Early October 2019 bopping fortnight’s favorites

Howdy, folks. Here is the early October 2019 fortnight’s favorites selection. There will be a unusual amount of records on major labels, all cut between 1955 and 57.

He had first appeared in the late August 2016 fortnight’s selection for « Big Money » (1956) and the original of « Six Days On The Road » (1961). Here is the return of PAUL DAVIS for his second release on M-G-M (# 12209). « I’m On The Loose » is also a solid bopper, cut in July 1955.

A nice combination of bass, mandolin (probably) and fiddle is backing « I’ll Be Broken Hearted » by HYLO BROWN on Capitol 3448 – a medium uptempo weeper from June 1956.

Cash Box sept. 9, 1956

Buddy Shaw

Now on a Starday Custom (# 643, from June 1957) by BUDDY SHAW and the minor classic « Don’t Sweep That Dirt On Me ». A fast rockabilly, typical in Starday sound (guitar and piano are battling). Shaw had aslo Starday 609 (« No More ») and 618, similar style.

Bill Dudley

An intimate vocal on an uptempo rhythm, with prominent fiddle and an insistant rhythm guitar for BILL DUDLEY and « Wailing Wall » released on Capitol 2531.

On RCA-Victor 47-6147 now, BUDDY THOMPSON does offer « Don’t Kindle Up The Flame » : a mad fiddle (solo), a good steel solo, a fast bopping piano – a nice tune (June 1955). Thompson went later on Atco for Rock’n’Roll sides.

Cash Box 18 June, 1955

Stan Hardin

Two sides by STAN HARDIN from June 1957, and the surprisingly Hank Williams styled « Hungry Heart » : an uptempo shuffler with fiddle and steel. « Give Me All Your Lovin’, Baby », the flpside, is a fast bopper with energetic vocal. Decca 30302, obviousy backed by the Nashville cream of musicians.

Alvadean Coker

Finally a female bopper, ALVADEAN COKER and her « We’re Gonna Bop » (1955). A call-and-response format for a jumping bopper. A nice one. To be found on Abbott 173.

Sources: mainly Internet.

early July 2010 fortnight

Hello folks, here I am again, back in wonderful Vallée du Rhône (where I lived for more than 40 years): Roman monuments, wines, goat cheeses, near Lyon, the second city of France (rivalling Marseille). Here in Vienne we have one of the foremost Jazz Festivals all around Europe (1rst fortnight of July), held in a marvelous Roman theater (fantastic acoustic!). Among all artists will be this year Joe Cocker – he’s not a Hillbilly yet, you know, but one of the truly Soulful artists ever. The show is booked…

All my records are still in boxes, and the library has yet to be set up, later this Summer. So this early July fortnite will be made up of tunes stored on my Macintosch for accidental use like this one. No label pictures, no spare time left to research in my files, only the music. After all, it’s only music we all love that got importance, isn’t?

Here we go.First from Indiana (Ruby label) comes WALTER SCOTT and the fine Hillbilly bop “I’m Walkin’ Out” (1956) complete with swirling fiddles and steel-guitar. Then to Texas, I think (I may be wrong!), with the great HYLO BROWN, whose career was firmly dept in Bluegrass but flirted with Hillbilly at times. I’ve chosen his 1951 rendition of “Lonesome Road Blues” (Four Star). Down in Louisiana, here comes the Pope of Cajun accordion, NATHAN ABSHIRE and one of his first records (although he had already recorded in 1939) under his name, the fine instrumental “Lu Lu Boogie” (Khoury’s label, 1947). On to Nashville, and JIMMY MARTIN, one of the founding members of the Bluegrass style (he’s been once guitar player for Bill Monroe). The song herein is Bluegrass, indeed, but Jimmy has hiccups in his voice…that predate (in my mind anyway) Rockabilly! “Hop, Skip and Wobble” (Decca) Complete with fiddle, banjo, string-bass. Back to the real roots of Hillbilly of the Thirties: (Tom) DARBY & (Jimmy) TARLTON – the haunting “Sweet Sarah Blues” (may be from 1928? 1931? I cannot verify at the moment). Great, strange vocal, and wild dobro.

We finished with two very different tunes, separated by at least 50 years. BIG MACEO (Merryweather) was a fine piano player and intimate vocalist of Chicago in the early 40s. Hear his “I Got The Blues” (backed by Tampa Red on the fluid electric guitar). Then MAURA O’CONNELL (late 1990’s) and the beautiful (both melody and lyrics) “It’s A Beautiful Day”. Enjoy, folks!