Billy Briggs was born in Fort Worth Texas in 1919. He apprenticed there under pioneering electric steel guitarist Bob Dunn & joined the Hi-Flyers in the mid-1930’s. He followed a stream of former Hi-Flyers to Amarillo in late 1937 to join the Sons Of The West (whose he played on « Panhandle Shuffle ») & in the coming years became one of the earliest steel guitarists to significantly expand upon Dunn’s model. Briggs built his own nine-string steel, began experimenting with new tunings & chord voicings, and, when he formed his own band Swinging Steel in 1939, became perhaps the first steel player to attach legs to his guitar & play standing, fronting his own group. He returned to the Sons Of The West in 1940 & took part in their tightly arranged forward-looking 1941 sessions for Okeh. He held together a makeshift Sons Of The West lineup for a while during the war, then formed his own XIT boys in 1946. In late ’46 or early ’47 Briggs began an association with Dan Allender’s Dalhart/Amarillo-based Time label that lasted to the end of the decade. A single release on Lew Preston’s Folke label followed, before a prolific stint withImperial (1950-53) gave Briggs a regional & much covered hit “Chew Tobacco Rag” in 1951. Briggs ended a nine year association with Amarillo’s Avalon club in 1956 when he dispanded the XIT boys & opened his own ill-fated hall. He left music soon after & died in California in 1984.(more…)
Hello folks! This is REALLY a hot summer over there in France, lot of heavy clouds but…no rain at all. Perfect time anyway to keep oneself well dry inside and stomp to that good ole’ Hillbilly beat. We begin with a very elusive artist from the Cumberland Valley/Cincinnati area. I’ve told before in this site about him, and did promise I should post everything I gathered for one year and a half. This could be later this year, so watch out for the fullest possible story on Mr. JIMMIE BALLARD. The first cut in this fortnite is Ballard’s own version of “Birthday Cake Boogie” (Kentucky 508)
of course, the same song was also recorded by, among others, BILLY HUGHES and SKEETS McDONALD, and stands out as a classic ‘risqué‘ or ‘double-entendre‘ song. Ballard was the front man then of BUFFALO JOHNSON‘s Herd (who was active in the D.C. area, and a full story on him is on the line. And he keeps the vocal duties with the also ‘risqué‘ (Kentucky 520 ) “T’ain’t Big Enough“. Both songs are from 1953/1954, fine uptempo Boppers, altho’ just above average, except for lyrics.
Back to a Wildcat out of Texas, a very long career as steel guitar player as soon as 1936, then singer and front man of his band, the XYT Boys, BILLY BRIGGS. I will have some day a complete story on him. He was (maybe he’s still alive, I dunno) to have a sound on his own, and produced very strange ditties from his steel in 1951 for his greatest success (much covered) “Chew Tobacco Rag N° 2” . Here I’ve chosen the amusing “North Pole Boogie” (Imperial 8131, late Forties), complete with icy wind effects (on steel), and Briggs’ own barytone voice imitating a sort of ‘polar bear’ .
Back to Cincinnati and BILL BROWNING. I’ve written about him elsewhere in the site with the story of the LUCKY label. Today I listen to his composition “Dark Hollow“, which was a hit in 1958 when picked up by JIMMIE SKINNER, before the very nice version on BLUE RIDGE by LUKE GORDON (watch out for his story later in 2010), then even by The Grateful Dead in 1973, among others. I particularly like the recent version made by FRED TRAVERS (90’s) which I’ve included in the podcasts; almost falsetto urgent vocal and great dobro.
More from Cincinnati. BOBBY ROBERTS (I think there were at least 2, or 3 personas by the same name during he 50’s). Here he’s the great Hillbilly singer, who cut late 1955 4 sides for KING records. I cannot rememeber if I posted earlier his great “I’m Gonna Comb You Out Of My Hair” (what a title!). This time, I offer the second KING (4868, unverified – Ruppli’s book still stored) “I’m Pulling Stakes And Leaving You”, same lyrics format. Great, great Hillbilly Bop. Later in 1956, Roberts (or one of his aliases) had “Big Sandy” or “Hop, Skip and Jump“, pure Rockabillies. I still wonder if it’s the same man; if so, he would have adapted very well and quickly (within some months) from pure Hillbilly vocal to almost Rock’n’Roll. By the way, he would not have been the first to do so: SKEETS McDONALD, GEORGE JONES, MARTY ROBBINS did very well the transition early in 1956.
Another elusive artist: guitar player/singer PETE PIKE. Recently deceased (2006) just after a CD ‘back to roots’ (Bluegrass) issued in 2005, he was active both in Virginia and D.C. areas from 1947 onwards, and associated several years with another interesting man, BUZZ BUSBY (Busbice). Pike had Hillbilly Bop records on FOUR STAR and CORAL in 1954-1955, among them I’ve chosen the superior ballad “I’m Walking Alone“. Another future entry in www.bopping.org, research is well advanced.
Finally, on the Rocking Blues side, you’re in for a treat with L.A. ‘black Jerry Lee Lewis’ (as the Englishmen call him when he visits their shores), WILLIE EGAN and “What A Shame” from 1957 (Vita label). Pounding piano, wild vocal, strong saxes, heavy drums, the whole affair rocks like mad, althoug relaxed. Enjoy, folks. Comments welcome. ‘Till then, bye-bye.