Mr. JIMMY C. NEWMAN. Born 1927, he began his career vocally fronting the band of Papa Cairo on Modern sides – I think he sings « Kooche kooche », to be found on an old U.K. Ace compilation (« Swingbillies »), in 1949-50. Then he was cutting for Jay D. Miller in Crowley, La. and his first label Feature : songs like « Wondering » – later covered by Webb Pierce on Decca. He had records on Khoury’s too, before entering in Randy Wood’s stable on Gallatin, TN Dot label. A huge hit in 1956, « A fallen star » : then he was an established star. However he never denied his Cajun ancestry and roots and, in 1973, recorded on La Louisiane label the much acclaimed « Lâche pas la patate » in French, also known as « The potato song » (written by Clifford Joseph Trahan, better known as Pee Wee Trahan, or Johnny Rebel…). The song went n°1 in Quebec on the Deram label, and had not since then disappeared from his repertoire, always in demand by Cajun speaking folks until recent times. Newman died of cancer. I will have a survey later of his entire career. Let’s get his music ! 

 Lâche pas la patate (lyrics in French)(“Don’t drop the potato”)

 

Hey! Lâche pas la patate mon neg. Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire mais j’lâche pas la patate??-?J’vas au bal tous les samedis, pour escouer mes vieilles pattes? J’danse avec toutes les belles filles… Mais j’lâche pas la patate – ?J’fais tous les clubs que je peux faire ent’Lafayette et la Ville Plate? Oublie-moi pas des fois ça chauffe… Mais j’lâche pas la patate?? Refrain😕 Hey! Lâche pas la patate mon neg  Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire mais j’lâche pas la patate??-?Chu pas marié, j’ai pas personne pour m’tenir le fond d’culotte? Quand j’veux partir chu “gone vieux j’ton” Mais j’lâche pas la patate ?J’vas là tout seul la moitié du temps mais quand l’idée me frappe? J’appelle Marie la chère p’tite fille mais j’lâche pas la patate?? Refrain😕 Hey! Lâche pas la patate mon neg Hey! Lâche pas la patate? Une chose qu’est claire, j’fais mon affaire Mais j’lâche pas la patate??-Un soir au bal un tout p’tit boguet et un gros a pris à s’battre ?J’voulais que le petit gagne et j’criais “Lâche pas la patate”? Le gros bougre m’a r’gardé et dit: Espère que j’te rattrape ?J’mé viré de bord… J’ai couru fort… J’ai lâché la patate??  Refrain😕 Hey! J’ai lâché la patate mon neg Hey! J’ai lâché la patate? Une chose qu’est claire, j’fais mon affaire J’ai lâché la patate??Hey! Lâche pas la patate mon neg Hey! Lâche pas la patate? Une chose qu’est claire, j’ faist mon affaire Mais j’lâche pas la patate…?  [translation in English on personal request]

jimmy C.Newman pic